The Chronicle 76Th Year, No
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												The Faces Unveil Their First Book with an Exhibition of Photos. a Nd New Paintings by Ronnie Wood
PRESS RELEASE Genesis House Gallery 26 October 2011 GENESIS PUBLICATIONS & Reading Rooms Fine Limited Editions Since 1974 genesis-publications.com The Faces unveil their first book with an exhibition of photos. A nd new paintings by Ronnie Wood Surrey, UK, 26 October 2011 – Last night at Genesis House Gallery & Reading Rooms, two heroes of contemporary rock music came together to announce the launch of their new book: FACES 1969-75 . The legendary guitarist of the Jeff Beck Group, Faces and the Rolling Stones - Ronnie Wood - joined fellow band mate, former drummer for the Small Faces, Faces, and The Who - Kenney Jones - for a private celebration and unveiling of the Faces’ first official book. This November 2011, a new 8-week exhibition commemorates the book’s launch: Nearly 100 pages are blown up and reproduced on Genesis’s gallery walls. Visitors are invited to stroll through the Faces’ glory years from the band’s First Step in 1969 to their eventual split in 1975. Also on display are 5 new paintings by Ronnie Wood, seen for the very first time. Entitled ‘The Famous Flames Suite’ – the paintings capture the Rolling Stones in performance. ‘Making the book we went through so many photos it brought back memories and, when we were finished, I looked through it, and it actually brought a tear to my eye. I thought it was just me but then I spoke to Woody and he said exactly the same thing had happened to him.’ Kenney Jones ‘We were bored so much hanging around in places where they didn’t even know how to make a salad… It’s amazing how such great things can come out of being bored.’ Ronnie Wood Among hundreds of guests, Ronnie and Kenney were also joined by new Faces frontman, Mick Hucknall and artist Sir Peter Blake . - 
												
												RONNIE WOOD a New Book Illuminates the Guitarist’S Life Before the Rolling Stones
ISSUE #41 MMUSICMAG.COM Q&A John Abbott RONNIE WOOD A new book illuminates the guitarist’s life before the Rolling Stones AS A MEMBER OF THE ROLLING years, we’d put two guitars and vocals in the night. I could see he had his eye on Stones for 40 years, Ronnie Wood’s legacy through one amp, and the bass player had me. I just knew in the back of my mind that is assured. But a recently discovered journal his own. That’s why we let him join the band. some day it would come around, and sure he kept in 1965—before his tenures with (laughs) But as soon as I could afford my enough, it did. the Jeff Beck Group, Small Faces and the own I started to go to Jim Marshall’s [gear] Stones—offers unique insight into the then- shop. I’d run across people like Pete You traded your guitar to play bass 18-year-old’s mindset and ambitions. The Townshend in there and we’d have a hilarious for the Jeff Beck Group? diary—which includes illustrations by Wood, friendly rivalry going to see who could get I’d reached the saturation point on guitar now a noted visual artist—is being released the biggest stack. with the Birds, so when Jeff Beck asked as a limited-edition book, How Can It Be? if I wouldn’t mind playing bass, I welcomed A Rock & Roll Diary. It chronicles Wood’s Was there camaraderie among the the idea. Playing bass gave me a new, exploits on the London club scene while he competing bands? revitalized energy to go back to guitar was with the Birds, and his interactions with The Birds never really had any hit records, later. - 
												
												Dennis Chambers
IMPROVE YOUR ACCURACY AND INDEPENDENCE! THE WORLD’S #1 DRUM MAGAZINE FUSION LEGEND DENNIS CHAMBERS SHAKIRA’S BRENDAN BUCKLEY WIN A $4,900 PEARL MIMIC BLONDIE’S PRO E-KIT! CLEM BURKE + DW ALMOND SNARE & MARCH 2019 GRETSCH MICRO KIT REVIEWED NIGHT VERSES’ ARIC IMPROTA FISHBONE’S PHILIP “FISH” FISHER THE ORIGINAL. ONLY BETTER. The 5000AH4 combines an old school chain-and-sprocket drive system and vintage-style footboard with modern functionality. Sought-after DW feel, reliability and playability. The original just got better. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 LAYER » EXPAND » ENHANCE HYBRID DRUMMING ARTISTS BILLY COBHAM BRENDAN BUCKLEY THOMAS LANG VINNIE COLAIUTA TONY ROYSTER, JR. JIM KELTNER (INDEPENDENT) (SHAKIRA, TEGAN & SARA) (INDEPENDENT) (INDEPENDENT) (INDEPENDENT) (STUDIO LEGEND) CHARLIE BENANTE KEVIN HASKINS MIKE PHILLIPS SAM PRICE RICH REDMOND KAZ RODRIGUEZ (ANTHRAX) (POPTONE, BAUHAUS) (JANELLE MONÁE) (LOVELYTHEBAND) (JASON ALDEAN) (JOSH GROBAN) DIRK VERBEUREN BEN BARTER MATT JOHNSON ASHTON IRWIN CHAD WACKERMAN JIM RILEY (MEGADETH) (LORDE) (ST. VINCENT) (5 SECONDS OF SUMMER) (FRANK ZAPPA, JAMES TAYLOR) (RASCAL FLATTS) PICTURED HYBRID PRODUCTS (L TO R): SPD-30 OCTAPAD, TM-6 PRO TRIGGER MODULE, SPD::ONE KICK, SPD::ONE ELECTRO, BT-1 BAR TRIGGER PAD, RT-30HR DUAL TRIGGER, RT-30H SINGLE TRIGGER (X3), RT-30K KICK TRIGGER, KT-10 KICK PEDAL TRIGGER, PDX-8 TRIGGER PAD (X2), SPD-SX-SE SAMPLING PAD Visit Roland.com for more info about Hybrid Drumming. Less is More Built for the gigging drummer, the sturdy aluminum construction is up to 34% lighter than conventional hardware packs. - 
												
												Numbers and Neighborhoods: Seeking and Selling the American Dream in Detroit One Bet at a Time Felicia Bridget George Wayne State University
Wayne State University Wayne State University Dissertations 1-1-2015 Numbers And Neighborhoods: Seeking And Selling The American Dream In Detroit One Bet At A Time Felicia Bridget George Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the Social and Cultural Anthropology Commons Recommended Citation George, Felicia Bridget, "Numbers And Neighborhoods: Seeking And Selling The American Dream In Detroit One Bet At A Time" (2015). Wayne State University Dissertations. Paper 1311. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. NUMBERS AND NEIGHBORHOODS: SEEKING AND SELLING THE AMERICAN DREAM IN DETROIT ONE BET AT A TIME by FELICIA GEORGE DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2015 MAJOR: ANTHROPOLOGY Approved By: Advisor Date ACKNOWLEDGMENTS This project would not have been possible without the support and guidance of a very special group of people. I would like to express my deepest gratitude to my committee chair and advisor, Dr. Todd “714” Myers. I cannot express how lucky I was the day you agreed to be my advisor. You planted the seed and it is because of you “Numbers and Neighborhoods” exists. Thank you for your guidance, support, patience, encouragement, and constructive criticism. I cannot thank my other committee members, Dr. Stephen “315” Chrisomalis, Dr. Andrew “240” Newman, and Professor Johnny “631” May enough. - 
												
												Bourdieu and the Music Field
Bourdieu and the Music Field Professor Michael Grenfell This work as an example of the: Problem of Aesthetics A Reflective and Relational Methodology ‘to construct systems of intelligible relations capable of making sense of sentient data’. Rules of Art: p.xvi A reflexive understanding of the expressive impulse in trans-historical fields and the necessity of human creativity immanent in them. (ibid). A Bourdieusian Methodology for the Sub-Field of Musical Production • The process is always iterative … so this paper presents a ‘work in progress’ … • The presentation represents the state of play in a third cycle through data collection and analysis …so findings are contingent and diagrams used are the current working diagrams! • The process begins with the most prominent agents in the field since these are the ones with the most capital and the best configuration. A Bourdieusian Approach to the Music Field ……..involves……… Structure Structuring and Structured Structures Externalisation of Internality and the Internalisation of Externality => ‘A science of dialectical relations between objective structures…and the subjective dispositions within which these structures are actualised and which tend to reproduce them’. Bourdieu’s Thinking Tools “Habitus and Field designate bundles of relations. A field consists of a set of objective, historical relations between positions anchored in certain forms of power (or capital); habitus consists of a set of historical relations ‘deposited’ within individual bodies in the forms of mental and corporeal - 
												
												"The Who Sings My Generation" (Album)
“The Who Sings My Generation”—The Who (1966) Added to the National Registry: 2008 Essay by Cary O’Dell Original album Original label The Who Founded in England in 1964, Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon are, collectively, better known as The Who. As a group on the pop-rock landscape, it’s been said that The Who occupy a rebel ground somewhere between the Beatles and the Rolling Stones, while, at the same time, proving to be innovative, iconoclastic and progressive all on their own. We can thank them for various now- standard rock affectations: the heightened level of decadence in rock (smashed guitars and exploding drum kits, among other now almost clichéd antics); making greater use of synthesizers in popular music; taking American R&B into a decidedly punk direction; and even formulating the idea of the once oxymoronic sounding “rock opera.” Almost all these elements are evident on The Who’s debut album, 1966’s “The Who Sings My Generation.” Though the band—back when they were known as The High Numbers—had a minor English hit in 1964 with the singles “I’m the Face”/”Zoot Suit,” it wouldn’t be until ’66 and the release of “My Generation” that the world got a true what’s what from The Who. “Generation,” steam- powered by its title tune and timeless lyric of “I hope I die before I get old,” “Generation” is a song cycle worthy of its inclusive name. Twelve tracks make up the album: “I Don’t Mind,” “The Good’s Gone,” “La-La-La Lies,” “Much Too Much,” “My Generation,” “The Kids Are Alright,” “Please, Please, Please,” “It’s Not True,” “The Ox,” “A Legal Matter” and “Instant Party.” Allmusic.com summarizes the album appropriately: An explosive debut, and the hardest mod pop recorded by anyone. - 
												
												Nixon's Caribbean Milieu, 1950–1968
Dark Quadrant: Organized Crime, Big Business, and the Corruption of American Democracy Online Appendix: Nixon’s Caribbean Milieu, 1950–1968 By Jonathan Marshall “Though his working life has been passed chiefly on the far shores of the continent, close by the Pacific and the Atlantic, some emotion always brings Richard Nixon back to the Caribbean waters off Key Biscayne and Florida.”—T. H. White, The Making of the President, 19681 Richard Nixon, like millions of other Americans, enjoyed Florida and the nearby islands of Cuba and the Bahamas as refuges where he could leave behind his many cares and inhibitions. But he also returned again and again to the region as an important ongoing source of political and financial support. In the process, the lax ethics of its shadier operators left its mark on his career. This Sunbelt frontier had long attracted more than its share of sleazy businessmen, promoters, and politicians who shared a get-rich-quick spirit. In Florida, hustlers made quick fortunes selling worthless land to gullible northerners and fleecing vacationers at illegal but wide-open gambling joints. Sheriffs and governors protected bookmakers and casino operators in return for campaign contributions and bribes. In nearby island nations, as described in chapter 4, dictators forged alliances with US mobsters to create havens for offshore gambling and to wield political influence in Washington. Nixon’s Caribbean milieu had roots in the mobster-infested Florida of the 1940s. He was introduced to that circle through banker and real estate investor Bebe Rebozo, lawyer Richard Danner, and Rep. George Smathers. Later this chapter will explore some of the diverse connections of this group by following the activities of Danner during the 1968 presidential campaign, as they touched on Nixon’s financial and political ties to Howard Hughes, the South Florida crime organization of Santo Trafficante, and mobbed-up hotels and casinos in Las Vegas and Miami. - 
												
												HORSEPOWER in Support of Prostate Cancer UK
May 13, 2014 09:00 BST ROCK ‘N’ HORSEPOWER In support of Prostate Cancer UK Kenney Jones, from the influential rock bands – the Faces and the Who, is holding a unique event for Prostate Cancer UK on Fathers Day weekend. The Rock ‘n’ Horsepower event at Hurtwood Park Polo Club, Ewhurst, Surrey on Saturday 14th June, in aid of the men’s health charity, will offer all the excitement and spectacle of Polo, while the opportunity to showcase an array of high performance supercars. The evening will also feature Kenney Jones performing live with some very special friends. The Rock ‘n’ Horsepower day will see a range of connoisseur cars, while putting on a top-class Polo match attracting celebrities, patrons and world class players to Hurtwood. Last year the club set a new world record by bringing together over 300 Ferrari Pininfarina-designed masterpieces. Among the cars on display was a 275 GTB Spider, a 250 GT SWB and a 365 Daytona. The event will see the whole family entertained from children’s activities to retail therapy. The entertainment line up includes the likes of Mike Rutherford, Jeff Beck, Josh Phillips Procol Harum, John Thirkell from Jamiroquai, The Who, Jamie Johnson (finalist from the Voice), John Lodge (Moody Blues) Rick Wakeman, Nik Kershaw, John Parr and a host of other big names. Kenney was inspired to hold the event for Prostate Cancer UK after he was diagnosed with the disease in summer 2013. He comments: “I decided to hold a fundraising event in support of Prostate Cancer UK at the Hurtwood Polo Club two years before I was diagnosed with prostate cancer myself. - 
												
												Label: Artwork Location: Title: Review Locati
Bob Dylan Title: 04271992 Start Date: 04/27/1992 Location: Paramount Theater, Seattle, WA Label: Artwork Location: Review Location: Recording Source: Disc Number: 1 73:28 1 Rainy Day Women #12 & 35 01:24 2 I Don't Believe You 04:40 3 Union Sundown 04:23 4 Just Like A Woman 05:24 5 Tangled Up In Blue 08:23 6 She Belongs To Me 05:01 7 Everything's Broken 04:02 8 Love Minus Zero/No Limit 02:39 9 Little Moses 03:47 10 A Hard Rain's A-Gonna Fall 06:48 11 It;s All Over Now, Baby Blue 06:32 12 Cats In The Well 04:36 13 Idiot Wind 09:12 14 The Times They Are A-Changin' 06:37 Disc Number: 2 65:22 1 Highway 61 06:35 2 Absolutely Sweet Marie 05:38 3 All Along The Watchtower 04:20 cut 4 Blowin' In The Wind 03:25 start of 4/28 filler 5 Sally Sue Brown 02:56 6 Stuck Inside Of Mobile 06:35 7 Simple Twist Of Fate 07:40 8 Watching The River Flow 03:45 9 Female Rambling Sailor 03:04 10 Gates Of Eden 04:51 11 Shooting Star 05:24 12 Like A Rolling Stone 05:33 13 Ballad Of A Thin Man 05:36 Bob Dylan Title: 07011978 Start Date: 07/01/1978 Location: Zeppelindfeld, Nurnberg, West Germany Label: Artwork Location: http://www.angelfire.com/yt/tyamabe/nurnberg/ Review Location: Recording Source: Disc Number: 1 70:28 1 She's Love Crazy 02:30 2 Baby Stop Crying 05:39 3 Mr, Tambourine Man 04:28 4 Shelter From The Storm 04:51 5 It's All Over Now, Baby Blue 04:24 6 Tangled Up In Blue 07:07 7 Ballad Of A Thin Man 04:35 8 Maggie's Farm 04:47 9 I Don't Belive You 04:26 10 Like A Rolling Stone 06:39 11 I Shall Be Released 04:13 12 Going, Going, Gone 04:23 13 A Change Is - 
												
												SHARE YOUR BEER Want an Honest Opinion of Their Handy Work
The Hopline Crescent City HomeBrewers Volume 24, Issue 3 March, 2013 Editor: Monk Dauenhauer MEETING LOCATION Deutsches (Half-Way) Haus 1023 Ridgewood Street Metairie, LA March 6, 2013 @ 7:00 P.M. Bring your brew to the meeting. Our Club Officers For 2013 are: When you bring your creation to the meeting, please sign the BROUGHT Perry Soniat – President Richard Doskey – Vice President BEER sheet with your name and the Jack Gonzales – Secretary style(s) you bring. Also include any Monk Dauenhauer – Treasurer particulars you want mentioned. Barney Ryan – Quartermaster BONUS: Get a FREE 50/50 ticket for your generosity. Last Meeting we had: We had many great beers from many generous members. However the sign-up sheet is nowhere to be found. Many apologies! We will try harder next time. Meeting Note: When you come to the meeting at the Deutsches Haus realize that for the past 20 years they have allowed us to use their facilities free of charge. The only thing they ask is for us to patronize the bar. So, we encourage you to have your first beer from their taps. They have a quality selection. Then jump into the beer you or someone else brought to share or might SHARE YOUR BEER want an honest opinion of their handy work. 2 The Hopline Upcoming Events for 2013 DRIVING DIRECTIONS -------------------------------------------------- March Brewoff & From – Westbank Expy., Marrero, LA -------------------------------------------------- Sausage Making @ 1. Start out going SOUTH on LA-45 S Monk’s Haus /BARATARIA BLVD (go 2.9 miles) You can do either or both. Saturday March 2. - 
											
A Compact Drum Kit That's Great for Kids
Shells ABD1520T ABD1522T ATT1510U ATT1512U ATT1513U AFT1516 AFT1518 ASD0545 Additional TB1030AA TB1230AA RMGW RMCW Hardware TH945A x2 HS1100 CS845 SS940 DFP9410 FP9410 CH745 x4 CH740 x3 TH904 WHS860S WS865 x2 AC910 CWH930 HSAT930 1 Lug Nut Lug Nut Holding Plate Bolt on Shell (Patent Pend) In taking an entirely fresh approach to lug design, our craftsmen have come up with an ideal design Air hole, YESS and that delivers greater sound performance and bolts on the shell side are all positioned convenience. These new lugs hook onto bolts that at the shell’s nodal are attached to the shell, which allows the lug point. casings themselves to "float" eliminating any direct contact between the lug and the shell. As this design reduces the amount of hardware actually attached to the drum shell, the shell is allowed to vibrate freely. On an 11-inch shell the lug bolts, as well as the YESS mounting system, are all attached to the shell at its nodal point to greatly minimize influence on shell resonance to deliver maximum tone. Another benefit these lugs provide is when it comes time to change the head, it is no longer necessary to remove the tuning bolts from the lugs to remove the hoop. Just loosen the bolts enough to slide the lugs off of the bolts and the hoop comes right off. No more lost washers, etc. and head changes can be done quicker and easier than before. * Nodal point mounting is patented by the Nobel & Cooley Drum Company. Nylon Ring * Beside the Absolute Nouveau Lugs, the Absolute lugs that were offered on O Ring earlier models are also available. - 
												
												Electronic Surveillance, the Mafia and Individual Freedom Benjamin M
Louisiana Law Review Volume 42 | Number 4 Summer 1982 Electronic Surveillance, the Mafia and Individual Freedom Benjamin M. Shieber Louisiana State University Law Center Repository Citation Benjamin M. Shieber, Electronic Surveillance, the Mafia and Individual Freedom, 42 La. L. Rev. (1982) Available at: https://digitalcommons.law.lsu.edu/lalrev/vol42/iss4/5 This Article is brought to you for free and open access by the Law Reviews and Journals at LSU Law Digital Commons. It has been accepted for inclusion in Louisiana Law Review by an authorized editor of LSU Law Digital Commons. For more information, please contact [email protected]. ELECTRONIC SURVEILLANCE, THE MAFIA, AND INDIVIDUAL FREEDOM* Benjamin M. Shieber** I. INTRODUCTION The United States Constitution affects the ability of federal, state and local governments to combat criminal activity. Since the relevant constitutional provisions are in the form of broadly stated legal commands,' the constitutionality of specific law enforcement practices can only be determined when the courts, ultimately the Supreme Court of the United States, interpret these commands in cases in which they are challenged. As has long been recognized, the judicial role in the interpretation process is a creative one, for when conflicting policies compete for ac- ceptance, a court's interpretation will further one policy at the expense of another.' The court's policy preference can only be rational and respon- sible when it is based on "considerations of what is expedient for the community concerned."'3 This requires the court to know the communi- ty, determine how implementation of each competing policy would af- fect it, and choose the policy of greatest utility for that community.' Cases involving electronic surveillance' by law enforcement agen- * Copyright 1982, Benjamin M.