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Since forming in Hertfordshire in 2003, Enter Shikari have been bending and blending myriad music genres over the series of four studio , two compilations and a series of EPs. Here then, is a comprehensive guide to their 10 best tracks, selected by their frontman Rou Reynolds… SORRY, YOU’RE NOT A WINNER (, 2007) “As much as I don’t want to say this song, it’s probably the one with the most history and humour behind it. It was one of the first songs that we ever wrote as Enter Shikari, when Rory [Liam Clewlow, guitars] joined and turned our three-piece into a four-piece in 2003. It was on an EP [ Sorry, You’re Not a Winner ] that we started handing out at shows in 2003, so we’d already been playing it for three years before we went into the studio to start making Take to the Skies. By that point, we were already trying to phase it out because we were a bit bored of playing it and we weren’t sure whether it encapsulated who we were as a band anymore. But it still made it’s way onto the album. The first single from that album was actually OK Time for Plan B , with Sorry, You’re Not … as the b-side. What happened was the radio started playing the b-side instead of the single because it was more radio friendly. From there it became a bit of a live favourite, and then it just sort of grew and grew. So it went from being a song that we were trying to get rid of to one of our biggest songs ever. We didn’t play it for about six months this year, which was a necessary break really, after 12 years of playing it constantly. I couldn’t put the amount of honesty and emotion into it that it originally had. It’s like working at Subway and making the same sandwich every day. And I felt bad for the audience because they were getting a dishonest act from me, and that’s the last thing I want to be doing. So we dropped it from the set list for six months, and that’s all it needed to make it fresh again.” MOTHERSHIP (Take to the Skies, 2007) “This is another early one, and it was a live favourite straight away. It’s that early Enter Shikari sound with the punk, rock and metal on one side, and the rave, trance, house, and drum ‘n’ bass on the other. You can sort of pick out what’s going on at specific points in the song. It’s pretty minimal, really. It was one of the first ones that we wrote that was influenced by ecology and environmentalism, I suppose: this and Jonny Sniper were the first to go in that direction. Mothership is all about being abducted by aliens who are trying to warn the human race about what we’re doing to the planet. It talks about a spaceship hovering over earth and aliens having humans walk the plank, and they plummet down to earth and die. So the lyrics have a bit of a strange storyline in that sense! The video was a lot of fun to make, too. We filmed it at The Underworld in Camden, and we basically fixed a load of cameras to the ceiling so a lot of what you see is the bird’s eye view of a gig. That was influenced by the Hundred Reasons video for If I Could , which we really loved.” JUGGERNAUTS (, 2009) “This was an era defining track for us. It got A-listed on Radio 1, and that’s only ever happened to us a couple of times. It was totally surreal hearing it on daytime radio for the first time. It’s not exactly our heaviest track, but it’s certainly not a part of the pop world either, and it’s got a really strange, progressive song structure. We were over the moon that the radio considered it playable alongside whatever else they were playing in those days: Kate Nash and Coldplay, and whatever else. So that was a big victory for us, and the song’s been a staple of the live set ever since.” FANFARE FOR THE CONSCIOUS MAN (Common Dreads, 2009) “With Common Dreads , the lyrics began to become much more direct, in terms of the social commentary. Take to the Skies was much more shrouded in metaphor and occasionally just all over the place. But as we realised we had a pedestal and a fan base, we felt like we needed to take a stand and make our music mean something. So a lot of the lyrics on Common Dreads became much more like that. Fanfare for the Conscious Man is one of my favourite closing tracks to any of our albums as well. It’s a very passionately delivered vocal, and it’s the first Shikari track that I ever played trumpet on. I learnt trumpet as a kid, but gave it up when I hit 15 because it wasn’t cool and I wanted to play the guitar instead. It was nice to pick it back up again and record some brass for the album. Having that brass element really makes it feel like a fanfare too, and it’s the perfect backdrop for the statements that I make in the lyrics.” DESTABILISE (2010) “This song wasn’t on an album, but it was another era defining song for us. Common Dreads was our foray into the major label world. Things didn’t quite work out, but it wasn’t as bad as some of the scare stories that you hear: we didn’t get dropped horrifically or get fucked over or anything like that. We just realised that it wasn’t for us. Destabilise was the first track that we did after getting out of our record deal, and we were able to get out of it very easily: we still had all our copyrights and things like that. The worst thing about the whole experience was the bureaucracy. Every idea we had would have to go through so many levels up the label to be approved that it slowed everything down. As a band we live in the moment and we don’t plan a lot of stuff: we just do it and that’s how it’s always worked. So being on a major hampered that process and stopped the flow, which is why as soon as we got out of that deal we decided to record and release a song. I produced and directed the video with one of my mates, and that’s where Destabilise came from. It felt so good. It felt like we were free again, to do whatever we wanted to do.” ARGUING WITH THERMOMETERS (, 2012) “This song continued down the environmental road. It’s apt that we shot the video in America too, because it was largely influenced by the typically American view of climate change denial. It’s usually people from the Southern states, who think it’s some socialist conspiracy and they don’t believe a word of it, even though around 98% of scientific findings corroborate man-made global warming. The song was written about all of that frustration after touring America, and we shot the video over there too. It was so much fun, and I got to invent the news reporter character and get dressed up. Wearing that moustache felt horrible though. It was basically glued onto my face and tugging at my stubble all day.” GANDHI MATE, GANDHI (A Flash Flood of Colour, 2012) “This track was influenced by the scene that was happening, which was still very much alive at this point. It got butchered and killed after Skrillex came onto the scene, but for a while there was a lot of great stuff and the breakdown in this song was definitely influenced by all that. This is also one of the heaviest songs we’ve ever written, especially the ending, and it’s been a staple of the live set ever since. Lyrically, it’s one of the most direct and frank tracks we’ve ever written: the first 30 seconds is just one big rant about the state of the world. But it’s got a sense of humour as well, and the delivery is very tongue-in-cheek. There are lots of little jokes throughout the song because we like to make sure that we don’t take ourselves too seriously, even when we’re trying to make serious statements.” ANAESTHETIST (, 2015) “This is another frank and direct song. It’s about the current trend of wanting to privatise healthcare, and the dangers of doing that and the damage it will cause, and wanting to fight against it. It wasn’t on the original Mindsweep track listing when we were about halfway through the recording process. We were in the studio with [producer], and we’d managed to cut it down from 50 to about 20 songs, which we still needed to cut down to 12 for the final running order. We did that, but for some reason I was still writing. I guess I was inspired and excited about making the album. So I wrote this track over a couple of nights, and I sort of sheepishly brought it to the guys and said, ‘I’m really sorry. I know we’ve just spent all this time exasperatingly working out which songs, that we’ve all become attached to, to throw away. But I’ve written something that I think could be good for the album.’ They listened to Anaesthetist and they all immediately loved it, so sure enough another track had to make way. It’s so much fun to play live, and I never tire of spitting out the sentiment of the song with complete venom on stage. And I don’t think I ever will, because it means so much to all four of us: we’re all very much indebted to the NHS. The song was a pleasure to write, and it’s a pleasure to play every night.” TORN APART (The Mindsweep, 2015) “The opening guitar riff to this song was actually written around the same time as Sorry, You’re Not a Winner back in 2003. It was a riff that I wrote before Rory even joined the band, but it never got used because when Rory joined we just wanted to write new stuff from then onwards. It got put to the side for many years, but for some reason we rediscovered it when we started writing The Mindsweep , and we all fell in love with it: there was a note of nostalgia to it that made us all really excited and brought back a lot of old memories. So we developed it into the song that became Torn Apart . We’ve always had a lot of different vocal styles in our music, from singing and shouting to the spoken word stuff, and I’ve always done falsetto vocals somewhere in the mix. But this was the first time that we brought it to the foreground, and the main chorus is falsetto the whole way through on this one. It’s a really high, angelic style of singing that you don’t hear a lot of in punk or alternative . It took us a while to build up the confidence to write and sing a chorus like that, but I love playing it live now and it’s a great sing along song as well. The song itself is all about the concept of race being something that we’re going to grow out of. We’re beginning to realise that it’s more of a sociological thing, and you won’t find many biologists who will say that race is a scientific concept nowadays. A lot of our songs have denounced racism over the years, but I thought this was a sort of different way to come at it, and say that racism isn’t only this ignorant and damaging mindset, but also a completely false biological concept: if you go back far enough we’re all part of one human race. I did loads of research into that, because I find it really interesting, and all the stuff that I read informed the lyrics to this song.” DEAR FUTURE HISTORIANS… (The Mindsweep, 2015) “I wanted this song to be different to the rest of the album, as with Constellations on A Flash Flood of Colour before it, and Fanfare for the Conscious Man on Common Dreads before that. I wrote the piano part whilst I was away on tour, and it’s basically just a song about missing my girlfriend and the comforts of home, but being of the realisation that I’m incredibly lucky to have experienced love in the first place. That’s where the music came from. I left the lyrics until later on. We want real honesty in our music, and we don’t want it to sound faultless and pop-esque with how perfectly it’s EQ-ed. There seems to be a real want for that in the rock and metal world at the moment, but I’ve got too much of a traditional punk in me, and I want the grit and the realness that make it humane. So we recorded the vocals in one take, and that’s why there are bits where my voice sounds a bit unpolished. I recorded it after quite a few glasses of red wine as well, but for us it needed to be something that caught the atmosphere and so we just hung out and had a few glasses of wine and recorded the song. It was a really nice, emotional evening, and we were full of gratitude and love. That might sound strange coming from a band that run around shouting their heads off for a living, but at the end of the day we’re goddamn peace loving hippies, and we take great joy in making music together.” The 10 best Enter Shikari songs, as chosen by Blank Atlas. Just a cursory listen to alt-rock newcomers Blank Atlas should give some indication as to why they decided on Enter Shikari when it came to combing through the back catalogue of a band they admire. Though their sound is quite distinct musically, the band channel Shikari's ability to cherry-pick the best of manifold genres to come up with a fresh sound totally their own. Ahead of the release of their new EP, Canvas , and a batch of UK shows, Blank Atlas join us to wax lyrical on the best Enter Shikari songs as they see them. Solidarity (Common Dreads, 2009) "All of us in Blank Atlas agree that Solidarity is Enter Shikari’s hardest hitting, most inspiring track to date. Everything from its energetic synth line and storming opening riff to its gorgeous choral outro make it our number one. Solidarity was one of the first Shikari tracks I heard and nothing has made me feel like I could take on the world quite like it since. Listening to those opening few minutes of Common Dreads makes me feel like I’ve got an army at my back and nothing can stand in my way." OK Time For Plan B (Take To The Skies, 2007) "We all used to be in a band called Avarice before Blank Atlas, back when we were in school. Before all our gigs we’d play OK Time For Plan B through the PA as a sort of warm-up. I can’t help but get a little burst of adrenaline whenever I hear that crazy flanged intro. Ok… is the sort of song that can get me ready for any challenge. 'Let this battle commence!'" Mothership (Take To The Skies, 2007) "And the award for the biggest chorus ever written goes to… ' I just fell from the Mothership' . With a spine-tingling melody soaring high above the crunching guitars, Mothership falls right into our top ten with the force of a dying planet. Such is the lyrical message, an alien coming to earth to warn us about climate change. An important track for an important issue." Anything Can Happen In The Next Half Hour (Take To The Skies, 2007) "The song that started it all. This is the first song that Dan (guitar) and Tom (drums) heard of Enter Shikari, and if they hadn’t, Blank Atlas would likely sound a lot more generic. The polyrhythmic edge to the breakdowns give this number a little something that catapulted this youthful tune into our hearts forever." Arguing With Thermometers (A Flash Flood Of Colour, 2012) "I remember having so much fun covering this one when we were all back in school, practicing in Tom’s bedroom. We obviously couldn’t even remotely do this song justice, but it was an enjoyable challenge nonetheless." Adieu (Take To The Skies, 2007) "If I had to pick a song to be played at my funeral it would likely be Adieu . I’m such a sucker for emotional and endlessly repeating choruses and the closing section of this track is no exception. The lyrics ‘ Home could be anywhere when I am holding you ’ are heartfelt enough to bring anyone to tears." The Jester (Common Dreads, 2009) "Such a ridiculously fun song. When I first started listening to Shikari, Tom suggested I listen to The Jester . That one really sealed the deal for me. The build-up lasts so long that it’s infinitely satisfying when it finally all comes together." Constellations (A Flash Flood Of Colour, 2012) "Half of the song is essentially a beautiful poem about climate change and how we’re failing to live sustainably. This sounds rather depressing but the song ends on such a hopeful note. That last verse, ending in the line ‘ Imagine no restrictions but the climate and the weather, then we can explore space together, forever ’ is my favourite line in any Enter Shikari song. It’s so rousing and makes me feel like I can achieve anything." Pack Of Thieves (A Flash Flood Of Colour, 2012) "I fondly remember belting the lyrics to this song at my 16th birthday party with Dan. Since then it’s sort of become a nostalgic track for us, the poster-song for the soundtrack to our youth. For that reason Pack Of Thieves makes it into our top 10, and it’s a belter too." Undercover Agents (The Spark, 2017) "In our opinions the strongest track on Shikari’s newest release The Spark . It encapsulates the feeling of that album so well; the brooding cautious optimism from an ‘only way is up’ situation, the still, night air feel to the production. There’s something special about this one, with the lyrics feeling like they’re not telling the full story and there’s more behind the scenes that haven’t been revealed. The only answer is to listen again and again to interpret for ourselves." Blank Atlas' new EP, Canvas, will be released on October 05. The band are currently on tour in the UK. Check them out at one of the dates below: Oct 05: Santiago’s, Leeds, UK Oct 06: The Gryphon, Bristol, UK Oct 12: Apple and Parrot, Torquay, UK Oct 14: 23 Bath St, Frome, UK Oct 15: Undertone, Cardiff, UK Nov 10: Frog and Fiddle, Cheltenham, UK Nov 11: West Street Live, Sheffield, UK Nov 30: Jacs, Aberdare, UK. Briony is the editor in chief of Louder and is in charge of sorting out who and what you see covered on the site. She also writes for and Classic Rock magazines and is a big fan of cats, Husker Du and pizza. Enter Shikari. Enter Shikari have been announced as Saturday night main stage headliners for the Download Pilot Festival in June , helping to bring back live music in the UK. The three-day event is a 10,000 capacity scaled-down version of the legendary , held as part of the UK government’s post-pandemic Event Research Programme. It will take place at its usual home of Donington Park on the weekend of 18th - 20th June. Rou Reynolds said : “After 18 months trapped inside, we cannot wait to be back in our favourite element; playing music beneath an open sky. It’s also fitting, as we have a long history with Download… 2021 being the 15th anniversary of our first time there - which also happened to be our first ever festival show! We’re incredibly proud to be headlining an event that helps to get live music back on its feet in the UK”. All info on the event and ticket information is here. Germany - Update + New Shows 23 апр. 2021 г. Due to the ongoing concerns within the Hamburg music / arts community regarding statements made by the owner of Groß Freiheit / Docks venues in the city, we have taken the decision to alter our German tour dates for Jan / Feb 2022. While we believe in the right of the owners to hold whatever opinions they wish to, we also support the right of artists, businesses and individuals to chose how and where their money is spent. We are choosing to spend the venue hire-fee elsewhere. The Hamburg date will now take place at Markthalle and, due to venue availability, will happen on the new date of 28th January 2022 . All original tickets remain valid for the new date / venue. On the upside, we are now able to announce our Hamburg date as “Sold Out” . Cheers Hamburg! PLUS - due to the change of date and subsequent reshuffle of tour routing, we have now added two further German shows to the 2022 tour . We will now be playing Munster and Hannover in addition to the previously announced German dates. Tickets are on sale immediately at www.entershikari.com/shows. Thank you, Germany. We look forward to seeing you early next year. Enter Shikari x. Moratorium (Broadcasts From The Interruption) 16 апр. 2021 г. Today, Enter Shikari release ‘Moratorium (Broadcasts From The Interruption)’ , through So Recordings. Listen here: https://linktr.ee/entershikariofficial. Out of the blue, and exactly one year to the day from the release of ‘Nothing Is True & Everything Is Possible’, comes the companion collection ‘ Moratorium (Broadcasts From The Interruption)’ . ‘Broadcasts From The Interruption’ was the umbrella moniker for the various home studio sessions and acoustic performances Enter Shikari recorded and released on YouTube and elsewhere throughout 2020 / early 2021. The band chose the best & most interesting from the large available selection of performances along with special performances for 2000 Trees and Five 4 Five’s online festivals - and these have now been remixed by Rou Reynolds, mastered and compiled for worldwide release. "With no live shows, and no real contact with the rest of the band, it was nice to at least be able to do some remote sessions together. It was also interesting to develop acoustic and alternative versions of some of the new tracks. These performances went some way to filling the gaping hole in our lives!” - Rou Reynolds. ‘Moratorium (Broadcasts From The Interruption)’ also includes two special solo acoustic performances recorded by Reynolds especially for the release, which see him accompanied be Bulgaria’s Sofia Session Orchestra. These include a drastically reworked version of ‘The Dreamer’s Hotel’ taken from ‘Nothing Is True & Everything Is Possible’. "After creating an acoustic version of ‘The Dreamer's Hotel’ to play during lockdown livestreams, I began to think that this rather dulcet adaption could benefit from some orchestral parts. I love composing and it was a joy to work with the Sofia Session Orchestra, who, as you'll hear, nailed it”. - Rou Reynolds. On July 16th 2021, the band will release extremely limited edition physical versions of ‘Moratorium (Broadcasts From The Interruption)’, alongside deluxe 2-disc editions of ‘Nothing Is True & Everything Is Possible’ featuring both albums. There's a lot to get through here. so, if you have any questions about what follows below, please email [email protected] who will be happy to help. (Acoustic) Rat Race (At home) Stop the Clocks (Acoustic - At home) Crossing The Rubicon (At home) Live Outside (Acoustic - At home) Heroes (Acoustic) THE GREAT UNKNOWN (At home) satellites* * (At home) Stop the Clocks (At home) T.I.N.A. (Acoustic - At home) Torn Apart (Acoustic - At home) Warm Smiles Do Not Make You Welcome Here (At home) Live Outside (Solo electric - Live from the woods) the pressure’s on. (Solo electric - Live from the woods) Anaesthetist (At home) (At home) And here’s the finer details on all the vinyl pressing, which are available to pre-order now in an assortment of merchandise bundles on the Enter Shikari webstore alongside limited edition CD pressings and A Treatise on Possibility: Perspectives on Humanity Hereafter. A Treatise on Possibility: Perspectives on Humanity Hereafter 16 апр. 2021 г. Enter Shikari frontman Rou Reynolds’ latest book ‘A Treatise on Possibility: Perspectives on Humanity Hereafter’ is a companion guide to the critically acclaimed sixth Enter Shikari album ‘Nothing Is True & Everything Is Possible’ - released on 16th July via Faber Music. We have sold out of our allocation of A Treatise On Possibility. The book is available from various other retailers. We'll add new retailers, both UK and international as and when we are informed of them by Faber. Human possibility. If we get our act together, our long-term potential is virtually infinite. And infinitely beautiful. But currently humanity is being guided not by wisdom, cooperation and self-reflection but by archaic systems and false assumptions. There are warning signs everywhere: ecological destruction, mental health crises and obscene levels of inequality. At a time when quite literally Nothing Is True & Everything Is Possible, Rou Reynolds has gone in deep, head first, exploring the predicaments of modernity. Using his lyrics to navigate the complicated web of problems, he arrives on the other side with his Treatise on Possibility. Hard-hitting and thought provoking, this is a unique perspective on humanity as we approach a point of great change. “All I can do today is warn. And hopefully, I’ll be presenting you with a more truthful lens through which to view the world than you will find in most corporate media. In Nothing Is True & Everything Is Possible I hold a mirror up to society, with the aim of revealing our shared experience, the bigger picture that is so often covered by mists of complexity and everyday toil. Though this book revolves around my lyrics, it’s more of an analysis of the world in which Nothing Is True & Everything Is Possible was written. I’ll guide you through my thoughts and feelings on that world, with the lyrics acting as convenient signposts along the way. This is my treatise on possibility.” Rou Reynolds, 2021. Presented in two parts, ‘A Treatise on Possibility’ includes all lyrics from the Enter Shikari album ‘Nothing Is True & Everything Is Possible’ in a full-colour 48-page section with photos, followed by what Rou describes as his ‘proper reading’ territory. CONTENTS Lyrics: Introduction; THE GREAT UNKNOWN; Crossing The Rubicon; ; Waltzing Off The Face Of The Earth (I. Crescendo); modern living…; the pressure’s on.; T.I.N.A.; Marionettes (I. The Discovery of Strings); Marionettes (II. The Ascent); satellites* *; the kiñg. A Treatise on Possibility: Preface; Introduction; An Overview of Our Predicament & Our Emotional Response; The Anthropocene; Human Nature, Social Structure, Communication & Mass Media; Human Complexity and the Importance of Compassion; The Mechanics of Control & Constraint; Epilogue; Notes. Rat Race (At Home) 31 мар. 2021 г. Rat Race' (At Home) This doesn't get played live all that often, so it was fun to revisit it for another green screen addition to the #BroadcastsFromTheInterruption Filmed at home and pieced together by our pal Oleg Rooz. UK + EU Rescheduled Dates - Dec 2021 - Feb 2022 10 мар. 2021 г. Today, Enter Shikari announce the rescheduled UK and European May / June 2021 ‘Nothing Is True & Everything Is Possible’ tour. The new dates will span December 2021 and February 2022. PLEASE NOTE: Manchester, Edinburgh and Birmingham have approx 100 tickets left each. London, Southampton and Middlesbrough are not far behind. Please do not hang around to get tickets to avoid being disappointed. Alongside the rescheduled shows, the band have also announced a handful of additional UK dates due to overwhelming demand, with the tour now taking in stops in Lincoln, Bristol, Hull, Liverpool and Leeds. Original tickets for all dates remain valid for the rescheduled dates , while tickets for the additional dates will go on sale from 10AM on Friday 12th March at www.entershikari.com/shows and all ticket retailers. An exclusive 48hr pre-sale for the five new shows will be available to those with a Ticket Access Pass from pre-ordering "Nothing Is True & Everything Is Possible" last year, and members of the Future Historians fan club. Pre-sale tickets are available NOW from www.entershikari.com/shows Please ensure you are logged in to your account to be able to access the pre-sale. To check your membership status and/or to see if you have the required pre-sale credentials, please head here. To become a member of the Future Historians fan club, please head here. Any questions, please email [email protected]. Special guests for all UK dates are Dinosaur Pile-Up and Nova Twins . Special guests for European dates to be announced. By signing up you agree to receive news and offers from Enter Shikari. You can unsubscribe at any time. For more details see the privacy policy. Enter shikari take tot ehs kies album download. 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