DOCSLIB.ORG

Thursday 19 March, 9.30Am

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Thursday 19 March, 9.30Am Thursday 19 March, 9.30am Silver Plate Silver Fine Art Lot 1276 SILVER PLATE This section of the sale will not start before 9.30am 1000 Victorian silver-plated dragon-form table lighter, the tail made of antelope horn, 52cm long £400-600 See Illustration 1000 1001 19th century silver-plated surtout- de-table, on scrolled feet, 50cm diam 1006 1011 £80-120 Silver-plated table service for 12 place settings, A silver-plated table service, for twelve comprising 12 each of table knives and dessert place settings, in fitted cased, together with 1002 forks, 9 table forks, 10 dessert forks, 14 table a mother-of-pearl handled dessert service, Victorian silver-plated centre-piece, spoons, 9 dessert spoons, a pair of sauce ladles, cased £80-120 the circular base surmounted with a all Mappin & Webb, together with a Christofle tree, surrounded by a dog and children, fish service comprising 12 knives and forks 1012 stamped underneath Published By each, and a cased three-piece antler-handled Silver plated items to include claret jugs, Elkington 1861, 26cm high £100-150 carving set (115) £60-80 entrée dishes, salver, trophy cup, etc £120-180 1003 1007 Silver-plated table service for six Pair of silver-plated coasters, with fruiting 1013 place settings, comprising 6 each of vine applied borders and turned wooden bases, Silver-plated table service for twelve table and dessert forks, dessert and 17cm diam., together with a similar pair of place settings, by Gladwin Embassy Plate, teaspoons, 1 table knife and 3 dessert smaller coasters, a pair of dwarf candlesticks, comprising 12 each of table forks, dessert knives, a carving set, 6 napkin rings, two salvers, a shell-shaped hors d’oeuvres dish, spoons, fish knives and forks, 11 soup a cased teaspoon set and 6 pairs of a pair of oval entrée-dishes, etc £60-80 spoons, 10 dessert forks, 4 serving spoons, pepperettes (56) £40-60 3 graduated ladles, a serving spoon, 1008 asparagus server, cake slice and salad 1004 A pair of silver-plated five branch candelabra, servers, all in a fitted walnut table (93) Pair of Sheffield plated Corinthian with flower and scroll decoration, 51cm high, £60-100 Column candlesticks, 28cm high and a similar smaller pair of three-branch £60-100 candelabra, the central column with flame 1014 finial, 38cm high (4) £60-80 French silver-plated rectangular tray with 1005 scroll handles and beaded border, marked Silver-plated canteen, for twelve place 1009 ‘Ercuis’, 64cm wide, handle to handle settings, by Gladwin Embassy Plate, Large pair of silver-plated candelabra, each £60-100 comprising 12 each of table forks, with twisting fluted columns and twin branches, soup spoons, asparagus tongs, fish by Mappin & Webb, 44.5cm high (2) £100-150 1015 knives and forks, 11 dessert spoons, Pair of silver-plated twin-branch candelabra, 10 dessert forks, 4 table spoons, 1010 with gadrooned borders and scrolling arms, a serving spoon, three graduated Pair of silver-plated twin-branch candelabra, 45cm high (2) £80-120 ladles, cake slice and server and a pair each with removable scrolling branches and of salad servers, cased in a two drawer additional flame-shaped finials, 52cm high (2) cabinet table (93 pieces) £150-250 £80-120 1016 1018 Buyer’s premium, at 30% inclusive of VAT, is payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. 44 For late collection, and storage charges see page 2. There are no charges on debit or credit card payments. 1025 1031 1032 SILVER 1023 1029 George III silver mustard pot and cover Modern silver shell form decanter label This section of the sale will not start with non-matching spoon, and three ‘SHERRY’, by J B Chatterley & Sons Ltd., before 9.40am napkin rings £50-80 another label, two small dishes three miniature 1016 trophy cups and a pill box, 5.7oz, 180g 1024 Victorian and later silver fiddle pattern part £60-100 Pair of Edward VII silver candlesticks, table service, various dates and makers, of plain form on round bases, by 1030 comprising three serving spoons, ten William Aitken, Birmingham, 1907 George V silver three-piece condiment set, a dessert spoons, five teaspoons, twelve (filled bases), two silver and glass set of six tea spoons, sugar tongs, an afternoon table forks and five dessert forks, 61.5oz. coasters, and a snuffer tray (5) £120-180 tea set of two spoons and a knife, two further (1913 gr.) (35) £500-600 spoons and two knives, weighable silver 10oz See Illustration 1025 £80-120 Pair of William IV silver candlesticks of 1017 hexagonal section with knopped stems, 1031 George III set of four silver berry spoons, by Henry Wilkinson & Co., Sheffield, George III silver coffee-pot, the body plain, the bowls embossed with fruit and floral 1831 (loaded bases), 24cm high engraved with armorial, with wooden handle, stems, by Blunt, Wray & Co, London 1817, £150-250 by Thomas Ellerton & Richard Sibley I, 22.5cm long, 8oz. (249 gr.) (4) £100-150 See Illustration London 1803, 17.5cm high, 22oz. (684 gr.) 1018 £250-350 1026 Composite service of military fiddle, thread See Illustration George V silver Art Nouveau style and shell pattern flatware, comprising nine photograph frame, by James Deakin & 1032 dinner forks, eleven dessert spoons, six Sons, Sheffield, 1910, and three others Pair of Victorian Adam style silver dessert forks, tablespoon, mustard spoon, £80-120 candlesticks with rams head motifs, by six silver-handled dinner and dessert William Hutton & Sons Ltd., London 1898, knives, various dates and marks, 68oz, 1027 31cm high £300-400 2114g £800-1000 George V silver and tortoiseshell See Illustration See Illustration mounted cut glass dressing table jar, by Adie Bros. Ltd., Birmingham, 1927, 1033 1019 five others and two hand mirrors (8) George V silver grenade form table lighter, George III silver helmet shaped cream jug £100-150 by Reid & Sons, Chester, 1916, gross weight with embossed scrolling foliage decoration, 9.9oz, 310g, and a brass grenade form table on round foot, by John Wakelin & Robert 1028 lighter (2) £120-180 Garrard, London, 1795, 5.9oz, 185g William IV silver and mother of pearl £60-100 snuff box with moulded decoration, 1034 by William Pugh, Birmingham, 1832, Pair of George VI silver twin light candelabra, 1020 and another box with embossed figural on round bases, by Adie Bros. Ltd., Victorian silver christening mug with decoration £60-100 Birmingham, 1946, 17.1oz, 531g £300-500 embossed floral decoration, on round foot, See Illustration by George Unite, Birmingham, 1865, 6.5oz, 203g, and another (2) £60-80 1021 Victorian silver bowl with embossed scrolling and floral decoration, on four shaped feet, by Charles Stuart Harris, London, 1889, and another smaller on three lions paw feet, 10.1oz, 316g £100-150 1022 George III silver coaster with pierced galleried rim, by Thomas & Jabez Daniell, maker’s mark and lion passant present only, circa 1772, 11cm diameter £60-80 1034 Buyer’s premium, at 30% inclusive of VAT, is payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments. 45 1040 1045 Edward VII silver tazza, the shaped Pair of George V silver navette shaped dishes hexagonal bowl with pierced gallery, with pierced borders on shaped feet, by Henry on a stepped foot, by Atkin Brothers, Matthews, Birmingham, 1911, 8oz, 248g Sheffield 1908, 25.5cm diam. 17oz. £80-120 (529 gr.) £150-200 1046 1041 Pair of Edward VII silver candlesticks on George V silver sauce-boat, on three eliptical bases, by C M & S Ld., Birmingham, 1035 shell-capped hoof feet and a scrolling 1908 (filled bases), and a sucrier and cover 1035 handle, by James Dixon & Sons Ltd, £100-150 William IV silver twin-handled bowl with Sheffield 1920, 18cm long, 7oz £60-80 embossed foliage decoration, by Robert 1047 Hennell, London, 1831, 14oz £150-250 1042 ‘The Empire Collection’ silver-gilt proof See Illustration Edward VIII silver cream jug and replica stamps, with certificate of authenticity matched sugar bowl, both with facetted no. 2819/10000, comprising 25 gold-plated 1036 bodes and on stepped circular feet, silver replica stamps, in fitted red leather case Pair of George III navette silver salts, with the jug by S Blanckensee & Son Ltd, £80-120 pierced and bright cut decoration, and glass Birmingham 1936, 8cm high, the sugar liners, maker’s mark rubbed, London, 1799 bowl with marks for Chester, gross 1048 and 1801, and a pair of silver mustard weight 8oz. (249 gr.) (2) £60-80 George V pair of silver anointing spoons in spoons £60-100 fitted case, by Brock & Son, Edinburgh, 1925, 1043 2.5oz, 77g £50-80 1037 George VI and later silver cruet set, George IV silver goblet with gilt interior, comprising two salts and pepperettes 1049 applied vine leaf decoration, on round foot, and a mustard pot, in fitted case, by Victorian silver-gilt set of four apostle spoons by Garrards, London, 1822, 9oz £150-250 Joseph Gloster Ltd., together with an and a sifter spoon, each with apostle finial, by open salt and mustard pot with spoon, Henry Holland, London 1872, in fitted case, 1038 weighable silver 8oz. (249 gr.) £40-60 8oz. (249 gr.), together with a set of four similar George III silver porringer, with embossed silver plated spoons, cased (2) £80-120 decoration, by Solomon Hougham, London, 1044 1799, 2.4oz £30-50 George V silver swing-handled 1050 sugar-bowl, Chester 1910, 8cm high, Victorian silver
Load more

Recommended publications
  • ONE HUNDRED DRAWINGS and WATERCOLOURS Dating from the 16Th Century to the 21St Century
    O N E H U N D R E D ONE HUNDRED D R A W I N DRAWINGS G S & W A AND T E R C O L O WATERCOLOURS U R S S T E P H E N O N G P I N G U Y P E P P I A T T Stephen Ongpin Fine Art Ltd. Guy Peppiatt Fine Art Ltd. 2 0 1 7 Riverwide House - 2 0 6 Mason’s Yard 1 Duke Street, St James’s 8 London SW1Y 6BU 100 drawings PART 1.qxp 13/11/2017 09:10 Page 1 GUY PEPPIATT FINE ART STEPHEN ONGPIN FINE ART ONE HUNDRED DRAWINGS AND WATERCOLOURS dating from the 16th Century to the 21st Century WINTER CATALOGUE 2017–2018 to be exhibited at Riverwide House 6 Mason’s Yard Duke Street, St. James’s London SW1Y 6BU Stephen Ongpin Fine Art Guy Peppiatt Fine Art Tel.+44 (0) 20 7930 8813 Tel.+44 (0) 20 7930 3839 or + 44 (0)7710 328 627 or +44 (0)7956 968 284 [email protected] [email protected] www.stephenongpin.com www.peppiattfineart.co.uk 1 100 drawings PART 1.qxp 14/11/2017 11:23 Page 2 We are delighted to present our tenth annual Winter catalogue of One Hundred Drawings and Watercolours, which includes a wide range of British and European drawings and watercolours, placed more or less in chronological order, ranging in date from the 16th century to nearly the present day. Although the areas of Old Master drawings, early British drawings and watercolours, 19th Century and Modern drawings have long been regarded as disparate fields, part of the purpose of this annual catalogue is to blur the distinction between these collecting areas.
    [Show full text]
  • Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1Pm Knightsbridge, London
    Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1pm Knightsbridge, London Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1pm Knightsbridge Bonhams Bids Enquiries Please see page 2 for bidder Montpelier Street +44 (0) 20 7447 7448 Modern British & Irish Art information including after-sale Knightsbridge +44 (0) 20 7447 7401 fax Emma Corke collection and shipment London SW7 1HH To bid via the internet please visit +44 (0) 20 7393 3949 www.bonhams.com www.bonhams.com [email protected] Please see back of catalogue for important notice to bidders Viewings Please note that bids should be Shayn Speed submitted no later than 24 hours +44 (0) 20 7393 3909 Illustration [email protected] East Anglian Pictures only before the sale. Front cover: Lot 91 The Guildhall Back cover: Lot 216 East Anglian Pictures Guildhall Street New bidders must also provide Inside front: Lot 46 Daniel Wright Bury St Edmunds proof of identity when submitting Inside back: Lot 215 +44 (0) 1284 716195 Suffolk, IP33 1PS bids. Failure to do this may result [email protected] in your bids not being processed. Tuesday 5 November 9am to 7pm Bidding by telephone will only be Customer Services Monday to Friday 8.30am to 6pm Wednesday 6 November accepted on a lot with a lower +44 (0) 20 7447 7447 9am to 4pm estimate in excess of £400. ----------- St Michael’s Hall Sale Number: 20779 Church Street Live online bidding is Reepham available for this sale Catalogue: £12 Norfolk, NR10 4JW Please email [email protected] with “Live bidding” in the subject Tuesday 12 November line 48 hours before the auction 9am to 7pm to register for this service.
    [Show full text]
  • The Norwich School John Old Crome John Sell Cotman George Vincent
    T H E NO RW I CH SCH OOL JOH N “ OLD ” CROME JOH N SELL c o TMAN ( ) , G E OR G E ‘D I N C E N T JA ME A , S S T RK 1 B N Y C OM JOHN I T . E E E R R , TH R LE D BROOKE D A ’DI D H OD N R. LA , GSO ? J J 0 M. E . 0TM 89 . g/{N E TC . WITH ARTI LES BY M UND ALL C H . C P S A , . CONT ENTS U A P S A R I LES BY H M C ND LL . A T C . , Introduction John Crome John Sell Cotman O ther Members of the Norwich School I LLUSTRATIONS I N COLOURS l Cotman , John Sel Greta rid Yorkshire t - B ge, (wa er colour) Michel Mo nt St. Ruined Castle near a Stream B oats o n Cromer Beach (oil painting) Crome , John The Return ofthe Flock— Evening (oil painting) The Gate A athin Scene View on the Wensum at Thor e Norivtch B g p , (oil painting) Road with Pollards ILLUSTRAT IONS IN MONOTONE Cotman , John Joseph towards Norwich (water—colour) lx x vu Cotman , John Sell rid e Valle and Mountain B g , y, Llang ollen rid e at Sa/tram D evo nshire B g , D urham Castle and Cathedral Windmill in Lincolnshire D ieppe Po wis Cast/e ‘ he alai d an e t Lo T P s e Justic d the Ru S . e , Ro uen Statue o Charles I Chart/2 Cross f , g Cader I dris Eto n Colleg e Study B oys Fishing H o use m th e Place de la Pucelle at Rouen Chdteau at Fo ntame—le— en i near aen H r , C Mil/hank o n the Thames ILLUSTRATIONS IN MONOTONE— Continued PLATE M Cotman , iles Edmund Boats on the Medway (oil painting) lxxv Tro wse Mills lxxvi Crome , John Landscape View on th e Wensum ath near o w ch Mousehold He , N r i Moonlight on the Yare Lands cape : Grov' e Scene The Grove Scene Marlin o rd , gf The Villag e Glade Bach o the Ne w Mills Norwich f , Cottage near L ahenham Mill near Lahenham On th e Shirts of the Forest ive orwich Bach R r, N ru es Ri'ver Ostend in the D istance B g , ; Moo nlight Yarmouth H arho ur ddes I tal e s Parts 1 oulevar i n 1 8 .
    [Show full text]
  • The Suffolk Institute of Archaeology
    THE SUFFOLKINSTITUTE OF ARCHAEOLOGY: ITS LIFE, TIMESANDMEMBERS by STEVENJ. PLUNKETT The one remains —the many change and pass' (Shelley) 1: ROOTS THE SUFFOLKINSTITUTE of Archaeology and History had its birth 150 years ago, in the spring of 1848, under the title of The Bury and West Suffolk Archaeological Institute. It is among the earliest of the County Societies, preceded only by Northamptonshire and Lincolnshire (1844), Norfolk (1846), and the Cambrian, Bedfordshire, Sussex and Buckinghamshire Societies (1847), and contemporary with those of Lancashire and Cheshire. Others, equally successful, followed, and it is a testimony to the social and intellectual timeliness of these foundations that most still flourish and produce Proceedingsdespite a century and a half of changing approaches to the historical and antiquarian materials for the study of which they were created. The immediate impetus to this movement was the formation in December 1843 of the British ArchaeologicalAssociationfor the Encouragementand Preservationof Researchesinto the Arts ancl Monumentsof theEarly and MiddleAges, which in March 1844 produced the first number of the ArchaeologicalJ ournal.The first published members' list, of 1845, shows the members grouped according to the counties in which they lived, indicating the intention that the Association should gather information from, and disseminate discourses into, the counties through a national forum. The thirty-six founding members from Suffolk form an interesting group from a varied social spectrum, including the collector Edward Acton (Grundisburgh), Francis Capper Brooke (Ufford), John Chevallier Cobbold, Sir Thomas Gery Cullum of Hawstead, David Elisha Davy, William Stevenson Fitch, the Ipswich artists Fred Russel and Wat Hagreen, Professor Henslow, Alfred Suckling, Samuel Tyrnms, John Wodderspoon, the Woodbridge geologist William Whincopp, Richard Almack, and the Revd John Mitford (editor of Gentleman'sMagazine).
    [Show full text]
  • Walkers Quarterly
    WA L K E R ’ S Q UA RT E R LY HE NRY BR IGHT B 1 8 1 0 circa Died 1 8 ( orn , 7 3) NORWICH SCHOOL - Go r d o n R o e . ) Y R e A 3 7 umlm m ’ 4 01M: WAL KE R S GALL E R IES 1 1 8 , N E W BOND STREET LONDON, W. 1 E "RIC z l NETT. In ro u r t d c to y . H E c ompara tive obs c urity in which the histories of so many e x celle nt artists are still shrouded has inspired me to issue a Quarterly , which will re count the salie nt d a fe atures of their lives , an provide reli ble u on D u n criticisms p their respective styles . ri g ’ the c ourse of a many ye ars proprie torship ’ n of Walker s G alleries , in N ew Bo d S tre et , I have be e n a stonished to find how little known on u n oo a a are the and , c seq e tly , p rly ppreci ted m u “ L ” T works of nu ero s e sser Masters . his is due p artly to the fact that such p ainters h ave either be en overlooked or else dismissed with non - ex haustive accounts in the most commonly handle d books of reference . Fre quenters of my g alleries will be the first to acknowledge that I have be e n ev er rea dy to the o f n ex hibit w rks o this class , whe their m t a an d merits s e e ed o w rr t publicity , an , although my regul ar visitors are usually n a I thoroughly conversa t with rtistic lore , ve nture to hop e that these p ages may be referred to in cases of doubt concerning the lives of those with whom they are concerned .
    [Show full text]
  • 18Th and 19Th Century Drawings And
    18 TH AND 19 TH CENTURY DRAWINGS AND WATERCOLOURS 2009 Guy Peppiatt started his working life at Dulwich Picture Gallery before joining Sotheby’s British Pictures department in 1993. He soon specialised in early British drawings and watercolours and took over the running of Sotheby’s Topographical and Travel sales. Topographical views, whether they be of Britain or worldwide, have remained an abiding passion. Guy left Sotheby’s in early 2004 and has worked as a dealer since then, first based at home, and now in his gallery on Mason’s Yard, St James’s, shared with the Old Master and European Drawings dealer Stephen Ongpin. He advises clients and museums on their collections, buys and sells on their behalf and can provide insurance valuations. 2 18 TH AND 19 TH CENTURY DRAWINGS AND WATERCOLOURS 2009 Monday to Friday 10am to 6pm Weekends and evenings by appointment Guy Peppiatt Fine Art Ltd Riverwide House, 6 Mason’s Yard Duke Street, St James’s, London SW1Y 6BU Tel: [+44] (20) 7930 3839 Mobile: [+44] (0) 7956 968284 Fax: [+44] (20) 7839 1504 [email protected] www.peppiattfineart.co.uk 3 1 Samuel Hieronymous Grimm (1733-1794) Figures at the Well Signed lower right: S.H Grimm fecit 1772 Provenance: Pen and grey ink and watercolour on laid paper, with original pen and ink border, oval James Tobin until 1818; 23.8 by 31.2cm., 9 ¼ by 12 ½ in. Sir John Fitzherbert, Bt.; C.M. Harmsworth , 1961; This drawing was part of an album of sixteen drawings by Grimm sold by James Tobin’s With Appleby Bros., London, 1973 ; estate in 1818 described as `a volume containing a beautiful collection of Tinted Anonymous sale, Christie’s, 18 th March 1980, lot 34 Drawings by Grimm, very highly finished.
    [Show full text]
  • Keys Fine Art Auctioneers Palmers Lane Aylsham East Anglian Sale Norwich NR11 6JA United Kingdom Started 28 Oct 2016 10:30 BST
    Keys Fine Art Auctioneers Palmers Lane Aylsham East Anglian Sale Norwich NR11 6JA United Kingdom Started 28 Oct 2016 10:30 BST Lot Description HENRY NINHAM (1793-1874, BRITISH) Tree study; Fishing Scene (2) and North Denes, Yarmouth group of four black and white 1 etchings assorted sizes, all mounted but unframed (4) MILES EDMUND COTMAN (1810-1858, BRITISH) "At Surlingham" black and white etching published circa 1846 2 x 7 ins, mounted but 2 unframed JOSEPH STANNARD (1797-1830, BRITISH) "Thatched cottage with a gable end" black and white etching published circa 1824 6 x 8 3 ins, mounted but unframed MILES EDMUND COTMAN (1810-1858, BRITISH) "Lane Scene" black and white etching 6 1/4 x 5 1/4 ins, mounted but unframed (A/F) 4 together with two further Norwich School etchings/engravings (3) AFTER J M W TURNER ENGRAVED BY W MILLER "Great Yarmouth, Norfolk" 19 century hand coloured engraving 7 x 9 ins together 5 with six further engravings relating to Great Yarmouth and Gorleston (7) HOLMES CORNELIUS WINTER (1851-1935, BRITISH) Old Street, Great Yarmouth March 1863 coloured etching, signed and inscribed 6 "Copy No 5" in ink to lower margin 12 x 10 ins AFTER POWLES ENGRAVED BY J COOK "A perspective view of Lowestoft from the N E Battery black and white engraving published 7 by J Harris circa 1790 9 1/2 x 20 ins AFTER J STARK ENGRAVED BY J HORSBURGH "St Benedict's Abbey" hand coloured engraving published by Moon 1833 together 8 with eight further hand coloured engravings of Norfolk views assorted sizes (9) JOHN SELL COTMAN (1782-1842, BRITISH)
    [Show full text]
  • 19Th Century European, Victorian and British Impressionist Art Wednesday 22 January 2014
    19TH CENTURY EUROPEAN, VICTORIAN AND BRITISH IMPRESSIONIST ART Wednesday 22 January 2014 19TH CENTURY EUROPEAN, VICTORIAN AND BRITISH IMPRESSIONIST ART Wednesday 22 January 2014 at 14.00 New Bond Street, London VIEWING BIDS ENQUIRIES PHYSICAL CONDITION OF Sunday 19 January +44 (0) 20 7447 7448 Peter Rees (Head of Sale) LOTS IN THIS AUCTION 11.00 to 15.00 +44 (0) 20 7447 4401 fax +44 (0) 20 7468 8201 Monday 20 January To bid via the internet please [email protected] PLEASE NOTE THAT THERE IS 9.00 to 16.30 visit bonhams.com NO REFERENCE IN THIS Tuesday 21 January Charles O’Brien CATALOGUE TO THE PHYSICAL 9.00 to 16.30 Please note that bids should be (Head of Department) CONDITION OF ANY LOT. Wednesday 22 January submitted no later than 4pm on +44 (0) 20 7468 8360 INTENDING BIDDERS MUST 9.00 to 12.00 the day prior to the sale. New [email protected] SATISFY THEMSELVES AS TO bidders must also provide proof THE CONDITION OF ANY LOT SALE NUMBER of identity when submitting bids. Alistair Laird AS SPECIFIED IN CLAUSE 14 21492 Failure to do this may result in +44 (0) 20 7468 8211 OF THE NOTICE TO BIDDERS your bid not being processed. [email protected] CONTAINED AT THE END OF CATALOGUE THIS CATALOGUE. £25.00 Live online bidding is available Sam Travers for this sale +44 (0) 20 7468 8232 As a courtesy to intending ILLUSTRATIONS Please email [email protected] [email protected] bidders, Bonhams will provide a Front cover: Lot 81 with ‘live bidding’ in the subject written Indication of the physical Back cover: Lot 68 line 48 hours before the auction Deborah Cliffe condition of lots in this sale if a Inside front: Lot 28 to register for this service.
    [Show full text]
  • A British Sentiment: Landscape Drawings and Watercolors 1750-1950 from the Collection of John Harbold Philip Earenfight Dickinson College
    Dickinson College Dickinson Scholar Student Scholarship & Creative Works By Year Student Scholarship & Creative Works 3-2-2017 A British Sentiment: Landscape Drawings and Watercolors 1750-1950 from the Collection of John Harbold Philip Earenfight Dickinson College Olivia Falcey Dickinson College Caroline Fallon Dickinson College Christopher Guy Dickinson College Xiaoqi Huang Dickinson College See next page for additional authors Follow this and additional works at: https://scholar.dickinson.edu/student_work Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Earenfight, Philip; Falcey, Olivia; Fallon, Caroline; Guy, Christopher; Huang, Xiaoqi; Hunkins, Taylor; Paulsen, Claire; Paull, Joelle; Tobash, Alexia; Weinstein, Sophie; Zyontz, Jackson; and Gallery, Trout, "A British Sentiment: Landscape Drawings and Watercolors 1750-1950 from the Collection of John Harbold" (2017). Student Scholarship & Creative Works By Year. 54. https://scholar.dickinson.edu/student_work/54 This Exhibition Catalog is brought to you for free and open access by the Student Scholarship & Creative Works at Dickinson Scholar. It has been accepted for inclusion in Student Scholarship & Creative Works By Year by an authorized administrator of Dickinson Scholar. For more information, please contact [email protected]. Authors Philip Earenfight, Olivia Falcey, Caroline Fallon, Christopher Guy, Xiaoqi Huang, Taylor Hunkins, Claire Paulsen, Joelle Paull, Alexia Tobash, Sophie Weinstein, Jackson Zyontz, and Trout Gallery This exhibition
    [Show full text]
  • Autumn 07 Cover
    Chorleys 28-29 March Covers.qxp_Layout 1 10/03/2017 12:31 Page 1 28th & 29th March 2017 Prinknash Abbey Park Gloucestershire Telephone: 01452 344499 Auction Catalogue GL4 8EU Prinknash Abbey Park Email: [email protected] Gloucestershire GL4 8EU Web: www.chorleys.com Tuesday 28th & Wednesday 29th March 2017 www.sofaa.org Chorleys 28-29 March Covers.qxp_Layout 1 10/03/2017 12:31 Page 2 Join The Friends of The Wilson Cheltenham Art Gallery & Museum • Make a difference • Enjoy the benefits • Be part of Cheltenham’s proudest achievement Entries Invited Courtesy of the open west Modern Art & Design, Jewellery & Silver As a Friend you will enjoy these benefits: The Wilson relies on Friends to help build, care for and add to its • Private views of The Wilson’s exhibitions Tuesday 23rd & Wednesday 24th May collections and projects – for us, • Free entry to The Wilson’s paying exhibitions for others, today and in the future. • A wide-ranging programme of talks and events Our Art Gallery & Museum matters to us and we matter to them. • Regular outings to exhibitions, private houses and collections • Art & architecture study tours in the UK and abroad Friends of The Wilson Cheltenham Art Gallery & Museum • Special social events with congenial people The Wilson, Clarence Street • An award-winning newsletter Cheltenham GL50 3JT • 10% discount at The Wilson Café www.fcagm.org.uk • Occasional discounts at The Guild at 51, featuring Email: [email protected] the work of Gloucestershire’s finest craftsmen John Piper, Lower Brockhampton Tel: 01242 237431
    [Show full text]
  • Travels in Italy
    134414 Bada Fair CaT 2013 Cover IMPOSED:Layout 1 05/03/2013 14:21 Page 1 Julia Korner Fine art traVelS in italY traVelS Fine art Julia Korner ­ traVelS in italY Julia Korner Fine art 134414 Bada Fair CaT 2013 Cover IMPOSED:Layout 1 05/03/2013 14:21 Page 2 Trained­originally­as­an­art­historian,­sculptress­and­graphic­illustrator­at­Cambridge,­Julia Korner, l.S.i.a.D., left­Christie’s­auctioneers Julia­Korner­exhibits­annually­at­the­following­Fairs: in­1997­after­nearly­20­years­in­the­field­as­a­paintings­specialist,­with­extensive­knowledge­of­Old­Masters,­of­British­and­Victorian­and of­European­and­American­paintings­of­the­18th,­19th­and­20th­Century.­­In­1987­she­set­up­the­Maritime­Department­at­Christie’s­and B.a.D.a. Fine art & antiques Fair,­Duke­of­York­Square,­off­Sloane­Square,­London.­SW3­held­in­March,­please­see built­it­into­the­pre-eminent­department­in­the­auction­world,­with­sales­in­London,­New­York­and­Amsterdam. www.bada.org­for­details. At­the­same­time,­she­was­involved­in­conservation,­in­picture­restoration,­in­the­production­of­classic­gilt­and­gesso­frames,­and­in­the l.a.P.a.D.a. art & antiques Fair,­Berkeley­Square,­Mayfair,­London,­W1­held­in­September,­please­see­www.lapada.org conservation­of­frames,­sculpture­and­garden­statuary­in­her­own­studio.­She­set­up­her­own­business­in­1997­to­assist­clients­with­all­aspects for­details. of­their­collection­-­conservation,­restoration­and­buying­and­selling­items.­She­also­advises­on­conserving­historic­interiors­and­gilded ceilings­/­rooms­and­works­in situ.
    [Show full text]
  • ONE HUNDRED DRAWINGS and WATERCOLOURS Dating from the 16Th Century to the 21St Century
    S D R E U S R G O D L N D I N O N U W C A A H R R E E T D N A O W ONE HUNDRED DRAWINGS & WATERCOLOURS STEPHEN ONGPIN GUY PEPPIATT 2019-2020 GUY PEPPIATT FINE ART STEPHEN ONGPIN FINE ART ONE HUNDRED DRAWINGS AND WATERCOLOURS dating from the 16th Century to the 21st Century WINTER CATALOGUE 2019–2020 to be exhibited at Riverwide House 6 Mason’s Yard Duke Street, St. James’s London SW1Y 6BU Stephen Ongpin Fine Art Guy Peppiatt Fine Art Tel.+44 (0) 20 7930 8813 Tel.+44 (0) 20 7930 3839 or + 44 (0)7710 328 627 or +44 (0)7956 968 284 [email protected] [email protected] www.stephenongpin.com www.peppiattfineart.co.uk We are delighted to present the twelfth edition of our annual Winter catalogue of One Hundred Drawings and Watercolours. The catalogue presents a wide range of British and European drawings and watercolours, placed more or less in chronological order, dating from the late 16th century to the present day. Although the areas of Old Master drawings, early British drawings and watercolours and 19th and 20th Century drawings have long been regarded as disparate fields, part of the purpose of this annual catalogue is to blur the distinction between these collecting areas. The works we have selected for this catalogue will hopefully show that a fine drawing or watercolour – whatever the date and whoever the artist – is always worthy of note. As the enclosed price list shows, the prices of the drawings in this catalogue range from a few hundred pounds to around £15,000, with most of the works at the lower end of this range.
    [Show full text]