A Princess of Mars
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A Princess of Mars – T&T Solo Adaptation
A Princess of Mars – T&T Solo Adaptation An exciting take on a classic book! A Princess of Mars Introduction This fine adventure is based on Edgar Rice Burroughs’ ‘A Princess of Mars’. Haven’t read it? You can get free copies from Project Gutenberg at http://www.gutenberg.org. Please turn to Paragraph 1. Adventure Paragraph 1 You are brave Captain Carter and you’re off mining gold in the mountains of Arizona. You have recently stumbled upon a rich vein of gold. Your trusty friend Powell puts on his red shirt and rides to get supplies. Shortly after you watch him ride over the crest of a distant hill, you see three shapes that appear to be following him. Playful antelope? Fearsome jackalope? You can’t tell from here. What do you do? “He’s fine,” you think, “there’s no such thing as a jackalope and everyone knows the local Apaches are friendly.” If you keep mining, turn to Paragraph 12. “I’ve always wanted to bag me a jackalope!” If you follow him go to Paragraph 7. Paragraph 2 You lose your way in the desert and eventually die of thirst. Sorry about your luck. 2 A Princess of Mars Paragraph 3 Your horse stumbles and falls to the ground. As you scramble up, you hear the first of the Apache ride by and choose a different path. They don’t know you’re here! After the entire army runs by, you quickly backtrack towards the camp, make a wide swing around it and return to the mine. -
NAKEDNESS on MARS by Woodrow Edgar Nichols, Jr
NAKEDNESS ON MARS by Woodrow Edgar Nichols, Jr. INTRODUCTION When Edgar Rice Burroughs wrote A Princess of Mars and its sequels, he was writing the legal pornograpy of the day. He wrote what was the literary equivalent of a peep show, which we know he was fond of from his 1893 Chicago Columbian Exposition midway adventures. (See, ERBzine #1275, chpt. 6.) This is where Little Egypt became an international celebrity. Because no acts of sex are explicitly described in this series, this fact passes mainly unnoticed to the modern reader, but a discerning eye sees on almost every page naked people with their sexual organs fully exposed, female breasts enhanced in leather harnesses, near rape scenes, acts of perverse cruelty and sado-masochistic bondage, including descriptions of violence, beheadings, and dismemberings, that put Kill Bill: Part One to shame. This would have been shocking literature in its day. It was still shocking when C.S. Lewis followed suit in 1944 by having the inhabitants of Perelandra appear as naked as Adam and Eve, without fig leaves. I can only imagine the kind of moral outrage it must have induced in the minds of Puritanical prudes and Victorian moralists, so influential in politics and the arts at the time. I don’t have to imagine too hard. My mother, a typical Victorian prude who hated Hugh Hefner till the day she died, knew all about ERB. When I was in the fifth grade, around ten years old in 1957, I visited with a friend after school one day. My friend’s mother had been an artist for Disney in the days of Fantasia and was the opposite of my mother. -
Michael Tierney
Sample file Sample file by Michael Tierney Authorized by Edgar Rice Burroughs, Inc. Sample file Copyright © 2018 First Printing, 2018 Mother Was A Lovely Beast cover Copyright © 1974 Philip Jose Farmer The Recoverings Alternate Timeline Dust-jacket design for Tarzan and the Castaways, along with the coloring of the Frank Frazetta cover drawing is Copyright © 2016 Phil Normand & Recoverings. All other artwork Copyright © Edgar Rice Burroughs, Inc. All Text Copyright © Michael Tierney Little Rocket Publications is a Trademark™ of Tierney Incorporated Trademarks Tarzan®, Tarzan of the Apes™, Lord of the Jungle® and Edgar Rice Burroughs® owned by Edgar Rice Burroughs, Inc. and Used By Permission All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, without permission in writing from the publisher. Every effort has been made not to make use of proprietary or Copyrighted material without permission. Any mention of actual commercial products in this book does not constitute an endorsement. Printed in the United States by Chenault & Gray Publishing. First Unabridged Edition Edited by Rus Wornom Cover Design by Peter Bradley and Michael Tierney Cover Art by Frank Frazetta Layout and Design: Michael Tierney, Peter Bradley and Mark Sandy Library of Congress Cataloging-in-Publication Data Michael Tierney Edgar Rice Burroughs 100 Year Art Chronology, Vol. 2 The Books: Literature with Sharp Cutting -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Bibliographical Society of America
Bibliographical Society of America PBS/1103:2 (2009): 251 –2 Krupp, Andrea. Bookcloth in England and America, 1823-50. New Castle, DE: Oak Knoll Press; London: British Library; New York: Bibliographical Society of America, 2008.x, gzpp.Illus. $35.00 (ISBN 978-1-58456-213-9; BL: 978-0-7123-5007-5). Reviewed by Clive Hurst The study and classification of publishers' cloth bindings was firmly established in the early 1930s with Michael Sadleir's The Evolution of Publishers' Binding Styles, 1770—1900, and John Carter's Binding Variants. During the sub- sequent seventy odd years the description of patterns and colors has become an expected feature of the bibliographies of Victorian writers and book histories of the period (though sadly it has not yet been deemed worthy of most library catalogues). Major problems arise, however, as a result of the characteristic exuberance of the designers and manufacturers of the cloth itself: there seems to be no end to the variety of patterns invented, far beyond the nomenclature available to pin them down; and the colors, I suspect, will long elude satisfactory description comprehensible to every person who reads it. The digital option certainly makes things easier, and the slim volume under review is based on the Library Company of Philadelphia's Database of Nineteenth-Century Cloth Bindings, as is the soon to be available Catalogue of Nineteenth-Century Bookcloth Grains online. It comprises an authoritative brief history, which is especially interesting on the relation of British material and design to that of the relatively young American trade, accompanied by some 250 photographs, mostly in color. -
Dissertation on Carter
© 2012 Casey Robards All rights reserved. JOHN DANIELS CARTER: A BIOGRAPHICAL AND MUSICAL PROFILE WITH ORIGINAL PIANO TRANSCRIPTION OF REQUIEM SEDITIOSAM: IN MEMORIAM MEDGAR EVERS BY CASEY ROBARDS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Vocal Coaching and Accompanying in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Reid Alexander, Chair and Director of Research Professor Dennis Helmrich Professor Emeritus Herbert Kellman Associate Professor Stephen Taylor Abstract African-American pianist and composer John Daniels Carter (1932-1981) is widely recognized for his Cantata for voice and piano (also arranged for voice and orchestra), Carter’s only published work. However, relatively little information has been published about Carter’s life, his compositional output, or career as a pianist. His date of birth and death are often listed incorrectly; the last decade of his life remains undocumented. There is also confusion in the database of the American Society of Composers, Authors and Publishers (ASCAP) regarding the attributions of his unpublished compositions, compounded by the existence of another composer who has arranged several spirituals, and a jazz clarinetist, both named John Carter. In-depth field research, over a three-year period, was conducted to discover more information about Carter. Through newspaper articles, archival material from the Kennedy Center/Rockefeller Archives, and conversations or correspondence with those who knew Carter personally, this dissertation presents biographical information about Carter’s musical education, performance activity as a pianist, and career as a composer-in-residence with the Washington National Symphony. -
A Princess of Mars
A PRINCESS OF MARS By Edgar Rice Burroughs The Project Gutenberg EBook of A Princess of Mars, by Edgar Rice Burroughs This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A Princess of Mars Author: Edgar Rice Burroughs Release Date: June 23, 2008 [EBook #62] Last updated: October 12, 2012 Last updated: December 8, 2012 Last updated: February 6, 2013 Last updated: March 11, 2013 Language: English *** START OF THIS PROJECT GUTENBERG EBOOK A PRINCESS OF MARS *** [Frontispiece: With my back against a golden throne, I fought once again for Dejah Thoris] A PRINCESS OF MARS by Edgar Rice Burroughs To My Son Jack FOREWORD To the Reader of this Work: In submitting Captain Carter's strange manuscript to you in book form, I believe that a few words relative to this remarkable personality will be of interest. My first recollection of Captain Carter is of the few months he spent at my father's home in Virginia, just prior to the opening of the civil war. I was then a child of but five years, yet I well remember the tall, dark, smooth-faced, athletic man whom I called Uncle Jack. He seemed always to be laughing; and he entered into the sports of the children with the same hearty good fellowship he displayed toward those pastimes in which the men and women of his own age indulged; or he would sit for an hour at a time entertaining my old grandmother with stories of his strange, wild life in all parts of the world. -
David Parsons
WINDOWS ON THE WORLD Atlanta Groliers Honor the Memory of David Parsons JUNE 15 - AUGUST 15, 2015 3RD FLOOR EXHIBIT GALLERY, PITTS THEOLOGY LIBRARY 1 WINDOWS ON THE WORLD: Atlanta Groliers Honor the Memory of David Parsons David Parsons (1939-2014) loved books, collected them with wisdom and grace, and was a noble friend of libraries. His interests were international in scope and extended from the cradle of printing to modern accounts of travel and exploration. In this exhibit of five centuries of books, maps, photographs, and manuscripts, Atlanta collectors remember their fellow Grolier Club member and celebrate his life and achievements in bibliography. Books are the windows through which the soul looks out. A home without books is like a room without windows. ~ Henry Ward Beecher CASE 1: Aurelius Victor (fourth century C.E.): On Robert Estienne and his Illustrious Men De viris illustribus (and other works). Paris: Robert Types Estienne, 25 August 1533. The small Roman typeface shown here was Garth Tissol completely new when this book was printed in The books printed by Robert Estienne (1503–1559), August, 1533. The large typeface had first appeared the scholar-printer of Paris and Geneva, are in 1530. This work, a late-antique compilation of important for the history of scholarship and learning, short biographies, was erroneously attributed to the textual history, the history of education, and younger Pliny in the sixteenth century. typography. The second quarter of the sixteenth century at Paris was a period of great innovation in Hebrew Bible the design of printing types, and Estienne’s were Biblia Hebraica. -
The Newsletter of the John Car Ter Brown Librar Y
THE NEWSLETTER OF THE JOHN CARTER BROWN LIBRARY NUMBER 46 / SPRING 2014 JCB in LETTER FROM THE DIRECTOR Although the signs of springtime have revealed them- selves only slowly this year in Providence, the JCB has been abuzz with activities these past several months, planting the seeds for future programs and keeping our research fellows and scholarly community busy with a range of exciting events at the Library. From round-table sessions on early environmental history to an extraordinary exhibition on the Haitian Revolu- tion, the reading room has hosted a remarkable array of academic and educational programming whose aim has been to reach beyond the traditional fields of the JCB’s strengths and find new audiences in Providence and beyond. In the pages of this edition of inJCB, you will get a sense of all these activities, including some of our LETTER FROM THE DIRECTOR new acquisitions, and I hope you will appreciate, as I do, the remarkable curatorial and academic talents that the Library brings together under one 2013-14 Board of Governors collective roof. Frederick D. Ballou As I look back on my first six months as director and librarian, I am most Antonio Bonchristiano impressed at the number of constituencies that, happily for us, count the T. Kimball Brooker Library as their own. Local supporters from Providence have always been Sylvia Brown key to our ongoing success as a civic institution, from the days of George Paul R. S. Gebhard Parker Winship and his society events in the Library’s reading room, and Harriette Hemmasi, ex-officio I have enjoyed meeting this segment of our community at our evening read- Artemis A. -
The Gods of Mars
THE GODS OF MARS Edgar Rice Burroughs The Gods of Mars was first published in All- Story Magazine as a five-part serial, January through May 1913. The preparer of this public-domain (U.S.) text is not known. The Project Gutenberg edi- tion (“gmars11”) was converted to LATEX using GutenMark software and re-edited (format- ting only) by Ron Burkey. Report problems to [email protected]. Revision B1 differs from B in that “—-” has everywhere been replaced by “—”. Revision: B1 Date: 01/27/2008 Contents FOREWORD 1 CHAPTER I. THE PLANT MEN 7 CHAPTER II. A FOREST BATTLE 25 CHAPTER III. THE CHAMBER OF MYSTERY 43 CHAPTER IV. THUVIA 61 CHAPTER V. CORRIDORS OF PERIL 77 CHAPTER VI. THE BLACK PIRATES OF BARSOOM 91 CHAPTER VII. A FAIR GODDESS 103 CHAPTER VIII. THE DEPTHS OF OMEAN 119 CHAPTER IX. ISSUS, GODDESS OF LIFE ETERNAL 137 CHAPTER X.THE PRISON ISLE OF SHADOR 151 CHAPTER XI. WHEN HELL BROKE LOOSE 165 CHAPTER XII. DOOMED TO DIE 183 CHAPTER XIII. A BREAK FOR LIBERTY 193 CHAPTER XIV. THE EYES IN THE DARK 211 CHAPTER XV. FLIGHT AND PURSUIT 231 CHAPTER XVI. UNDER ARREST 243 CHAPTER XVII. THE DEATH SENTENCE 257 CHAPTER XVIII. SOLA’S STORY 269 CHAPTER XIX. BLACK DESPAIR 279 CHAPTER XX. THE AIR BATTLE 299 i ii CHAPTER XXI. THROUGH FLOOD AND FLAME 317 CHAPTER XXII. VICTORY AND DEFEAT 329 FOREWORD Twelve years had passed since I had laid the body of my great-uncle, Captain John Carter, of Virginia, away from the sight of men in that strange mausoleum in the old cemetery at Richmond. -
Degeneration, Gender, and American Identity in the Early Fiction of Edgar Rice Burroughs James Biggs Claremont Graduate University, [email protected]
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University Volume 3 | Issue 1 Article 2 2013 Degeneration, Gender, and American Identity in the Early Fiction of Edgar Rice Burroughs James Biggs Claremont Graduate University, [email protected] Follow this and additional works at: http://scholarship.claremont.edu/lux Recommended Citation Biggs, James (2013) "Degeneration, Gender, and American Identity in the Early Fiction of Edgar Rice Burroughs," LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University: Vol. 3: Iss. 1, Article 2. Available at: http://scholarship.claremont.edu/lux/vol3/iss1/2 Biggs: Degeneration, Gender, and American Identity in the Early Fiction of Edgar Rice Burroughs Biggs 1 Degeneration, Gender, and American Identity in the Early Fiction of Edgar Rice Burroughs James Biggs Claremont Graduate University School of Arts and Humanities - History Abstract Edgar Rice Burroughs rendered a particular construction of womanhood as a remedy for national degeneration and neurasthenia. Progressive-era Americans like Burroughs wondered whether the developmental forces that shaped industrial society might also threaten the character and institutions upon which they believed American society and civilization functioned. Middle-class American observers worried that the character traits responsible for the rise of American greatness were undermined by that very success. In particular, they thought the demands of urban life resulted in neurasthenia, the loss of “nervous energy.” Burroughs employed the powerfully symbolic Pocahontas narrative to construct a vision of womanhood that offered the possibility of redeeming a degenerate and neurasthenic civilization. Burroughs’s construction of womanhood shares much with the traditional ideology of domesticity, yet at the same time challenged Progressive notions of femininity. -
Find Ebook > a Princess of Mars John Carter
0XBAXA3FINFS » Doc # A Princess of Mars John Carter A Princess of Mars John Carter Filesize: 3.02 MB Reviews A very wonderful pdf with perfect and lucid explanations. This can be for those who statte that there had not been a worth reading. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Mr. Stone Kunze) DISCLAIMER | DMCA WCI94AJSOLQN ^ Doc // A Princess of Mars John Carter A PRINCESS OF MARS JOHN CARTER Denton & White. Paperback. Book Condition: New. Paperback. 192 pages. Dimensions: 8.9in. x 5.8in. x 0.5in.John Carter is prospecting in Arizona when he finds himself on the run from Apaches. He hides in a cave and is mysteriously transported to Mars! There he meets the Tharks, green martians who stand fieen feet tall and have six arms. Carter discovers he has incredible strength on Mars because of the lesser gravity, and soon becomes a respected warrior. Carter soon meets Dejah Thoris, a princess of Mars from the red martian race. He rescues her and falls in love, but must fight to protect her. A Princess of Mars was originally serialized in All Story Magazine back in 1912. Edgar Rice Burroughs was worried that the far-out nature of the tale would make it diicult for him to keep a job because employers would think he was too strange, so he asked for Under the Moons of Mars (as it was called when it ran in the magazine) to have Normal Bean as the author to drive home the fact that he was still a regular guy.