2021 WFMT Opera Series Broadcast Schedule & Cast Information
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Don Giovanni Sweeney Todd
FALL 2019 OPERA SEASON B R AVO Don Giovanni OCTOBER 19-27, 2019 Sweeney Todd NOVEMBER 16-24, 2019 2019 Fall Opera Season Sponsor e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket. Choose one from each course: FIRST COURSE Caesar Side Salad Chef’s Soup of the Day e Whitney Duet MAIN COURSE Grilled Lamb Chops Lake Superior White sh Pan Roasted “Brick” Chicken Sautéed Gnocchi View current menus DESSERT and reserve online at Chocolate Mousse or www.thewhitney.com Mixed Berry Sorbet with Fresh Berries or call 313-832-5700 $39.95 4421 Woodward Ave., Detroit e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket. -
UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
Nicola Luisotti Direttore D’Orchestra
Nicola Luisotti Direttore d’Orchestra Direttore Ospite Principale del Teatro Real di Madrid, il Maestro Luisotti è stato Direttore Musicale dell'Opera di San Francisco dal 2009 al 2018, dove ha diretto oltre quaranta produzioni tra opere e concerti dal suo debutto nel 2005. Nel 2018 è stato insignito della San Francisco Opera Medal per i suoi meriti artistici. Tra i numerosi titoli diretti all'Opera di San Francisco ricordiamo la prima mondiale de La Ciociara di Marco Tutino, Salome, Lohengrin, Don Carlo e la trilogia Mozart-Da Ponte. Gli impegni recenti includono La traviata e Don Carlo al Teatro Real, Il trovatore al Teatro alla Scala, Manon Lescaut all'Opera di San Francisco, La forza del destino all'Opéra National de Paris, Aida, Rigoletto e La traviata al Metropolitan Opera di New York, oltre alla Nona Sinfonia di Beethoven all'Auditorium Nacional de Música di Madrid. Luisotti ha riscosso grande successo di pubblico e di critica nei maggiori teatri d'opera del mondo, fra cui la Staatsoper di Vienna, il Teatro alla Scala, il Carlo Felice di Genova, la Fenice di Venezia, il Comunale di Bologna, il Teatro Regio di Torino, i Teatri dell'Opera di Monaco, Francoforte, Stoccarda, Dresda, Amburgo, Valencia, Los Angeles, Seattle, Toronto e la Suntory Hall di Tokyo. Nel 2010, in occasione dello storico centenario de La Fanciulla del West, da lui diretta al Metropolitan Opera, Luisotti ha ricevuto il Premio Puccini. Nicola Luisotti è stato Direttore Musicale del Teatro San Carlo di Napoli dal 2012 al 2014. Oltre ad opere e concerti a Napoli, ha diretto anche una storica esecuzione del Requiem di Verdi a San Francisco con le orchestre e i cori dei due teatri congiunti. -
Guangzhou Opera House Erin You Haifeng Pan Jing Zhao Tan Zheng Yuan Ma Overview (Introduction)
Guangzhou Opera House Erin You Haifeng Pan Jing Zhao Tan Zheng Yuan Ma Overview (Introduction) Zaha Hadid’s design won the first prize and was confirmed as the practical one which will become an icon for the Guangzhou City and even accelerate the urbanization of new developing downtown. • Background Information • Design Review • Principle Structure System • Structure Area Division • Interior Space • Auditorium • The Envelope System • Underground Structure and Foundation • Detail • Conclusion Guangzhou Opera House (Background) • The third biggest opera architecture in China • One opera hall (includes main stage, side stage, and back stage) 1,800 seats • One multiple-purpose hall with 400 seats • Foyer, art gallery, restaurant, garage • 70,000 square meters (30,000 square meters underground) • Total construction investment of 200 million dollars The Architect —— Zaha Hadid (Background) • The first woman to win the Pritzker Prize for Architecture • ZAHA HADID has defined a radically new approach to architecture by creating buildings • Multiple perspective points and fragmented geometry to evoke the chaos of modern life. Design Review • Create a new focal point in Guangzhou city • Located downstream of Peal River • Its unique twin boulder design enhances urban function with open access to the riverside and dock areas • Create a new dialogue with the emerging new town • The sheltered area formed in its intersection has been designed to accommodate outdoor activities to complement its primary role as a world stage for the performing arts 0.00 -
Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
TUTTO VERDI 2013 TV P Rogram
TV P ROGRAM 2013 CELebrating VERDI'S 200TH birthday ctober O O ctober 2013 ROGRAM TUTTO VERDI TV P Tutto Verdi – one of the most ambitious opera projects ever – is UNITEL CLASSICA’s exclusive highlight this October, celebrating Verdi’s 200th birthday on October 10. Enjoy as a world TV premiere Giuseppe Verdi‘s complete operatic works and his Requiem in High Definition and with Surround Sound. All 26 operas, which were produced in coproduction with the Verdi Festival, the Teatro Regio di Parma and the Teatro Verdi di Busseto are presented in chronological order, giving the viewer the unique chance to discover the grand composers musical development as well as the musical and historical influences he was under. On the birthday itself the great composer is honored with the broadcast of his Requiem in a special open air concert starring D’Arcangelo, Grigolo, De Young and Di Giacomo. The L.A. Philharmonic are conducted by no less than Gustavo Dudamel. Richard Wagner is born Giuseppe Verdi is born as Giuseppe Fortunino Francesco on 10 October 1813 in Le Roncole, a village near Busseto on 23 May in Leipzig 1813 (Parma), as son of the merchant Carlo Giuseppe Verdi and his wife Luigia Uttini. Congress of Vienna 1815 Premiere of Beethoven’s First engagement as organist in Le Roncole at the age of nine 1824 1822 Symphony No.9 Verdi moves to Busseto to Antonio Barezzi, a local merchant and president of the Philharmonic Society and supporter Wagner composes 1831 of Verdi’s musical ambitions. He gets engaged with Barezzi’s daughter Margherita. -
The Inextricable Link Between Literature and Music in 19Th
COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Music Ashley Shank December 2010 COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA Ashley Shank Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Interim Dean of the College Dr. Brooks Toliver Dr. Dudley Turner _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. George Pope Dr. George R. Newkome _______________________________ _______________________________ School Director Date Dr. William Guegold ii TABLE OF CONTENTS Page CHAPTER I. OVERVIEW OF THE DEVELOPMENT OF SECULAR ART MUSIC IN RUSSIA……..………………………………………………..……………….1 Introduction……………………..…………………………………………………1 The Introduction of Secular High Art………………………………………..……3 Nicholas I and the Rise of the Noble Dilettantes…………………..………….....10 The Rise of the Russian School and Musical Professionalism……..……………19 Nationalism…………………………..………………………………………..…23 Arts Policies and Censorship………………………..…………………………...25 II. MUSIC AND LITERATURE AS A CULTURAL DUET………………..…32 Cross-Pollination……………………………………………………………...…32 The Russian Soul in Literature and Music………………..……………………...38 Music in Poetry: Sound and Form…………………………..……………...……44 III. STORIES IN MUSIC…………………………………………………… ….51 iii Opera……………………………………………………………………………..57 -
Opeapoint 4 Jg20.Indd
OPERAPOINT Jahrgang 20, Heft 4, 2020 Einzelpreis 6 Euro Magazin für Oper und Konzert - unabhängig - publikumsnah Die Zauberfl öte in der Kölner Oper Hier lege ich Ihnen, liebe Lesergemeinde, das 4. Heft 2020 vor. Diesmal wird es durch die verschiedenen Festivals ermöglicht, zwölf Opernrezen- Editorial sionen vorzustellen. Die meisten Kritiken verdanken wir unserem uner- müdlichen Redakteur Oliver Hohlbach. Er durchfährt mit viel Courage die deutschen und ausländischen Länder und erläutert mit Sachverstand die vorgeschriebenen Verordnungen der Regierungen, die dem Volk die Ansteckungen des Virus ersparen wollen. Den Sommerurlaub verbrachte unser Boardmitglied Dr. Martin Knust auf einem Segeltörn in Schweden. Es läßt seine Bürger trotz Virusge- fahr – trotz erheblicher Kritik vieler Länder – frei handeln. In der Nähe Stockholms gibt es eine ausgedehnte Schärenlandschaft. Dr. Knust schil- dert neben der Landschaft mit vielen eindrucksvollen Seebildern auch den schwedischen Komponisten Hugo Alfvén, der kaum jemand der Leser- schaft bekannt seine dürfte, dessen Werke aber großen Hörgenuß berei- ten. Auch in Köln gab es die Oper Die Zauberfl öte ohne Kürzungen in der bewährten Regie von Michael Hampe, dessen unvergeßlicher Zeiten als Kölner Opernintendant von zwei Jahrzehnten 1975-1995 man sich in der jetzigen Theaterinstanz entsann und ihn zu dieser Inszenierung eingela- den hat. Die reduzierten Opernbesucher quittierten seine intelligente und gekonnte Leistung mit starkem Applaus. Die Sängerschar der Premiere, die ich am 3. Oktober 2020 besuchte, ist über die Maßen zu loben. Einer davon, der französische Tenor Julien Behr, war bereit, mir ein Interview zu gewähren, das Sie auf Seite 15 lesen können. Eine der Erscheinungen, die diese Zeiten hervorgebracht haben, ist die Entdeckung der Sächsischen Landschaft in Deutschland. -
A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans
DOCUMENT RESUME ED 112 438 CS 202 298 AUTHOR Smith, Ron TITLE A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans. PUB DATE 75 NOTE 40p.; Prepared at Utah State University; Not available in hard copy due to marginal legibility of original document !DRS PRICE MF-$0.76 Plus Postage. HC Not Available from EDRS. DESCRIPTORS *Art; *Bibliographies; Greek Literature; Higher Education; Latin Literature; *Literature; Literature Guides; *Music; *Mythology ABSTRACT The approximately 650 works listed in this guide have as their focus the myths cf the Greeks and Romans. Titles were chosen as being (1)interesting treatments of the subject matter, (2) representative of a variety of types, styles, and time periods, and (3) available in some way. Entries are listed in one of four categories - -art, literature, music, and bibliography of secondary sources--and an introduction to the guide provides information on the use and organization of the guide.(JM) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. Reproductions * * supplied -
Isabel Leonard, Mezzo-Soprano, and Jared Bybee, Baritone
Contact: Jennifer Wada Communications 718-855-7101 [email protected] www.wadacommunications.com ISABEL LEONARD, MEZZO-SOPRANO, AND JARED BYBEE, BARITONE, LAUNCH THE 2016-17 SEASON OF THE GEORGE LONDON FOUNDATION FOR SINGERS WITH A RECITAL ON SUNDAY, OCTOBER 9, 2016, AT 4:00 PM, AT THE MORGAN LIBRARY AND MUSEUM Isabel Leonard Returns to NYC for the Event in the Midst of Performances of Norma with the Canadian Opera Company – Her Role Debut as Adalgisa Isabel Leonard, photo by Becca Fay (Download) Jared Bybee, photo by Doria Bybee (Download) Last April, the George London Foundation for Singers concluded the 20th year of its celebrated George London Foundation Recital Series with a gala featuring some of opera’s most prominent American and Canadian stars. The foundation has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada since 1971, and the annual series presents pairs of outstanding opera singers, many of whom were winners of a George London Award, the prize of the foundation’s annual vocal competition. The 2016-17 season of the George London Foundation Recital Series launches on Sunday, October 9, presenting New York City native Isabel Leonard, one of the world’s most acclaimed young mezzo-sopranos, and Jared Bybee (of Modesto, California), a young baritone who has been receiving critical raves in productions of Philadelphia’s Academy of Vocal Arts, where he is in his fourth year as a resident artist. Mr. Bybee is a 2016 winner of a George London Encouragement Award. They are joined by Djordje Nesic, piano. -
MONDAY 1 OCTOBER 2018 CAST AMENDMENT GÖTTERDÄMMERUNG (Richard Wagner) Monday 1 October 2018 at 4Pm
MONDAY 1 OCTOBER 2018 CAST AMENDMENT GÖTTERDÄMMERUNG (Richard Wagner) Monday 1 October 2018 at 4pm Due to the indisposition of Christina Bock, Rachael Lloyd sings Wellgunde in today’s performance. Rachael Lloyd has sung Alisa (Lucia di Lammermoor) and Kate Pinkerton (Madama Butterfly) for The Royal Opera. Other appearances include Mrs Anderssen in Sondheim’s A Little Night Music (Théâtre du Châtelet, Paris), the title role of Carmen (Raymond Gubbay Ltd at Royal Albert Hall), Miss Jessel in The Turn of the Screw, Third Lady in The Magic Flute and Pitti-Sing in The Mikado (ENO), Amastris in Xerxes (ETO, Early Opera Company), Maddalena in Rigoletto (Iford Arts), Aristea in L’Olimpiade (Buxton Festival), Meg Page in Falstaff (Glyndebourne on Tour), Woman/Mother in Dove’s The Day After (ENO Baylis) and Cornelia in Giulio Cesare (Glyndebourne Festival). Notable concert performances include Rossini’s Stabat Mater (Ulster Orchestra), Dido and Aeneas (Spitalfields Festival), Messiah (Kristiansund), Ravel’s Trois Poèmes de Stéphane Mallarmé (LPO) andSchumann’s Frauenliebe und - leben and Elgar’s Sea Pictures (Opéra de Lille). Plans include Selene in Berenice (Royal Opera). The rest of the cast remains the same with German tenor Stefan Vinke as Siegfried, Swedish soprano Nina Stemme as Brünnhilde, Austrian baritone Markus Butter as Gunther, Danish bass Stephen Milling as Hagen, American soprano Emily Magee as Gutrune, Scottish mezzo-soprano Karen Cargill as Waltraute, German baritone Johannes Martin Kränzle as Alberich, British contralto Claudia Huckle as First Norn, For all Royal Opera House press releases visit www.roh.org.uk/press German soprano Irmgard Wilsmaier as Second Norn, Norwegian soprano Lise Davidsen as Third Norn, Australian soprano Lauren Fagan as Woglinde and English mezzo-soprano Angela Simkin as Flosshilde, conducted by Antonio Pappano. -
Common Opera Terminology
Common Opera Terminology acoustics The science of sound; qualities which determine hearing facilities in an auditorium, concert hall, opera house, theater, etc. act A section of the opera, play, etc. usually followed by an intermission. arias and recitative Solos sung by one person only. Recitative, are sung words and phrases that are used to propel the action of the story and are meant to convey conversations. Melodies are often simple or fast to resemble speaking. The aria is like a normal song with more recognizable structure and melody. Arias, unlike recitative, are a stop in the action, where the character usually reflects upon what has happened. When two people are singing, it becomes a duet. When three people sing a trio, four people a quartet. backstage The area of the stage not visible to the audience, usually where the dressing rooms are located. bel canto Although Italian for “beautiful song,” the term is usually applied to the school of singing prevalent in the eighteenth and nineteenth centuries (Baroque and Romantic) with emphasis on vocal purity, control, and dexterity blocking Directions given to actors for on-stage movements and actions bravo, brava, bravi An acknowledgement of a good performance shouted during moments of applause (the ending is determined by the gender and the number of performers). cadenza An elaborate passage near the end of an aria, which shows off the singer’s vocal ability. chorus master Person who prepares the chorus musically (which includes rehearsing and directing them). coloratura A voice that can sing music with many rapid notes, or the music written for such a voice with elaborate ornamentation using fast notes and trills.