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Renovation Moves Forward
oi.uchicago.edu THE ORIENTAL INSTITUTE & NOTES NO. 150 SUMMER 1996 @THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICA REN OVATION MOVES FORWARD By Emily Teeter, Ph.D., Assistant Curator, Oriental Institute Museum The renovation of the Oriental Insti On February 5, 1996 the Egyptian tute Museum is a reality. For the frrst Gallery closed to the public. Small ob time in over sixty years, the galleries jects were packed, but the oversize ob will be completely refurbished and jects such as large stelae required brought up to modern museum stan special treatment. The firm of Belding dards with the installation of climate Walbridge was contracted to move control. It is a mammoth undertaking those items. The really oversized ob that leaves no one happy for the jects-the Assyrian winged bull and time-being, but it will have tremen the statue of Tutankhamun-were dous rewards when the museum sheathed in plastic, and protective bar reOpens in the spring of 1998. riers were built in front of them. Mu The project calls for the con seum Curator Karen L. Wilson struction of a 14,000 square foot ensured the safety of the winged bull wing on the southern side of the Ori by posting a copy of an ancient curse ental Institute building that will on the bull's protective box. Finally, house artifact storage, the museum the alcove walls were demolished. * It archives (photograph and paper was an amazing sight to see the Egyp records), a new conservation labora tian gallery virtually empty. tory, and book stack areas for the Re April 1, 1996 marked the next search Archives. -
Uchicagomag-Spring20.Pdf
Is it possible to feel nostalgic the first time you visit a place? KIAWAH GETS YOU COVID-19 … BRENT STAPLES … RECESSION LIT … IMPROVING MEDICAL IMAGING … COACH OF COACHES A Curated Collection of Homes and Homesites with Club Memberships in the Heart of the South Carolina Lowcountry. kiawahisland.com/ivyleague | 866.312.1791 SPRING 2020 Obtain the Property Report required by Federal Law and read it before signing anything. No Federal or State agency has endorsed or judged the merits of value, if any, of this property. This is not intended to be an offer to sell nor a solicitation of offer to buy real estate in any jurisdiction where prohibited by law. This offer is made pursuant to the New York State Department of Law’s Simplified Procedure for Homeowners Associations with a De Minimis Cooperative Interest (CPS-7). The CPS-7 application (File No. HO16-0007) and related documents may be obtained from the sponsor. This project is registered with the State of New Jersey Department of Banking and Insurance Real Estate Commission. Obtain and read the NJ Public Offering Statement before signing anything (NJ Reg#16-15-0011 and 0012). An affiliate of Kiawah Partners. SPRING 2020, VOLUME 112, NUMBER 3 UCH_Spring2020 cover and spine_v1.indd 1 5/15/20 11:46 AM 200319_Kiawah_Chicago.indd 1 1/30/20 8:54 AM UCH_ADS_v1.indd 2 5/13/20 1:16 PM EDITORˆS NOTES VOLUME 112, NUMBER 3, SPRING 2020 EDITOR Laura Demanski, AM’94 SENIOR EDITOR Mary Ruth Yoe FROM A DISTANCE ASSOCIATE EDITOR Susie Allen, AB’09 MANAGING EDITOR Rhonda L. -
Monster Roster: Existentialist Art in Postwar Chicago Receives First Major Exhibition, at University of Chicago’S Smart Museum of Art, February 11 – June 12, 2016
Contact C.J. Lind | 773.702.0176 | [email protected] For Immediate Release “One of the most important Midwestern contributions to the development of American art” MONSTER ROSTER: EXISTENTIALIST ART IN POSTWAR CHICAGO RECEIVES FIRST MAJOR EXHIBITION, AT UNIVERSITY OF CHICAGO’S SMART MUSEUM OF ART, FEBRUARY 11 – JUNE 12, 2016 Related programming highlights include film screenings, monthly Family Day activities, and a Monster Mash Up expert panel discussion (January 11, 2016) The Smart Museum of Art at the University of Chicago, 5550 S. Greenwood Avenue, will mount Monster Roster: Existentialist Art in Postwar Chicago, the first-ever major exhibition to examine the history and impact of the Monster Roster, a group of postwar artists that established the first unique Chicago style, February 11–June 12, 2016. The exhibition is curated by John Corbett and Jim Dempsey, independent curators and gallery owners; Jessica Moss, Smart Museum Curator of Contemporary Art; and Richard A. Born, Smart Museum Senior Curator. Monster Roster officially opens with a free public reception, Wednesday, February 10, 7–9pm featuring an in-gallery performance by the Josh Berman Trio. The Monster Roster was a fiercely independent group of mid-century artists, spearheaded by Leon Golub (1922–2004), which created deeply psychological works drawing on classical mythology, ancient art, and a shared persistence in depicting the figure during a period in which abstraction held sway in international art circles. “The Monster Roster represents the first group of artists in Chicago to assert its own style and approach—one not derived from anywhwere else—and is one of the most important Midwestern contributions to the development of American art,” said co-curator John Corbett. -
This Is Chicago
“You have the right to A global city. do things in Chicago. A world-class university. If you want to start The University of Chicago and its a business, a theater, namesake city are intrinsically linked. In the 1890s, the world’s fair brought millions a newspaper, you can of international visitors to the doorstep of find the space, the our brand new university. The landmark event celebrated diverse perspectives, backing, the audience.” curiosity, and innovation—values advanced Bernie Sahlins, AB’43, by UChicago ever since. co-founder of Today Chicago is a center of global The Second City cultures, worldwide organizations, international commerce, and fine arts. Like UChicago, it’s an intellectual destination, drawing top scholars, companies, entrepre- neurs, and artists who enhance the academic experience of our students. Chicago is our classroom, our gallery, and our home. Welcome to Chicago. Chicago is the sum of its many great parts: 77 community areas and more than 100 neighborhoods. Each block is made up CHicaGO of distinct personalities, local flavors, and vibrant cultures. Woven together by an MOSAIC OF extensive public transportation system, all of Chicago’s wonders are easily accessible PROMONTORY POINT NEIGHBORHOODS to UChicago students. LAKEFRONT HYDE PARK E JACKSON PARK MUSEUM CAMPUS N S BRONZEVILLE OAK STREET BEACH W WASHINGTON PARK WOODLAWN THEATRE DISTRICT MAGNIFICENT MILE CHINATOWN BRIDGEPORT LAKEVIEW LINCOLN PARK HISTORIC STOCKYARDS GREEK TOWN PILSEN WRIGLEYVILLE UKRAINIAN VILLAGE LOGAN SQUARE LITTLE VILLAGE MIDWAY AIRPORT O’HARE AIRPORT OAK PARK PICTURED Seven miles UChicago’s home on the South Where to Go UChicago Connections south of downtown Chicago, Side combines the best aspects n Bookstores: 57th Street, Powell’s, n Nearly 60 percent of Hyde Park features renowned architecture of a world-class city and a Seminary Co-op UChicago faculty and graduate alongside expansive vibrant college town. -
Museum Oi.Uchicago.Edu
oi.uchicago.edu MUSEUM oi.uchicago.edu Overleaf: Strainer jug; ceramic. Iron I period, 1200–975 B.C. Megiddo, Israel. Photo by Anna Ressman oi.uchicago.edu MUSEUM MUSEUM Geoff Emberling The Museum has had a another successful year in the midst of these difficult economic times. We continue to welcome about 50,000 visitors annually to the Oriental Institute to introduce them to the history, written traditions, and art of the ancient cultures of the Middle East. We generate widespread publicity and interest in the Oriental Institute at the same time as we work to improve access to our amazing collection. The Museum also contributes in many ways to the financial support of the Institute, through donations at the front desk, sales in the Suq, a wide range of grants, and by serving as a venue for a variety of events. As you will see in the sections that follow, our special exhibits, education programs, and docent tours have had great success this past year, and we have taken some significant steps in publicity and marketing that we hope will lead to greater attendance in the future. Our collections staff has also made numerous improvements to cataloging and storage that enhanced our ability to facilitate use of the collection for research, teaching, and exhibits. As usual, the successes of the Museum are inevitably joint projects relying on cooperation of many staff members, and I would like to express my thanks to everyone who has made it such a pleasure to work in the Oriental Institute over the past year. -
2001 Future of the Arts Report
2001 Future of the Arts Report 1 The Future of the Arts at the University of Chicago August 2001 Table of Contents Introduction Page 2 Study Recommendations Page 4 Role of the Arts Page 5 The Arts Curriculum Page 7 Student Arts Page 9 Professional Arts Organizations Page 11 Arts in the City Page 13 Organization and Process Recommendations Page 15 Facilities Needs and Objectives Page 17 Facilities Recommendations Page 23 Conclusion Page 29 Appendices Page 30 Introduction Introduction Experiencing the creative arts is a fundamental part of knowing ourselves as humans and of understanding those different from ourselves. Whether painting or poetry, film or theater, music or dance, artistic creation addresses the deepest questions of the human condition. A great research university should nurture the unique and powerful role of the arts in the education of the whole person. University President Ernest DeWitt Burton recognized this when he wrote in 1925: “We need to supplement science and the scientific study of all branches of knowledge with the finer arts of music and painting, of sculpture and architecture. We owe it to our students, to whom it is our ambition to give the best possible education. We owe it to our professors, that they not become dry-as- dust investigators and lecturers but symmetrically developed and cultivated personalities. We owe it to our community.” Today, more students, faculty, staff, and general audiences engage with the arts on our campus than ever before. This increased participation has been paralleled by growth in the quality and diversity of our arts programs and activities. -
There's Even More to Explore!
Background artwork: SPECIAL COLLECTIONS UCHICAGO LIBRARY Kaplan and Fridkin, Agit No. 2 MUSIC THEATER ART MUSIC THEATER LECTURE / CLASS MUSIC MUSIC MUSIC / FILM LECTURE / CLASS MUSIC University of Chicago Presents University Theater/Theater and Performance Studies The University of Chicago Library Symphony Center Presents Goodman Theatre University of Chicago Presents Roosevelt University Rockefeller Chapel University of Chicago Presents TOKYO STRING QUARTET THEATER 24 PLAY SERIES: GULAG ART Orchestra Series CHEKHOv’S THE SEAGULL LECTURE / DEmoNSTRATioN PAciFicA QUARTET: 19TH ANNUAL SILENT FiLM LECTURE / DEmoNSTRATioN BY MARiiNskY ORCHESTRA FRIDAY, OCTOBER 1, 2010 A CLOUD WITH TROUSERS THROUGH DECEMBER 2010 OCTOber 16 – NOVEMBER 14, 2010 BY PACIFICA QUARTET SHOSTAKOVICH CYCLE WITH ORGAN AccomPANimENT: MAsumi RosTAD, VioLA, AND (FORMERLY KIROV ORCHESTRA) Mandel Hall, 1131 East 57th Street SATURDAY, OCTOBER 2, 2010, 8 PM The Joseph Regenstein Library, 170 North Dearborn Street SATURDAY, OCTOBER 16, 2 PM SUNDAY OCTOBER 17, 2010, 2 AND 7 PM AELITA: QUEEN OF MARS AMY BRIGGS, PIANO th nd chicagopresents.uchicago.edu, 773.702.8068 First Floor Theater, Reynolds Club, 1100 East 57 Street, 2 Floor Reading Room Valery Gergiev, conductor Goodmantheatre.org, 312.443.3800 Fulton Recital Hall, 1010 East 59th Street SUNDAY OCTOBER 31, 2010, 2 AND 7 PM Jay Warren, organ SATURDAY, OCTOBER 30, 2 PM 5706 South University Avenue Lib.uchicago.edu Denis Matsuev, piano Chicagopresents.uchicago.edu, 773.702.8068 FRIDAY, OCTOBER 29, 2010, 8 PM Fulton Recital Hall, 1010 East 59th Street Mozart: Quartet in C Major, K. 575 As imperialist Russia was falling apart, playwright Anton SUNDAY JANUARY 30, 2011, 2 AND 7 PM ut.uchicago.edu TUESDAY, OCTOBER 12, 2010, 8 PM Rockefeller Chapel, 5850 South Woodlawn Avenue Chicagopresents.uchicago.edu, 773.702.8068 Lera Auerbach: Quartet No. -
Könyv-11:Elrendezés 1.Qxd
International Yearbook of Aesthetics Volume 19, 2017 RETRACING THE PAST Historical continuity in aesthetics from a global perspective Edited by Zoltán Somhegyi International Association for Aesthetics Association Internationale d’Esthétique RETRACING THE PAST Historical continuity in aesthetics from a global perspective Edited by Zoltán Somhegyi The selection of essays in the 19th Yearbook of the International Association for Aesthetics aims to analyse the phenomenon of retracing the past, i.e. of identifying the signs, details and processes of the creative re-interpretation of long-lasting traditions both in actual works of art and in aesthetic thought, hence where the historical interconnectedness and the influence of earlier sources can appear. ISBN: 978-0-692-04826-9 INTERNATIONAL ASSOCIATION FOR AESTHETICS Retracing the past INTERNATIONAL YEARBOOK OF AESTHETICS Volume 19, 2017 INTERNATIONAL YEARBOOK OF AESTHETICS Volume 19, 2017 Edited by Zoltán Somhegyi RETRACING THE PAST Historical continuity in aesthetics from a global perspective International Association for Aesthetics Association Internationale d’Esthétique Copyright: the Authors and the International Association for Aesthetics Acknowledgement: The Publication Committee of the International Association for Aesthetics, Tyrus Miller, Curtis Carter and Ales Erjavec, for reviewing the essays. Every effort has been made to obtain permissions to use all copyrighted illustrations reproduced in this book. Cover design: Ahmad Manar Laham Editor: Zoltán Somhegyi Published by the International Association for Aesthetics http://www.iaaesthetics.org/ Santa Cruz, California, 2017 ISBN: 978-0-692-04826-9 CONTENTS Introduction 7 Zoltán Somhegyi 1. The paradox of mimesis 9 In connection with Aristotle Béla Bacsó 2. Reflections on the subject of Antiquity and the future 23 Raffaele Milani 3. -
Summer Fun & Learning
Summer Fun and Learning: Ways to Keep High Ability Kids Busy this Summer IAGC Virtual Parent Round Table: May 10, 2021 Resources to Explore *Note: Please note that the resources and programs for summer enrichment included on this page are for informational purposes and do not necessarily reflect an endorsement by the IAGC. If you have a suggestion to add to this list, please email [email protected] Chicago Attractions and Activities The Field Museum - Games, Projects, and More & The Brain Scoop Museum of Science and Industry - Science at Home Art Institute of Chicago - Get Creative at Home Adler Planetarium - Online Resources Chicago Children’s Museum - Recipes for Play at Home National Museum of Mexican Art - At-Home with NMMA Chicago Symphony Orchestra - CSO for Kids Chicago Architecture Center - @Home Resources Museum of Contemporary Art Chicago - Learning Resources Chicago High School for the Arts - Online Summer Camps Frank Lloyd Wright Trust - Wright at Home Kids and Family Activities Chicago History Museum - Chicago History at Home Chicago Academy of Sciences Peggy Notebaert Nature Museum - The Nature Museum Comes to You! & Hybrid Summer Camp The University of Chicago Oriental Institute - Youth & Family Programs International Museum of Surgical Science - #MuseumFromHome Museum of Contemporary Photography - Digital Exhibitions The University of Chicago Smart Museum of Art - Smart at Home National Veterans Art Museum - Education Programs Summer Fun and Learning: Ways to Keep High Ability Kids Busy this Summer IAGC Virtual Parent Round Table: May 10, 2021 Resources to Explore *Note: Please note that the resources and programs for summer enrichment included on this page are for informational purposes and do not necessarily reflect an endorsement by the IAGC. -
2017 Hyde Park Jazz Festival Venues
2017 HYDE PARK JAZZ FESTIVAL VENUES: WAGNER STAGE Midway Plaisance at Woodlawn Enter/Exit 47TH ST Lake Shore Drive Metra WEST STAGE LITTLE BLACK Midway Plaisance at Ellis PEARL 48TH ST DREXEL BLVD ELLIS AVE GREENWOOD AVE DORCHESTER AVE CHICAGO BEACHExit DR Lake STORY SHARE BOOTH AND KENWOOD CORNELL AVE Shore Drive Southbound only MIDWAY ART INSTALLATIONS 49TH ST LOGAN CENTER FOR THE ARTS 915 East 60th Street 50TH ST EAST END ROCKEFELLER MEMORIAL CHAPEL CHICAGO LOOP P SOUTH LAKE SHORE DR EAST HYDE PARK BLVD 5850 South Woodlawn Avenue 5100 S Metra HAROLD 7 MILES CORNELL AVE WASHINGTON PARK SMART MUSEUM OF ART 52ND ST 5550 South Greenwood Avenue HYDE PARK BANK 52ND PL 53RD ST 1525 East 53rd Street Metra P 53RD ST HYDE PARK INTERNATIONAL HOUSE BANK 54TH ST SOUTH SHORE DR LAKE PARK AVE PARK LAKE DREXEL BLVD INGLESIDE AVE ELLIS AVE GREENWOOD AVE UNIVERSITY AVE KIMBARK AVE WOODLAWN AVE WOODLAWN KENWOOD AVE BLACKSTONE AVE HARPER AVE DORCHESTER AVE 1414 East 59th Street CORNELL AVE BLVD SOUTH HYDE PARK Metra Electric Metra HYDE PARK UNION CHURCH 54TH ST 5600 South Woodlawn WASHINGTON PROMONTORY LITTLE BLACK PEARL PARK POINT PARK 55TH ST 55TH ST 1060 East 47th Street 5500 S EVERETT AVE P P P DUSABLE MUSEUM PAYNE DR HYDE PARK 740 East 56th Place P 56TH ST 56TH ST DREXEL BLVD Metra DUSABLE 57th P SMART Street MUSEUM Enter/Exit Beach ORIENTAL INSTITUTE MUSEUM MUSEUM Lake Shore Drive OF ART 1155 East 58th Street HYDE PARK UNION CHURCH 57TH ST 57TH DRIVE COTTAGE GROVE AVE COTTAGE ELLIS AVE Metra STONY ISLAND AVE UNIVERSITY OF Metra Electric Metra JAZZ PASS ELIGIBLE VENUES INFO BOOTH CHICAGO ORIENTAL P INSTITUTE Enter/Exit Lake Shore Drive REFRESHMENTS: Light refreshments are offered at many 58TH ST venues. -
Telling Stories, Again: Theories and Aesthetics of Narrative Political Art Cullen Wegman Master of Fine Arts in Art Thesis April
Telling Stories, Again: Theories and Aesthetics of Narrative Political Art Cullen Wegman Master of Fine Arts in Art Thesis April 16, 2018 ! 2! Introduction This is a story about storytelling. It is about the development of an artist – the search for an appropriate visual language, the philosophers and artists that inspire, and the inevitable politics of storytelling. According to those closest to me, I have been telling stories since before I can remember, but it has taken me until this point to realize the magnitude of my preoccupation as a storyteller, and its centrality in my artistic practice. Though I consider myself to be a political artist, I now have come to understand the subtle, yet indispensable differences between art about politics, and political art: art intended to produce results. I am not convinced the latter is desirable for me, as the former increasingly informs my decisions. As I made what proved to be a rather difficult transition into my advanced art studies, I rejected the familiar, if sometimes heavy handed, modes that proved successful for me in the past, and embraced wholeheartedly what I assumed was the proscribed level of conceptualization and abstraction often dubbed “High Art.” Though I had some initial conceptual successes tackling the social issues pressing on my conscience – primarily in the form of trashing a gallery floor with red iron oxide – my developing portfolio was eventually cluttered with a myriad of failures, and false starts that all too often produced undesirable reactions. In my rush to become a sophisticated political artist of the “highest” sort I forgot to take the time to reflect on my sources of inspiration, my motivations for producing, and sensibilities that made my artwork successful in the past. -
DARK LAUGHTER Curated by BARRY SCHWABSKY Genesis Belanger Ellen Berkenblit June Leaf Emily Mae Smith Private View Thursday
DARK LAUGHTER curated by BARRY SCHWABSKY Genesis Belanger Ellen Berkenblit June Leaf Emily Mae Smith Private View Thursday 24 October 6-8pm 25 October-23 November 2019 Ellen Berkenblit, Circus of Books, 2019, oil on linen, 193 x 121.9 cm, 76 x 48 in Pippy Houldsworth Gallery is delighted to present Dark Laughter, a exhibition curated by Barry Schwabsky running from 25 October to 23 November 2019. Four New York-based artists, Genesis Belanger, Ellen Berkenblit, June Leaf and Emily Mae Smith each use imagery that might at first seem to have a reassuring familiarity, but they view it with skeptical eyes and from off-center viewpoints, endowing it with an exorbitant representational energy to assert a rueful, sometimes sardonic attitude toward the strange world in which we seem to be stranded. Their work arouses dark laughter thanks to their acerbic view of the world we share, and against which they quietly rebel. The four artists represent three distinct generations. June Leaf (b. 1929)—part of the original Chicago “Monster Roster” along with Leon Golub, Nancy Spero, H.C. Westermann, and others—is one of the unheralded visionaries of contemporary painting and sculpture. Her work reveals the tragic aspirations and rational follies of existence. Like that of Belanger, Berkenblit, and Smith, it provokes a dark laughter. In “Dark Laughter” she is represented by painting, sculpture, and drawing. Her canvas The Painters, ca. 1975-80, presents its protagonists as a pair of mounted Don Quixotes doing battle with their brushes. Ellen Berkenblit (b. 1958) places her recurrent snub-nosed pictorial alter ego in an off-balance kaleidoscopically- shifting world of abstract shapes, domestic and wild beasts, and all the familiar trappings of daily life—with the exception of other people; her world is all for herself, even when it’s not quite as she’d want it.