The 2021-2022 Theater Season

Total Page:16

File Type:pdf, Size:1020Kb

The 2021-2022 Theater Season To download photos, click here. Please contact for b roll. PRESS RELEASE FOR RELEASE: Tuesday, April 13, 2021 The John F. Kennedy Center for the Performing Arts announces The 2021-2022 Theater Season The Four Most Recent Tony Award®–winning Best Musicals Hadestown, Hamilton, The Band’s Visit, and Dear Evan Hansen The Washington D.C. Premieres of Acclaimed Plays Harper Lee’s To Kill A Mockingbird and, Direct from London, A Monster Calls Broadway Blockbusters and More Ain’t Too Proud, Beautiful, Blue Man Group, Freestyle Love Supreme, Jersey Boys, Jesus Christ Superstar, Mean Girls, Oklahoma!, The Prom, and Riverdance Broadway Center Stage Series to Return in Spring 2022 Kennedy Center New Play Commissions Partnering with Center Theater Group, Lookingglass Theatre Company, and Manhattan Theater Club (WASHINGTON)—The John F. Kennedy Center for the Performing Arts today announced its 2021–2022 Theater season featuring hit Broadway musicals, acclaimed plays, Kennedy Center productions, special programming for the Center’s 50th Anniversary, and more, beginning in October 2021. Theater subscriptions for the 2021–2022 season are now available here or by calling (202) 467-4600. “I am elated to announce what is perhaps one of our most important theater seasons ever at the Kennedy Center as we return with such a full, exciting program of musicals and plays. The anticipation of being able to see Broadway productions again—and be in the theater together—is palpable,” said Jeffrey Finn, Vice President and Executive Producer of Theater at the Kennedy Center. “This upcoming season is filled with incredible shows and works from brilliant artists, offering something for everyone.” As the Kennedy Center moves towards a full re-opening, it continues to prioritize the health and safety of artists, staff, and patrons. Current protocols can be found here and will continue to be updated as they evolve. Hit Productions from Broadway and London Featuring the Best Musical Tony Award® winners from 2016, 2017, 2018, and 2019, the new season officially begins with the most recent Tony Award® winner for Best Musical, Hadestown, followed by the return of Ain’t Too Proud – The Life and Times of the Temptations—which played a sold-out, pre-Broadway engagement at the Kennedy Center in 2018—and Beautiful: the Carole King Musical, celebrating the life and career of the 2015 Kennedy Center Honoree. 2022 kicks off with the exuberant new musical, The Prom, and continues with the new national touring production of Jesus Christ Superstar; the international smash, Riverdance – The 25th Anniversary Show; the hilarious hit Mean Girls, which returns to D.C. where it sold-out a pre-Broadway run; 2019 Tony Award® winner for Best Musical Revival, Oklahoma!; and Freestyle Love Supreme, the hip hop-comedy-musical phenomenon that played a pre- Broadway engagement at the Kennedy Center in 2019. Two highly anticipated plays, originally planned for the 2019–2020 season, have been rescheduled for May and June of 2022, respectively. Patrick Ness’s piercing Carnegie and Greenaway Medal–winning novel, A Monster Calls, is brought to the Kennedy Center from London’s Old Vic by visionary director Sally Cookson in an exclusive U.S. engagement. The national tour of Aaron Sorkin’s acclaimed Harper Lee’s To Kill a Mockingbird, depicting Harper Lee’s Pulitzer Prize–winning story of racial injustice, will make its Washington, D.C. debut. Hamilton, which was awarded a special Kennedy Center Honors in 2018, will return to the Kennedy Center Opera House for a 12-week run beginning in July of 2022. Summer of 2022 features the Tony Award®–winning Best Musical Jersey Boys; a return engagement of The Band’s Visit—the 2017 Tony Award® winner for Best Musical—which played a sold-out run at the Center in 2019; the euphoric, spirit-lifting global phenomenon Blue Man Group makes their Kennedy Center premiere; and Tony®, Grammy®, and Olivier®–winning Best Musical Dear Evan Hansen comes back to the Center following a sold-out engagement in 2019. Broadway Center Stage to Return in 2022 Now entering its fourth season, Broadway Center Stage has produced numerous sold-out, critically lauded, new Kennedy Center productions including The Music Man, The Who’s Tommy, and, most recently, Next to Normal. The series will continue in spring 2022 with new, starry productions of beloved musicals to be announced at a later date. Celebrating the Kennedy Center’s 50th Anniversary As previously announced, for the Center’s 50th Anniversary, the Kennedy Center will produce 50 Years of Broadway at the Kennedy Center, a star-studded concert celebrating the numerous iconic musicals the Center has launched and presented, such as Pippin, Annie, and Les Misérables, plus thrilling revivals from its stages to Broadway. Featuring Broadway’s best talent and the Kennedy Center Opera House Orchestra, whose roots go back to the opening of the Center in 1971, this event will celebrate many of the great musical theater moments from throughout the Center’s history. Previously announced for the 50th Anniversary are five new play commissions under the auspices of the Kennedy Center American College Theater Festival. Fifty years ago, Rogers Stevens asked his colleague Michael Kanin, the Academy Award®–winning screenwriter, to help launch a program for student playwrights in higher education. The Michael Kanin Playwriting Awards program, now with 17 annual awards for undergraduate and graduate playwrights, has become an essential component of the Kennedy Center American College Theater Festival (KCACTF), the first education program of the institution. In this anniversary year, the Kennedy Center has co-commissioned plays by distinguished alumni of the Michael Kanin Playwriting Awards program: Ike Holter co-commissioned with Lookingglass Theatre Company (Chicago, IL); Molly Smith Metzler, co-commissioned with Manhattan Theater Club (New York, NY); Marco Ramirez, co-commissioned with Center Theater Group (Los Angeles, CA). Collaborators Hansol Jung and Brian Quijada, and Pulitzer Prize-winner Martyna Majok, will work with partner theatres to be announced at a later date. The Kennedy Center will host developmental workshops of each of these works during the spring and summer of 2022 at the REACH. The workshops will utilize D.C.-based acting companies with creative teams and affiliated artists assembled by the playwrights in collaboration with the co- commissioning partner theater companies from around the country. Student theater artists from the nationwide KCACTF network will staff each project as apprentices, continuing to look towards the future as the Center honors the past. A full listing of our generous sponsors can be found online. 2021–2022 Theater Season Schedule Performance Dates Theater Show October 13–31, 2021 Opera House Hadestown December 14, 2021– Opera House Ain’t Too Proud – The Life and January 16, 2022 Times of the Temptations December 14, 2021– Eisenhower Theater Beautiful: The Carole King January 2, 2022 Musical January 4–16, 2022 Eisenhower Theater The Prom February 22–March 13, 2022 Opera House Jesus Christ Superstar March 15–27, 2022 Opera House Riverdance – The 25th Anniversary Show April 5–24, 2022 Opera House Mean Girls April 5–10, 2022 Eisenhower Theater Oklahoma! TBD Throughout the Center Kennedy Center American College Theater Festival May 10–15, 2022 Eisenhower Theater Freestyle Love Supreme May 25–June 12, 2022 Eisenhower Theater A Monster Calls June 14–26, 2022 Eisenhower Theater Jersey Boys June 21–July 10, 2022 Opera House Harper Lee’s To Kill a Mockingbird July 5–July 17, 2022 Eisenhower Theater The Band’s Visit July 12–October 2, 2022 Opera House Hamilton July 19–31, 2022 Eisenhower Theater Blue Man Group August 31–September 25, 2022 Eisenhower Theater Dear Evan Hansen Ongoing, Theater Lab Shear Madness Returning October 5, 2021 Artists and performances are subject to change. Hadestown October 13–31, 2021 in the Opera House Winner of eight 2019 Tony Awards® including Best Musical and the 2020 Grammy® Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin (Natasha, Pierre & The Great Comet of 1812) is a love story for today... and always. Intertwining two mythic tales—that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone—Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go. Ain’t Too Proud – The Life and Times of the Temptations December 14, 2021–January 16, 2022 in the Opera House Ain’t Too Proud is the electrifying new smash-hit Broadway musical that follows The Temptations’ extraordinary journey from the streets of Detroit to the Rock & Roll Hall of Fame. Nominated for 12 Tony Awards® and the winner of the 2019 Tony Award® for Best Choreography, it’s a thrilling story of brotherhood, family, loyalty, and betrayal during a decade of civil unrest in America. Set to the beat of the group’s treasured hits, including “My Girl,” “Just My Imagination,” “Get Ready,” and “Papa Was a Rolling Stone,” Ain’t Too Proud tells the unforgettable story of the legendary quintet that Billboard Magazine named the greatest R&B group of all time. Beautiful: The Carole King Musical December 14, 2021–January 2, 2022 in the Eisenhower Theater Beautiful tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music, she wrote the soundtrack to a generation. Beautiful has a book by Tony Award® nominee and Academy Award®– nominated writer Douglas McGrath, direction by Marc Bruni, choreography by Josh Prince, and took home two 2014 Tony Awards® and the 2015 Grammy® for Best Musical Theater Album.
Recommended publications
  • OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
    Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 ​ ​ Tweet Share ​ ​ The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** ​ Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** ​ Produced by Lincoln Center Theater Written by J.T.
    [Show full text]
  • Directing and Assisting Credits American Theatre
    917-854-2086 American and Canadian citizen Member of SSDC www.joelfroomkin.com [email protected] Directing and Assisting Credits American Theatre Artistic Director The New Huntington Theatre, Huntington Indiana. The Supper Club (upscale cabaret venue housing musical revues) Director/Creator Productions include: Welcome to the Sixties, Hooray For Hollywood, That’s Amore, Sounds of the Seventies, Hoosier Sons, Puttin’ On the Ritz, Jekyll and Hyde, Treasure Island, Good Golly Miss Dolly, A Christmas Carol, Singing’ The King, Fly Me to the Moon, One Hit Wonders, I’m a Believer, Totally Awesome Eighties, Blowing in the Wind and six annual Holiday revues. Director (Page on Stage one-man ‘radio drama’ series): Sleepy Hollow, Treasure Island, A Christmas Carol, Jekyll and Hyde, Dracula, Sherlock Holmes, Different Stages (320 seat MainStage) The Sound of Music (Director/Scenic & Projection Design) Moonlight and Magnolias (Director/Scenic Design) Les Misérables (Director/Co-Scenic and Projection Design) Productions Lord of the Flies (Director) Manchester University The Laramie Project (Director) Manchester University The Foreigner (Director) Manchester University Infliction of Cruelty (Director/Dramaturg) Fringe NYC, 2006 *Winner of Fringe 2006 Outstanding Excellence in Direction Award Thumbs, by Rupert Holmes (Director) Cape Playhouse, MA *Cast including Kathie Lee Gifford, Diana Canova (Broadway’s Company, They’re Playing our Song), Sean McCourt (Bat Boy), and Brad Bellamy The Fastest Woman Alive (Director) Theatre Row, NY *NY premiere of recently published play by Outer Critics Circle nominee, Karen Sunde *published Broadway Musicals of 1928 (Director) Town Hall, NYC *Cast including Tony-winner Bob Martin, Nancy Anderson, Max Von Essen, Lari White.
    [Show full text]
  • Case Study: Multiverse Wireless DMX at Hadestown on Broadway
    CASE STUDY: Multiverse Wireless DMX Jewelle Blackman, Kay Trinidad, and Yvette Gonzalez-Nacer in Hadestown (Matthew Murphy) PROJECT SNAPSHOT Project Name: Hadestown on Broadway Location: Walter Kerr Theatre, NY, NY Hadestown is an exciting Opening Night: April 17, 2019 new Broadway musical Scenic Design: Rachel Hauck (Tony Award) that takes the audience Lighting Design: Bradley King (Tony Award) on a journey to Hell Associate/Assistant LD: John Viesta, Alex Mannix and back. Winner of eight 2019 Tony Awards, the show Lighting Programmer: Bridget Chervenka Production Electrician: James Maloney, Jr. presents the myth of Orpheus and Eurydice set to its very Associate PE: Justin Freeman own distinctive blues stomp in the setting of a low-down Head Electrician: Patrick Medlock-Turek New Orleans juke joint. For more information, read the House Electrician: Vincent Valvo Hadestown Review in Lighting & Sound America. Follow Spot Operators: Paul Valvo, Mitchell Ker Lighting Package: Christie Lites City Theatrical Solutions: Multiverse® 900MHz/2.4GHz Transmitter (5910), QolorFLEX® 2x0.9A 2.4GHz Multiverse Dimmers (5716), QolorFLEX SHoW DMX Neo® 2x5A Dimmers, DMXcat® CHALLENGES SOLUTION One of the biggest challenges for shows in Midtown Manhattan City Theatrical’s Multiverse Transmitter operating in the 900MHz looking to use wireless DMX is the crowded spectrum. With every band was selected to meet this challenge. The Multiverse lighting cue on stage being mission critical, a wireless DMX system – Transmitter provided DMX data to battery powered headlamps. especially one requiring a wide range of use, compatibility with other A Multiverse Node used as a transmitter and operating on a wireless and dimming control systems, and size restraints – needs SHoW DMX Neo SHoW ID also broadcast to QolorFlex Dimmers to work despite its high traffic surroundings.
    [Show full text]
  • The Evolution of Musical Theatre Dance
    Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama.
    [Show full text]
  • PLAYHOUSE SQUARE January 12-17, 2016
    For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut.
    [Show full text]
  • Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here.
    [Show full text]
  • Hamilton at the Paramount Seattle
    SPECIAL EDITION • FEBRUARY 2018 ENCORE ARTS PROGRAMS • SPECIAL EDITION HAMILTON FEBRUARY 2018 FEBRUARY PROGRAMS • SPECIAL EDITION HAMILTON ARTS ENCORE HAMILTON February 6 – March 18, 2018 Cyan Magenta Yellow Black Inks Used: 1/10/18 12:56 PM 1/11/18 11:27 AM Changes Prev AS-IS Changes See OK OK with Needs INITIALS None Carole Guizetti — Joi Catlett Joi None Kristine/Ethan June Ashley Nelu Wijesinghe Nelu Vivian Che Barbara Longo Barbara Proofreader: Regulatory: CBM Lead: Prepress: Print Buyer: Copywriter: CBM: · · · · Visual Pres: Producer: Creative Mgr Promo: Designer: Creative Mgr Lobby: None None 100% A N N U A L UPC: Dieline: RD Print Scale: 1-9-2018 12:44 PM 12:44 1-9-2018 D e si gn Galle r PD y F Date: None © 2018 Starbucks Co ee Company. All rights reserved. All rights reserved. ee Company. SBX18-332343 © 2018 Starbucks Co x 11.125" 8.625" Tickets at stgpresents.org SKU #: Bleed: SBUX FTP Email 12/15/2017 STARBUCKS 23 None 100% OF TICKET SALES GOOF TOTHE THE PARTICIPATING MUSIC PROGRAMS HIGH SCHOOL BANDS — FRIDAY, MARCH 30 AT 7PM SBX18-332343 HJCJ Encore Ad Encore HJCJ blongo014900 SBX18-332343 HotJavaCoolJazz EncoreAd.indd HotJavaCoolJazz SBX18-332343 None RELEASED 1-9-2018 Hot Java Cool Jazz None None None x 10.875" 8.375" D i sk SCI File Cabinet O t h e r LIVE AT THE PARAMOUNT IMPORTANT NOTES: IMPORTANT Vendor: Part #: Trim: Job Number: Layout: Job Name: Promo: File Name: Proj Spec: Printed by: Project: RELEASE BEFORE: BALLARD | GARFIELD | MOUNTLAKE TERRACE | MOUNT SI | ROOSEVELT COMPANY Seattle, 98134 WA 2401 Utah Avenue South2401
    [Show full text]
  • Virtual Live Auction 5 Pm on Sunday, September 20
    Virtual Live Auction 5 pm on Sunday, September 20 Auctioneer: Nick Nicholson Host: Bryan Batt 1. Join Seth Rudetsky as a Special Guest on Stars in the House Your name will be added to the roster of entertainment luminaries when you join Seth Rudetsky as a special guest on an episode of Stars in the House. Created with his husband, James Wesley, in response to the coronavirus pandemic, Stars in the House brings together music, community and education. Benefiting The Actors Fund, the daily livestream features remote performances from stars in their homes, conversing with Rudetsky and Wesley in between songs. The incredible 800 guests so far have included everyone from Annette Benning to Jon Hamm to Phillipa Soo. Don’t miss the opportunity to join for an episode and make your smashing debut as a special guest on Stars in the House. Opening bid: $500 2. Virtual Meeting with the Legendary Bernadette Peters There are few leading ladies as notably creative and compassionate as Bernadette Peters. The two-time Tony Award winner made her Broadway debut in 1967’s The Girl in the Freudian Slip. In the decades since, she’s created some of musical theater’s most memorable roles including Dot in Sunday in the Park with George and The Witch in Into the Woods. She’s a member of the Broadway Cares/Equity Fights AIDS Board of Trustees who has created memorable performances in stunning Broadway revivals, notably Annie Get Your Gun, Gypsy, Follies and, most recently, Hello Dolly!. Today, you can win a virtual meet-and-greet with this legend.
    [Show full text]
  • Broward Center for the Performing Arts 2018-19 Calendar Listings
    July 27, 2018 Maria Pierson/Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center for the Performing Arts 954.765.5814 Note: This season overview is being provided for your use in fall season previews which publish/post/broadcast on September 1 or later. Due to contractual arrangements, the announcement of one or more performances cannot be published by traditional or social media as of July 27, 2018. Embargo information is listed, in red, at the end of the briefs for those performances. Broward Center for the Performing Arts 2018-19 Calendar Listings BrowardCenter.org Facebook.com/BrowardCenter @BrowardCenter #BrowardCenter Instagram.com/BrowardCenter Youtube.com/user/BrowardCenter The Broward Center for the Performing Arts is located at 201 S.W. Fifth Avenue in Fort Lauderdale in the Riverwalk Arts & Entertainment District. Performances are presented in the Au-Rene Theater, Amaturo Theater, Abdo New River Room, Mary N. Porter Riverview Ballroom and the JM Family Studio Theater. Ticketmaster is the only official ticketing service of the Broward Center. Buy tickets online at BrowardCenter.org and Ticketmaster.com; by phone at 954.462.0222; and at the Broward Center’s AutoNation Box Office. Please note that not all shows scheduled for the 2018-19 season are currently on sale and additional performances will be added throughout the season. Print quality images of select performances from the upcoming season, representing all genres, may be downloaded at https://bit.ly/2AgZ45J. One of America’s premier performing arts venues, the Broward Center for the Performing Arts presents more than 700 performances each year to more than 700,000 patrons, showcasing a wide range of exciting cultural programming and events.
    [Show full text]
  • JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
    Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer.
    [Show full text]
  • Where Are They Now?
    CATHOLIC CENTRAL HIGH SCHOOL | SPRING 2014 ALUMNINEWS WHERE ARE THEY NOW? SCHOOL NEWS | ALUMNI NEWS | ADVANCEMENT NEWS | FOUNDATION NEWS ALUMNINEWS FROM THE PRINCIPAL 3 PRINCIPAL’S LETTER Dear Friends of CC, This spring we will graduate our 108th 4 WHERE ARE THEY NOW? Alumni News class at Catholic Central High School. Since tracks down former teachers and students. before the invention of instant coffee, color 9 SCHOOL NEWS photography, and the modern zipper, we’ve been educating students in spirit, mind, and 12 ADVANCEMENT NEWS body. We are so proud of our alumni who have to advise their clients of our school with correct information. built our reputation of producing competent and compassionate It’s important for any family, new to town or those relocating 15 FOUNDATION NEWS graduates who excel in higher education, the workplace, and within within Kent County, to have the confidence to purchase a home their communities, and who are ministers of the Gospel by word within a 30 minute radius of downtown knowing there is an 16 ALUMNI NEWS and example. outstanding educational option at 319 Sheldon Blvd. Our alumni are a vast source of energy, advocacy, and support The program featured the Capella Choir, testimonials from 18 IN MEMORIAM for the future of Catholic Central High School. Perhaps alumni, the school’s video, a student address, a Q/A session, and a unbeknown to you, all graduates of CC are members of our tour of the facilities. The Treadstone office was able to attract over 19 CLASS NOTES alumni association, The Pride. Through reunions, special events, 40 real estate agents to the event, all of whom learned about the publications and correspondences, The Pride seeks to enrich exciting and transformative happenings at CC.
    [Show full text]
  • The Enduring Power of Musical Theatre Curated by Thom Allison
    THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives.
    [Show full text]