【Festival Index】
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The Commercial & Artistic Viability of the Fringe Movement
Rowan University Rowan Digital Works Theses and Dissertations 1-13-2013 The commercial & artistic viability of the fringe movement Charles Garrison Follow this and additional works at: https://rdw.rowan.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Garrison, Charles, "The commercial & artistic viability of the fringe movement" (2013). Theses and Dissertations. 490. https://rdw.rowan.edu/etd/490 This Thesis is brought to you for free and open access by Rowan Digital Works. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Rowan Digital Works. For more information, please contact [email protected]. THE COMMERCIAL & ARTISTIC VIABLILITY OF THE FRINGE MOVEMENT By Charles J. Garrison A Thesis Submitted to the Department of Theatre & Dance College of Performing Arts In partial fulfillment of the requirement For the degree of Master of Arts At Rowan University December 13, 2012 Thesis Chair: Dr. Elisabeth Hostetter © 2012 Charles J. Garrison Dedication I would like to dedicate this to my drama students at Absegami High School, to my mother, Rosemary who’s wish it was that I finish this work, and to my wife, Lois and daughter, Colleen for pushing me, loving me, putting up with me through it all. Acknowledgements I would like to express my appreciation to Jason Bruffy and John Clancy for the inspiration as artists and theatrical visionaries, to the staff of the American High School Theatre Festival for opening the door to the Fringe experience for me in Edinburgh, and to Dr. Elisabeth Hostetter, without whose patience and guidance this thesis would ever have been written. -
Canton of Basel-Stadt
Canton of Basel-Stadt Welcome. VARIED CITY OF THE ARTS Basel’s innumerable historical buildings form a picturesque setting for its vibrant cultural scene, which is surprisingly rich for THRIVING BUSINESS LOCATION CENTRE OF EUROPE, TRINATIONAL such a small canton: around 40 museums, AND COSMOPOLITAN some of them world-renowned, such as the Basel is Switzerland’s most dynamic busi- Fondation Beyeler and the Kunstmuseum ness centre. The city built its success on There is a point in Basel, in the Swiss Rhine Basel, the Theater Basel, where opera, the global achievements of its pharmaceut- Ports, where the borders of Switzerland, drama and ballet are performed, as well as ical and chemical companies. Roche, No- France and Germany meet. Basel works 25 smaller theatres, a musical stage, and vartis, Syngenta, Lonza Group, Clariant and closely together with its neighbours Ger- countless galleries and cinemas. The city others have raised Basel’s profile around many and France in the fields of educa- ranks with the European elite in the field of the world. Thanks to the extensive logis- tion, culture, transport and the environment. fine arts, and hosts the world’s leading con- tics know-how that has been established Residents of Basel enjoy the superb recre- temporary art fair, Art Basel. In addition to over the centuries, a number of leading in- ational opportunities in French Alsace as its prominent classical orchestras and over ternational logistics service providers are well as in Germany’s Black Forest. And the 1000 concerts per year, numerous high- also based here. Basel is a successful ex- trinational EuroAirport Basel-Mulhouse- profile events make Basel a veritable city hibition and congress city, profiting from an Freiburg is a key transport hub, linking the of the arts. -
On the Fringe: a Practical Start-Up Guide to Creating, Assembling, and Evaluating a Fringe Festival in Portland, Oregon
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank ON THE FRINGE: A PRACTICAL START-UP GUIDE TO CREATING, ASSEMBLING, AND EVALUATING A FRINGE FESTIVAL IN PORTLAND, OREGON By Chelsea Colette Bushnell A Master’s Project Presented to the Arts and Administration program of the University of Oregon in partial fulfillment of the requirements for the degree of Master’s of Science in Arts and Administration November 2004 1 ON THE FRINGE: A Practical Start-Up Guide to Creating, Assembling, and Evaluating a Fringe Festival in Portland, Oregon Approved: _______________________________ Dr. Gaylene Carpenter Arts and Administration University of Oregon Date: ___________________ 2 © Chelsea Bushnell, 2004 Cover Image: Edinburgh Festival website, http://www.edfringe.com, November 12, 2004 3 Title: ON THE FRINGE: A PRACTICAL START-UP GUIDE TO CREATING, ASSEMBLING, AND EVALUATING A FRINGE FESTIVAL IN PORTLAND, OREGON Abstract The purpose of this study was to develop materials to facilitate the implementation of a seven- to-ten day Fringe Festival in Portland, Oregon or any similar metro area. By definition, a Fringe Festival is a non-profit organization of performers, producers, and managers dedicated to providing local, national, and international emerging artists a non-juried opportunity to present new works to arts-friendly audiences. All Fringe Festivals are committed to a common philosophy that promotes accessible, inexpensive, and fun performing arts attendance. For the purposes of this study, qualitative research methods, supported by action research and combined with fieldwork and participant observations, will be used to investigate, describe, and document what Fringe Festivals are all about. -
Paterson Erika Phd 1997.Pdf
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zed) Road. Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Ordering Chaos: The Canadian Fringe Theatre Phenomenon by Erika Paterson BJ.A., University of Victoria, 1989 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of Theatre We accept this dissertation as conforming to the required standard Dr. -
Download Welcome Brochure Basel
WELCOME Basel. Business, life, culture. MULTIFACETTED CITY OF THE ARTS Basel’s innumerable historical buildings form a picturesque setting for its vibrant cultural scene, which is surprisingly rich for such a small canton: around 40 mu- THRIVING BUSINESS LOCATION CENTRE OF EUROPE, TRINATIONAL seums, some of them world-renowned, such as the Fondation Beyeler and the Basel is Switzerland’s most dynamic busi- AND COSMOPOLITAN Kunstmuseum Basel, the Theater Basel, ness centre. The city built its success on There is a point in Basel, in the Swiss where opera, drama and ballet are per- the global achievements of its pharma- Rhine Ports, where the borders of Switzer- formed, as well as 25 smaller theatres, a ceutical and chemical companies. Roche, land, France and Germany meet. Basel theatre that stages musicals, and count- Novartis, Syngenta, Lonza Group, Clari- works closely together with its neigh- less galleries and cinemas. The city ranks ant and others have raised Basel’s pro- bours Germany and France in the fields of with the European elite in the field of fine file around the world. Thanks to the ex- education, culture, transport and the envi- arts, and hosts the world’s leading con- tensive logistics know-how that has been ronment. Residents of Basel enjoy the su- temporary-art fair, Art Basel. In addition established over the centuries, a number perb recreational opportunities in French to its prominent classical orchestras and of leading international logistics service Alsace as well as in Germany’s Black For- over 1,000 concerts per year, numerous providers are also based here. -
Shane Adamczak
SHANE ADAMCZAK www.zackadams.org YOB: 1983 Height: 180cm Chest: 80cm Waist: 77cm Hips: 85cm Shirt collar: 38cm Shoe size: 9 Hat size: 55cm Hair: Strawberry Blonde Eyes: Green TRAINING YEAR COURSE TEACHER 2011 Cirque Du Soleil – (1 Day Intensive, Montreal) Cirque Du Soleil 2007 Puppetry Skills Development Workshop Michael Barlow/ (Spare Parts Puppet Theatre) Philip Mitchell and Jirka Zmitko 2005 Total Theatre – Physical Theatre Annie Stainer/Various 2001-03 WAAPA - BA (Theatre Arts) Various 2001 HIAT (High Impact Actor Training) Bill McCluskey/Various THEATRE (L=Lead Role, E=Ensemble, SS=Solo Show) YEAR PLAY DIRECTOR VENUE/PRODUCER 2013 Trampoline (In Development) (L) Damon Lockwood The Blue Room Theatre/ Weeping Spoon Productions 2013 ZACK TO THE FUTURE (SS) Weeping Spoon Productions/ Montreal Fringe/Edmonton Fringe 2013 Let’s Start A Country! (L) Lucy Segal ZooFest/That’s Enough Drama/Just For Laughs 2013 Vicious Circles (L) Stefan Decilot Mainline Theatre/ 2013 Let’s Start A Country! (L) Lucy Segal Mainline Theatre/That’s Enough Drama 2013 Captain Spaceship (L) Shane Adamczak Mainline Theatre/ Weeping Spoon Productions 2012 THE ROCKY HORROR SHOW (L) Philippe Gobeille Mainline Theatre/Shayne Gryn 2012 Captain Spaceship (L) Shane Adamczak Mainline Theatre/ Weeping Spoon Productions 2012/13 Taming Of The (Disco) Shrew (L) Aaron George Montreal Shakespeare Theatre Company 2012 Improv All Stars Montreal Imrpov 2012 ZACK ADAMS: A Complete Montreal, Winnipeg. Toronto, History Of Zack Adams (SS) Edmonton Fringe Festivals (Canada) 2012 National -
SHOW TICKETS at Or Our EXIT Theatre Mobile App! a Note from Our Founder First, Thank You, for Supporting the San Francisco Fringe Festival
SHOW TICKETS AT www.sffringe.org or our EXIT Theatre mobile app! A note from our Founder First, Thank You, for supporting the San Francisco Fringe Festival. EXIT Theatre is very proud and grateful to have had the opportunity for the past 27 years to support indie artists in this unique way. As a CAFF member festival, the SF Fringe is an open access event where our performing companies are chosen by lottery. This sometimes surprises people but it works, and a tremendous amount of new and relevant work comes out of the SF Fringe as well as many Bay Area pro- ducing groups who are cornerstones in the indie performing arts culture. We are also proud to say that we return 100% of the ticket price to the Fringe performing companies, which means that indie artists are able to earn money to continue to create their work. So please be sure to see as many shows as possible and help indie arts thrive and survive. Of course this would not be possible without the continued support of our dedicated volunteers, staff, funders, and audience. If you’ve been to an SF Fringe before you’re already familiar with our Tip The Fringe campaign. This is one of the ways we are able to continue to keep the festival going each year, so please be generous and donate what you can. And remember the SF Fringe is just one of the many different events that are on the EXIT stages year round. Come back and be a part of this vibrant, creative and important community, and check us out through- out the year at www.theexit.org Live performance is all about the human connection, realizing we are one together. -
Know Announces the 2016 Cincinnati Fringe Festival Lineup Lady Luck Shines Upon the 13Th Annual Cincy Fringe!
Know announces the 2016 Cincinnati Fringe Festival Lineup Lady Luck shines upon the 13th Annual Cincy Fringe! Know Theatre of Cincinnati wants you take a chance by picking a show, any show, at the 13th Annual Cincinnati Fringe Festival, running May 31June 11, 2016. We’re once again set to welcome over 8,000 visitors to Downtown and OvertheRhine as we transform over a dozen locations into temporary performance spaces and present the region’s largest theatre and arts festival that’s Kinda Weird. Like You. With 12 days full of of opportunities to catch 50 live productions, Visual Fringe art projects, musical guests, and the nightly Fringe Bar Series at Know Theatre (Fringe Headquarters), you’ll find yourself lucky to have more to experience at Fringe this year than EVER BEFORE! This year saw a recordshattering 105 applications, which made the task of selecting a final lineup of productions extremely difficult. Chris Wesselman, Associate Producer of Cincy Fringe, says, “It’s a blissful marathon, pouring through so many wonderful, thoughtprovoking and laughinducing applications; final choices are always tough because you want to see them all brought to life. Every year the passion and ingenuity brought to us by these artists further cements the fact that Fringe is the place to find modern theatre’s true pioneers.” This year the Cincy Fringe Selection Jury, which adjudicates all submissions for the Primary Lineup (including FringeNext), was increased to a whopping thirty jurors in order to further expand feedback and ensure a lineup that is as diverse and varied in themes and disciplines as possible. -
The Festival Quarterly
THE FESTIVAL QUARTERLY Aleš Šteger Ayoko Mensah Alicja Gescinska Tomáš Sedláček Melanie Burge Simon Mundy 3 Aleš Šteger How to live after the end of reflection THE FESTIVAL QUARTERLY 6 Ayoko Mensah Eye-to-Eye... ...with those that inform, influence or inspire festival makers Afropolitan festivals: a challenge and making: the artist, the economist, the philosopher, the urban planner, the academic, the politician. The European Festivals Association’s (EFA) ‘The Festival Quarterly’ Eye-to-Eye assembles a variety of voices that speak Alicja Gescinska 9 about our society, the state of the arts and reasons why the On Music, Morality and Krzysztof Penderecki arts exist, concepts, and moments in contemporary life. It includes articles we commission and material we ask editors to provide. Eye-to-Eye offers a mosaic of reflections, opinion pieces, personal statements, seemingly unrelated yet 13 Tomáš Sedláček fitting with each other. It reflects EFA’s journey to broadenour Advantages of disadvantages, or don’t let conversations and dig into the habitat of festivals, taking us the quarantine slip through your fingers well beyond the process of festival making. Today we are sharing with you the very first issue: The Festival Quarterly’s Summer 2020 edition. We intend to publish 16 Melanie Burge Eye-to-Eye articles, film abstracts and material every 3 months. The pandemic’s immediate impact on We will develop this project with the experience of each performing arts in Australia edition: Eye-to-Eye will be an evolving project, taking into consideration the suggestions we will receive from festivals and our stakeholders community. -
Selected Festivals and Awards Selected Festivals and Awards
SELECTED FESTIVALS AND AWARDS SELECTED FESTIVALS AND AWARDS International Film Festival Rotterdam, The Netherlands, 2019 23rd International Film Festival Etiuda&Anima, Poland; 10th Piccolo Festival Animazione, Italy 15th Animateka International Animated Film Festival, Slovenia - Jury Sundance Film Festival, USA, 2019 - Vimeo Awards 13th Animateka International Animated Film Festival, 10th Animasivo Festival of Contemporary Animation, Mexico Grand Prix, ;DSAF Audience Award 16th IndieLisboa - International Film Festival, Portugal Slovenia – Special Mention; InterAnima - International Festival of Animation and Interactivity 16th BOGOSHORTS - Bogotá Short Film Festival, Colombia (screening) 24th Vilnius Film Festival, Lithuania 29th Premiers Plans Film Festival, France (screening); 2018, 42nd Göteborg Film Festival, Sweden (screening) GLAS Animation Festival 2019, USA - Grand Prix 2017 GLAS Animation Festival, USA - Grand Prix Brasil (screening) Clermont-Ferrand International Short Film Festival 2019, France 43th Hong Kong International Film Festival, China (screening) Tricky Women International Animation Filmfestival 2017, 19th cellu l’art Short Film Festival, Germany (screening) 38th ANIMA - Brussels Animation Films Festival, 19th Tel Aviv Animation Festival Animix, Israel Austria - 3-month scholarship to live and work at Q21/MQ 30th Filmfest Dresden, Germany (screening) Belgium - Press Award for Best Short Film World Festival of Animated Film - Animafest Zagreb 2019, Croatia – under the Artist-in-Residence Program Vladivostok Film Festival 2018, Russia 24th Vilnius Film Festival, Lithuania Grand Prix, Audience Award 24th Trickfilms Stuttgart International Festival of Animated Film, Ars Electronica Festival 2018, Austria GLAS Animation Festival 2019, USA Annecy International Animation Film Festival 2019, France Germany – Grand Prix 20th Wiesbaden International Weekend of Animation, Germany Tricky Women/Tricky Realities Festival 2019, Austria - TRICKY Palm Springs International ShortFest and Film Market 2019, USA Erarta MOTION PICTURES. -
Theater Artist
K. Brian Neel REVIEWS king (at) kbrianneel (dot) com "K BRIAN NEEL brings a dextrous, knowing innocence to his roles, something between vaudeville and Beckett." – The Stranger (Seattle) ACTING "I was rivited. Neel rocked." – National Public Radio Waiting for Godot Estragon One World Theatre Tom Miller, Jená Cane Zirkus Fantasmo Signore Zupa Teatro Zinzanni Liz Bunior "Memorable, pure, live theatre." – The Advertiser (Adelaide, Australia) 14/48 Festivals Many Roles One World/Three Card Monty Misc. 99 Layoffs Orson ACT Theatre David Gassner "A one-man panorama. Virtuoso performing." – Seattle Post-Intellingencer A Mouse Who Knows Me Romeo, Roland Annex Theatre Kristina Sutherland "Neel rules the stage. dynamic, engrossing, funny, heartbreaking, poignant, unique – all those things The Milosevics Dragoslav Ognjanovic Paradise Theatre Pattie Miles that make a night at the theater the thrillingly consuming experience that only a couple shows in a The Happy Ones Walter Wells Seattle Public Theatre David Gassner The River Why Titus, Rodney Book-It Repertory Theatre Myra Platt hundred can create." – Charleston City Paper My Body Lies Over... Person On The Boards Mike Pham "You gotta love the sweat on K. Brian Neel's face. Neel's onto something." – Washington Post True North Ensemble Ontological-Hysteric Theater R. Hynes, M. Pham Trickster Tales Coyote Book-It Repertory Theatre Annie Lareau "The star of the show is K. Brian Neel... In a production with a number of strong performances, I Feel Fine Nikola Tesla Helsinki Syndrome R. Hynes, M. Pham his stole the show and was delightful to watch. He is one of the most expressive comedic Three Sisters Rodey INTIMAN Theatre Bartlett Sher actors around with excellent comic timing and facial expressions which kept the audience Vera Wilde Oscar Wilde Bedlam Theatre, Edinburgh Kibby MacKinnon completely entertained." Noises Off Tim Algood Village Theatre M. -
Toronto Fringe Digital Festival 2021 Program Guide
JULY 21-31, 2021 ABOUT TORONTO FRINGE Toronto Fringe is a grassroots, charitable organization that presents the Toronto Fringe Festival each July, the Next Stage Theatre Festival each January, and various year-round programs that benefit youth, emerging artists, BIPOC artists, artists with disabilities, and the performing arts community at large. Embedded in Fringe’s operations are the values of Access, Accountability, Creativity, Exploration, and Support. Toronto Fringe is a creative match-maker, connecting artists with audiences, and empowering everyone to unleash their artist within. Toronto Fringe creates vital opportunities for both emerging and established artists to produce their work with complete artistic freedom, while making productions as affordable and accessible as possible. LAND ACKNOWLEDGEMENT The Toronto Fringe exists upon the land of the traditional territory of many nations including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee, and the Wendat peoples, and is now home to many diverse First Nations, Inuit, and Métis peoples. We acknowledge these nations as the original stewards, caretakers, and knowledge keepers on this land, and the original storytellers. We are privileged to work, live, play, create, and convene here. SO MUCH HAS CHANGED IN CONTENTS THE WORLD SINCE MY LAST FRINGE WHERE YOU ARE .............. 2 LETTERS ............................. 3 WELCOME LETTER TO THE MISSION & VALUES ................... 6 STAFF ............................... 7 TORONTO FRINGE. MERCHANDISE ....................... 8 ACCESSIBILITY. 9 I am so honoured to share another digital festival with you. In the OUR DONORS ....................... 10 past year we have been able to find the positives in this ongoing OUR SPONSORS ..................... 11 uncertain time, we have remained a platform for our artists, we have POSTSCRIPT ........................