LIC HOUSING FINANCE LIMITED List of Candidates Selected for Written Examination - Recruitment of IT Professional (2021) Date: 03.02.2021 APPLICATION NO
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Arjuna Award Winners from All Categories Year Category Name
OLYMPIC DREAM INDIA Arjuna Award Winners from All Categories Year Category Name 2016 Boxing Shiva Thapa 2016 Billiards & Sourav Kothari Snooker 2016 Athletics Lalita Shivaji Babar 2016 Cricket Ajinkya Rahane 2015 Gymnastics Dipa Karmakar 2015 Kabaddi Abhilasha Shashikant Mhatre 2015 Rowing Sawarn Singh 2015 Weightlifting Sathish Kumar Sivalingam 2015 Boxing Mandeep Jangra 2015 Athletics Machettira Raju Poovamma 2015 Archery Naib Subedar Sandeep Kumar 2015 Shooting Jitu Rai 2015 Kabaddi Manjeet Chhillar 2015 Cricket Rohit Sharma 2015 Wrestling Bajrang Kumar 1 OLYMPIC DREAM INDIA 2015 Wrestling Babita Kumari 2015 Wushu Yumnam Sanathoi Devi 2015 Swimming Sharath M. Gayakwad (Paralympic Swimming) 2015 RollerSkating Anup Kumar Yama 2015 Badminton Kidambi Srikanth Nammalwar 2015 Hockey Parattu Raveendran Sreejesh 2014 Weightlifting Renubala Chanu 2014 Archery Abhishek Verma 2014 Athletics Tintu Luka 2014 Cricket Ravichandran Ashwin 2014 Kabaddi Mamta Pujari 2014 Shooting Heena Sidhu 2014 Rowing Saji Thomas 2014 Wrestling Sunil Kumar Rana 2014 Volleyball Tom Joseph 2014 Squash Anaka Alankamony 2014 Basketball Geetu Anna Jose 2 OLYMPIC DREAM INDIA 2014 Badminton Valiyaveetil Diju 2013 Hockey Saba Anjum 2013 Golf Gaganjeet Bhullar 2013 Athletics Ranjith Maheshwari (Athlete) 2013 Cricket Virat Kohli 2013 Archery Chekrovolu Swuro 2013 Badminton Pusarla Venkata Sindhu 2013 Billiards & Rupesh Shah Snooker 2013 Boxing Kavita Chahal 2013 Chess Abhijeet Gupta 2013 Shooting Rajkumari Rathore 2013 Squash Joshna Chinappa 2013 Wrestling Neha Rathi 2013 Wrestling Dharmender Dalal 2013 Athletics Amit Kumar Saroha 2012 Wrestling Narsingh Yadav 2012 Cricket Yuvraj Singh 3 OLYMPIC DREAM INDIA 2012 Swimming Sandeep Sejwal 2012 Billiards & Aditya S. Mehta Snooker 2012 Judo Yashpal Solanki 2012 Boxing Vikas Krishan 2012 Badminton Ashwini Ponnappa 2012 Polo Samir Suhag 2012 Badminton Parupalli Kashyap 2012 Hockey Sardar Singh 2012 Kabaddi Anup Kumar 2012 Wrestling Rajinder Kumar 2012 Wrestling Geeta Phogat 2012 Wushu M. -
Copyright by Kristen Dawn Rudisill 2007
Copyright by Kristen Dawn Rudisill 2007 The Dissertation Committee for Kristen Dawn Rudisill certifies that this is the approved version of the following dissertation: BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT Committee: ______________________________ Kathryn Hansen, Co-Supervisor ______________________________ Martha Selby, Co-Supervisor ______________________________ Ward Keeler ______________________________ Kamran Ali ______________________________ Charlotte Canning BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT by Kristen Dawn Rudisill, B.A.; A.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2007 For Justin and Elijah who taught me the meaning of apu, pācam, kātal, and tuai ACKNOWLEDGMENTS I came to this project through one of the intellectual and personal journeys that we all take, and the number of people who have encouraged and influenced me make it too difficult to name them all. Here I will acknowledge just a few of those who helped make this dissertation what it is, though of course I take full credit for all of its failings. I first got interested in India as a religion major at Bryn Mawr College (and Haverford) and classes I took with two wonderful men who ended up advising my undergraduate thesis on the epic Ramayana: Michael Sells and Steven Hopkins. Dr. Sells introduced me to Wendy Doniger’s work, and like so many others, I went to the University of Chicago Divinity School to study with her, and her warmth compensated for the Chicago cold. -
Page-00005.Pdf
Voice Entertainment presents the latest in entertainment news, occasional i lm reviews, interviews with i lm personalities and Friday, January 5, 2018 www.WeeklyVoice.com Section B SRK’s Twitter Following gossip from the Bollywood i lm industry - the second largest Crosses 32 Million i lm industry in the world. One page is also devoted to news MUMBAI: Shah Rukh Khan’s social media on Twitter has ex- tended to 32 million. Shah Rukh on Tuesday tweet- ed: “Naye saal ki sabko shubh from Hollywood. In addition to entertainment news, Voice kamnayein. Sab raho khush aur aabaad aur 32 million ke liye bahut bahut dhanyawaad. Waah Hindi main likha toh kuch kavi sa hogaya. (Good wishes to all for Entertainment also incorporates occasional pages on Health, the New Year. Please stay happy and thank you for the 32 million. Written in Hindi, so became like a poet.)” The 52-year-old superstar, who has a following of 32.2 million, Technology and Travel, a popular Numerology/Astrology page is right behind megastar Amitabh Bachchan, who has a Twitter following of 32.4 million. Shah Rukh is Bollywood’s top Khan with the most number of follow- ers on Twitter -- Salman has 29.9 and a Matrimonials section. million and Aamir has 22.6 mil- lion.Shah Rukh is an avid user of digital platforms uses social media to update fans and follow- ers about his life and projects. On the fi rst day of the New Year on Monday, he unveiled the title and teaser of his upcoming fi lm with Aanand L Rai. -
South Asia Multidisciplinary Academic Journal , Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema 2
Edinburgh Research Explorer Madurai Formula Films Citation for published version: Damodaran, K & Gorringe, H 2017, 'Madurai Formula Films', South Asia Multidisciplinary Academic Journal (SAMAJ), pp. 1-30. <https://samaj.revues.org/4359> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: South Asia Multidisciplinary Academic Journal (SAMAJ) General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 South Asia Multidisciplinary Academic Journal Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema Karthikeyan Damodaran and Hugo Gorringe Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic version URL: http://samaj.revues.org/4359 ISSN: 1960-6060 Electronic reference Karthikeyan Damodaran and Hugo Gorringe, « Madurai Formula Films: Caste Pride and Politics in Tamil Cinema », South Asia Multidisciplinary Academic Journal [Online], Free-Standing Articles, Online since 22 June 2017, connection on 22 June 2017. URL : http://samaj.revues.org/4359 This text was automatically generated on 22 June 2017. -
Fascist Imaginaries and Clandestine Critiques: Young Hindi Film Viewers Respond to Violence, Xenophobia and Love in Cross- Border Romances
CORE Metadata, citation and similar papers at core.ac.uk Provided by LSE Research Online Shakuntala Banaji Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross- border romances Book section Original citation: Banaji, Shakuntala (2007) Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross-border romances. In: Bharat, Meenakshi and Kumar, Nirmal, (eds.) Filming the line of control: the Indo–Pak relationship through the cinematic lens. Routledge, Oxford, UK. ISBN 9780415460941 © 2007 Routledge This version available at: http://eprints.lse.ac.uk/27360/ Available in LSE Research Online: May 2011 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross-border romances Shakuntala Banaji1 Tarang: I’ve watched Hindi films all my life. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Bharatanatyam: Eroticism, Devotion, and a Return to Tradition
BHARATANATYAM: EROTICISM, DEVOTION, AND A RETURN TO TRADITION A THESIS Presented to The Faculty of the Department of Religion In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Taylor Steine May/2016 Page 1! of 34! Abstract The classical Indian dance style of Bharatanatyam evolved out of the sadir dance of the devadāsīs. Through the colonial period, the dance style underwent major changes and continues to evolve today. This paper aims to examine the elements of eroticism and devotion within both the sadir dance style and the contemporary Bharatanatyam. The erotic is viewed as a religious path to devotion and salvation in the Hindu religion and I will analyze why this eroticism is seen as religious and what makes it so vital to understanding and connecting with the divine, especially through the embodied practices of religious dance. Introduction Bharatanatyam is an Indian dance style that evolved from the sadir dance of devadāsīs. Sadir has been popular since roughly the 6th century. The original sadir dance form most likely originated in the area of Tamil Nadu in southern India and was used in part for temple rituals. Because of this connection to the ancient sadir dance, Bharatanatyam has historic traditional value. It began as a dance style performed in temples as ritual devotion to the gods. This original form of the style performed by the devadāsīs was inherently religious, as devadāsīs were women employed by the temple specifically to perform religious texts for the deities and for devotees. Because some sadir pieces were dances based on poems about kings and not deities, secularism does have a place in the dance form. -
Rainfall, North 24-Parganas
DISTRICT DISASTER MANAGEMENT PLAN 2016 - 17 NORTHNORTH 2424 PARGANASPARGANAS,, BARASATBARASAT MAP OF NORTH 24 PARGANAS DISTRICT DISASTER VULNERABILITY MAPS PUBLISHED BY GOVERNMENT OF INDIA SHOWING VULNERABILITY OF NORTH 24 PGS. DISTRICT TO NATURAL DISASTERS CONTENTS Sl. No. Subject Page No. 1. Foreword 2. Introduction & Objectives 3. District Profile 4. Disaster History of the District 5. Disaster vulnerability of the District 6. Why Disaster Management Plan 7. Control Room 8. Early Warnings 9. Rainfall 10. Communication Plan 11. Communication Plan at G.P. Level 12. Awareness 13. Mock Drill 14. Relief Godown 15. Flood Shelter 16. List of Flood Shelter 17. Cyclone Shelter (MPCS) 18. List of Helipad 19. List of Divers 20. List of Ambulance 21. List of Mechanized Boat 22. List of Saw Mill 23. Disaster Event-2015 24. Disaster Management Plan-Health Dept. 25. Disaster Management Plan-Food & Supply 26. Disaster Management Plan-ARD 27. Disaster Management Plan-Agriculture 28. Disaster Management Plan-Horticulture 29. Disaster Management Plan-PHE 30. Disaster Management Plan-Fisheries 31. Disaster Management Plan-Forest 32. Disaster Management Plan-W.B.S.E.D.C.L 33. Disaster Management Plan-Bidyadhari Drainage 34. Disaster Management Plan-Basirhat Irrigation FOREWORD The district, North 24-parganas, has been divided geographically into three parts, e.g. (a) vast reverine belt in the Southern part of Basirhat Sub-Divn. (Sundarban area), (b) the industrial belt of Barrackpore Sub-Division and (c) vast cultivating plain land in the Bongaon Sub-division and adjoining part of Barrackpore, Barasat & Northern part of Basirhat Sub-Divisions The drainage capabilities of the canals, rivers etc. -
Oram, Shri Jual
For official use only LOK SABHA DEBATES ON THE CONSTITUTION (ONE HUNDRED AND TWENTY FIRST AMENDMENT) BILL, 2014 (Insertion of new articles 124A, 124B and 124C) AND THE NATIONAL JUDICIAL APPOINTMENTS COMMISSION BILL, 2014 (Seal) LOK SABHA SECRETARIAT NEW DELHI EDITORIAL BOARD P.K. Grover Secretary General Lok Sabha R.K. Jain Joint Secretary Vandna Trivedi Director Parmjeet Karolia Additional Director J.B.S. Rawat Joint Director Pratibha Kashyap Assistant Editor © 2014 Lok Sabha Secretariat None of the material may be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including but not limited to, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Lok Sabha Secretariat. However, the material can be displayed, copied, distributed and downloaded for personal, non-commercial use only, provided the material is not modified and all copyright and other proprietary notices contained in the material are retained. CONTENTS Tuesday/Wednesday, August 12/13, 2014/Shravana 21/22, 1936 (Saka) Pages THE CONSTITUTION (ONE HUNDRED AND TWENTY- 1-105 FIRST AMENDMENT) BILL, 2014 (Insertion of new articles 124A, 124B and 124C) AND THE NATIONAL JUDICIAL APPOINTMENTS COMMISSION BILL, 2014 Motion to consider 1-2 Shri Ravi Shankar Prasad 2-13, 77-99 Shri M. Veerappa Moily 16-26 Shri S.S. Ahluwalia 26-31 Dr. M. Thambidurai 31-38 Shri Kalyan Banerjee 39-46 Shri Bhartruhari Mahtab 46-52 Shri Anandrao Adsul 52-53 Shri B. Vinod Kumar 53-55 Dr. A. Sampath 55-59 Shri Ram Vilas Paswan 60-63 Shri Dharmendra Yadav 63-64 Shri Rajesh Ranjan 65-66 Dr. -
Group Housing
LIST OF ALLOTED PROPERTIES DEPARTMENT NAME- GROUP HOUSING S# RID PROPERTY NO. APPLICANT NAME AREA 1 60244956 29/1013 SEEMA KAPUR 2,000 2 60191186 25/K-056 CAPT VINOD KUMAR, SAROJ KUMAR 128 3 60232381 61/E-12/3008/RG DINESH KUMAR GARG & SEEMA GARG 154 4 60117917 21/B-036 SUDESH SINGH 200 5 60036547 25/G-033 SUBHASH CH CHOPRA & SHWETA CHOPRA 124 6 60234038 33/146/RV GEETA RANI & ASHOK KUMAR GARG 200 7 60006053 37/1608 ATEET IMPEX PVT. LTD. 55 8 39000209 93A/1473 ATS VI MADHU BALA 163 9 60233999 93A/01/1983/ATS NAMRATA KAPOOR 163 10 39000200 93A/0672/ATS ASHOK SOOD SOOD 0 11 39000208 93A/1453 /14/AT AMIT CHIBBA 163 12 39000218 93A/2174/ATS ARUN YADAV YADAV YADAV 163 13 39000229 93A/P-251/P2/AT MAMTA SAHNI 260 14 39000203 93A/0781/ATS SHASHANK SINGH SINGH 139 15 39000210 93A/1622/ATS RAJEEV KUMAR 0 16 39000220 93A/6-GF-2/ATS SUNEEL GALGOTIA GALGOTIA 228 17 60232078 93A/P-381/ATS PURNIMA GANDHI & MS SHAFALI GA 200 18 60233531 93A/001-262/ATS ATUULL METHA 260 19 39000207 93A/0984/ATS GR RAVINDRA KUMAR TYAGI 163 20 39000212 93A/1834/ATS GR VIJAY AGARWAL 0 21 39000213 93A/2012/1 ATS KUNWAR ADITYA PRAKASH SINGH 139 22 39000211 93A/1652/01/ATS J R MALHOTRA, MRS TEJI MALHOTRA, ADITYA 139 MALHOTRA 23 39000214 93A/2051/ATS SHASHI MADAN VARTI MADAN 139 24 39000202 93A/0761/ATS GR PAWAN JOSHI 139 25 39000223 93A/F-104/ATS RAJESH CHATURVEDI 113 26 60237850 93A/1952/03 RAJIV TOMAR 139 27 39000215 93A/2074 ATS UMA JAITLY 163 28 60237921 93A/722/01 DINESH JOSHI 139 29 60237832 93A/1762/01 SURESH RAINA & RUHI RAINA 139 30 39000217 93A/2152/ATS CHANDER KANTA -
Modern-Baby-Names.Pdf
All about the best things on Hindu Names. BABY NAMES 2016 INDIAN HINDU BABY NAMES Share on Teweet on FACEBOOK TWITTER www.indianhindubaby.com Indian Hindu Baby Names 2016 www.indianhindubaby.com Table of Contents Baby boy names starting with A ............................................................................................................................... 4 Baby boy names starting with B ............................................................................................................................. 10 Baby boy names starting with C ............................................................................................................................. 12 Baby boy names starting with D ............................................................................................................................. 14 Baby boy names starting with E ............................................................................................................................. 18 Baby boy names starting with F .............................................................................................................................. 19 Baby boy names starting with G ............................................................................................................................. 19 Baby boy names starting with H ............................................................................................................................. 22 Baby boy names starting with I .............................................................................................................................. -
UGC NET PHILOSOPHY SAMPLE THEORY English Version
C SIR NET, GATE, IIT-JAM, UGC NET , TIFR, IISc , JEST , JNU, BHU , ISM , IBPS, CSAT, SLET, NIMCET, CTET UGC NET- PHILOSOPHY SAMPLE THEORY Rta : THE COSMIC ORDER ~ THE INSTITUTION OF YAJNA (SACRIFICE) CONCEPT OF Rna : (DUTY/OBLIGATIONS) THEORIES OF CREATION – CONCEPT OF ATMAN CONCEPT OF BRAHMAN CONCEPT OF KARMA – CONCEPT OF SAMSARA CONCEPT OF MOKSHA For IIT-JAM, JNU, GATE, NET, NIMCET and Other Entrance Exams 1-C-8, Sheela Chowdhary Road, Talwandi, Kota (Raj.) Tel No. 0744-2429714 Web Site www.vpmclasses.com [email protected] Phone: 0744-2429714 Mobile: 9001297111, 9829567114, 9001297243 W ebsite: www.vpmclasses.com E-Mail: vpmclasse [email protected] /[email protected] A ddress: 1-C-8, Sheela Chowdhary Road, SFS, TALWANDI, KOTA , RAJASTHAN, 324005 Page 1 C SIR NET, GATE, IIT-JAM, UGC NET , TIFR, IISc , JEST , JNU, BHU , ISM , IBPS, CSAT, SLET, NIMCET, CTET 1. Rta : The cosmic order 2. The institution of yajn% a (sacrifice) 3. Concept of Rna : (Duty / Obligations) 4. Theories of Creation 5. Concept of Atman 6. Concept of Brahman 7. Concept of Karma 8. Concept of Samsara 9. Concept of Moksha 1. RTA In the Vedic religion 'Rta' is the principle of natural order w hich regulates and coordinates the operation of the universe and everything w ithin it. 'Rta' is properly joined order, rule and truth. In the hy mns of the Vedas 'Rta' is the described as that which is ultimately responsible for the proper functioning of the natural, moral and sacrificial orders. Conceptually, it is closely allied to the injunctions and ordinances thought to uphold it, collectively referred to as 'Dharma', and the action of the individual in relation to those ordinances, referred to as 'Karma' - two terms w hich eventually eclipsed.