DOCSLIB.ORG

Guide to the Sam Devincent Collection of Illustrated American Sheet Music, Series 8: Geography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Guide to the Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography NMAH.AC.0300.S08 NMAH Staff Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents note................................................................................................ 2 Arrangement note............................................................................................................ 2 Container Listing ............................................................................................................. 4 Subseries 8.1-8.49: United States, 1830-1987........................................................ 4 Subseries 8.50-8.51: United States (U. S. Regions), 1830-1987........................... 39 Subseries 8.53-8.89: Foreign Countries(Afghanistan - Italy), 1794-1982............... 42 Subseries 8.90-8.131: Foreign Countries (Japan - Vietnam) & (Foreign Regions), 1794-1982............................................................................................................... 60 Subseries 8.132-8.133: Natural Features, 1834-1980........................................... 77 Subseries 8.129: Ephemera................................................................................... 79 Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography NMAH.AC.0300.S08 Collection Overview Repository: Archives Center, National Museum of American History Title: Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography Identifier: NMAH.AC.0300.S08 Date: 1794-1987 Creator: DeVincent, Sam, 1918-1997 Extent: 100 Boxes Language: English . Summary: Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 8: Geography is divided into three sections: the United States, Foreign Countries, and Natural Features. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music . Digital Image(s): Geography Content: Administrative Information Acquisition Information This collection was purchased by the Smithsonian Institution in 1988 from Sam and Nancy Lee DeVincent. Materials in Other Organizations Sam DeVincent Collection of American Sheet Music , Lilly Library, Indiana University, Bloomington, Indiana This collection contains duplicates of materials in the Smithsonian collection, as well as materials acquired by Mr. DeVincent after the donation to the Smithsonian. The phonograph records described above were transferred to the University of Missouri at Kansas City. Materials in the Archives Center, National Museum of American History Donald J. Stubblebine Collection of Musical Theater and Motion Picture Sheet Music and Reference Material, 1843-2010 (AC1211) Forms Part Of Series 8: Geography forms part of the Sam DeVincent Collection of Illustrated American Sheet Music . An ongoing, updated list of DeVincent topical series is available via the Smithsonian finding aid portal . Page 1 of 90 Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography NMAH.AC.0300.S08 Preferred Citation The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution Restrictions Collection is open for research. Conditions Governing Use Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Scope and Contents The Geography Series is divided into three sections: the United States, Foreign Countries, and Natural Features. The more than 13,000 sheets date from 1830-1987 and include undated sheets that are probably earlier. The series comprises 33 cu. ft. Song sheets about individual states of the United States are arranged alphabetically by State and the District of Columbia, and also by Area and are located in Subseries 8.1-8.52. North and South Carolina are listed together under "The Carolinas;" North and South Dakota are together under "The Dakotas." The Subseries 8.50-8.52 includes the Geographical Areas: New England, The South, and The West. All songs about the Mississippi and Suwannee (Swanee) Rivers are in 8.51: The South. Songs about the Missouri River, the Pacific Ocean, and the Rocky Mountains are in 8.52: The West. Songs about other rivers that cross political boundaries (both US and foreign) are in 8.128: Water Features. Foreign Countries listed alphabetically by country are covered in Subseries 8.53-8.126 which also includes several Geographical Areas such as Latin America, Scandinavia, and South Pacific. Because boundaries and names have changed over the course of time, some countries and regions are under their earlier political names. Examples: Bohemia (not the Czech Republic), Burma (not Myanmar), and Macedonia (not Albania, Greece, or old Yugoslavia). In some cases, it was difficult to place the song. Our understanding of other cultures led to some very mixed images, both visual and verbal. Thus the Area category "Araby/Orient/Desert." Music with Spanish lyrics may be found under a country name or under the Area, "Latin America." The final section Natural Features includes Subseries 8.127: Land Features and Subseries 8.128: Water Features. Note that "desert" songs have been place in subseries 8.121: Araby/Orient/Desert. Rivers that are primarily in one state or country are located in that specific state's Subseries. For example, the Hudson River is in Subseries 8.35: New York.. Mississipi and Swanee (Swanee) River songs are located in Subseries 8.51: The South. Other U.S. and foreign rivers, such as the Ohio and The Danube, that cross several boundaries are located in Subseries 8.128: Water Features. The Ephemera file, arranged in the same subseries as the music, is described following the Container List. The Geography Ephemera file constitutes six (6) document boxes (2 cu. ft.). Arrangement Arranged in 6 subseries. • 8.1: United States • 8.2: United States (U. S. Regions) • 8.3: Foreign Countries(Afghanistan - Italy) Page 2 of 90 Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography NMAH.AC.0300.S08 • 8.4: Foreign Countries (Japan - Vietnam) & (Foreign Regions) • 8.5: Natural Features • 8.6: Ephemera Page 3 of 90 Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography NMAH.AC.0300.S08 Container Listing Subseries 8.1-8.49: United States, 1830-1987 Subseries 8.1: Alabama, 1859-1963 Box 1, Folder A A -- C Titles, 1859-1963 32 Items Language: English. Notes: Includes: "Alabama Ball,""Alabama Lullaby," "Alabama Stomp," "Birmingham Bertha," from On with the Show, and "Birmin'ham," from The Girl Rush Box 1, Folder B D -- R Titles, 1859-1963 24 Items Notes: Includes: "Lovin' Sam (The Sheik of Alabam)," "Oh! Promise Me That You'll Come Back to Alabam'," and "On Mobile Bay." Box 1, Folder C S -- W Titles, 1859-1963 10 Items Notes: Includes: "Way Down Yonder in the Cornfield," "When a Peach in Georgia Weds a Rose from Alabam," and "When the Bees Make Honey Down in Sunny Alabam'." Box 1, Folder D Professional/Artist Copies, 1929-1955 9 Items Subseries 8.2: Alaska, 1898-1956 Box 1, Folder A Songs about Alaska, 1898-1940 17 Items Notes: Includes: "Along the Yukon Trail," "Daytime in the Night Time," "Klondike Waltzes," and "Veasy Drew" from The Alaskan Box 1, Folder B Eskimos Includes: "Hot Eskimo," "My Gal's an Esquimau," "Nanook," and "Oogie Oogie Wa Wa.", 1904-1956 20 Items Box 1, Folder C Professional/Artist Copies, 1936-1955 4 Items Subseries 8.3: Arizona, 1906-1979 Box 2, Folder A Songs about Arizona Includes: "Arizona Mary," "Come Back to Arizona," and "In Dear Old Arizona.", 1906-1979 Page 4 of 90 Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography NMAH.AC.0300.S08 27 Items Subseries 8.4: Arkansas, 1847-1964 Box 2, Folder A Songs about Arkansas, 1847-1957 34 Items Notes: Includes: "The Arkansas Traveler," "Down in Arkansaw," "Joan of Arkansaw" from PROFESSIONAL SOLDIER, and "Private Arkansaw Bill." Arkansas Blues (A Down-Home Chant) [sheet music], copyright 1921 1 Item Composer: Lada, Anton Williams, Spencer, 1889-1965 Language: English. Notes: AC0300-0000742.tif (AC Scan No.) Subseries, Geography 8, box 2, folder 8.4A. Cover illustration: tree in foreground, cabin and mountains in background, with circular inset of "Lada's Louisiana Five" sextet playing. "By Anton Lada and Spencer Williams / Writers of Tishomingo Blues." Published by Frances Clifford Music Co., Kimball Hall, Chicago. Place: Arkansas Genre/Form: Sheet music -- 1920-1930 Box 2, Folder B Professional/Artist Copies, 1924-1964 15 Items Subseries 8.5: California, 1834-1964 Box 2, Folder A General Songs:, 1915-1978 18 Items Notes: Includes: "California" from IF I EVER SEE YOU AGAIN, CALIFORNIA, THE MARCUS SHOW OF 1921, and from THE FLOWER OF THE RANCH. Box 2, Folder B Multiple editions of "California," by Cliff Friend and Con Conrad, 1922 14 Items Box 2, Folder C A -- "California H..." Includes "California and You," "California
Recommended publications
  • Coupe Mondiale 5-10 September 2017 Teatro “La Nuova Fenice” OSIMO

    Coupe Mondiale 5-10 September 2017 Teatro “La Nuova Fenice” OSIMO

    th 70Coupe Mondiale 5-10 September 2017 Teatro “La Nuova Fenice” OSIMO Confédération Internationale des Accordéonistes (CIA) www.coupemondiale2017.org CREATE CON LE NOSTRE MANI Pubblicita_02_A5_Verticale_Massimo_Pigini_29_08_2017.indd 1 29/08/2017 13:20:04 It is a great honor for me and for the city of Osimo to host the 70th edition of the Coupe Mondiale International Accordion Competitions. I strongly believe in the music as a tool for education and the development of interpersonal relationships. This event is a very important moment for our entire community. The accordion, born in the nearby Castelfidardo, represents our cultural roots, our history and our future. I want to welcome all the musicians who have come here from all over the world and I wish that they will realize their dreams and have a brilliant artistic career. Osimo is rich in history, an history of about 3,000 Simone years that left us a precious legacy: artifacts and Pugnaloni archaeological sites, artworks and buildings of Mayor of Osimo important and noble patrons. I want to thank the Artistic Director Mirco Patarini and all the people who worked hard to organize the event. Enjoy the music, enjoy the city and I wish for the guests an unforgettable stay here in Osimo. I remind everyone the important appointment with the 42th edition of PIF Castelfidardo, from 10 to 17 September 2017. The Mayor of Osimo Simone Pugnaloni - Osimo 2017 Coupe Mondiale th 70 3 Dear Delegates, Jury Members, Musicians, Competitors and Accordion Enthusiasts. I want to warmly welcome you all to Osimo for the 70th Coupe Mondiale hosted in 2017 by Italian Accordion Culture (IAC) under the auspicies of the Confédération Internationale des Accordéonistes (CIA) – IMC – UNESCO.
  • A Quantitative Analysis of the Songs of Cole Porter and Irving Berlin

    A Quantitative Analysis of the Songs of Cole Porter and Irving Berlin

    i DEVELOPMENT OF CREATIVE EXPERTISE IN MUSIC: A QUANTITATIVE ANALYSIS OF THE SONGS OF COLE PORTER AND IRVING BERLIN A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Richard W. Hass January, 2009 ii ABSTRACT Previous studies of musical creativity lacked strong foundations in music theory and music analysis. The goal of the current project was to merge the study of music perception and cognition with the study of expertise-based musical creativity. Three hypotheses about the nature of creativity were tested. According to the productive-thinking hypothesis, creativity represents a complete break from past knowledge. According to the reproductive-thinking hypothesis, creators develop a core collection of kernel ideas early in their careers and continually recombine those ideas in novel ways. According to what can be called the field hypothesis, creativity involves more than just the individual creator; creativity represents an interaction between the individual creator, the domain in which the creator works, and the field, or collection of institutions that evaluate creative products. In order to evaluate each hypothesis, the musical components of a sample of songs by two eminent 20 th century American songwriters, Cole Porter and Irving Berlin, were analyzed. Five separate analyses were constructed to examine changes in the psychologically salient musical components of Berlin’s and Porter’s songs over time. In addition, comparisons between hit songs and non-hit songs were also drawn to investigate whether the composers learned from their cumulative songwriting experiences. Several developmental trends were found in the careers of both composers; however, there were few differences between hit songs and non-hit songs on all measures.
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts

    Ralph W. Judd Collection on Cross-Dressing in the Performing Arts

    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
  • ET25K Ingebouwd POP 1810

    ET25K Ingebouwd POP 1810

    TITLE NO ARTIST 100 YEARS 8001 FIVE FOR FIGHTING 1000 MILES AWAY 10807 JEWEL 19-2000 8002 GORILLAZ 20 YEARS OF SNOW 8701 REGINA SPEKTOR 25 MINUTES 8004 MICHAEL LEARNS TO ROCK 4 AM FOREVER 8702 LOSTPROPHETS 4 SEASONS OF LONELINESS 8005 BOYZ II MEN 4 TO THE FLOOR 1808 STARSAILOR 5:15 8006 THE WHO 52ND STREET 8703 BILLY JOEL 93 MILLION MILES 10050 30 SECONDS TO MARS 99 RED BALLOONS 8007 NENA A CERTAIN SMILE 8008 JOHNNY MATHIS A FOOL IN LOVE 8704 IKE & TINA TURNER A FOOL SUCH AS I 10052 ELVIS PRESLEY A LIFE ON THE OCEAN WAVE 9009 P.D. A LONG DECEMBER 8009 COUNTING CROWS A LONG WALK 10053 JILL SCOTT A LOVER'S CONCERTO 8010 SARAH VAUGHAN A MAIDENS WISH 9011 P.D. A MILLION LOVE SONGS 8011 TAKE THAT A NATURAL WOMAN 8705 ARETHA FRANKLIN A PLACE FOR MY HEAD 10055 LINKIN PARK A PLACE IN THE SUN 8012 STEVIE WONDER A SONG FOR THE LOVERS 10809 RICHARD ASHCROFT A SONG FOR YOU 10057 THE CARPENTERS A THOUSAND LEAGUES AWAY 9013 P.D. A THOUSAND MILES 10058 VANESSA CARLTON A WANDERING MINSTREL 9014 P.D. A WHITER SHADE OF PALE 8013 PROCOL HALUM A WOMAN'S WORTH 8014 ALICIA KEYS A WONDERFUL DREAM 8706 THE MAJORS AARON'S PARTY (COME GET IT) 10059 AARON CARTER ABC 8016 THE JACKSON 5 ABOUT A GIRL 8017 NIRVANA ACCIDIE 10060 CAPTAIN ACHY BREAKY HEART 10061 BILLY RAY CYRUS ADRIENNE 10062 THE CALLING AFTER ALL 10063 AL JARREAU AFTER THE LOVE HAS GONE 8019 EARTH, WIND & FIRE AFTERNOONS & COFFEESPOONS 10064 CRASH TEST DUMMIES AGAIN 8020 LENNY KRAVITZ AGAIN AND AGAIN 10810 THE BIRD AND THE BEE AGE AIN'T NOTHING BUT A NUMBER 10066 AALIYAH AIN'T MISBEHAVIN' 8707 HANK WILLIAMS, JR.
  • Feb 2016 Musicweb

    Feb 2016 Musicweb

    WYASTONE ESTATE LIMITED DISTRIBUTED LABELS FEBRUARY 2016 NEW RELEASES NEW RELEASE NI 5937 RELEASE DATE: FRIDAY 12TH FEBRUARY 2016 TO PLACE AN ORDER CONTACT DISCOVERY RECORDS LTD TEL: 01380 728000 EMAIL: [email protected] DISCOVERY RECORDS LTD, NURSTEED ROAD, DEVIZES, SN10 3DY For further details visit our website: www.discovery-records.com /NimbusRecords @NimbusRecords /NimbusRecordsTV [details in this release book are correct at time of production] FEBRUARY 2016 NEW RELEASE JULIUS RÖNTGEN (1855-1932) Julius Röntgen (1855-1932) was both a composer MARK ANDERSON, PIANO and a gifted pianist and as such he knew how to write well for his instrument. Ein Cyclus von Phantasiestücken, Op. 5 (1871) 21.32 Röntgen was a child prodigy and from an early 1 I Allegro con brio 3.34 age composed ambitious works for the piano. He 2 II Andante con espressione 1.42 frequently performed his own, and others, piano 3 II Allegretto moderato 3.10 concertos. Beethoven's Fourth and Brahms's Second 4 IV Andante con moto 2.45 were particular favourites. It was through 5 V Presto 3.43 6 VI Allegretto con grazia 2.11 performances of Beethoven's Piano Sonata op.111 and 7 VII Grave 4.27 Schumann's Etudes Symphoniques that Röntgen established himself. However, it was not as a soloist Neckens Polska Variationen über ein but as an accompanist that Röntgen would make a schwedisches Volkslied, Op. 11 (1874) 17.55 lasting impression. The partnership with his 8 (Theme) Ruhig 1.24 contemporary, the baritone Johannes Messchaert, was 9 (1) Tema ben tenuto 1.05 legendary and they made several European tours.
  • The Globalization of K-Pop: the Interplay of External and Internal Forces

    The Globalization of K-Pop: the Interplay of External and Internal Forces

    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
  • Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap

    Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap

    Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr.
  • Jo April 2019.PPP

    Jo April 2019.PPP

    An alphabetical listing of her studio recordings, including recording dates, matrix numbers and, when known, dates first issued. Compiled by Jim Marshall, and updated April 2019 I first produced a Jo Stafford discography ‘way back in 1995, encouraged by the late Tom Colborn who probably knew more about Jo’s career than the lady herself. Tom had already done much of the groundwork and, knowing that I’d acquired a computer - an early Amstrad - suggested that I take over the task. I was well into my research when the indispensable "In Tune" magazine started publishing its own in-depth listing of Jo’s huge catalogue of recordings. The work put into that by Brian Henson, Colin Morgan, Robert W. Rice and others was an immeasurable help. My thanks also go to Ken Seavor, John Ridgeway, Lucas Tuinstra, Jeff Lasbury and Ray Purslow plus, of course Jo Stafford and Paul Weston , all of whom contributed to Tom’s original research. More recently I’ve had important help from Michel Ruppli, Tim Weston, Robert Rice, Richard Weize and Adam Daff resulting in what I like to think is an almost “complete" alphabetical listing of Jo’s commercial recordings, including her work with the Pied Pipers and her alter egos, Cinderella G. Stump and Darlene Edwards, not forgetting Jonathan! (Apologies if I’ve forgotten anyone!) Apart from a handful of never-ever issued Capitol and Columbia tracks, almost all Jo’s studio recordings seem to have been reissued on CD and are probably still in print. In fact, the seemingly relentless reissue of Stafford CDs, mainly in the UK, is proof, if proof was needed, of the lady’s long-lasting popularity.
  • The English Listing

    The English Listing

    THE CROSBY 78's ZYXWVUTSRQPONMLKJIHGFEDCBAthe English listing Members may recall that we issued a THE questionnaire in 1990 seeking views and comments on what we should be providing in CROSBY BING. We are progressively attempting to fulfil 7 8 's these wishes and we now address one major ENGLISH request - a listing of the 78s issued in the UK. LISTING The first time this listing was issued in this form was in the ICC's 1974 booklet and this was updated in 1982in a publication issued by John Bassett's Crosby Collectors Society. The joint compilers were Jim Hayes, Colin Pugh and Bert Bishop. John has kindly given us permission to reproduce part of his publication in BING. This is a complete listing of very English-issued lO-inch and 12-inch 78 rpm shellac record featuring Sing Crosby. In all there are 601 discs on 10different labels. The sheet music used to illustrate some of the titles and the photos of the record labels have been p ro v id e d b y Don and Peter Haizeldon to whom we extend grateful thanks. NUMBERSITITLES LISTING OF ENGLISH 78"s ARIEl GRAND RECORD. THE 110-Inchl 4364 Susiannainon-Bing BRUNSWICK 112-inchl 1 0 5 Gems from "George White's Scandals", Parts 1 & 2 0 1 0 5 ditto 1 0 7 Lawd, you made the night too long/non-Bing 0 1 0 7 ditto 1 1 6 S I. L o u is blues/non-Bing _ 0 1 3 4 Pennies from heaven medley/Pennies from heaven THECROSBYCOLLECTORSSOCIETY BRUNSWICK 110-inchl 1 1 5 5 Just one more chance/Were you sincere? 0 1 6 0 8 Home on the range/The last round-up 0 1 1 5 5 ditto 0 1 6 1 5 Shadow waltz/I've got to sing a torch
  • Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its

    Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its

    UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public.
  • Devil Tune Song List- Final

    Devil Tune Song List- Final

    That Devilin' Tune: A Jazz History, 1900-1951 Volume 1 CD 1 1. Standard Quartette Who Broke The Lock 1895/1896 2. Voss’ 1st Regiment Band Aunt Dinah’s Supper Party Late 1890s 3. Len Spencer Clime De Golden Fence Late 1890s 4. Metropolitan Orchestra Coon Town Capers 1897-1899 5. Sousa Band Whistlin’ Rufus 1899 6. Len Spencer You’ve Been a Good Old Wagon 1900 or 1901 7. Williams and Walker My Little Zulu Babe Nov. 10 1901 8. Arthur Collins Bill Bailey ca. May, 1902 9. Len Spencer On Emancipation Day late 1902 10. Hager’s Orchestra Rooster Dance 1904 11. Vess Ossman Buffalo Rag 1905 12. Prince’s Orchestra St. Louis Tickle Aug., 1905 13. Pryor’s Band St. Louis Rag 1906 14. Orquestra Typicas La Patti Negra 1906 15. Sir Herbert Clarke Bride of the Waves Dec. 21, 1907 16. May Irwin When You Ain’t Got No Money You Needn’t Come Around May 21, 1907 17. Arthur Collins Parson Jones’ Three Reasons ca. 1909 18. Stella Mayhew/Billie Taylor That Beautiful Rag July 5, 1910 19. Sophie Tucker That Lovin’ Rag Jan. 5, 1910 20. Stella Mayhew That Devilin’ Tune Apr. 24, 1911 21. Collins and Harlan Alexander’s Ragtime Band 1911 22. Sophie Tucker Some of These Days Feb. 24, 1911 23. Grupo Bahianainho El Cavito ca. 1911 24. Grupo Bahianainho Bambino ca. 1911 25. Grupo Bahianainho Destimido ca. 1911 26. Prince’s Orchestra Red Pepper Rag May, 1911 27. Gene Greene King of the Bungaloos Feb. 17, 1911 CD 2 1.
  • Bulletin Germany/Holland 2007 July 5Th Ð 20Th

    Bulletin Germany/Holland 2007 July 5Th Ð 20Th

    THE www.amica.org Volume 44, Number 2 AMICA March/April 2007 AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION BULLETIN GERMANY/HOLLAND 2007 JULY 5TH – 20TH Tour Historic Germany and Holland with your fellow AMICANs. Visit Munich with its clock tower, Hofbrau House and many interesting attractions. See world-class museums with wonderful collections of automatic musical instruments. Bus through scenic countryside, with quaint towns full of wonderfully painted buildings. Shop in wood carving centers. Tour King Ludwig’s Linderhof Castle. Visit organ factories and private collections. Stroll through the Historic walled city of Rothenburg. Cruise the Beautiful Rhein River, with castles lining the waterway. Listen to dance organs, pianos, Dutch Street Organs and more. Enjoy the pumper contest, with contestants using Conrad Adenauer’s grand piano. There’s so much more to see and do. Applications will be coming soon, and you need to register right away….remember, registration is limited. Questions? Call Frank at 818-884-6849 ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens • Editor Emeritus: Robin Pratt VOLUME 44, Number 2 March/April 2007 AMICA BULLETIN FEATURES Display and Classified Ads Articles for Publication Visit to San Sylmar’s Auto/Musical Collection .