Getting Started with the EOS 1300D
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Completing a Photography Exhibit Data Tag
Completing a Photography Exhibit Data Tag Current Data Tags are available at: https://unl.box.com/s/1ttnemphrd4szykl5t9xm1ofiezi86js Camera Make & Model: Indicate the brand and model of the camera, such as Google Pixel 2, Nikon Coolpix B500, or Canon EOS Rebel T7. Focus Type: • Fixed Focus means the photographer is not able to adjust the focal point. These cameras tend to have a large depth of field. This might include basic disposable cameras. • Auto Focus means the camera automatically adjusts the optics in the lens to bring the subject into focus. The camera typically selects what to focus on. However, the photographer may also be able to select the focal point using a touch screen for example, but the camera will automatically adjust the lens. This might include digital cameras and mobile device cameras, such as phones and tablets. • Manual Focus allows the photographer to manually adjust and control the lens’ focus by hand, usually by turning the focus ring. Camera Type: Indicate whether the camera is digital or film. (The following Questions are for Unit 2 and 3 exhibitors only.) Did you manually adjust the aperture, shutter speed, or ISO? Indicate whether you adjusted these settings to capture the photo. Note: Regardless of whether or not you adjusted these settings manually, you must still identify the images specific F Stop, Shutter Sped, ISO, and Focal Length settings. “Auto” is not an acceptable answer. Digital cameras automatically record this information for each photo captured. This information, referred to as Metadata, is attached to the image file and goes with it when the image is downloaded to a computer for example. -
GL-25 Aluminium Gimbal Aluminium GL-25 Item Weight: App
GL-25 Aluminium Gimbal GL-25 ALUMINIUM GIMBAL The gimbal is designed for usage with large telephoto lenses in combination with DSLR & DSLM cameras and camcorders. Allows smooth, horizontal and vertical panning The gimbal is designed for usage with large telephoto lenses in combination with DSLR & DSLM cameras and camcorders. Allows smooth, horizontal and vertical panning. • Suitable for telephoto lenses with tripod clamp with ¼" mount • 3/8" tripod socket for connection to an optional tripod • Height-adjustable platform with scale, vertically tiltable • Long quick release plate ¼" with long slot and safety lock, Arca Swiss compatible, rotates horizontally • Made of high-quality, anodised aluminium • Maximum loading capacity: app. 8 kg • Dimensions: Height approx. 230 mm, width approx. 90 mm • Quick release plate: Length approx. 150 mm, width approx. 40 mm • Weight: app. 1460 g Item Item No GTIN13 MSRP € GL-25 Aluminium Gimbal 395025 4000461086724 179,00 Camera and Tripod not included © January 2018 | DÖRR GmbH | 89231 Neu-Ulm doerrfoto.de GL-24C Carbon Gimbal GL-24C CARBON GIMBAL Perfectly suitable for video filming withDSLR & DSLM cameras and camcorders. Allows smooth, horizontal and vertical panning. • 3/8" tripod socket for connection to an optional tripod • Height-adjustable platform with scale • Quick release plate ¼" with safety lock, Arca Swiss compatible, vertically tiltable • 360° Panorama panning with scale • 2 spirit levels for horizontal and vertical camera alignment • Made of high-quality, lightweight Carbon • Maximum loading capacity: app. 8 kg • Measurements (HxLxW): app. 250 x 190 x 110 mm • Weight: app. 1035g Item Item No GTIN13 MSRP € GL-24C Carbon Gimbal 395024 4000461087295 349,00 Camera and tripod not included © January 2018 | DÖRR GmbH | 89231 Neu-Ulm doerrfoto.de MINI RS-265 Steadycam MINI RS-265 STEADYCAM The compact aluminium Steadycam is well suited for filming withcompact cameras, DSLMs, small camcorders and action cams. -
Digital Camera Functions All Photography Is Based on the Same
Digital Camera Functions All photography is based on the same optical principle of viewing objects with our eyes. In both cases, light is reflected off of an object and passes through a lens, which focuses the light rays, onto the light sensitive retina, in the case of eyesight, or onto film or an image sensor the case of traditional or digital photography. The shutter is a curtain that is placed between the lens and the camera that briefly opens to let light hit the film in conventional photography or the image sensor in digital photography. The shutter speed refers to how long the curtain stays open to let light in. The higher the number, the shorter the time, and consequently, the less light gets in. So, a shutter speed of 1/60th of a second lets in half the amount of light than a speed of 1/30th of a second. For most normal pictures, shutter speeds range from 1/30th of a second to 1/100th of a second. A faster shutter speed, such as 1/500th of a second or 1/1000th of a second, would be used to take a picture of a fast moving object such as a race car; while a slow shutter speed would be used to take pictures in low-light situations, such as when taking pictures of the moon at night. Remember that the longer the shutter stays open, the more chance the image will be blurred because a person cannot usually hold a camera still for very long. A tripod or other support mechanism should almost always be used to stabilize the camera when slow shutter speeds are used. -
Fourth International Visual Field Symposium Bristol, April 13-16,198O
Documenta Ophthalmologica Proceedings Series volume 26 Editor H. E. Henkes Dr W. Junk bv Publishers The Hague-Boston-London 1981 Fourth International Visual Field Symposium Bristol, April 13-16,198O Edited by E. L. Greve and G. Verriest Dr W. Junk bv Publishers The Hague - Boston -London 1981 Distributors for the United States and Canada Kluwer Boston, Inc. 190 Old Derby Street Hingham, MA 02043 USA for all other countries Kluwer Academic Publishers Group Distribution Center P.O. Box 322 3300 AH Dordrecht The Netherlands ISBN 90 6193 165 7 (this volume) 90 6193 882 1 (series) Cover design: Max Velthuijs Copyright 0 1981 Dr W Junk bv Publishers, The Hague. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publishers. Dr W. Junk bv Publishers, P.O. Box 13713, 2501 ES The Hague, The Netherlands PRINTED IN THE NETHERLANDS INTRODUCTION The 4th International Visual Field Symposium of the International Perimetric Society, was held on the 13-16 April 1980 in Bristol, England, at the occasion of the 6th Congress of the European Society of Ophthalmology. The main themes of the symposium were comparison of classical perimetry with visual evoked response, comparison of classical perimetry with special psychophysi- cal methods, and optic nerve pathology. Understandably many papers dealt with computer assisted perimetry. This rapidly developing subgroup of peri- metry may radically change the future of our method of examination. New instruments were introduced, new and exciting software was proposed and the results of comparative investigations reported. -
Shutter Speed in Digital Photography Stephen Sagers, Tooele County 4-H Agent Ron Patterson, Carbon County Ag/4-H Agent
March 2012 4H/Photography/2012-03pr Shutter Speed in Digital Photography Stephen Sagers, Tooele County 4-H Agent Ron Patterson, Carbon County Ag/4-H Agent Photography is the process of recording light. Film The Shutter cameras recorded the light on to the film while digital cameras record light on an image sensor. In The shutter is located behind the lens and mirrors order to prevent bright or dim light from creating an and opens when a photograph is taken. Most consumer cameras can shoot pictures with shutter overexposed or underexposed image the shutter th must open and close in the right amount of time. speeds from 1/2000 of a second to several seconds The amount of time it is opened depends on three (or indefinitely.) This feature is useful for freezing factors: the light intensity, the aperture setting, and motion or capturing effects like fireworks or the ISO or film speed. (Refer to separate factsheets running water. on ISO and aperture for a more detailed definition of these concepts.) In order to achieve proper exposure these three features must be balanced. The shutter speed is the easiest to adjust in order to obtain proper exposure. Exposure In digital photography exposure refers to the amount of light that reaches the image sensor. When too much light is recorded the picture will be washed out — overexposed. When too little light is recorded the image will be dark — underexposed. Figure 1. The inside of a film camera. The mirror Usually, neither situation is desirable. and shutter behind it move when it shoots a photograph. -
PHOTO GUIDE for USAID PARTNERS
PHOTO GUIDE for USAID PARTNERS UPDATED ON 09/2020 USAID SHOOTING GUIDE FOR PARTNERS USAID SHOOTING GUIDE FOR PARTNERS GENERAL TIPS FOR CAPTURING VISUAL CONTENT PLAN AHEAD. Partners are encouraged to hire a professional photographer. Make sure to consult with USAID Development Outreach and Communications Specialists (DOCs) early about what they would like photographed or filmed. Think about what visuals will help meet USAID’s communications objectives. Plan on visiting the site in the morning and in the afternoon to see how the sunlight enhances the photo. Arrive at a site a few minutes early to walk through where you might stand to take your photos and find unique vantage points (can you take a photo from a window on the second floor?). BRING CONSENT FORMS. Consent forms are usually provided by the mission or embassy and should be in the local language. This consent form can be used as a starting point but it needs to be translated and approved by the relevant mission/embassy. CRAFT STATEMENT OF WORK. It is important to capture photo credit details in the Statement of Work (SOW) with the hired photographer. The SOW should note if any photos are owned by USG (and therefore open for public use if on USG publications) and if not, the photographer would need to give permission for photos used outside of the project. GET CLOSER. Don’t be afraid to move nearer to your subjects when appropriate. GENERAL TIPS FOR CAPTURING VISUAL CONTENT 2 | 18 USAID SHOOTING GUIDE FOR PARTNERS GENERAL TIPS FOR CAPTURING VISUAL CONTENT BE PATIENT. -
Digital Photography Basics for Beginners
DIGITAL PHOTOGRAPHY BASICS FOR BEGINNERS by Robert Berdan [email protected] www.canadiannaturephotographer.com These notes are free to use by anyone learning or teaching photography. 1. Choosing a camera - there are 2 main types of compact cameras A) Point and Shoot Camera (some have interchangeable lenses most don't) - you view the scene on a liquid crystal display (LCD) screen, some cameras also offer viewfinders. B) Single Lens Reflex (SLR) - cameras with interchangeable lenses let you see the image through the lens that is attached to the camera. What you see is what you get - this feature is particularly valuable when you want to use different types of lenses. Digital SLR Camera with Interchangeable zoom lens 1 Point and shoot cameras are small, light weight and can be carried in a pocket. These cameras tend to be cheaper then SLR cameras. Many of these cameras offer a built in macro mode allowing extreme close-up pictures. Generally the quality of the images on compact cameras is not as good as that from SLR cameras, but they are capable of taking professional quality images. SLR cameras are bigger and usually more expensive. SLRs can be used with a wide variety of interchangeable lenses such as telephoto lenses and macro lenses. SLR cameras offer excellent image quality, lots of features and accessories (some might argue too many features). SLR cameras also shoot a higher frame rates then compact cameras making them better for action photography. Their disadvantages include: higher cost, larger size and weight. They are called Single Lens Reflex, because you see through the lens attached to the camera, the light is reflected by a mirror through a prism and then the viewfinder. -
Camera Settings Guide
Camera Settings Guide • " " and " " are trademarks or registered trademarks of Sony Corporation. • All other company and product names mentioned herein are used for identification purposes only and may be the trademarks or registered trademarks of their respective owners. TM and ® symbols are not included in this booklet. • Screen displays and effects used to illustrate some functions are simulated. Conventional autofocus has until now dealt with space alone. Sony goes one step further — a big step, with an innovative image sensor that picks up both space and time to capture moving subjects with new clarity. Sony spells the beginning of a new autofocus era. 4D FOCUS allows you to take crisper photos than ever. Plain old autofocus is a thing of the past. The future of photography is in motion. What is 4D FOCUS? Space: 3D Time: 4D 4D FOCUS Area Depth Time Wide Fast Steadfast The wide AF area, covering nearly the Fast Hybrid AF, combining phase- An advanced AF algorithm accurately entire frame, allows focusing on a detection AF and contrast-detection AF, predicts subject’s next move. Precise AF subject positioned even off the center instantly detects distance to the subject tracking allows focus to be maintained of the frame. to focus accurately. even on fast-moving subjects. Meeting your focusing demands Basic AF performance of Wide Fast Steadfast Focusing over wide area Instant focusing! Once it's focused, it never lets go The 6000 employs a focal plane phase- Advanced Fast Hybrid AF combines phase- With Focus Mode set to AF-C, the camera detection AF sensor with 179 AF points spread detection AF and contrast-detection AF to achieve displays one or more small green frames to cover nearly the entire frame. -
SONY Alpha 3000 Manual FILMP/MEDP 150/160 • M. Lucas
SONY Alpha 3000 Manual FILMP/MEDP 150/160 • M. Lucas The Sony Alpha 3000 looks like a DSLR, but it actually is closer to a video camera in an SLR body, AKA a “mirrorless” camera. It records a 20MB still image (5456 x 3632 pixels!) and can be set for JPEG or RAW + JPEG. The camera comes with a battery, a charger, a lens cap, a lens hood and a shoulder strap. The lens has a UV filter, which can be cleaned without damaging the lens. There are two kinds of chargers, one where you plug in the camera, and the other where you just put the battery in the charger, a better idea. The batteries should last through more than one day of shooting. But they should be charged at least once a week. The camera stores images on an SD card, which is in a slot as shown. Be careful with the door covering the card. The card removes by pushing it in, and springing it out. Side door for SD card and charger. Using the Camera The viewfinder is electronic, giving you the same image you see on the back viewscreen. There is a button on the top right to switch between the two ways of viewing next to the Mode Wheel. (see below) The viewfinder is good for situations that are too bright for the rear screen, but not great for critical viewing. The lens is interchangeable. It is an E‐mount lens, which is a new Sony mount. So adaptors are needed for other lenses like Canon or Nikon. -
Canon EOS 1300D Specifications
Canon EOS 1300D Specifications IMAGE SENSOR Type Approx. 22.3 mm x 14.9 mm Effective Pixels Approx. 18.0 megapixels Total Pixels Approx. 18.7 megapixels Aspect Ratio 3:2 Low-Pass Filter Built-in/Fixed Sensor Cleaning Manual cleaning and Dust Delete Data acquisition Colour Filter Type Primary Colour IMAGE PROCESSOR Type DIGIC 4+ LENS Lens Mount EF/EF-S Focal Length Equivalent to 1.6x the focal length of the lens FOCUSING Type TTL-CT-SIR with a CMOS sensor AF System/ Points 9 AF points (f/5.6 cross type at centre) AF working range Centre AF point: EV 0 -18 (at 23°C & ISO100) Other AF points: EV 1 -18 (at 23°C & ISO100) AF Modes AI Focus One Shot AI Servo AF Point Selection Automatic selection, Manual selection Selected AF point display Superimposed in viewfinder and indicated on LCD monitor Predictive AF* Yes, up to 10m AF Lock Locked when shutter button is pressed half way in One Shot AF mode. AF Assist Beam Intermittent firing of built-in flash or emitted by optional dedicated Speedlite Manual Focus Selected on lens EXPOSURE CONTROL Metering modes TTL full aperture metering with 63-zone SPC (1) Evaluative metering (linked to all AF points) (2) Partial metering at center (approx. 10% of viewfinder) (3) Center weighted average metering Metering Range EV 1-20 (at 23°C with 50mm f/1.4 lens ISO100) AE Lock Auto: In 1-shot AF mode with evaluative metering exposure is locked when focus is achieved. Manual: By AE lock button in creative zone modes. -
Shutter Speed Refers to the Amount of Time Your Sensor Is Exposed to Light
The 2nd part of the photographic triangle Shutter speed refers to the amount of time your sensor is exposed to light. In film photography shutter speed was the length of time that the film was exposed to the scene you’re taking a picture of. In digital photography, it is the same except that your film is replaced with a sensor that does the same thing. Shutter speed can range from very slow speeds such several seconds (or minutes on the Bulb setting) to 1/1600 of a second or faster. It might help to visualize your shutter literally as a door, with your shutter speed controlling how fast or how slow the door opens and closes. In most cases you’ll probably be using shutter speeds of 1/60th of a second or faster. This is because anything slower than this is very difficult to use without getting camera shake. http://flickr.com/photos/konaboy/72845202 / The faster you set your shutter speed, the more you will “freeze” motion. some cameras go as fast as 1/8000th sec! Alternately some images made at night with a tripod can be several hours long. If handholding try not to use a speed below 1/60thsec. Longer lenses need faster speeds to obtain a sharp image, i.e. 200mm lens use 1/250th. A faster shutter speed doesn’t allow light to hit your sensor for a long amount of time. The fastest shutter speed on record is from the “Steam” Camera, which uses lasers or some junk to take really fast photographs (as fast as up to 440 trillionths of a second!). -
MCD 401 VU Topic No. 50 Camera Shutter and Claw What Is Shutter
Camera Basics, Principles and techniques –MCD 401 VU Topic no. 50 Camera Shutter and Claw What is Shutter Speed? Camera shutter speed works hand in hand with the aperture settings of a film camera lens to achieve a good exposure. Any guide to photography will stress the importance of correct shutter speed and aperture settings of your35mm film camera, medium format camera, orlarge format camera. Whereas the camera aperture sets the amount of light allow through the lens, the shutter speed dictates how fast the shutter opens and closes to allow more or less light in to expose the film. And while the aperture will determine depth of field, the shutter speed will capture motion. If your subject is moving, a slow shutter speed will result in a blurry subject. A fast shutter speed will capture the subject nearly instantly to capture one frame of that movement. How the Shutter Works In the case of single-lens reflex (SLR) cameras, the shutter is also part of the mirrors used to reflect the image from the lens into the viewfinder. When the photograph is taken, the mirror flips up to allow proper timed exposure to the film sitting behind the shutter. Because the mirror flips up during exposure the viewfinder will go black. On other film cameras, such as the twin- lens reflex (TLR) camera, the shutter works in a similar fashion but does not block the viewfinder – allowing the photographer to always see the subject. How to Measure Shutter Speed on a Film Camera The majority of film cameras have multiple shutter speed settings on the shutter speed dial.