Cameras and Settings for Aerial Surveys in the Geosciences: Optimizing Image Data
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REMOTE SENSING a Bibliography of Cultural Resource Studies
REMOTE SENSING A Bibliography of Cultural Resource Studies Supplement No. 0 REMOTE SENSING Aerial Anthropological Perspectives: A Bibliography of Remote Sensing in Cultural Resource Studies Thomas R. Lyons Robert K. Hitchcock Wirth H. Wills Supplement No. 3 to Remote Sensing: A Handbook for Archeologists and Cultural Resource Managers Series Editor: Thomas R. Lyons Cultural Resources Management National Park Service U.S. Department of the Interior Washington, D.C. 1980 Acknowledgments This bibliography on remote sensing in cultural Numerous individuals have aided us. We es resource studies has been compiled over a period pecially wish to acknowledge the aid of Rosemary of about five years of research at the Remote Sen Ames, Marita Brooks, Galen Brown, Dwight Dra- sing Division, Southwest Cultural Resources Cen ger, James Ebert, George Gumerman, James ter, National Park Service. We have been aided Judge, Stephanie Klausner, Robert Lister, Joan by numerous government agencies in the course Mathien, Stanley Morain and Gretchen Obenauf. of this work, including the Department of the In Douglas Scovill, Chief Anthropologist of the Na terior, National Park Service, the U.S. Geological tional Park Service has also encouraged and sup Survey EROS Program, and the National Aero ported us in the pursuit of new research directions. nautics and Space Administration (NASA). Fi Christina Allen aided immeasurably in the com nancial support has been provided by these pilation of this bibliography, not only in procuring agencies as well as by the National Geographic references (especially those dealing with under Society (Grant No. 1177). The Department of An water remote sensing), but also in proofreading the thropology, University of New Mexico, and the entire manuscript. -
Kite Aerial Photography As a Tool for Remote Sensing 06/28/10 06:49:04 June 2010 Volume 48 Number 3 Article Number 3IAW7
Kite Aerial Photography as a Tool for Remote Sensing 06/28/10 06:49:04 June 2010 Volume 48 Number 3 Article Number 3IAW7 Return to Current Issue Kite Aerial Photography as a Tool for Remote Sensing Jeff Sallee Assistant Professor/Extension Specialist [email protected] Lesley R. Meier 4-H Graduate Assistant [email protected] 4-H Youth Development Oklahoma State University Stillwater, Oklahoma Abstract: As humans, we perform remote sensing nearly all the time. This is because we acquire most of our information about our surroundings through the senses of sight and hearing. Whether viewed by the unenhanced eye or a military satellite, remote sensing is observing objects from a distance. With our current technology, remote sensing has become a part of daily activities. A relatively inexpensive and practical method to have a firsthand experience with collecting remotely sensed data is kite aerial photography (KAP). KAP can be used as a geospatial tool to teach youth and adults about remote sensing. Introduction Remote sensing, as defined by Nicholas Short (2005), is the use of instruments or sensors to "capture" the spectral and spatial relations of objects and materials observable at a distance. This is how Earth's surface and atmosphere are observed, measured, and interpreted from orbit. In simpler terms, remote sensing refers to the recording, observing, and perceiving (sensing) of objects or events in distant (remote) places. It allows us to have a bird's eye view of places and features on Earth. The earliest forms of remote sensing began with the invention of the camera. -
Completing a Photography Exhibit Data Tag
Completing a Photography Exhibit Data Tag Current Data Tags are available at: https://unl.box.com/s/1ttnemphrd4szykl5t9xm1ofiezi86js Camera Make & Model: Indicate the brand and model of the camera, such as Google Pixel 2, Nikon Coolpix B500, or Canon EOS Rebel T7. Focus Type: • Fixed Focus means the photographer is not able to adjust the focal point. These cameras tend to have a large depth of field. This might include basic disposable cameras. • Auto Focus means the camera automatically adjusts the optics in the lens to bring the subject into focus. The camera typically selects what to focus on. However, the photographer may also be able to select the focal point using a touch screen for example, but the camera will automatically adjust the lens. This might include digital cameras and mobile device cameras, such as phones and tablets. • Manual Focus allows the photographer to manually adjust and control the lens’ focus by hand, usually by turning the focus ring. Camera Type: Indicate whether the camera is digital or film. (The following Questions are for Unit 2 and 3 exhibitors only.) Did you manually adjust the aperture, shutter speed, or ISO? Indicate whether you adjusted these settings to capture the photo. Note: Regardless of whether or not you adjusted these settings manually, you must still identify the images specific F Stop, Shutter Sped, ISO, and Focal Length settings. “Auto” is not an acceptable answer. Digital cameras automatically record this information for each photo captured. This information, referred to as Metadata, is attached to the image file and goes with it when the image is downloaded to a computer for example. -
Population Estimates from Satellite Imagery
l'RONTlSPIECE. Unmagnified high-altitude image ot tlremerton, wasmngwn \scale 1: 135,000). Original image recorded on false-color-infrared reversal film. CHARLES E. OGROSKY University ofWashington Seattle, WA 98195 Population Estimates from Satellite Imagery A high degree of association between urban area population and four variables representing urban size and relative dominance, as measured on high-altitude satellite imagery, indicated that such imagery may be useful for estimating urban population. (Abstract on next page) INTRODUCTION completely survey the population of the United States and its characteristics. Such UMERous examples of the useof conven methods of data collection have been criti N tional aerial photographs in analyzing cized as being overly costly and time con urban problems have been reported. The suming, given the accuracy of the resultant purpose of this study was to investigate the data. Use ofaerial imagery for collecting cer suitability of high-altitude satellite imagery tain types of census information has been for estimation of regional urban population. suggested as a procedure which can success fully supplement existing techniques.! Al CENSUS METHODS though much of the data presently collected Both field and mail questionnaire enumer by traditional methods would not be directly ation methods are frequently employed to obtainable from remotely sensed images, 707 708 PHOTOGRAMMETRIC ENGINEERING & REMOTE SENSING, 1975 ABSTRACT: The suitability ofmedium ground resolution, high altitude satellite imagery as a data source for intercensal population esti mates was evaluated. Four variables representing urban size and relative dominance were measured directly from unmagnified high altitude, color-infrared transparencies for each of18 urban test sites in the Puget Sound region. -
Digital Camera Functions All Photography Is Based on the Same
Digital Camera Functions All photography is based on the same optical principle of viewing objects with our eyes. In both cases, light is reflected off of an object and passes through a lens, which focuses the light rays, onto the light sensitive retina, in the case of eyesight, or onto film or an image sensor the case of traditional or digital photography. The shutter is a curtain that is placed between the lens and the camera that briefly opens to let light hit the film in conventional photography or the image sensor in digital photography. The shutter speed refers to how long the curtain stays open to let light in. The higher the number, the shorter the time, and consequently, the less light gets in. So, a shutter speed of 1/60th of a second lets in half the amount of light than a speed of 1/30th of a second. For most normal pictures, shutter speeds range from 1/30th of a second to 1/100th of a second. A faster shutter speed, such as 1/500th of a second or 1/1000th of a second, would be used to take a picture of a fast moving object such as a race car; while a slow shutter speed would be used to take pictures in low-light situations, such as when taking pictures of the moon at night. Remember that the longer the shutter stays open, the more chance the image will be blurred because a person cannot usually hold a camera still for very long. A tripod or other support mechanism should almost always be used to stabilize the camera when slow shutter speeds are used. -
Sample Manuscript Showing Specifications and Style
Information capacity: a measure of potential image quality of a digital camera Frédéric Cao 1, Frédéric Guichard, Hervé Hornung DxO Labs, 3 rue Nationale, 92100 Boulogne Billancourt, FRANCE ABSTRACT The aim of the paper is to define an objective measurement for evaluating the performance of a digital camera. The challenge is to mix different flaws involving geometry (as distortion or lateral chromatic aberrations), light (as luminance and color shading), or statistical phenomena (as noise). We introduce the concept of information capacity that accounts for all the main defects than can be observed in digital images, and that can be due either to the optics or to the sensor. The information capacity describes the potential of the camera to produce good images. In particular, digital processing can correct some flaws (like distortion). Our definition of information takes possible correction into account and the fact that processing can neither retrieve lost information nor create some. This paper extends some of our previous work where the information capacity was only defined for RAW sensors. The concept is extended for cameras with optical defects as distortion, lateral and longitudinal chromatic aberration or lens shading. Keywords: digital photography, image quality evaluation, optical aberration, information capacity, camera performance database 1. INTRODUCTION The evaluation of a digital camera is a key factor for customers, whether they are vendors or final customers. It relies on many different factors as the presence or not of some functionalities, ergonomic, price, or image quality. Each separate criterion is itself quite complex to evaluate, and depends on many different factors. The case of image quality is a good illustration of this topic. -
Fourth International Visual Field Symposium Bristol, April 13-16,198O
Documenta Ophthalmologica Proceedings Series volume 26 Editor H. E. Henkes Dr W. Junk bv Publishers The Hague-Boston-London 1981 Fourth International Visual Field Symposium Bristol, April 13-16,198O Edited by E. L. Greve and G. Verriest Dr W. Junk bv Publishers The Hague - Boston -London 1981 Distributors for the United States and Canada Kluwer Boston, Inc. 190 Old Derby Street Hingham, MA 02043 USA for all other countries Kluwer Academic Publishers Group Distribution Center P.O. Box 322 3300 AH Dordrecht The Netherlands ISBN 90 6193 165 7 (this volume) 90 6193 882 1 (series) Cover design: Max Velthuijs Copyright 0 1981 Dr W Junk bv Publishers, The Hague. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publishers. Dr W. Junk bv Publishers, P.O. Box 13713, 2501 ES The Hague, The Netherlands PRINTED IN THE NETHERLANDS INTRODUCTION The 4th International Visual Field Symposium of the International Perimetric Society, was held on the 13-16 April 1980 in Bristol, England, at the occasion of the 6th Congress of the European Society of Ophthalmology. The main themes of the symposium were comparison of classical perimetry with visual evoked response, comparison of classical perimetry with special psychophysi- cal methods, and optic nerve pathology. Understandably many papers dealt with computer assisted perimetry. This rapidly developing subgroup of peri- metry may radically change the future of our method of examination. New instruments were introduced, new and exciting software was proposed and the results of comparative investigations reported. -
AERIAL SURVEYS in HIGHWAY LOCATION William T
AERIAL SURVEYS IN HIGHWAY LOCATION William T. Pryor, Highway Engineer Department of Design, Public Roads Administration HORTLY after the first World War highway engineers became interested in S the use of aerial photographs in highway focation. In 1924 aerial photo graJ?hs and mosaics were u~ed in the location of parkways in the S~te of New York and during the same year photogrammetric methods of large scale mapping became available. Until World War II, however, general a~ceptanceof photogrammetry as an aid in the highway engineering field has been relatively slow. We now have the benefit of experience by a number of State highway depart ments in the use of aerial phorographs and photogrammetric methods of map ping. It will be the purpose of this article to summarize the main points of what has been learned regarding the various methods of aerial surveying and types of photogrammetric equipment that now appear to be best adapted fOl:,use in the successive stages of highway location. STAGES OF HIGHWAY LOCATION In regions not adequately mapped small-scale maps must be prepared. On such regional maps a system of highways can be planned, with each class of high way including National and State systems, secondary and land service roads rep resented. Terminal and major intermediate control points can be selected on the basis of this classification. Once these controls have been selected, highway loca tion may be carried out in the consecilt'ive stages shown in Figure 1. In referring to this figure particular attention is directed to the relationship between map scales and width of coverage in each of the location stages. -
PHOTOGRAMMETRY for FOREST INVENTORY Planning Guidelines
PNC326-1314 Deployment and integration of cost-effective, high spatial resolution, remotely sensed data for the Australian forestry industry PHOTOGRAMMETRY FOR FOREST INVENTORY Planning Guidelines Osborn J.1, Dell M.1, Stone C.2, Iqbal I.1, Lacey M.1, Lucieer A.1, McCoull C.1 1 Discipline of Geography and Spatial Sciences, University of Tasmania 2 Forest Science, NSW Department of Primary Industries Version 1.1: June 2018 Publication: Photogrammetry for Forest Inventory: Planning Guidelines Project Number: PNC326-1314 This work is supported by funding provided to FWPA by the Australian Government Department of Agriculture, Fisheries and Forestry (DAFF). © 2017 Forest & Wood Products Australia Limited. All rights reserved. Whilst all care has been taken to ensure the accuracy of the information contained in this publication, Forest and Wood Products Australia Limited and all persons associated with them (FWPA) as well as any other contributors make no representations or give any warranty regarding the use, suitability, validity, accuracy, completeness, currency or reliability of the information, including any opinion or advice, contained in this publication. To the maximum extent permitted by law, FWPA disclaims all warranties of any kind, whether express or implied, including but not limited to any warranty that the information is up-to-date, complete, true, legally compliant, accurate, non-misleading or suitable. To the maximum extent permitted by law, FWPA excludes all liability in contract, tort (including negligence), or otherwise for any injury, loss or damage whatsoever (whether direct, indirect, special or consequential) arising out of or in connection with use or reliance on this publication (and any information, opinions or advice therein) and whether caused by any errors, defects, omissions or misrepresentations in this publication. -
Exposure Metering and Zone System Calibration
Exposure Metering Relating Subject Lighting to Film Exposure By Jeff Conrad A photographic exposure meter measures subject lighting and indicates camera settings that nominally result in the best exposure of the film. The meter calibration establishes the relationship between subject lighting and those camera settings; the photographer’s skill and metering technique determine whether the camera settings ultimately produce a satisfactory image. Historically, the “best” exposure was determined subjectively by examining many photographs of different types of scenes with different lighting levels. Common practice was to use wide-angle averaging reflected-light meters, and it was found that setting the calibration to render the average of scene luminance as a medium tone resulted in the “best” exposure for many situations. Current calibration standards continue that practice, although wide-angle average metering largely has given way to other metering tech- niques. In most cases, an incident-light meter will cause a medium tone to be rendered as a medium tone, and a reflected-light meter will cause whatever is metered to be rendered as a medium tone. What constitutes a “medium tone” depends on many factors, including film processing, image postprocessing, and, when appropriate, the printing process. More often than not, a “medium tone” will not exactly match the original medium tone in the subject. In many cases, an exact match isn’t necessary—unless the original subject is available for direct comparison, the viewer of the image will be none the wiser. It’s often stated that meters are “calibrated to an 18% reflectance,” usually without much thought given to what the statement means. -
Geomatic Assessment
WINTER 2017/18 GEOMATIC ASSESSMENT NC AWWA-WEA 3725 National Drive, Suite 217 •2 2018018 MembershipMembership DDirectoryirectory & Buyers’Buyers’ GuideGuide Raleigh, NC 27612 ADDRESS SERVICE REQUESTED • 9 97th7th AAnnualnnual CConferenceonference RRecapecap The official publication of the North Carolina Section of the American Water Works Association (NC AWWA) & the North Carolina Member Association of the Water Environment Federation (NC WEA) GEOMATIC ASSESSMENT How Unmanned Aerial Systems Are Changing the Surveying Industry: Comparing Real-World Accuracy and Cost with Traditional Survey Technologies By Christian Stallings, CP, Research & Development Manager, McKim & Creed, Inc. s a drone the best way to collect above ground to collect data at an developer. These types of surveys are data for your project? Unmanned accuracy of 5-cm root-mean square-error typically conducted using fixed-wing I aerial systems (UAS), aka drones, are (RMSE) or better. aerial photogrammetry, aerial lidar, certainly among the newest geomatics But is UAS right for every surveying and/or conventional ground surveying. technologies in the industry. UAS offers situation? In this article we describe three safe, accurate, cost-effective data case studies in which UAS technology UAS for Landfill Survey collection in areas that are inaccessible was compared with conventional To test the efficacy of using UAS technol- or too costly for conventional surveying surveying methods. We focused on ogy for volumetric surveys, McKim & Creed methods. Licensed and insured UAS three applications: a landfill volumetric teamed with landfill engineers Garrett pilots can legally deploy airframes into survey, a beach monitoring survey, and & Moore, Inc. to survey a 60-acre land FAA-controlled airspace up to 400 feet an elevation verification for a private clearing and inert debris landfill. -
The Definitive Guide to Shooting Hypnotic Star Trails
The Definitive Guide to Shooting Hypnotic Star Trails www.photopills.com Mark Gee proves everyone can take contagious images 1 Feel free to share this eBook © PhotoPills December 2016 Never Stop Learning A Guide to the Best Meteor Showers in 2016: When, Where and How to Shoot Them How To Shoot Truly Contagious Milky Way Pictures Understanding Golden Hour, Blue Hour and Twilights 7 Tips to Make the Next Supermoon Shine in Your Photos MORE TUTORIALS AT PHOTOPILLS.COM/ACADEMY Understanding How To Plan the Azimuth and Milky Way Using Elevation The Augmented Reality How to find How To Plan The moonrises and Next Full Moon moonsets PhotoPills Awards Get your photos featured and win $6,600 in cash prizes Learn more+ Join PhotoPillers from around the world for a 7 fun-filled days of learning and adventure in the island of light! Learn More Index introduction 1 Quick answers to key Star Trails questions 2 The 21 Star Trails images you must shoot before you die 3 The principles behind your idea generation (or diverge before you converge) 4 The 6 key Star Trails tips you should know before start brainstorming 5 The foreground makes the difference, go to an award-winning location 6 How to plan your Star Trails photo ideas for success 7 The best equipment for Star Trails photography (beginner, advanced and pro) 8 How to shoot single long exposure Star Trails 9 How to shoot multiple long exposure Star Trails (image stacking) 10 The best star stacking software for Mac and PC (and how to use it step-by-step) 11 How to create a Star Trails vortex (or