Sherlock Holmes: an Attempt at a Literary Analysis of the Holocaust Gassing Claim
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LCSH Section W
W., D. (Fictitious character) William Kerr Scott Lake (N.C.) Waaddah Island (Wash.) USE D. W. (Fictitious character) William Kerr Scott Reservoir (N.C.) BT Islands—Washington (State) W.12 (Military aircraft) BT Reservoirs—North Carolina Waaddah Island (Wash.) USE Hansa Brandenburg W.12 (Military aircraft) W particles USE Waadah Island (Wash.) W.13 (Seaplane) USE W bosons Waag family USE Hansa Brandenburg W.13 (Seaplane) W-platform cars USE Waaga family W.29 (Military aircraft) USE General Motors W-cars Waag River (Slovakia) USE Hansa Brandenburg W.29 (Military aircraft) W. R. Holway Reservoir (Okla.) USE Váh River (Slovakia) W.A. Blount Building (Pensacola, Fla.) UF Chimney Rock Reservoir (Okla.) Waaga family (Not Subd Geog) UF Blount Building (Pensacola, Fla.) Holway Reservoir (Okla.) UF Vaaga family BT Office buildings—Florida BT Lakes—Oklahoma Waag family W Award Reservoirs—Oklahoma Waage family USE Prix W W. R. Motherwell Farmstead National Historic Park Waage family W.B. Umstead State Park (N.C.) (Sask.) USE Waaga family USE William B. Umstead State Park (N.C.) USE Motherwell Homestead National Historic Site Waahi, Lake (N.Z.) W bosons (Sask.) UF Lake Rotongaru (N.Z.) [QC793.5.B62-QC793.5.B629] W. R. Motherwell Stone House (Sask.) Lake Waahi (N.Z.) UF W particles UF Motherwell House (Sask.) Lake Wahi (N.Z.) BT Bosons Motherwell Stone House (Sask.) Rotongaru, Lake (N.Z.) W. Burling Cocks Memorial Race Course at Radnor BT Dwellings—Saskatchewan Wahi, Lake (N.Z.) Hunt (Malvern, Pa.) W.S. Payne Medical Arts Building (Pensacola, Fla.) BT Lakes—New Zealand UF Cocks Memorial Race Course at Radnor Hunt UF Medical Arts Building (Pensacola, Fla.) Waʻahila Ridge (Hawaii) (Malvern, Pa.) Payne Medical Arts Building (Pensacola, Fla.) BT Mountains—Hawaii BT Racetracks (Horse racing)—Pennsylvania BT Office buildings—Florida Waaihoek (KwaZulu-Natal, South Africa) W-cars W star algebras USE Waay Hoek (KwaZulu-Natal, South Africa : USE General Motors W-cars USE C*-algebras Farm) W. -
The Bosnian Case: Art, History and Memory
The Bosnian Case: Art, History and Memory Elmedin Žunić ORCID ID: 0000-0003-3694-7098 Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy The University of Melbourne Faculty of Fine Arts and Music July 2018 Abstract The Bosnian Case: Art, History and Memory concerns the representation of historic and traumatogenic events in art through the specific case of the war in Bosnia 1992-1995. The research investigates an aftermath articulated through the Freudian concept of Nachträglichkeit, rebounding on the nature of representation in the art as always in the space of an "afterness". The ability to represent an originary traumatic scenario has been questioned in the theoretics surrounding this concept. Through The Bosnian Case and its art historical precedents, the research challenges this line of thinking, identifying, including through fieldwork in Bosnia in 2016, the continuation of the war in a war of images. iii Declaration This is to certify that: This dissertation comprises only my original work towards the PhD except where indicated. Due acknowledgement has been made in the text to all other material used. This dissertation is approximately 40,000 words in length, exclusive of figures, references and appendices. Signature: Elmedin Žunić, July 2018 iv Acknowledgements First and foremost, my sincere thanks to my supervisors Dr Bernhard Sachs and Ms Lou Hubbard. I thank them for their guidance and immense patience over the past four years. I also extend my sincere gratitude to Professor Barbara Bolt for her insightful comments and trust. I thank my fellow candidates and staff at VCA for stimulating discussions and support. -
Debating the Literary and Filmic Memory of Jan Karski
Loyola University Chicago Loyola eCommons Jan Karski Conference 9-2014 Debating the Literary and Filmic Memory of Jan Karski Sue Vice University of Sheffield, [email protected] Follow this and additional works at: https://ecommons.luc.edu/jankarski Part of the History Commons Recommended Citation Vice, Sue. Karski’s testimony on the Holocaust: story of a secret state, shoah, and the Karski report. Presented at the Jan Karski Memory and Responsibility Conference, September 20, 2014. This Presentation is brought to you for free and open access by Loyola eCommons. It has been accepted for inclusion in Jan Karski Conference by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © 2014 Sue Vice. Jan Karski has been the subject of historical and memorial inquiry, as we have heard so far in this conference. He has also been the subject of different kinds of literary and visual representation, such as documentary film and television, and fiction of various kinds, including a graphic novel. I will discuss the different uses and interpretations made of the figure of Karski in these varied genres, as well as the conflicts that occur, sometimes explicitly, between them. I will start with an example of such a clash of interpretations, that between the director Claude Lanzmann and the writer Yannick Haenel. In 2009, Haenel published his novel Jan Karski, a fictionalized vision of the wartime envoy. His novel relies on Lanzmann’s interview with Karski in Shoah, and Karski’s own writings in Story of a Secret State. -
NARA T733 R9 Guide 87.Pdf
Rg ! 1985 GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA No. 87. Records of Headquarters, German Army High Command, Part V (Oberkommandos des Heeres -- OKH) National Archives and Records Administration Washington, DC: 1990 TABLE OF CONTENTS Introduction ........................................................... i Glossary of Selected Terms and Abbreviations ................................. iv Captured German and Related Records in the National Archives ................... vi Published Guides to German Records Microfilmed at Alexandria, VA. ............. xxi Suggestions for Citing Microfilm .......................................... xxv Instructions for Ordering Microfilm ....................................... Guide Entries ........................................................... 1 INTRODUCTION The Guides to German Records Microfilmed at Alexandria, VA, constitute a series of finding aids to the National Archives and Records Administration (NARA) microfilm publications of seized records of German central, regional, and local government agencies and of military commands and units, as well as of the Nazi Party, its component formations, affiliated associations and supervised organizations. These records were created generally during the period 1920-1945, excepting the Heeresarchiv Records dating from the 17th to the 20th Century. The guide series was initiated as a microfilming project of the Committee for the Study of War Documents of the American Historical Association (AHA) in cooperation with the National Archives and the Department of the Army. With the termination of AHA participation in July 1963, the National Archives assumed sole responsibility for the reproduction of records and the preparation of guides. Guide No. 87 is Part V of Records of Headquarters, German Army High Command (Oberkommando des Heeres -- OKH) and describes records reproduced on 227 rolls of NARA Microfilm Publication T78 (rolls 606-644, 650-655, 657-663, 665-670, 672 and 715-882). -
The Gas Chamber of Sherlock Holmes
The Gas Chamber of Sherlock Holmes An Attempt at a Literary Analysis of the Holocaust Gassing Claim by Samuel Crowell 1999 CODOH PDF by AAARGH Editions on Internet 2005 Samuel CROWELL : The Gas Chambers of Sherlock Holmes "In Memoriam!" Dec 22, 1997: Revised Jan 10, 1999 Analytical Table of Contents Introduction The First Reports German Disinfection Procedures The First Reports from Auschwitz and Majdanek The Eastern Camps, Polevoi's Report, and the Gerstein Statement The Canonical Holocaust The Nuremberg Trials The Confessions of Rudolf Höß Interpreting Documents and the Postwar Literature Retrofitting the Euthanasia Campaign The Fear of Cremation and Poison Gas German Civil Defense Civil Defense in the Concentration Camps Pressac's "Criminal Traces" The Gas Chamber of Sherlock Holmes Conclusions NOTES — 2 — Samuel CROWELL : The Gas Chambers of Sherlock Holmes 1. Introduction A COMMON BELIEF is that in World War Two the National Socialist government of Germany carried out a secret policy of mass exterminations, chiefly using extermination gas chambers. The policy is said to have been ordered by Adolf Hitler, and involved the gassing of millions of human beings, who subsequently were burned either in crematoria or in huge pits so that scarcely a trace of their bodies remained. The claim of mass gas extermination has been questioned ever since the late 1940's, but only by a few people, and very much on the fringe of public discourse.2 In the early 1970's several new critics of the gas extermination claim emerged, and over the past two decades they have been joined by many others, so that now there are at least several dozen who have written on the subject.3 These researchers consider themselves heir to the tradition of those historians who sought in the 1920's to revise, and de-politicize, our understanding of the First World War, and so consider themselves historical revisionists. -
Story of Jan Karski the EMISSARY
THE EMISSARY Maciej Kozłowski THE EMISSARY Story of Jan Karski English translation Joanna Maria Kwiatowska Foreword Jan Karski was a messenger. During the Second World War, he risked his life infiltrating the Warsaw Ghetto and crossing occupied Europe to carry news of the Holocaust to the free world; news of such suffering and atrocity that many refused to believe it. He was also a messenger throughout his 50 years as an American, bringing to us messages about freedom based on his experience in wartime Poland; messages that he delivered to generations of students seeking to understand the world of international affairs. Jan Karski was brave; he was resolute; and he demanded of us what he demanded of himself: that we face with clarity the existence of injustice and evil in the world and act with courage to defeat them. Above all, his message was that freedom must be defended. His personal courage and commitment gave weight to his convictions, and his understanding of the world gave depth to the personal history he embodied. Those who knew Jan Karski will never forget him; and his message will continue to light the path of freedom-loving peoples throughout the years to come. No one could ask for a finer legacy. Bill Clinton 5 A photograph of Jan Karski taken from a poster advertising one of his lectures about the Holocaust, May 1982 July 28th, 1943, 10:15 a.m. Pennsylvania Avenue, Washington, D.C. The limousine of Jan Ciechanowski, Polish Ambassador to the United States, arrives inJ front of the White House. -
Library Publishing Curriculum Textbook
Library Publishing Curriculum CC-BY 4.0 2 Library Publishing Curriculum About the Original Curriculum The Educopia Institute and the Library Publishing Coalition (LPC), in partnership with the Public Knowledge Project (PKP), NASIG, and BlueSky to BluePrint, are delighted to offer the “Library Publishing Curriculum,” a suite of professional development offerings for librarians that are open and free under a CC-BY license for anyone to offer or adapt. This dynamic, extensible, multimedia curriculum is intended to empower librarians to meet local demands to launch and/or enhance scholarly publishing activities. Released in 2018, the initial curriculum includes four modules that address major competencies in library publishing: Content, Impact, Policy, and Sustainability, each roughly equivalent to a 12-hour course. Each module contains 4–6 units that address topics of interest and has been authored by field experts. The Library Publishing Curriculum was created as part of the “Developing a Curriculum to Advance Library-Based Publishing” project, generously funded by the Institute of Museum and Library Services. The original curriculum from which this textbook has been adapted is permanently housed in the repository at Wayne State University Libraries. The project has already had an impact on the quality and quantity of library publishing services offered to scholars and students and is contributing to a healthier, more equitable publishing ecosystem. About This Textbook Version In the original, modular curriculum (2018) on which this textbook is based, each unit contained an instructor’s guide, narrative, a slideshow with talking notes, bibliographies, supplemental material, and activities for use in a physical or virtual classroom for workshops and courses. -
Benjamin Murmelstein, a Man from the “Town 'As If'”: a Discussion Of
Holocaust Studies A Journal of Culture and History ISSN: 1750-4902 (Print) 2048-4887 (Online) Journal homepage: http://www.tandfonline.com/loi/rhos20 Benjamin Murmelstein, a man from the “Town ‘as if’”: a discussion of Claude Lanzmann’s film The Last of the Unjust (France/Austria, 2013) Yvonne Kozlovsky Golan To cite this article: Yvonne Kozlovsky Golan (2017): Benjamin Murmelstein, a man from the “Town ‘as if’”: a discussion of Claude Lanzmann’s film The Last of the Unjust (France/Austria, 2013), Holocaust Studies To link to this article: http://dx.doi.org/10.1080/17504902.2017.1287463 Published online: 03 Mar 2017. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rhos20 Download by: [2.217.59.201] Date: 04 March 2017, At: 04:19 HOLOCAUST STUDIES, 2017 http://dx.doi.org/10.1080/17504902.2017.1287463 Benjamin Murmelstein, a man from the “Town ‘as if’”:a discussion of Claude Lanzmann’s film The Last of the Unjust (France/Austria, 2013)† Yvonne Kozlovsky Golan Graduate program for Culture and Film Studies, Humanities Faculty, University of Haifa, Haifa, Israel ABSTRACT KEYWORDS Claude Lanzmann’s film The Last of the Just (2013) presents the Judenrat; Lanzmann; director’s extended interview with Rabbi Dr. Benjamin Murmelstein Eichmann; Murmelstein, the only survivor of the Jewish Council of the Elders Theresienstadt of Theresienstadt. Lanzmann had shelved his1975 footage until 2013 for perspective, and now supplemented it with historical material and filmed sequences of the landscapes of “Ghetto Terezin,” Vienna and other locations. -
The Karski Report”
The Front Row: The Unicorn and : The New Yorker Page 1 of 2 • « DVD of the Week: The King of Comedy • Main • Blake Edwards Out West » December 16, 2010 The Unicorn and “The Karski Report” Posted by Richard Brody Dramas of historical politics, such as “The King’s Speech” and “Downfall,” which stage the behind-the-scenes stories of key moments in the life of nations and the work of leaders, are à la mode now; some of these movies (such as Robert Guédiguian’s “The Last Mitterrand”) are very good, but I’d pack them all away in a basket in exchange for Claude Lanzmann’s most recent film, “The Karski Report,” which (as I wrote earlier this week) was broadcast in France in March but still hasn’t been screened here. It’s one of three pendants to “Shoah” that Lanzmann has made (I’ve written about the other two, “Sobibor, Oct. 14, 1943, 4 P.M.” and “A Visitor from the Living”). I’ve seen “The Karski Report”; though it features no staged events—it’s almost entirely an interview with Jan Karski, an official in the Polish resistance—it conjures, in addition to the evocative wonder of Karski’s own presence, images of a pair of critical moments in diplomatic history (his 1944 meetings with President Franklin D. Roosevelt and Supreme Court Justice Felix Frankfurter to report on the situation in Poland) with an imaginative power incomparably superior to that of reënactments. Karski figures in the concluding section of “Shoah,” in which he describes his visit to the Warsaw Ghetto and mentions that, when he went to London and the United States to speak with Allied politicians, he reported on what he saw there. -
Le Rapport Karski the Karski Report Der Karski-Bericht
HOMMAGE 2013 LE RAPPORT KARSKI THE KARSKI REPORT DER KARSKI-BERICHT Claude Lanzmann Der polnisch-katholische Widerstandskämpfer Jan Karski (1914–2000) Frankreich 2010 diente der polnischen Exilregierung während des Zweiten Weltkrieges Länge 48 Min. · Format Digital Betacam · Farbe als Kurier. Er hielt den Kontakt zur „Heimatarmee“ im Untergrund und STABLISTE ließ sich 1942 ins Warschauer Getto einschleusen. Auch gelang es ihm, Regie, Buch Claude Lanzmann in ein Konzentrationslager bei Lublin vorzudringen. Sein Wissen um die Kamera William Lubtchansky Vernichtung der Juden teilte er in London britischen Regierungsver- Kameraassistenz Caroline Champetier tretern mit, dann reiste er weiter in die USA. Nach Kriegsende wurde er Schnitt Chantal Hymans Gallimard Hélie Foto: dort Professor für Geschichte. Seine Aktivitäten als Kurier wie auch ein Ton Bernard Aubouy Regieassistenz Corinna Coulmas, Ab 1997 folgen Dokumentationen, die Treffen mit dem US-amerikanischen Präsidenten Franklin D. Roosevelt Irène Steinfeldt-Lévi, Carole Saltus Lanzmann aus dem für SHOAH gedrehten 1943 in Washington schilderte er bereits 1944 in seinem Buch „Story Filmmaterial herstellt. 2009 veröffentlicht er of a Secret State“. Claude Lanzmann befragte ihn 1978 zwei Tage lang, DOKUMENTARFILM die Memoiren „Le lièvre de Patagonie“ („Der verwendete aber nur einen Teil des Materials in Shoah (1985), worin patagonische Hase“, 2010). Lanzmann war Jan Karski sagt: „Ich habe berichtet, was ich sah.“ Das übrige Interview PRODUKTION verheiratet mit der Schauspielerin Judith ist Gegenstand dieses Films. Karski beschreibt sein Zusammentreffen Les Films Aleph Magre und der Schriftstellerin Angelika mit Roosevelt sowie mit Felix Frankfurter, Richter am Obersten Ge- Paris, Frankreich Schrobsdorff. Seine Filme haben zahlreiche richtshof der Vereinigten Staaten und im jüdischen Leben engagiert. -
Final Thesis.Pdf
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. Stracey, H. (2017) ‘Enfer des femmes’: Britain and the Ravensbrück-Hamburg Trials. M.A. thesis, Canterbury Christ Church University. Contact: [email protected] ‘Enfer Des Femmes’: Britain and The Ravensbrück-Hamburg Trials By Heather Stracey Canterbury Christ Church University Thesis submitted For Masters by Research September 2017 1 Table of Contents: Abstract page 4 Acknowledgements 7 Abbreviations 8 Prologue: Impressions of Ravensbrück 10 Introduction: Ravensbrück and War Crimes in Historical Perspective 14 Chapter 1: When ‘Conceptions of Justice Do Not Always Tally With Our Own’: 24 Human Rights and Bipolar Politics Prior to the First Ravensbrück-Hamburg Trials Chapter 2: The Seven Ravensbrück-Hamburg Trials 36 i. The First Ravensbrück-Hamburg Trial ii. The Second Ravensbrück-Hamburg Trial iii. The ‘Uckermark Trial’ iv. The ‘Doctors and Nurses Case’ v. The Fifth Ravensbrück-Hamburg Trial vi. The Sixth Ravensbrück-Hamburg Trial vii. -
(De)Constructing the Nazi State: Criminal Organizations and the Constitutional Theory of the International Military Tribunal
Loyola of Los Angeles International and Comparative Law Review Volume 39 Number 1 Special Edition: The Nuremberg Laws Article 8 and the Nuremberg Trials Winter 2017 (De)Constructing the Nazi State: Criminal Organizations and the Constitutional Theory of the International Military Tribunal David Fraser University of Nottingham, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/ilr Recommended Citation David Fraser, (De)Constructing the Nazi State: Criminal Organizations and the Constitutional Theory of the International Military Tribunal, 39 Loy. L.A. Int'l & Comp. L. Rev. 117 (2017). Available at: https://digitalcommons.lmu.edu/ilr/vol39/iss1/8 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles International and Comparative Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. 08 FRASER .DOCX (DO NOT DELETE) 1/24/17 7:14 PM (De)Constructing the Nazi State: Criminal Organizations and the Constitutional Theory of the International Military Tribunal DAVID FRASER* I. INTRODUCTION The place of the International Military Tribunal (“IMT”) at Nu- remberg for both historical and legal scholarship is not yet beyond doubt as we approach the seventieth anniversary of the proceedings.1 Some claim that, despite its many acknowledged