Commodus-Hercules That the Capitoline Bust Showed
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Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
ROMAN EMPERORS in POPULAR JARGON: SEARCHING for CONTEMPORARY NICKNAMES (1)1 by CHRISTER BRUUN
ROMAN EMPERORS IN POPULAR JARGON: SEARCHING FOR CONTEMPORARY NICKNAMES (1)1 By CHRISTER BRUUN Popular culture and opposite views of the emperor How was the reigning Emperor regarded by his subjects, above all by the common people? As is well known, genuine popular sentiments and feelings in antiquity are not easy to uncover. This is why I shall start with a quote from a recent work by Tessa Watt on English 16th-century 'popular culture': "There are undoubtedly certain sources which can bring us closer to ordinary people as cultural 'creators' rather than as creative 'consumers'. Historians are paying increasing attention to records of slanderous rhymes, skimmingtons and other ritualized protests of festivities which show people using established symbols in a resourceful way.,,2 The ancient historian cannot use the same kind of sources, for instance large numbers of cheap prints, as the early modern historian can. 3 But we should try to identify related forms of 'popular culture'. The question of the Roman Emperor's popularity might appear to be a moot one in some people's view. Someone could argue that in a highly 1 TIlls study contains a reworking of only part of my presentation at the workshop in Rome. For reasons of space, only Part (I) of the material can be presented and discussed here, while Part (IT) (' Imperial Nicknames in the Histaria Augusta') and Part (III) (,Late-antique Imperial Nicknames') will be published separately. These two chapters contain issues different from those discussed here, which makes it feasible to create the di vision. The nicknames in the Histaria Augusta are largely literary inventions (but that work does contain fragments from Marius Maximus' imperial biographies, see now AR. -
The Grave Goods of Roman Hierapolis
THE GRAVE GOODS OF ROMAN HIERAPOLIS AN ANALYSIS OF THE FINDS FROM FOUR MULTIPLE BURIAL TOMBS Hallvard Indgjerd Department of Archaeology, Conservation and History University of Oslo This thesis is submitted for the degree of Master of Arts June 2014 The Grave Goods of Roman Hierapolis ABSTRACT The Hellenistic and Roman city of Hierapolis in Phrygia, South-Western Asia Minor, boasts one of the largest necropoleis known from the Roman world. While the grave monuments have seen long-lasting interest, few funerary contexts have been subject to excavation and publication. The present study analyses the artefact finds from four tombs, investigating the context of grave gifts and funerary practices with focus on the Roman imperial period. It considers to what extent the finds influence and reflect varying identities of Hierapolitan individuals over time. Combined, the tombs use cover more than 1500 years, paralleling the life-span of the city itself. Although the material is far too small to give a conclusive view of funerary assem- blages in Hierapolis, the attempted close study and contextual integration of the objects does yield some results with implications for further studies of funerary contexts on the site and in the wider region. The use of standard grave goods items, such as unguentaria, lamps and coins, is found to peak in the 1st and 2nd centuries AD. Clay unguentaria were used alongside glass ones more than a century longer than what is usually seen outside of Asia Minor, and this period saw the development of new forms, partially resembling Hellenistic types. Some burials did not include any grave gifts, and none were extraordinarily rich, pointing towards a standardised, minimalistic set of funerary objects. -
Violence Against Women on the Column of Marcus Aurelius
Violence Against Women on the Column of Marcus Aurelius The Column of Marcus Aurelius is an imperial Roman monument of uncertain date, like- ly either 176 or 180 CE. Its elements (pedestal, spiral frieze, and statue) and its content (a mili- tary narrative) are largely modeled on the earlier Column of Trajan. One major difference be- tween the columns is that the Column of Marcus Aurelius shows physical violence much more often and more explicitly than the Column of Trajan. This pattern of increased violence on the Column of Marcus Aurelius extends into non-military contexts that involve women. On the Column of Trajan, women never appear alone: they are unthreatened and accompanied by other women and by husbands and/or children. Meanwhile on the Column of Marcus Aurelius, women are more often isolated and sometimes victims of rape and murder. Only one scene on the Col- umn of Marcus Aurelius appears to represent intact unthreatened families. In this scene, XVII, emperor Marcus Aurelius stands on an upper register, while a group of non-Romans gathers on the lower register. The group is composed of families, many with young children. Eugen Petersen, a German scholar, documented the column’s frieze, publishing a series of photographs and descriptions in 1896. In his companion to the frieze, Petersen sug- gests that “perhaps” scene XVII may represent families being separated, though he gives no evi- dence for this claim (Petersen vol. 1, 59). More recently, Paul Zanker has analyzed the scene as part of his work on women and children on the Column of Marcus Aurelius. -
Vigiles (The Fire Brigade)
insulae: how the masses lived Life in the city & the emperor Romans Romans in f cus With fires, riots, hunger, disease and poor sanitation being the order of the day for the poor of the city of Rome, the emperor often played a personal role in safeguarding the people who lived in the city. Source 1: vigiles (the fire brigade) In 6 AD the emperor Augustus set up a new tax and used the proceeds to start a new force: the fire brigade, the vigiles urbani (literally: watchmen of the city). They were known commonly by their nickname of spartoli; little bucket-carriers. Bronze water Their duties were varied: they fought fires, pump, used by enforced fire prevention methods, acted as vigiles, called a police force, and even had medical a sipho. doctors in each cohort. British Museum. Source 2: Pliny writes to the emperor for help In this letter Pliny, the governor of Bithynia (modern northern Turkey) writes to the emperor Trajan describing the outbreak of a fire and asking for the emperor’s assistance. Pliny Letters 10.33 est autem latius sparsum, primum violentia It spread more widely at first because of the venti, deinde inertia hominum quos satis force of the wind, then because of the constat otiosos et immobilestanti mali sluggishness of the people who, it is clear, stood around as lazy and immobile spectatores perstitisse; et alioqui nullus spectators of such a great calamity. usquam in publico sipo, nulla hama, nullum Furthermore there was no fire-engine or denique instrumentumad incendia water-bucket anywhere for public use, or in compescenda. -
Byzantium's Balkan Frontier
This page intentionally left blank Byzantium’s Balkan Frontier is the first narrative history in English of the northern Balkans in the tenth to twelfth centuries. Where pre- vious histories have been concerned principally with the medieval history of distinct and autonomous Balkan nations, this study regards Byzantine political authority as a unifying factor in the various lands which formed the empire’s frontier in the north and west. It takes as its central concern Byzantine relations with all Slavic and non-Slavic peoples – including the Serbs, Croats, Bulgarians and Hungarians – in and beyond the Balkan Peninsula, and explores in detail imperial responses, first to the migrations of nomadic peoples, and subsequently to the expansion of Latin Christendom. It also examines the changing conception of the frontier in Byzantine thought and literature through the middle Byzantine period. is British Academy Postdoctoral Fellow, Keble College, Oxford BYZANTIUM’S BALKAN FRONTIER A Political Study of the Northern Balkans, – PAUL STEPHENSON British Academy Postdoctoral Fellow Keble College, Oxford The Pitt Building, Trumpington Street, Cambridge, United Kingdom The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Paul Stephenson 2004 First published in printed format 2000 ISBN 0-511-03402-4 eBook (Adobe Reader) ISBN 0-521-77017-3 hardback Contents List ofmaps and figurespagevi Prefacevii A note on citation and transliterationix List ofabbreviationsxi Introduction .Bulgaria and beyond:the Northern Balkans (c.–) .The Byzantine occupation ofBulgaria (–) .Northern nomads (–) .Southern Slavs (–) .The rise ofthe west,I:Normans and Crusaders (–) . -
Gladiator Politics from Cicero to the White House
Gladiator Politics from Cicero to the White House The gladiator has become a popular icon. He is the hero fighting against the forces of oppression, a Spartacus or a Maximus. He is the "gridiron gladiator" of Monday night football. But he is also the politician on the campaign trail. The casting of the modern politician as gladiator both appropriates and transforms ancient Roman attitudes about gladiators. Ancient gladiators had a certain celebrity, but they were generally identified as infames and antithetical to the behavior and values of Roman citizens. Gladiatorial associations were cast as slurs against one's political opponents. For example, Cicero repeatedly identifies his nemesis P. Clodius Pulcher as a gladiator and accuses him of using gladiators to compel political support in the forum by means of violence and bloodshed in the Pro Sestio. In the 2008 and 2012 presidential campaigns the identification of candidates as gladiators reflects a greater complexity of the gladiator as a modern cultural symbol than is reflected by popular film portrayals and sports references. Obama and Clinton were compared positively to "two gladiators who have been at it, both admired for sticking at it" in their "spectacle" of a debate on February 26, 2008 by Tom Ashbrook and Mike McIntyre on NPR's On Point. Romney and Gingrich appeared on the cover of the February 6, 2012 issue of Newsweek as gladiators engaged in combat, Gingrich preparing to stab Romney in the back. These and other examples of political gladiators serve, when compared to texts such as Cicero's Pro Sestio, as a means to examine an ancient cultural phenomenon and modern, popularizing appropriations of that phenomenon. -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
A MESAMBRIAN COIN of GETA Luchevar Lazarov Unlike The
TALANTA XXXIV-XXXV (2002-2003) A MESAMBRIAN COIN OF GETA Luchevar Lazarov Unlike the abundant production during the Classical and Hellenistic periods, the activity of the mint at Mesambria Pontica in Roman times was relatively 1 limited . Until now, the following mints are known: Hadrian (117-138 AD), Septimius Severus (193-211 AD), Caracalla (198-217 AD), Gordian III (238- 244 AD), Philip the Arab (244-249 AD), Philip II (247-249 AD) and the empress Acilia Severa, wife of the emperor Elagabalus (218-222 AD) (Karayotov 1992, 49-66). Recently, a Mesambrian coin from the time of the emperor Augustus (27 BC - 14 AD) was found in the private collection of N. Mitkov from Provadija (NE 2 Bulgaria) , showing the beginning of the Roman mint in the city (Karayotov 1994, 20). In this present note, a Roman Mesambrian coin of the emperor Geta (209-212 AD) is presented, testifying that in the beginning of the 3rd century AD, also coins bearing the name of this son of Septimius Severus were minted in Mesambria. AUKPÇEP Obv.: / GETAC, showing a bust of Geta with laurel wreath and wearinMgEaÇcAuMiraBssR anId pAaNluPdaN mentum (Fig. 1). Rev.: / / , showing a naked Hermes with a purse in his right and a caduceus in his left hand. The face is turned to the left (Fig. 2) > AE; — ; D: 23-24 mm. Taking the size of this coin in account, it probably belongs to nominal III (Schönert-Geiss 1990, 23-99). 1 On Mesambrian coinage of the pre-Roman period, see: Karayotov 1992, Karayotov 1994, Topalov 1995. 2 I would like to thank mr. -
Let's Review Text Structure!
Grade 6 Day 18 ELA q I Grade 6 Day 18 ELA Grade 6 Day 18 ELA W o Grade 6 Bearcat Day 18 Math pl Grade 6 Bearcat Day 18 Math P2 Grade 6 Bearcat Day 18 Math 173 Grade 6 Bearcat Day 18 Math 104 Grade 6 Day 18 Science pl Grade 6 Day 18 Science P2 Grade 6 Day 18 Science 123 Question for you to turn in. Describe how processes were used to form a landform. Use vocabulary and evidence from the passage to support your answer. RACE. Grade 6 Day 18 Social Studies Grade 6 Day 18 Social Studies to . I ] l n n t t e o o r n n m i i i t r r t t a a p t t h e e a a . r r m h h 1 o o m m t t E r r 0 p p O O e o o n s f f m m r n a i i i l n n o i i r m e e o m p i R t / l m ? ? d d e l l a l l E e e h a a , ci s s T f f s e u u n n n a a m o sp w w o i C C r o o s/ f t t ct t n D D a a e n a s h h s s e i i t m e W W h h n o h r t / co s o t e d r i n n s s p o a i e e e e t i i m s v v n e p r r m m / e i l t e e e e g t c r s s n n a e e o o l E E R R e s. -
The Political and Military Aspects of Accession of Constantine the Great
Graeco-Latina Brunensia 24 / 2019 / 2 https://doi.org/10.5817/GLB2019-2-2 The Political and Military Aspects of Accession of Constantine the Great Stanislav Doležal (University of South Bohemia in České Budějovice) Abstract The article argues that Constantine the Great, until he was recognized by Galerius, the senior ČLÁNKY / ARTICLES Emperor of the Tetrarchy, was an usurper with no right to the imperial power, nothwithstand- ing his claim that his father, the Emperor Constantius I, conferred upon him the imperial title before he died. Tetrarchic principles, envisaged by Diocletian, were specifically put in place to supersede and override blood kinship. Constantine’s accession to power started as a military coup in which a military unit composed of barbarian soldiers seems to have played an impor- tant role. Keywords Constantine the Great; Roman emperor; usurpation; tetrarchy 19 Stanislav Doležal The Political and Military Aspects of Accession of Constantine the Great On 25 July 306 at York, the Roman Emperor Constantius I died peacefully in his bed. On the same day, a new Emperor was made – his eldest son Constantine who had been present at his father’s deathbed. What exactly happened on that day? Britain, a remote province (actually several provinces)1 on the edge of the Roman Empire, had a tendency to defect from the central government. It produced several usurpers in the past.2 Was Constantine one of them? What gave him the right to be an Emperor in the first place? It can be argued that the political system that was still valid in 306, today known as the Tetrarchy, made any such seizure of power illegal. -
A Remark on the Name of the Emperor Lucius Aurelius Verus in Egypt 448 ADAM ŁUKASZEWICZ
INSTITUT DES CULTURES MÉDITERRANÉENNES ET ORIENTALES DE L’ACADÉMIE POLONAISE DES SCIENCES ÉTUDES et TRAVAUX XXVI 2013 ADAM ŁUKASZEWICZ A Remark on the Name of the Emperor Lucius Aurelius Verus in Egypt 448 ADAM ŁUKASZEWICZ In documents from Roman Egypt the emperor Lucius Aurelius Verus (AD 161–169)1 appears obviously as co-regent of Marcus Aurelius and is mentioned only together with Marcus Aurelius. In Greek papyri a frequent formula reads: Αὐτοκράτωρ Καῖσαρ Μάρκος Αὐρήλιος ʼΑντωνῖνος Σεβαστὸς καὶ Αὐτοκράτωρ Καῖσαρ Λούκιος Αὐρήλιος Οὐῆρος Σεβαστός.2 The occurrence of Lucius Verus is rare in Egyptian texts. As far as the Egyptian hieroglyphic inscriptions are considered, J. von Beckerath quotes only the examples from R. Lepsius’ Denkmäler.3 The name of Lucius Verus occurs as: Rwky Awrry wr-aA anx-Dt. The names printed in the Denkmäler were copied from three cartouches which are situ- ated on the southern wall in a small western temple of Marcus Aurelius at Philae, in a row together with the cartouches of Marcus Aurelius, with two preserved cartouches containing the titles Αὐτοκράτωρ Καῖσαρ: Awtkrtr Ksrs. Above these cartouches of Marcus Aurelius and Lucius Verus there is a fragment of a Greek inscription with a date (Pharmouthi 30 of an unknown year) referring to the joint rulers: ] κυρίων Αὐτοκρατόρων Φαρμοῦθι λ ἐπ΄ ἀγαθῷ. New instances of the name of Lucius Verus are available now in the publication by J. Hallof.4 They came from Kom Ombo and Philae. The inscriptions can be found in the main temple of Kom Ombo and in the gate of Hadrian at Philae.