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Church Bulletin Russian Orthodox Church “St
“КРАСНОЕ СОЛНЫШКО” “SUNSHINE” CHURCH BULLETIN RUSSIAN ORTHODOX CHURCH “ST. VLADIMIR”, HOUSTON DECEMBER 2009 The most pure Temple of the Savior, The precious Chamber and Virgin, The sacred Treasure of the glory of God, Is presented today to the house of the Lord. She brings with her the grace of the Spirit, Which the angels of God do praise. Truly this woman is the Abode of Heaven! Kontakion in Tone 4 The Entry into the Temple of the Most-holy Theotokos "When the Most-holy Virgin Mary reached the age of three, her holy parents Joachim and Anna took her from Nazareth to Jerusalem to dedicate her to the service of God according to their earlier promise. It was a three-day journey from Nazareth to Jerusalem but, traveling to do a God-pleasing work, this journey was not difficult for them. Many kinsmen of Joachim and Anna gathered in Jerusalem to take part in this event, at which the invisible angels of God were also present. Leading the procession into the Temple were virgins with lighted tapers in their hands, then the Most-holy Virgin, led on one side by her father and on the other side by her mother. The virgin was clad in vesture of royal magnificence and adornments as was befitting the ``King's daughter, the Bride of God'' (Psalm 45:13-15). Following them were many kinsmen and friends, all with lighted tapers. Fifteen steps led up to the Temple. Joachim and Anna lifted the Virgin onto the first step, then she ran quickly to the top herself, where she was met by the High Priest Zacharias, who was to be the father of St. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Financial Abuse of Elderly People Vs. Other Forms of Elder Abuse: Assessing Their Dynamics, Risk Factors, and Society's Respon
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Financial Abuse of Elderly People vs. Other Forms of Elder Abuse: Assessing Their Dynamics, Risk Factors, and Society’s Response Author: Shelly L. Jackson, Ph.D., Thomas L. Hafemeister, J.D., Ph.D. Document No.: 233613 Date Received: February 2011 Award Number: 2006-WG-BX-0010 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Final Report Presented to the National Institute of Justice Financial Abuse of Elderly People vs. Other Forms of Elder Abuse: Assessing Their Dynamics, Risk Factors, and Society’s Response Shelly L. Jackson, Ph.D. & Thomas L. Hafemeister, J.D., Ph.D. University of Virginia Supported under award No. 2006-WG-BX-0010 from the National Institute of Justice, U.S. Department of Justice August 2010 Points of view in this paper are those of the authors and do not necessarily represent the official position of the U.S. -
Shock and Awe: the Reformers and the Stunning Joy of Romans 1–8
JETS 61/2 (2018): 231–44 SHOCK AND AWE: THE REFORMERS AND THE STUNNING JOY OF ROMANS 1–8 GWENFAIR WALTERS ADAMS * Abstract: In response to the suggestion of some scholars that the Reformers’ understanding of the gospel was unhelpfully skewed by the idiosyncrasies of their time period, this address (deliv- ered at a plenary session of the 2017 ETS conference) argues that there are four factors in the late medieval world that prepared the sixteenth-century Reformers to understand the gospel at a deep level and respond to it with great joy. It draws on the life of Martin Luther, Ulrich Zwingli’s sermon preached to nuns in a Dominican convent, the Romans commentaries of the Reformers, and the art of Roger van der Weyden, the Lucas Cranachs Elder and Younger, and Michelangelo, to illustrate the transition from medieval to Reformation understandings of the gospel. Key words: gospel, Romans, justification by faith alone, Reformation, medieval, Martin Luther, sola fide, joy, art I wonder if you’ve had a similar experience, where you’ve spent a long time studying something, engaged with it intensely, and then taken it into the class- room—or pulpit—and failed to elicit the reaction you expected. I was in the midst of editing the Romans 1–8 volume of InterVarsity’s Reformation Commentary on Scripture series.1 This past January, I spent Four long days reading through an early but very thick manuscript draFt of it that I had been working on for several years. It was a massive translation project since most oF the excerpts had never appeared in English, so I had assembled a small team oF gifted translators to assist me with the translations. -
America's Changing Mirror: How Popular Music Reflects Public
AMERICA’S CHANGING MIRROR: HOW POPULAR MUSIC REFLECTS PUBLIC OPINION DURING WARTIME by Christina Tomlinson Campbell University Faculty Mentor Jaclyn Stanke Campbell University Entertainment is always a national asset. Invaluable in times of peace, it is indispensable in wartime. All those who are working in the entertainment industry are building and maintaining national morale both on the battlefront and on the home front. 1 Franklin D. Roosevelt, June 12, 1943 Whether or not we admit it, societies change in wartime. It is safe to say that after every war in America’s history, society undergoes large changes or embraces new mores, depending on the extent to which war has affected the nation. Some of the “smaller wars” in our history, like the Mexican-American War or the Spanish-American War, have left little traces of change that scarcely venture beyond some territorial adjustments and honorable mentions in our textbooks. Other wars have had profound effects in their aftermath or began as a result of a 1 Telegram to the National Conference of the Entertainment Industry for War Activities, quoted in John Bush Jones, The Songs that Fought the War: Popular Music and the Home Front, 1939-1945 (Lebanon, NH: University Press of New England, 2006), 31. catastrophic event: World War I, World War II, Vietnam, and the current wars in the Middle East. These major conflicts create changes in society that are experienced in the long term, whether expressed in new legislation, changed social customs, or new ways of thinking about government. While some of these large social shifts may be easy to spot, such as the GI Bill or the baby boom phenomenon in the 1940s and 1950s, it is also interesting to consider the changed ways of thinking in modern societies as a result of war and the degree to which information is filtered. -
Ace Frehley Album Kissfaq Interview with Rob Freeman July 2013
Ace Frehley Album KissFAQ Interview with Rob Freeman July 2013 KissFAQ: Rob, what do you recall about getting the invitation to participate as the recording engineer on Ace Frehley’s 1978 solo album? Rob Freeman: I got the call to work on Ace’s solo album sometime in June 1978. I’m not sure if it came directly from Eddie Kramer, with whom I had previously worked, or from someone in the KISS organization. Either way, I was thrilled to get that call because I had a sense that recording that album was going to be a big step forward both for me and for Plaza Sound, the studio I had been working so hard to advance. By the summer of ‘78, I had already recorded some noteworthy albums at Plaza Sound with a variety of artists— among them, The Ramones’ first album, “Ramones”; Blondie’s first two albums, “Blondie” and “Plastic Letters”; and Richard Hell and the Voidoid’s “Blank Generation”—but these were mostly “downtown” New York artists, and, at least back then, my work with them hardly garnered the kind of worldwide recognition that a KISS album would. KF: Was this your first KISS-related project? RF: Yes, Ace’s album was the first. I guess the other KISS band members and the rest of their organization liked what I did for Ace because after that they called me to work on the “Music from the Elder” and “Lick It Up” albums as well as to put a number of radio and television commercial spots together for them. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
Vagabond Songs and Ballads of Scotland
SECOND SERIES Vagabond Songs and Ballads of Scotland With Many Old and Familiar Melodies Edited^ with Notes, By ROBERT FORD ALEXANDER GARDNER Publisher to Her Majesty the Queen PAISLEY; and PATERNOSTER SQUARE, LONDON 1901 — PREFACE, The Preface to the first series of this work might very well be allowed to stand as the Preface to the second also, were it not that some may see the one volume who have not seen the other, and that I feel it my duty to thank in this place the numerous correspondents all over the country who have helped so freely, albeit, now and again, at the cost of much personal trouble, to render the collection as represen- tative and efficient as I hope my never unkind critics will acknowledge it to be. Here again, as in the preceding volume, issued exactly two years ago, will be found not less than half-a-hundred blads of lyric verse, which, though familiar in every country bothy, in every country cottage, and regularly sung at markets and fairs all over Scotland from thirty to sixty years ago, and learned in part many of them from hearsay by persons still " to the fore," have yet seldom appeared in print, but till now have been ignored by, or have escaped the vigilance of, the song-collectors. These Vagabond Pieces—^poor as poetry often admittedly I esteem of no small value. As a species of folk-lore, even the rudest of them are eminently deserving of rescue. Some ; vi. Preface. are dear to us as " sangs our mithers sang.'" All for one reason or another—^but chiefly for the joy they have given to Scottish rural life—are particularly interesting. -
Kiss (Music From) the Elder Mp3, Flac, Wma
Kiss (Music From) The Elder mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: (Music From) The Elder Country: Norway Style: Art Rock, Hard Rock, Prog Rock, Symphonic Rock MP3 version RAR size: 1755 mb FLAC version RAR size: 1245 mb WMA version RAR size: 1875 mb Rating: 4.3 Votes: 798 Other Formats: AU MP3 WMA AAC AHX MP4 RA Tracklist Hide Credits The Oath A1 4:32 Written-By – B. Ezrin*, P. Stanley*, T. Powers* Fanfare A2 1:22 Written-By – B. Ezrin*, P. Stanley* Just A Boy A3 2:30 Written-By – B. Ezrin*, P. Stanley* Dark Light A4 4:12 Written-By – A. Frehley*, A. Fig*, G. Simmons*, L. Reed* Only You A5 4:19 Written-By – G. Simmons* Under The Rose A6 4:49 Written-By – E. Carr*, G. Simmons* A World Without Heroes B1 2:40 Written-By – B. Ezrin*, G. Simmons*, L. Reed*, P. Stanley* Mr. Blackwell B2 4:58 Written-By – G. Simmons*, L. Reed* Escape From The Island B3 2:50 Written-By – A. Frehley*, B. Ezrin*, E. Carr* Odyssey B4 5:36 Written-By – T. Powers* I B5 3:52 Written-By – B. Ezrin*, G. Simmons* Companies, etc. Made By – PolyGram Records Pty. Limited Marketed By – PolyGram Records Copyright (c) – Aucoin Management, Inc. Phonographic Copyright (p) – Phonogram International B.V. Credits Bass Guitar – Bob Ezrin (tracks: A4, B2, B3), Gene Simmons Chorus – St. Robert's Choir Drums – Allan Schwartzberg (tracks: B4, B5), Eric Carr Electric Guitar – Ace Frehley, Gene Simmons (tracks: A5), Paul Stanley Featuring – Antony Parr, Christopher Makepeace, Robert Christie Orchestra – The American Symphony Orchestra Producer – Bob Ezrin Notes Recorded in Toronto, N.Y.C & Frehley's home studio in Wilton, CT. -
Dionysian Symbolism in the Music and Performance Practices of Jimi Hendrix
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 Dionysian Symbolism in the Music and Performance practices of Jimi Hendrix Christian Botta CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Dionysian Symbolism in the Music and Performance Practice of Jimi Hendrix Christian Botta Submitted in partial fulfillment of the requirements for the degree Master of Arts in Musicology At the City College of the City University of New York May 2013 Table of Contents Introduction 1 Chapter One – Hendrix at the Monterey Pop and Woodstock Festivals 12 Chapter Two – ‘The Hendrix Chord’ 26 Chapter Three – “Machine Gun” 51 Conclusion 77 Bibliography 81 i Dionysian Symbolism in the Music and Performance Practice of Jimi Hendrix Introduction Jimi Hendrix is considered by many to be the most innovative and influential electric guitarist in history. As a performer and musician, his resume is so complete that there is a tendency to sit back and marvel at it: virtuoso player, sonic innovator, hit songwriter, wild stage performer, outrageous dresser, sex symbol, and even sensitive guy. But there is also a tendency, possibly because of his overwhelming image, to fail to dig deeper into the music, as Rob Van der Bliek has pointed out.1 In this study, we will look at Hendrix’s music, his performance practice, and its relationship to the mythology that has grown up around him. -
Hawkesbury Parish Council
Hawkesbury Parish News October 2016 Issue 40p New Neighbourhood Watch CoCo----ordinatorordinator --- could it be you? Unit Helper Sought Some months ago now, I mentioned There are no signs, as we had We are looking for a Unit Helper to join that I wanted to step down as the objections by some residents to the us at 1st Hawkesbury Upton Guides. Neighbourhood Watch Co-ordinator signs some years ago, so they have You do not require a specific Girlguiding and ceased providing any reports in gradually disappeared and have not qualification but must be aged 18 or over 2015. Having done it now for 16 years I been replaced. However, there may and must register as a member of feel it is time to let someone else have a be an impact upon your household Girlguiding UK and be recorded on Go! go. However, the situation has come to insurance policies for no longer being (our online database), this will include a head as the Police require the Watch in a Watch area. having a DBS check. to sign up for another period of time So this can be avoided if anyone will This is when we would need you to help and if no-one is going to take on the take on the role, I am happy to stay on us. role then the Watch will have to close . as a Contact person and there is a • Every Thursday 6.30-8pm term This does have a few implications and network of people on email who will time, this is what the Police have reported: get alerts that relate to our area, plus • approx 3-4 weekends a year a few other Contact people.