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Hole a Remediative Approach to the Filmmaking of the Coen Brothers
University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................ -
A Formalist Critique of Three Crime Films by Joel and Ethan Coen Timothy Semenza University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program Spring 5-6-2012 "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Timothy Semenza University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the Film and Media Studies Commons Recommended Citation Semenza, Timothy, ""The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen" (2012). Honors Scholar Theses. 241. https://opencommons.uconn.edu/srhonors_theses/241 Semenza 1 Timothy Semenza "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Semenza 2 Timothy Semenza Professor Schlund-Vials Honors Thesis May 2012 "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Preface Choosing a topic for a long paper like this can be—and was—a daunting task. The possibilities shot up out of the ground from before me like Milton's Pandemonium from the soil of hell. Of course, this assignment ultimately turned out to be much less intimidating and filled with demons than that, but at the time, it felt as though it would be. When you're an English major like I am, your choices are simultaneously extremely numerous and severely restricted, mostly by my inability to write convincingly or sufficiently about most topics. However, after much deliberation and agonizing, I realized that something I am good at is writing about film. -
Best Picture Best Director Best Actor Best Actress Best Supporting
Best picture Black Panther BlacKkKlansman Bohemian Rhapsody The Favourite Green Book – WINNER! Roma A Star is Born Vice Best director Alfonso Cuarón (Roma) – WINNER! Adam McKay (Vice) Yorgos Lanthimos (The Favourite) Spike Lee (BlacKkKlansman) Pawel Pawlikowski (Cold War) Best actor Rami Malek (Bohemian Rhapsody) – WINNER! Christian Bale (Vice) Viggo Mortensen (Green Book) Bradley Cooper (A Star Is Born) Willem Dafoe (At Eternity’s Gate) Best actress Glenn Close (The Wife) Lady Gaga (A Star Is Born) Olivia Colman (The Favourite) – WINNER! Melissa McCarthy (Can You Ever Forgive Me?) Yalitza Aparicio (Roma) Best supporting actress Emma Stone (The Favourite) Rachel Weisz (The Favourite) Amy Adams (Vice) Regina King (If Beale Street Could Talk) – WINNER! Marina De Tavira (Roma) Best supporting actor Mahershala Ali (Green Book) – WINNER! Richard E Grant (Can You Ever Forgive Me?) Sam Elliott (A Star Is Born) Adam Driver (BlacKkKlansman) Sam Rockwell (Vice) Best original song Shallow (A Star Is Born) – WINNER! All the Stars (Black Panther) I’ll Fight (RBG) The Place Where Lost Things Go (Mary Poppins Returns) When a Cowboy Trades his Spurs for Wings (The Ballad of Buster Scruggs) Best documentary Free Solo – WINNER! Minding the Gap RBG Hale County This Morning, This Evening Of Fathers and Sons Best costume design Black Panther (Ruth E Carter) – WINNER! The Favourite (Sandy Powell) Mary Poppins Returns (Sandy Powell) Mary Queen of Scots (Alexandra Byrne) The Ballad of Buster Scruggs (Mary Zophres) Best makeup and hair Border Mary Queen of Scots -
Steven Spielberg Told
Saturday, July 28, 2012 2 & 8 pm only Steven Spielberg toldproducer Richard Zanuck that One problem that Gottlieb was saddled with was how to what first attracted him to Peter Benchley’s write for his character, Meadows. If he pressed too hard novel was the last 120 pages, when three for Meadows in the story meetings, it could look like disparate men go on a sea hunt, then favoritism. If he cut a line of Meadows, the actor inside of must join forces to fight the shark. He him would just die. But worse is what happened when he and hated the first 200 pages: “I said I’d like Spielberg decided to cut Meadows out of a whole scene. to do the picture if I could change the first two acts and base (them) on original In the scene, Meadows rides to sea with Hooper and Brody screenplay material and then be very true looking for shark evidence when they come upon a local to the book for the last third. (Zanuck) fisherman’s wrecked boat. During the shot, Meadows reaches agreed and that’s how I became involved.” for the battered boat to pull it closer. On the third take, he reaches too far and falls into the water. This is freezing Benchley wrote three drafts of the screenplay before telling early-May water in the Nantucket Sound, about 50˚ F, and Spielberg: “I’m all written out on this, and that’s the best I Gottlieb is wearing two pair of long underwear to keep him can do.” (With no hard feelings, Benchley returned during warm on the boat. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
DRAWING COSTUMES, PORTRAYING CHARACTERS Costume Sketches and Costume Concept Art in the Filmmaking Process
Laura Malinen 2017 DRAWING COSTUMES, PORTRAYING CHARACTERS Costume sketches and costume concept art in the filmmaking process MA thesis Aalto University School of Arts, Design and Architecture Department of Film, Television and Scenography Master’s Degree Programme in Design for Theatre, Film and Television Major in Costume Design 30 credits Acknowledgements I would like to thank my supervisors Sofia Pantouvaki and Satu Kyösola for the invaluable help I got for this thesis. I would also like to thank Nick Keller, Anna Vilppunen and Merja Väisänen, for sharing their professional expertise with me. Author Laura Malinen Title of thesis Drawing Costumes, Portraying Characters – Costume sketches and costume concept art in the filmmaking process Department Department of Film, Television and Scenography Degree programme Master’s Degree Programme in Design for Theatre, Film and Television. Major in Costume Design Year 2017 Number of pages 85 Language English Abstract This thesis investigates the various types of drawing used in the process of costume design for film, focusing on costume sketches and costume concept art. The research question for this thesis is ‘how and why are costume sketches and costume concept art used when designing costumes for film?’ The terms ‘costume concept art’ and ‘costume sketch’ have largely been used interchangeably. My hypothesis is that even though costume sketch and costume concept art have similarities in the ways of usage and meaning, they are, in fact, two separate, albeit interlinked and complementary terms as well as two separate types of professional expertise. The focus of this thesis is on large-scale film productions, since they provide the most valuable information regarding costume sketches and costume concept art. -
Best Picture Blackkklansman Black Panther Bohemian Rhapsody The
Best Picture BlacKkKlansman Black Panther Bohemian Rhapsody The Favourite WINNER Green Book Roma A Star Is Born Vice Best Director WINNER Alfonso Cuaron (Roma) Yorgos Lanthimos (The Favourite) Spike Lee (BlacKkKlansman) Adam McKay (Vice) Pawel Pawlikowski (Cold War) Best Actress Yalitza Aparicio (Roma) Glenn Close (The Wife) WINNER Olivia Colman (The Favourite) Lady Gaga (A Star Is Born) Melissa McCarthy (Can You Ever Forgive Me?) Best Actor Christian Bale (Vice) Bradley Cooper (A Star Is Born) Willem Dafoe (At Eternity's Gate) WINNER Rami Malek (Bohemian Rhapsody) Viggo Mortensen (Green Book) Best Actor in a Supporting Role WINNER Mahershala Ali (Green Book) Adam Driver (BlacKkKlansman) Sam Elliott (A Star Is Born) Richard E. Grant (Can You Ever Forgive Me?) Sam Rockwell (Vice) Best Actress in a Supporting Role Amy Adams (Vice) Marina de Tavira (Roma) WINNER Regina King (If Beale Street Could Talk) Emma Stone (The Favourite) Rachel Weisz (The Favourite) Best Foreign-Language Film Capernaum (Lebanon) Cold War (Poland) Never Look Away (Germany) WINNER Roma (Mexico) Shoplifters (Japan) Best Original Song All The Stars from Black Panther, by Kendrick Lamar, SZA I’ll Fight from RBG by Diane Warren, Jennifer Hudson The Place Where Lost Things Go from Mary Poppins Returns by Marc Shaiman, Scott Wittman WINNER Shallow from A Star Is Born by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice When A Cowboy Trades His Spurs For Wings from The Ballad of Buster Scruggs by Willie Watson, Tim Blake Nelson Best Documentary Feature -
BEST PICTURE Director Actor in a Leading Role ACTRESS in A
Up–to–the–minute Oscar news and wrap-up on vulture.com 2011 OSCAR POOL BALLOT BEST PICTURE FOreiGN LANGuaGE FilM DOcuMENtarY Feature Black Swan Biutiful Exit Through the Gift Shop Banksy and Jaimie D’Cruz The Fighter Mexico | Directed by Alejandro González Iñárritu Gasland Josh Fox and Trish Adlesic Inception Dogtooth (Kynodontas) Inside Job Charles Ferguson and Audrey Marrs Greece | Directed by Giorgos Lanthimos The Kids Are All Right Restrepo Tim Hetherington and Sebastian Junger In a Better World (Hævnen) The King’s Speech Waste Land Lucy Walker and Angus Aynsley Denmark | Directed by Susanne Bier 127 Hours Incendies DOcuMENtarY SHOrt SUBJect The Social Network Canada | Directed by Denis Villeneuve Killing in the Name Nominees to be determined Toy Story 3 Outside the Law (Hors-la-loi) Poster Girl Nominees to be determined True Grit Algeria | Directed by Rachid Bouchareb Strangers No More Karen Goodman and Kirk Simon Winter’s Bone OriGINal SCOre Sun Come Up Jennifer Redfearn and Tim Metzger DirectOR How to Train Your Dragon John Powell The Warriors of Qiugang Ruby Yang and Darren Aronofsky Black Swan Inception Hans Zimmer Thomas Lennon David O. Russell The Fighter The King’s Speech Alexandre Desplat ANIMated SHOrt FilM Tom Hooper The King’s Speech 127 Hours A.R. Rahman Day & Night Teddy Newton David Fincher The Social Network The Social Network Trent Reznor and Atticus Ross The Gruffalo Jakob Schuh and Max Lang Joel Coen and Ethan Coen True Grit OriGINal SONG Let’s Pollute Geefwee Boedoe ActOR IN A LeadiNG ROle Country Strong “Coming Home” The Lost Thing Shaun Tan and Andrew Ruhemann Javier Bardem Biutiful Music and Lyric by Tom Douglas, Troy Verges, Madagascar, carnet de voyage (Madagascar, a and Hillary Lindsey Journey Diary) Bastien Dubois Jeff Bridges True Grit Tangled “I See the Light” Jesse Eisenberg The Social Network Music by Alan Menken, Lyric by Glenn Slater LIVE ActiON SHOrt FilM Colin Firth The King’s Speech 127 Hours “If I Rise” The Confession Tanel Toom James Franco 127 Hours Music by A.R. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Donovan's Reef (1963) John Ford La Tabernera, El Capón Y La Trompeta
Tabarka - Tabarka (1996) Domingo Rodes La taberna del irlandés - Donovan's Reef (1963) John Ford La tabernera, el capón y la trompeta - Frau Wirtin bläst auch gern Trompete (1978) Franz Antel Tacones lejanos - Tacones lejanos (1991) Pedro Almodóvar Tahiti's Girl - Tahiti's Girl (1990) Mariano Ozores El tahur - El tahur (1975) Rogelio A. González Tai-Pan - Tai-Pan (1986) Daryl Duke Tal para cual - Two of a Kind (1983) John Herzfeld Tamaño natural - Grandeur nature (1973) Luis García Berlanga También los ángeles comen judías - Anche gli angeli mangiano fagioli (1973) Enzo Barboni El tambor de hojalata - Die Blechtrommel (1979) Volker Schlöndorff Tambores de venganza - Il giorno del giudizio (1971) Mario Gariazzo, Robert Paget Tánger - Tánger (2004) Juan Madrid Tango - Tango (1998) Carlos Saura El tango de los colchones - Matratzen-Tango (1973) Eberhard Schröder Tango y Cash - Tango & Cash (1989) Andrei Konchalovsky El tanque - Tank (1984) Marvin J. Chomsky La tapadera - The Firm (1993) Sydney Pollack Tapas - Tapas (2005) José Corbacho, Juan Cruz Taps, más allá del honor - Taps (1981) Harold Becker Tarántula - Kingdom of the Spiders (1977) John 'Bud' Cardos La tarántula del vientre negro - La Tarantola dal ventro nero (1971) Paolo Cavara Target: Agente doble en Berlín - Target (1985) Arthur Penn Tarots - Tarots (detrás de las cartas el diablo) (1973) José María Forqué Tarzán, el hombre mono - Tarzan, the Ape Man (1981) John Derek Tarzán en la gruta del oro - Zan re della giungla (1969) Manuel Caño Tarzán, la vergüenza de la jungla - Tarzoon, -
The Greek-American Presence at the Inauguration
S O C V st ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ W ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ E 101 ΑΠΟ ΤΟ 1915 The National Herald anniversa ry N www.thenationalherald.com A wEEkly GREEk-AMERICAN PublICATION 1915-2016 VOL. 20, ISSUE 1007 January 28 - February 3, 2017 c v $1.50 The The Greek-American Presence at the Inauguration “Greek As President Trump Freak” is sworn in, Priebus Streaks is by his side TNH Staff Antetokounmpo: WASHINGTON, DC – The Greek-American presence was from Sepolia’s Streets strong at the historic festivities of the inauguration of the 45th to NBA All-Star US President Mr. Donald Trump. On Thursday evening January TNH Staff 19th Archbishop Geron Demetrios of America bestowed The son of Nigerian immi - during a Greek-American inau - grants to Greece, Giannis Ante - gural reception, the Medal of tokounmpo has become a force Saint Paul, the highest honor of in the National Basketball Asso - the Greek Orthodox Archdiocese ciation, ranked fifth among its of America, to Reince Priebus, superstars and a starter in the the new Chief of Staff of the All-Star game. White House, to Congressman It was an Odyssey that took Gus Bilirakis (R-FL) and to him from walking around the George Gigicos, Deputy Assis - streets of the Athens working- tant to the President and Direc - class neighborhood of Sepolia tor of Advance. All three are Ar - selling sunglasses to help keep chons of the Ecumenical his family from getting evicted Patriarchate, of the Order of St and being able to survive to the Andrew the Apostle.The inau - hardwood courts and bright gural reception, traditionally or - lights of the big time. -
Kathleen Kennedy, Frank Marshall
PARAMOUNT PICTURES Présente Une production LUCASFILM Ltd Un fi lm de STEVEN SPIELBERG (Indiana Jones and the Kingdom of the Crystal Skull) Avec HARRISON FORD CATE BLANCHETT, KAREN ALLEN, RAY WINSTONE, JOHN HURT, JIM BROADBENT et SHIA LaBEOUF Scénario de DAVID KOEPP Produit par GEORGE LUCAS, KATHLEEN KENNEDY, FRANK MARSHALL Un fi lm PARAMOUNT Distribué par PARAMOUNT PICTURES FRANCE SORTIE : 21 MAI 2008 Durée : 2h03 DISTRIBUTION PRESSE Michèle Abitbol-Lasry Séverine Lajarrige 184, bld Haussmann – 75008 Paris 1, rue Meyerbeer – 75009 Paris Tél. : 01 45 62 45 62 Tél. : 01 40 07 38 86 [email protected] Fax : 01 40 07 38 39 [email protected] SYNOPSIS Ses exploits sont légendaires, son nom est synonyme d'aventure… Indiana Jones, l'archéologue au sourire conquérant et aux poings d'acier, est de retour, avec son blouson de cuir, son grand fouet, son chapeau… et son incurable phobie des serpents. Sa nouvelle aventure débute dans un désert du sud- ouest des États-Unis. Nous sommes en 1957, en pleine Guerre Froide ; Indy et son copain Mac viennent tout juste d'échapper à une bande d'agents soviétiques à la recherche d'une mystérieuse relique surgie du fond des temps. De retour au Marshall College, le Professeur Jones apprend une très mauvaise nouvelle : ses récentes ac- tivités l'ont rendu suspect aux yeux du gouvernement américain. Le doyen Stanforth, qui est aussi un proche ami, se voit contraint de le licencier. À la sortie de la ville, Indiana fait la connaissance d'un jeune motard rebelle, Mutt, qui lui fait une pro- position inattendue.