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Bibliographical Society of America
Bibliographical Society of America PBS/1103:2 (2009): 251 –2 Krupp, Andrea. Bookcloth in England and America, 1823-50. New Castle, DE: Oak Knoll Press; London: British Library; New York: Bibliographical Society of America, 2008.x, gzpp.Illus. $35.00 (ISBN 978-1-58456-213-9; BL: 978-0-7123-5007-5). Reviewed by Clive Hurst The study and classification of publishers' cloth bindings was firmly established in the early 1930s with Michael Sadleir's The Evolution of Publishers' Binding Styles, 1770—1900, and John Carter's Binding Variants. During the sub- sequent seventy odd years the description of patterns and colors has become an expected feature of the bibliographies of Victorian writers and book histories of the period (though sadly it has not yet been deemed worthy of most library catalogues). Major problems arise, however, as a result of the characteristic exuberance of the designers and manufacturers of the cloth itself: there seems to be no end to the variety of patterns invented, far beyond the nomenclature available to pin them down; and the colors, I suspect, will long elude satisfactory description comprehensible to every person who reads it. The digital option certainly makes things easier, and the slim volume under review is based on the Library Company of Philadelphia's Database of Nineteenth-Century Cloth Bindings, as is the soon to be available Catalogue of Nineteenth-Century Bookcloth Grains online. It comprises an authoritative brief history, which is especially interesting on the relation of British material and design to that of the relatively young American trade, accompanied by some 250 photographs, mostly in color. -
David Parsons
WINDOWS ON THE WORLD Atlanta Groliers Honor the Memory of David Parsons JUNE 15 - AUGUST 15, 2015 3RD FLOOR EXHIBIT GALLERY, PITTS THEOLOGY LIBRARY 1 WINDOWS ON THE WORLD: Atlanta Groliers Honor the Memory of David Parsons David Parsons (1939-2014) loved books, collected them with wisdom and grace, and was a noble friend of libraries. His interests were international in scope and extended from the cradle of printing to modern accounts of travel and exploration. In this exhibit of five centuries of books, maps, photographs, and manuscripts, Atlanta collectors remember their fellow Grolier Club member and celebrate his life and achievements in bibliography. Books are the windows through which the soul looks out. A home without books is like a room without windows. ~ Henry Ward Beecher CASE 1: Aurelius Victor (fourth century C.E.): On Robert Estienne and his Illustrious Men De viris illustribus (and other works). Paris: Robert Types Estienne, 25 August 1533. The small Roman typeface shown here was Garth Tissol completely new when this book was printed in The books printed by Robert Estienne (1503–1559), August, 1533. The large typeface had first appeared the scholar-printer of Paris and Geneva, are in 1530. This work, a late-antique compilation of important for the history of scholarship and learning, short biographies, was erroneously attributed to the textual history, the history of education, and younger Pliny in the sixteenth century. typography. The second quarter of the sixteenth century at Paris was a period of great innovation in Hebrew Bible the design of printing types, and Estienne’s were Biblia Hebraica. -
The Newsletter of the John Car Ter Brown Librar Y
THE NEWSLETTER OF THE JOHN CARTER BROWN LIBRARY NUMBER 46 / SPRING 2014 JCB in LETTER FROM THE DIRECTOR Although the signs of springtime have revealed them- selves only slowly this year in Providence, the JCB has been abuzz with activities these past several months, planting the seeds for future programs and keeping our research fellows and scholarly community busy with a range of exciting events at the Library. From round-table sessions on early environmental history to an extraordinary exhibition on the Haitian Revolu- tion, the reading room has hosted a remarkable array of academic and educational programming whose aim has been to reach beyond the traditional fields of the JCB’s strengths and find new audiences in Providence and beyond. In the pages of this edition of inJCB, you will get a sense of all these activities, including some of our LETTER FROM THE DIRECTOR new acquisitions, and I hope you will appreciate, as I do, the remarkable curatorial and academic talents that the Library brings together under one 2013-14 Board of Governors collective roof. Frederick D. Ballou As I look back on my first six months as director and librarian, I am most Antonio Bonchristiano impressed at the number of constituencies that, happily for us, count the T. Kimball Brooker Library as their own. Local supporters from Providence have always been Sylvia Brown key to our ongoing success as a civic institution, from the days of George Paul R. S. Gebhard Parker Winship and his society events in the Library’s reading room, and Harriette Hemmasi, ex-officio I have enjoyed meeting this segment of our community at our evening read- Artemis A. -
The Gods of Mars
THE GODS OF MARS Edgar Rice Burroughs The Gods of Mars was first published in All- Story Magazine as a five-part serial, January through May 1913. The preparer of this public-domain (U.S.) text is not known. The Project Gutenberg edi- tion (“gmars11”) was converted to LATEX using GutenMark software and re-edited (format- ting only) by Ron Burkey. Report problems to [email protected]. Revision B1 differs from B in that “—-” has everywhere been replaced by “—”. Revision: B1 Date: 01/27/2008 Contents FOREWORD 1 CHAPTER I. THE PLANT MEN 7 CHAPTER II. A FOREST BATTLE 25 CHAPTER III. THE CHAMBER OF MYSTERY 43 CHAPTER IV. THUVIA 61 CHAPTER V. CORRIDORS OF PERIL 77 CHAPTER VI. THE BLACK PIRATES OF BARSOOM 91 CHAPTER VII. A FAIR GODDESS 103 CHAPTER VIII. THE DEPTHS OF OMEAN 119 CHAPTER IX. ISSUS, GODDESS OF LIFE ETERNAL 137 CHAPTER X.THE PRISON ISLE OF SHADOR 151 CHAPTER XI. WHEN HELL BROKE LOOSE 165 CHAPTER XII. DOOMED TO DIE 183 CHAPTER XIII. A BREAK FOR LIBERTY 193 CHAPTER XIV. THE EYES IN THE DARK 211 CHAPTER XV. FLIGHT AND PURSUIT 231 CHAPTER XVI. UNDER ARREST 243 CHAPTER XVII. THE DEATH SENTENCE 257 CHAPTER XVIII. SOLA’S STORY 269 CHAPTER XIX. BLACK DESPAIR 279 CHAPTER XX. THE AIR BATTLE 299 i ii CHAPTER XXI. THROUGH FLOOD AND FLAME 317 CHAPTER XXII. VICTORY AND DEFEAT 329 FOREWORD Twelve years had passed since I had laid the body of my great-uncle, Captain John Carter, of Virginia, away from the sight of men in that strange mausoleum in the old cemetery at Richmond. -
Find Ebook > a Princess of Mars John Carter
0XBAXA3FINFS » Doc # A Princess of Mars John Carter A Princess of Mars John Carter Filesize: 3.02 MB Reviews A very wonderful pdf with perfect and lucid explanations. This can be for those who statte that there had not been a worth reading. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Mr. Stone Kunze) DISCLAIMER | DMCA WCI94AJSOLQN ^ Doc // A Princess of Mars John Carter A PRINCESS OF MARS JOHN CARTER Denton & White. Paperback. Book Condition: New. Paperback. 192 pages. Dimensions: 8.9in. x 5.8in. x 0.5in.John Carter is prospecting in Arizona when he finds himself on the run from Apaches. He hides in a cave and is mysteriously transported to Mars! There he meets the Tharks, green martians who stand fieen feet tall and have six arms. Carter discovers he has incredible strength on Mars because of the lesser gravity, and soon becomes a respected warrior. Carter soon meets Dejah Thoris, a princess of Mars from the red martian race. He rescues her and falls in love, but must fight to protect her. A Princess of Mars was originally serialized in All Story Magazine back in 1912. Edgar Rice Burroughs was worried that the far-out nature of the tale would make it diicult for him to keep a job because employers would think he was too strange, so he asked for Under the Moons of Mars (as it was called when it ran in the magazine) to have Normal Bean as the author to drive home the fact that he was still a regular guy. -
Short-Title Catalogs: the Current State of Play
SHORT TITLE CATALOGUES: THE CURRENT STATE OF PLAY 121 KRK Short-Title Catalogs: The Current State of Play John Bloomberg-Rissman he output of the Anglophone press is covered by a series of projects, loosely known as short title catalogs. The major projects include: T l A Short-Title Catalogue of Books Printed in England, Scotland, & Ireland and of English Books Printed Abroad 1475–1640 (STC) 1 Short-Title Catalogue of Books Printed in England, Scotland, Ireland, Wales, and British America and of English Books Printed in Other Countries 1641 1700 (Wing) 1 The English Short Title Catalogue (ESTC) 1 The Nineteenth Century Short Title Catalogue (NSTC) 1 The North American Imprints Program (NAIP) There are other short title catalog projects, such as the Cathedral Libraries Catalogue and English Catholic Books, 1701–1800 to name but two. Though these projects, and others like them, are arguably as worthy of discussion as any, it is not incorrect to see them as extensions of or supplements to the projects listed above. Volume 1 of the Cathedral Libraries Catalogue is in essence an extension of the can vass undertaken for STC and Wing, while volume 2 concerns itself with continen tal printing, and is therefore irrelevant in this context. English Catholic Books, 1701– 1800 is, in its own words, “a useful adjunct to the ESTC.”1 This paper will limit itself then to discussion of the bulleted projects, and will include up-to-date information on the status of each. The precursor to the first true short title catalog in the Anglophone world is usually considered to be the three-volume Catalogue of Books in the Library of the British Museum Printed in England, Scotland, and Ireland, and of Books in English Printed John Bloomberg-Rissman is Assistant Director for English projects (ESTC), Center for Bibliographical Studies and Research at the University of California, Riverside 121 122 RARE BOOKS & MANUSCRIPTS LIBRARIANSHIP Abroad, to the Year 1640 (Trustees of the British Museum, 1884). -
The Bibliographical Society of America Membership Application and Renewal Form
The Bibliographical Society of America Membership Application and Renewal Form Personal Details Membership Level (all fields required except where noted) (please check only one) Name: 35 & Under Membership, $25 Dr. Ms. Mrs. Mr. (circle one) Emerging bibliographers may join at a dis- counted rate. Partner Membership, $80 Dues cover the cost of the journal, our Mailing Address: meetings, and administration. Sustaining Membership, $125 Help sustain our programs for the future and support members entering our field. $ 45 is tax deductible. Leadership Membership, $250 Support expansion of our programs, further Phone Number: online development, and publications. $ 170 is tax deductible. Advancing Membership, $500 Advance our mission and our geographic Email Address: reach. $ 420 is tax deductible. Lifetime Membership, $1250 One-time contribution. Support our fellow- Which of these options best describe you? ship program and help us develop long- (check all that apply) range initiatives to support teaching and scholarship. $1,170 is tax deductible. Academic (Full-time Faculty, Admini- strator) Please note that all members receive: Academic (Part-time Faculty, Contingent, § A subscription to the quarterly Papers of the Biblio- Adjunct) graphical Society of America (PBSA) in print and e-Book Book Arts Worker formats, as well as online access to the full journal run. Book Collector § Discounted access to the ACLS Humanities eBook Collection for individuals. Bookseller § 30% discount on books published or distributed by Conservator the University of Chicago Press, and discounts on the Society’s other publications. Library Professional (Curator, Cataloger, Administrator) Would you like your contact information to be Library Professional (Para- or Pre- included in our membership directories? professional) (check all that apply) Museum Professional Include my name, title, and email address Retired in a membership directory available to the public. -
C&I 190 Why I Love
Why I love … by Simon French, Amy Staniforth, Karen F. Pierce, Fotis Mystakopoulos Why I love … John Carter’s ABC for Book Collectors Simon French, Subject Librarian, Aberystwyth University Amy Staniforth, Institutional Repository & Metadata Librarian, Aberystwyth University Cataloguing special collections? Want to tell your gauffered edges from your inner dentelles? Your catchwords from your chain lines? Then what you need is a copy of John Carter’s ABC for Book Collectors . First published in 1952, and now into its Ninth Edition, it is the book (and it is an actual book, there’s no online version of this) for those of us who have the joy of getting our hands on and cataloguing old books from time to time. And when we are cataloguing old books we are going to be faced with some questions that just don’t crop up when we are creating a record for that 2017 edition of the Companion to International Relations . Questions like: is that former owner’s signature on the front -free endpaper, the half -title or on the title -page? With Carter’s book by your side there will never again be any doubt. Your 563? “Hardback” is just not going to cut it with that lovely eighteenth -century four -volume set. This is where you can finally get to say the words: an elaborately tooled, full Levant morocco binding! And why wouldn’t you? Who wouldn’t be seduced by skivers, slips and solanders; of vellum, vignettes, and versos? It’s like poetry. That’s why we love John Carter’s ABC for Book Collectors. -
100 Papers of the Bibliographical Society of Canada Xvini 107, 109-I2
100 Papers of the Bibliographical Society of Canada xvInI 107, 109-I2, Io3 [i.e., 115], 116-23). Anomalous is the classing of the primarily literary bibliographies The Year's Work in Modern Language Studies (178) and Hatzfeld, A Crit- ical Bibliography of the New Stylistics (174) in the 'Special Categories - Linguistics' subsection. The question of precisely which specific works should be included in, or excluded from, a guide of this nature is most vexatious. I would only note, among the small number of useful titles omitted, such compendia of literary terminology as those of Berardi, Gildi, and Traversetti; compilations of proverbs such as those by Arthaber and Gluski; the excellent bibliographical Introduzione allo studio della lingua italiana of MuliaciE, the Dizionanio d'ortografiae di pronunzia of Bruno Migliorini et al., Parenti's Prime edizioni italiane, Pownall's Articles on ?Twentieth Century Literature, the Index to Book Reviews in the Humanities, perhaps Umberto Eco's Come si fa una tesi di laurea, and the neW MLA Handbook for Writers, vitiated admittedly by its paradoxically cavalier attitude to 'foreign' languages, nevertheless the generally received, particularly in North America, authority on matters of scholarly documentation. Its flaws notwithstanding (and bibliographies are not to be adjudged so much by the presence or absence of blemishes as by the number and hue thereof), Italian Reference Aids deserves to be put to thorough use by graduate students in Italian and Comparative Literature and could also find application -
The John Carter Brown Library
1876.] TBB JOHN OABTER BROWN LIBRARY. 298 ARTICLE IV. THE JOHN CARTER BROWN LIBRARY. BT JlBV.l. o. ITOOJUlBIDGE, D.D., PBOVIDEl'CE, B.I. THE writer of this Article has 'no doubt that many of the readers of the Bibliotheca Sacra. have some knowledge of the valuable collection of books known as the "John Carter Brown Library," and are acquainted with some of tile lead ing facts in the life of the gentleman from whom the library takes its name. There must, however, be not a few individ uals, who may with propriety regard themselves as scholars, who are ignorant of both the founder of the library of which we shall speak, as well as of the library itself. To such there may be a satisfaction in learning some of the outlines in the history of one who did such noble service to the cause of letters, and whose costly collection of books is a better monument to his fame than sculptured granite or marble. John Carter Brown was born in Providence, Rhode Island, August 28, 1797. He was the second son of Ron. Nicholas Brown, whose munificent gifts to the university which bears his name have placed him among the most distinguished benefactors of his native State. In 1841 he came into pos session of a large patrimony, and succeeded to the position which his deceased father had held for so many years, as the senior partner of the well known firm of Brown and I ves. His love for books, showing itself in a taste for those which were rare and costly, early developed itself; and the ample fortune which was at his command enabled him to gratify this taste. -
JOHN CARTER Production Notes
JOHN CARTER (2012) PRODUCTION NOTES JOHN CARTER Production Notes Release Date: March 9, 2012 (3D/2D) Studio: Walt Disney Pictures Director: Andrew Stanton Screenwriter: Andrew Stanton, Mark Andrews, Michael Chabon Starring: Taylor Kitsch, Lynn Collins, Samantha Morton, Mark Strong, Ciaran Hinds, Dominic West, James Purefoy, Daryl Sabara, Polly Walker, Bryan Cranston, Thomas Hayden Church, Willem Dafoe Genre: Action, Adventure, Sci-Fi MPAA Rating: PG-13 (for intense sequences of violence and action) Official Website: Disney.com/JohnCarter From Academy Award®–winning filmmaker Andrew Stanton comes "John Carter"—a sweeping action- adventure set on the mysterious and exotic planet of Barsoom (Mars). "John Carter" is based on a classic novel by Edgar Rice Burroughs, whose highly imaginative adventures served as inspiration for many filmmakers, both past and present. The film tells the story of war-weary, former military captain John Carter (Taylor Kitsch), who is inexplicably transported to Mars where he becomes reluctantly embroiled in a conflict of epic proportions amongst the inhabitants of the planet, including Tars Tarkas (Willem Dafoe) and the captivating Princess Dejah Thoris (Lynn Collins). In a world on the brink of collapse, Carter rediscovers his humanity when he realizes that the survival of Barsoom and its people rests in his hands. © 2012 Walt Disney Pictures 1 JOHN CARTER (2012) PRODUCTION NOTES SYNOPSIS Walt Disney Pictures presents the epic, action-adventure film "John Carter," based on the Edgar Rice Burroughs classic, "A Princess of Mars," the first novel in Burroughs Barsoom series. 2012 marks the 100th anniversary of Burroughs' character John Carter, the original space hero featured in the series, who has thrilled generations with his adventures on Mars. -
ABAA's Annual Meeting Honors Past Presidents
The ABN E WSLETTEA AR VOLUME SEVENTEEN, NUMBER 3 ANTIQUARIAN BOOKSELLERS' ASSOCIATION OF AMERICA SUMMER 2006 INSIDE: ABAA & Alibris offer Scholarships .............................................................PAGE 7 Bromsen ABAA's Annual Meeting Honors Bequeaths Past Presidents $4 Million to The following address was given by John Grolier Club has been the home to many Crichton at the Annual Meeting and ABAA functions, including its very first Brown Library Dinner at the Grolier Club on April 22, meeting in February 1949. At each place 2006. you will find a printed keepsake for the The distinguished Boston collector and Good evening and welcome to the 56th occasion which I had prepared as a gift antiquarian bookdealer, Maury A. Brom- annual meeting of the Antiquarian Book- from me, your soon-to-be recent-past sen, who died on October 11, 2005, has sellersʼ Association of America, which is president. On it is a quotation from the bequeathed $4 million to the John Carter being held this year in honor of the past first president of the Association, Lau- Brown Library for the support of pro- presidents of the Association, many of rence Gomme. [Laurence Gomme was grams in Latin American studies. whom are present. born in 1882 in London, and he began The gift will make possible the creation I thank you for attending; we thank his long, distinguished career in the book at the Library of the new position of Cu- our honored guests for being here; and trade at the age of 15 when his father rator of Latin American Books and will we once again thank the Grolier Club for apprenticed him to the firm of Truslate & also endow an annual Maury A.