GOODSPEED MUSICALS a Safe Place for Families to Experience Live Theatre Together

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GOODSPEED MUSICALS A safe place for families to experience live theatre together. SENSORY-FRIENDLY PERFORMANCE Tuesday, August 20 • 6:30pm The Goodspeed • 6 Main Street, East Haddam, CT Everyone should get the chance to enjoy live theatre. In 2019, we will be offering a sensory-friendly performances for Because of Winn Dixie. This family-friendly performances are designed and intended for those who are on the autism spectrum or who have other sensory issues. The theatre environment will be altered, providing a safe, friendly, comfortable and judgment-free zone that is welcoming for all. What is Because of Winn Dixie about? Not since Annie has a stray dog inspired such joyful noise! In a Southern town filled with lost souls, a new leash on life is just around the corner when a preacher and his daughter take in a mutt named Winn Dixie. The beloved, award-winning novel about a quirky community learning to get along now sings for the first time in this uplifting new musical. Let Grammy and Tony winner Duncan Sheik (Spring Awakening) and Tony nominee Nell Benjamin (Legally Blonde, Mean Girls) take you on a heartwarming adventure for all ages. Here’s what you can expect at a sensory-friendly performance: • Pre-show resources such as a character guide, plot synopsis, photos and video clips, a social story, FAQs, and a “coming to the theatre” video at goodspeed.org/sensory-friendly • Modifications to sound and lighting levels • Accepting and inclusive environment • Chill-out area for people who need a break Questions? Contact Kate Micari-Miller: 860.615.0316 goodspeed.org/sensory-friendly SPECIAL PRICE! Tickets can be purchased by calling Kate Micari-Miller: All tickets 860.615.0316 $12.

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Secref Garden, Buddy - The Buddy Holly Story, AMANDABROWN Oklahoma! (Critics Circle Nomination); and Ifre Authot, Original Novel 1940s Radio Haur. He has also been seen on Born to Jack E. Brown, a stage at NVA in Avenue Q, Sy/via and Big River. successful lawyer, and Some of his other t\4D credits include The Test Suzanne J. Brown, an art (San Diego Fringe); Bare: a pop opera (Critic's gallery owner, Amanda Circle Nomination); Marry tvle A Little; Thrill Me graduated from Arizona State (Diversionary Theatre) He also performs annually University in 1993. She then proceeded to study at the San Diego Human Dignity Gala. He plays a at Stanford Law School {never actually receiving variety of instruments including the piano, trumpet a law degree), where she compiled funny letters and french horn. He is a graduate of the American and stories based on her experiences into a [Vlusical and Dramatic Academy. {irst manuscript that would become the novel Legally Blonde. Since the success of the 2001 KYLE HAWK film, Brown has released her second book, Choreographer Family Irusf, which has also been optioned Kyle is thrilled to say this is for a film. Currently she lives rryith her husband his first experience with NVA Justin Chang and daughters in San Francisco. and has loved every minute Brown's novel School of Fortune is currently with with group and cast. being optioned for a film. Kyle has had the privilege to work with many professional regional theaters HEATHER HATCH around SD as a performer such as {vloonlight Book Amphitheater, San Diego Musical Theatre and La Heather is known for her work Jolla Playhouse, but is making his professional on films such as Freaky Friday debut as a choreographer with Legally Blande.
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Edition 3 | 2018-2019
2018-2019 SEASON Letter from the Chairman 7 Letter from the CEO 9 Legally Blonde The Musical 10 Tap Dogs 22 Palace Theater Staff Directory 35 Program information for tonight’s presentation inside. The Palace would like to thank all of its Program advertisers for their support. ADVERTISING Onstage Publications Advertising Department 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. This program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business, Inc. Contents ©2019. All rights reserved. Printed in the U.S.A. letter from the chairman s Chairman of the Board of Directors for the Palace A Theater, I am grateful for the opportunity to serve this organization, and enthusiastic about its future. Committed to fostering the Palace’s success, the Board of Directors is currently working on a new three-year Strategic Business Plan, which will chart out the artistic, organizational, and financial goals for the theater. Focusing on expanded arts and educational programming, marketing, capital projects, and financial development, the objective of the plan is to continue expanding our current entertainment initiatives and ensure financial sustainability and growth for the Palace for years to come. Artistic success and economic stability help us provide a welcoming stage for both local and national arts groups. While we consistently seek out top-tier productions and popular artists, we also look to foster the next generation of talent, through our partnership with the Waterbury Arts Magnet Schools and our own educational programs.
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Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: the Musical
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-30-2019 Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: The Musical Megan Renner Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Renner, Megan, "Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: The Musical" (2019). Theses and Dissertations. 1082. https://ir.library.illinoisstate.edu/etd/1082 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. WHO AM I REALLY?: QUESTIONING THE PATRIARCHAL “GIRL WORLD” TO FIND IDENTITY IN MEAN GIRLS, HEATHERS THE MUSICAL, AND CARRIE: THE MUSICAL MEGAN RENNER 105 Pages Both musicals and stories about teenage girls are genres that tend to be overlooked by scholars, and to not receive serious analysis. Some scholars may dismiss these genres as being shallow and unworthy of scrutiny through a critical lens. However, much may be learned about patriarchal influence on teenage girls in musicals such as Mean Girls, Heathers the Musical and Carrie: The Musical. This thesis analyzes the patriarchal influence on the teen girl characters in these three musicals, using Girl Studies and feminist theory. This study applies arguments that state that patriarchal influence is what causes girls to form cliques, in order for them to feel powerful in a world that disenfranchises them, and applies it to these musicals.
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Bernards Township Parks & Recreation Broadway Bus Trip MEAN GIRLS Saturday, September 22, 2018 Bus departs the Municipal Complex at 10AM and returns at approximately 6PM. $115 Per Person, Rear Mezzanine Seating Tickets on sale beginning January 2nd at 8:30AM! About the Show: Mean Girls is now a ferociously funny new musical from director Casey Nicholaw (Aladdin, The Book of Mormon), composer Jeff Richmond (30 Rock, Unbreakable Kimmy Schmidt), lyricist Nell Benjamin (Legally Blonde) and book writer Tina Fey (30 Rock, “Bossypants”). Cady Heron may have grown up on an African savanna, but nothing prepared her for the wild and vicious ways of her strange new home: Illinois. How will this naïve newbie rise to the top of the popularity pecking order? By taking on The Plastics, a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a Queen Bee without getting stung. Produced by Lorne Michaels, Stuart Thompson and Paramount Pictures, Mean Girls gets to the hilarious heart of what it means to be a true friend, a worthy nemesis, and above all, a human being. About the Trip: The bus will depart the Municipal Building Complex, located at 1 Collyer Lane, Basking Ridge. You will receive your tickets on the bus. The bus will drop off at the August Wilson Theater at 245 W 52nd Street, at approximately 11:30 AM. Lunch is on your own. Show time is 2:00 PM. Show run time is approximately 2 hours, with one intermission.
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ESSAY CONTEST Teacher Information Guide
BECAUSE Of winn dixie a new musical ESSAY CONTEST Teacher information guide This summer, Goodspeed Musicals, a two-time Tony Award-winning theatre company dedicated to the development, advancement, and preservation of musical theatre, is thrilled to produce a joyful, uplifting new musical: Because of Winn Dixie. Based on Kate DiCamillo’s award-winning novel and featuring one of literature’s most beloved four-legged friends, Because of Winn Dixie follows a young girl and her father, a preacher, as they take in a stray dog they found in their small town’s supermarket. Featuring music by Duncan Sheik (Spring Awakening) and lyrics by Nell Benjamin (Mean Girls, Legally Blonde: The Musical), this new musical explores how a small Southern town full of lost souls finds connection and compassion within each other. For this production, Goodspeed is excited to be partnering with the Connecticut Library Consortium to introduce a brand new opportunity for students: a statewide essay writing contest! In the spirit of community engagement and Be- cause of Winn Dixie’s message of joy and positivity, we are asking students to write a five paragraph essay answering the question: “Who is your Winn Dixie?” ABOUT THE CONTEST: Who can enter the contest? This contest is open to 4th and 5th grade students in the state of Connecticut. What should the essay be about? The essay should answer the question, “Who is your Winn Dixie?” Some ideas might be: Is there a person or pet in your life who has helped you make friends? Or fit in at a new school? Or helped you through a sad time? Does my essay have to be about a pet or animal? No, your essay can be about anyone—animal or person—who has helped you the way Winn Dixie helps Opal in the story.
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Cast of the Tail-Waggin' Good Tuner Because of Winn Dixie Announced
NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] “AWOOO!” CAST OF THE TAIL-WAGGIN’ GOOD TUNER BECAUSE OF WINN DIXIE ANNOUNCED The Heartwarming New Musical is set for this summer at The Goodspeed EAST HADDAM, CONN; MAY 30, 2019: Not since Annie has a stray dog inspired such joyful noise! This summer Goodspeed Musicals will produce the heartwarming new musical Because of Winn Dixie. This touching tale based on the award-winning novel by Kate DiCamillo will run June 28 – September 1 at The Goodspeed in East Haddam, Conn [Official Press Opening will be July 17, 2019]. In a Southern town filled with lost souls, a new leash on life is just around the corner when a preacher and his daughter take in a mutt named Winn Dixie. The beloved, award-winning novel about a quirky community learning to get along now sings for the first time in this uplifting new musical. Let Grammy and Tony winner Duncan Sheik (Spring Awakening) and Tony nominee Nell Benjamin (Legally Blonde, Mean Girls) take you on a heartwarming adventure for all ages. Because of Winn Dixie is made possible in part by Updike, Kelley & Spellacy, P.C., the Lucille Lortel Foundation, Robinson + Cole and ACMT, Inc.. This project is supported in part by the National Endowment for the Arts. Because of Winn Dixie will be Directed by John Rando and Choreographed by Chris Bailey with Animal Direction by William Berloni. Because of Winn Dixie features Book and Lyrics by Tony and Drama Desk Award nominee Nell Benjamin.
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“Kiss Today Goodbye, and Point Me Toward Tomorrow”
“KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape. The other members of my dissertation committee, Dr. David Crespy and Dr.
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2018 Tony Awards Ballot
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Legally Blonde the Musical: the Search for Friend! I Love You Guys! Xoxo
Photos: Kate Turning The arts are about experiencing a great performance Our financial service is about performing with great experience First Tennessee joins you and your money in support of the arts. OPEN WEEKDAYS UNTIL 6 PM SATURDAYS 9 AM TO 1PM ©2009 First Tennessee Bank National Association. Member FDIC. www.firsttennessee.com Jaloux Tie-dyed maxi dress. Misses S-L. Imported. $110. Call 1.800.456.2297. Selection varies by store. Z9020012 Z9020012_mar_jun_nashville_performing_arts.indd 1 1/27/09 2:47:54 PM Ad PAMag size.qxp 7/20/2007 3:37 PM Page 1 PASSION for EXCELLENCE From our vantage point, the key to greatness is having a PASSION for EXCELLENCE. Whether it’s making great tires or beautiful symphonic music…at Bridgestone Americas we believe it’s all about the art of performance. We’re building world-class tires in Tennessee and investing in our communities. Working in close harmony with our hometowns is a performance that makes us all proud. Bridgestone Americas www.bridgestoneamericas.com REPRESENTATIONAL PHOTO REPRESENTATIONAL hen we learned how sick Mom was, we didn’t know what to do. We’re so thankful that her doctor told us about Alive WHospice. They came into our home like family, helping Mom stay with us where she wanted to be. 1718 Patterson Street | Nashville, TN 37203 615-327-1085 or 800-327-1085 | www.alivehospice.org We provide loving care to people with life-threatening illnesses, support to their families, and service to the community in a spirit of enriching lives. PUBLISHERS’ NOTES In a good economy, the people who frequent and sup- port the arts in Nashville are a great audience to reach with an advertising message.
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On Sale to the Public Sunday, March 8
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Study Guide, Use These Prompts to Start a Discussion with Your Students and Peers
CREATIVE TEAM BOB MARTIN (Book) has been working as an actor and writer for over three decades. He has received many awards in both Canada and the US, including a Tony for The Drowsy Chaperone. Recent TV projects include Slings & Arrows, seasons one, two, and three (TMN, Sundance); Michael: Tuesdays and Thursdays (CBC); Michael: Every Day (CBC); Sensitive Skin, seasons one and two (HBO); and Elf: Buddy’s Musical Christmas (NBC). Recent theater projects include The Sting (Paper Mill), Encores! (NYC), The Prom (Atlanta), Gotta Dance (Chicago), Elf (Broadway, Dublin, London), The Drowsy Chaperone (Toronto, Broadway, London), Second City Toronto (performer, director, artistic director). In development: Millions, The Princess Bride. CHAD BEGUELIN (Book) is a four-time Tony nominee whose works include Disney’s Aladdin (Tony Award nominations for best book and best original score, Drama Desk Award nominations for outstanding lyrics and book), and The Wedding Singer (Tony Award nominations for best book and best original score, Drama Desk Award nomination for outstanding lyrics). He also wrote the lyrics for the Broadway musical Elf. He is the recipient of the Edward Kleban Award for lyric writing, the Jonathan Larson Performing Arts Foundation Award, the Gilman & Gonzalez-Falla Musical Theater Award, and the ASCAP Foundation Richard Rodgers New Horizons Award. MATTHEW SKLAR (Music, Vocal Arrangements) a Tony, Emmy, and Drama Desk Award–nominated composer, proudly began his professional career as a rehearsal pianist at Paper Mill Playhouse. As composer on Broadway: Elf, The Wedding Singer (Tony Award nomination for best original score). TV/film credits include Elf: Buddy’s Musical Christmas (2015 Primetime Emmy nomination for outstanding music direction), Sesame Street, Wonder Pets!, and PBS’s American Masters.
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