Janners Performs at Faculty Recital
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Dutch Customs in 2019 Foreword 3
Taal: Nederlands Dutch Customs in 2019 Foreword 3 Finance Health, Welfare and Sport Enforcement EU Regulation Liquid assets 4 Enforcement of the Abuse of Chemical Substances Act 24 Substantial haul in the basement 6 One unusual transaction after another 26 Infrastructure and Water Management Economic Affairs and Climate Monitoring compliance with the Dutch Nuclear Energy Act 8 Combating trademark counterfeiting 28 Radiating scrap metal causes a stir 10 Tricky trainers 30 Foreign Affairs Education, Culture and Science Enforcement of sanctions legislation and Strategic Goods Decree 12 Monitoring compliance with cultural heritage legislation 32 Expensive drinks for Damascus 14 Maria apparition in the mail sorting centre 34 Justice and Security Preparations for Brexit Enforcement of the Dutch Opium Act 16 “We have prepared ourselves for Brexit as well as possible” 36 Crystal meth and ketamine among the drumsticks 18 Coach pur sang enjoys the company of eager young colleagues 38 Agriculture, Nature and Food Quality Key statistics 40 Monitoring compliance with CITES treaty 20 Shark fins surface among the cargo 22 2 | Dutch Customs in 2019 Foreword In many aspects, 2019 was a special year for Dutch Customs, not in the least cannot be excluded altogether. Occasionally, Customs is faced with a breach of because we were being shadowed by camera teams from a production company integrity, which damages the confidence in our organization and its staff. It is for for months. They took a look behind the scenes, and over the shoulders of dozens that reason that we continue to protect ourselves against undesired interference. of our staff members. The result of their work was broadcast last winter, in the On the one hand, we are working on ethical professionalism, and on the other real-life series Customs in Action on RTL5. -
The Lumberjack, November 11, 2015
Wednesday, November 11, 2015 Students serving the Humboldt State campus and community since 1929 Vol. 107 No. 11 Inside Honors Jewelry Composer Crushes Competition Jacks are GNAC Champs HSU Dominates Nationals page 6 page 8 page 9 page 10 by Laura Bogner, Miranda Hutchison and $60 Million of Deferred Maintenance Leaves Rebekah Staub It is 2:30 a.m. and pouring rain. Hum- boldt State student Jaime Romero has Students Feeling Unimportant half an hour to grab as many belongings as he can from his dorm room. “I wore these clothes yesterday,” Romero said. “It’s embarrassing and frustrating.” An alarm in Humboldt State’s Col- lege Creek residence hall went off around 10:30 p.m. on Saturday night and Romero’s first floor suite in Shasta flooded. “Someone broke the sprinklers on the third floor and it leaked down,” Romero said. “I saw puddles of water coming out from under the walls.” Romero, 22, said he and his three suitemates were relocated to other resi- dence halls without word of when they could return to their apartment. HSU’s campus has accumulated more than $115 million in maintenance repairs that have yet to be addressed. About 17 out of the 100 buildings on campus are used for student housing. The increasing repair needs and cost is felt by HSU stu- dents who have noticed problems with Jaime Romero, a 22-year-old transfer student, and his roommate, Mia Muegge, are now living in temporary housing due to apartments flooding in College Creek on the campus buildings they live in. -
Alive in Color
Redemption – Alive In Color (95:57, 2-CD, DVD, AFM Records, 2020) Die Band von Nick van Dyk hat mittlerweile auch schon satte 20 Jahre auf dem Buckel. Die Zeit vergeht wie im Flug und – je älter man wird – auch viel zu schnell. Auf dem selbstbetitelten Debüt im Jahr 2003 war beinahe die halbe Mannschaft von Fates Warning vertreten (Ray Alder, Joey Vera und Mark Zonder) und bis zum sechsten Album „The Art Of Loss“ (2016) bliebt zumindest Ray Alder dem Bandgefüge als Sänger und Aushängeschild erhalten. Auch aus diesem Grund erübrigt sich fast der Hinweis, dass die Band durchweg immer hochwertige Prog-Metal-Kost veröffentlicht hat und sich weit vom Durchschnitt der üblichen Veröffentlichungen aus diesem Genre abgesetzt hat. Nun erscheint nach „Live From The Pit“ (2014) nun das zweite Live-Album der Band. Diesmal allerdings heißt der Sänger Tom S. Englund (Evergrey), der seit dem letzten Studio-Album „Long Night’s Journey Into Day“ den Platz am Mikro übernommen hat. Natürlich kann er Ray Alder nicht ersetzen, muss er aber auch nicht. Er ist im Gegenteil durchaus in der Lage, dem Sound und den (alten) Songs seine eigene Note zu verpassen, ohne dass man irgendwie traurig sein müsste, dass Herr Alder nicht mehr dabei ist. Sollte man ihn – Ray Alder – trotzdem vermissen, so gibt es zumindest auf dieser Doppel-Live-CD, mit Aufnahmen vom Prog Power USA 2018, ein kurzes Wiedersehen bzw. -hören beim Song ‚Threads‘ vom Album „The Fullness Of Time“. Diesen Song gibt es übrigens später nochmal von Tom Englund gesungen. So hat man, sofern man ihn denn benötigt, den direkten Vergleich. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 8-10-2006 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2006). The George-Anne. 3134. https://digitalcommons.georgiasouthern.edu/george-anne/3134 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Survival tips for new GSU students l NEWS,P.3A Studies claim that coffee cures I BRIEF, p. SA George-Anne staff goals: Who's it going to be? we pledge our loyalty to you [ Zach Stafford is among the quarterbacks Volume 79 Number 20 I OPINION, p. 4A who hope to start the first game I SPORTS, p. 8A George Anne - 08/10/2006 DAiL^eCEIVED *GrgeAn08102006 1 Hour Reserve (In Libraryiry Use Only) I ^^ ^^ AUG 1 0 2006 HENDERSON LIBRARY VjJJWINXJn!s~\r\JN JN r, GEORGIA SOUTHERN THE UNIVERSITY THURSDAY, AUGUST io, 2006 'ShuttleGus' aims to keep students safe LCfgKMG Two GSU students develop a safe rides program for Statesboro, hoping to keep students from driving home drunk from the bars By Jenny Miller fall 2005.. and the University of Georgia's safe for our country and our community, Assistant news editor Matt Jones, a graduate student, rides program called Watch Dawgs. -
Rose La Rose and the Re-Ownership of American Burlesque, 1935-1972
TAUGHT IT TO THE TRADE: ROSE LA ROSE AND THE RE-OWNERSHIP OF AMERICAN BURLESQUE, 1935-1972 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Wellman Graduate Program in Theatre The Ohio State University 2015 Dissertation Committee: Jennifer Schlueter, Advisor Beth Kattelman Joy Reilly Copyright by Elizabeth Wellman 2015 ABSTRACT Declaring burlesque dead has been a habit of the twentieth century. Robert C. Allen quoted an 1890s letter from the first burlesque star of the American stage, Lydia Thompson in Horrible Prettiness: Burlesque and American Culture (1991): “[B]urlesque as she knew it ‘has been retired for a time,’ its glories now ‘merely memories of the stage.’”1 In 1931, Bernard Sobel opined in Burleycue: An Underground History of Burlesque Days, “Alas! You will never get a chance to see one of the real burlesque shows again. They are gone forever…”2 In 1938, The Billboard published an editorial that began, “On every hand the cry is ‘Burlesque is dead.’”3 In fact, burlesque had been declared dead so often that editorials began popping up insisting it could be revived, as Joe Schoenfeld’s 1943 op-ed in Variety did: “[It] may be in a state of putrefaction, but it is a lusty and kicking decomposition.”4 It is this “lusty and kicking decomposition” which characterizes the published history of burlesque. Since its modern inception in the late nineteenth century, American burlesque has both been framed and framed itself within this narrative of degeneration. -
Ready-To-Use English Lessons by Sean Banville
www.Breaking News English.com Ready-to-Use English Lessons by Sean Banville “1,000 IDEAS & ACTIVITIES Thousands more free lessons FOR LANGUAGE TEACHERS” from Sean's other websites www.breakingnewsenglish.com/book.html www.freeeslmaterials.com/sean_banville_lessons.html Level 6 U.S. rock group banned from Russia 6th August, 2013 http://www.breakingnewsenglish.com/1308/130806-music_festival.html Contents The Article 2 Discussion (Student-Created Qs) 14 Warm-Ups 3 Language Work (Multiple Choice) 15 Before Reading / Listening 4 Spelling 16 While Reading / Listening 5 Put The Text Back Together 17 Match The Sentences And Listen 6 Put The Words In The Right Order 18 Listening Gap Fill 7 Circle The Correct Word 19 Comprehension Questions 8 Insert The Vowels (a, e, i, o, u) 20 Multiple Choice - Quiz 9 Punctuate The Text And Add Capitals 21 Role Play 10 Put A Slash ( / ) Where The Spaces Are 22 After Reading / Listening 11 Free Writing 23 Student Survey 12 Academic Writing 24 Discussion (20 Questions) 13 Homework 25 Answers 26 Please try Levels 4 and 5 (they are easier). Twitter twitter.com/SeanBanville Facebook www.facebook.com/pages/BreakingNewsEnglish/155625444452176 Google + plus.google.com/110990608764591804698/posts THE ARTICLE From http://www.BreakingNewsEnglish.com/1308/130806-music_festival.html A rock group from the USA have been banned from performing at a music festival in Russia after a band member stuffed the Russian flag inside his pants. Jared Hasselhoff, the bass player with the band Bloodhound Gang, was filmed pushing the flag into the front of his pants and pulling it out the back. -
UWS Academic Portal the Rock Band KISS and American Dream
UWS Academic Portal The Rock Band KISS and American Dream Ideology James, Kieran; Briggs, Susan P.; Grant, Bligh Published in: European Journal of American Culture DOI: 10.1386/ejac.37.1.19_1 Published: 01/03/2018 Document Version Peer reviewed version Link to publication on the UWS Academic Portal Citation for published version (APA): James, K., Briggs, S. P., & Grant, B. (2018). The Rock Band KISS and American Dream Ideology. European Journal of American Culture, 37(1), 19-37. https://doi.org/10.1386/ejac.37.1.19_1 General rights Copyright and moral rights for the publications made accessible in the UWS Academic Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 17 Sep 2019 “The Rock Band KISS and American Dream Ideology” by Kieran James* University of the West of Scotland [email protected] Susan P. Briggs University of South Australia [email protected] and Bligh Grant University Technology Sydney [email protected] *Address for Correspondence: Dr Kieran James, School of Business and Enterprise, University of the West of Scotland, Paisley campus, Paisley, Renfrewshire, PA12BE, Scotland, tel: +44 (0)141 848 3350, e-mail: [email protected] and [email protected] Acknowledgements We thank Frances Miley, Andrew Read, conference participants at the International Conference for Critical Accounting (ICCA), Baruch College, New York City, 28 April 2011, this journal’s two anonymous reviewers, and this journal’s Editor for helpful comments. -
Quartet March2020
Pop/Contemporary (June 2020) A Dream Is A Wish Your Heart Makes - Cinderella A Million Dream Greatest Showman (2 versions) A River Flows in You-Yiruma A Sky Full of Stars - Coldplay A Thousand Miles - Vanessa Carlton A Thousand Years- Peri (2 versions) A Whole New World Accidentally In Love - Counting Crows Ain't No Sunshine - Bill Withers All About That Bass- Trainor (2 versions) All I Ask of You All I Need - RadioHead All I Want Is You - U2 All My Life - KC & Jojo All of Me- John Legend All of My love All of the Lights - Kayne West All The Small Things - Blink 182 Always - Bon Jovi America - Simon & Garfunkel Annie's Song - John Denver Another Day of Sun - La La Land Applause - Lady Gaga As Time Goes By At Last Autumn Leaves Away Into the Night - Joyce Hope Siskind Baba O'Reily - The Who Baby Love - The Supremes Baby One More Time - Britney Spears Back In Black - AC/DC Bad Romance - Lady Gaga Bad Touch - Bloodhound Gang Bailando - Enrique Bang Bang - Jessie J / Grande / Minaj Be MyBaby- Phil Spector Beat It - Michael Jackson Beautiful Day - U2 Beautiful in White - Westlife Be Our Guest- Beauty and Beast (2 versions) Beauty and the Beast Best Day of My Life Better Place - Rachel Platten Beyond the Sea Billie Jean - Michael Jackson Bittersweet Symphony Blank Space - Swift Bloom - The Paper Kites Blue Moon - Rodgers and Hart Bleeding Love - Leona Lewis Blurred Lines - Robin Thicke Bohemian Rapsody-Queen Book of Days - Enya Book of Love - Peter Gabriel Boom Clap - Charli XCX Brown Eyed Girl - Van Morrison Budapest - Geo Ezra Buddy Holly- -
History All-Time Coaching Records All-Time Coaching Records
HISTORY ALL-TIME COACHING RECORDS ALL-TIME COACHING RECORDS REGULAR SEASON PLAYOFFS REGULAR SEASON PLAYOFFS CHARLES ECKMAN HERB BROWN SEASON W-L PCT W-L PCT SEASON W-L PCT W-L PCT LEADERSHIP 1957-58 9-16 .360 1975-76 19-21 .475 4-5 .444 TOTALS 9-16 .360 1976-77 44-38 .537 1-2 .333 1977-78 9-15 .375 RED ROCHA TOTALS 72-74 .493 5-7 .417 SEASON W-L PCT W-L PCT 1957-58 24-23 .511 3-4 .429 BOB KAUFFMAN 1958-59 28-44 .389 1-2 .333 SEASON W-L PCT W-L PCT 1959-60 13-21 .382 1977-78 29-29 .500 TOTALS 65-88 .425 4-6 .400 TOTALS 29-29 .500 DICK MCGUIRE DICK VITALE SEASON W-L PCT W-L PCT SEASON W-L PCT W-L PCT PLAYERS 1959-60 17-24 .414 0-2 .000 1978-79 30-52 .366 1960-61 34-45 .430 2-3 .400 1979-80 4-8 .333 1961-62 37-43 .463 5-5 .500 TOTALS 34-60 .362 1962-63 34-46 .425 1-3 .250 RICHIE ADUBATO TOTALS 122-158 .436 8-13 .381 SEASON W-L PCT W-L PCT CHARLES WOLF 1979-80 12-58 .171 SEASON W-L PCT W-L PCT TOTALS 12-58 .171 1963-64 23-57 .288 1964-65 2-9 .182 SCOTTY ROBERTSON REVIEW 18-19 TOTALS 25-66 .274 SEASON W-L PCT W-L PCT 1980-81 21-61 .256 DAVE DEBUSSCHERE 1981-82 39-43 .476 SEASON W-L PCT W-L PCT 1982-83 37-45 .451 1964-65 29-40 .420 TOTALS 97-149 .394 1965-66 22-58 .275 1966-67 28-45 .384 CHUCK DALY TOTALS 79-143 .356 SEASON W-L PCT W-L PCT 1983-84 49-33 .598 2-3 .400 DONNIE BUTCHER 1984-85 46-36 .561 5-4 .556 SEASON W-L PCT W-L PCT 1985-86 46-36 .561 1-3 .250 RE 1966-67 2-6 .250 1986-87 52-30 .634 10-5 .667 1967-68 40-42 .488 2-4 .333 1987-88 54-28 .659 14-9 .609 CORDS 1968-69 10-12 .455 1988-89 63-19 .768 15-2 .882 TOTALS 52-60 .464 2-4 .333 -
Download Queensryche Albums Download Queensryche Albums
download queensryche albums Download queensryche albums. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Cloudflare Ray ID: 67a2517cb94ff14a • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Download queensryche albums. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a2517cae541685 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Download queensryche albums. Queensr�che /ˈkwiːnzraɪk/ is an American heavy metal band. It formed in 1980 in Bellevue, Washington out of the local band the Mob.