Sparks Enter UK Top 10 with 24Th Studio Album

Total Page:16

File Type:pdf, Size:1020Kb

Sparks Enter UK Top 10 with 24Th Studio Album Press release – Friday July 10th 2020 Sparks Enter UK Top 10 With 24th Studio Album Sparks’ 24th studio album ‘A Steady Drip, Drip, Drip’ has today entered the Official UK Charts at Number 7. Replicating the success of their 2017 album ‘Hippopotamus’, ‘A Steady Drip, Drip, Drip’ becomes the band’s second UK top 10 album since 1974, when ‘Kimono My House’ and ‘Propaganda’ reached number 4 and 9 respectively. ‘A Steady Drip, Drip, Drip’, which was originally released digitally in May to universal acclaim, also enters the Independent Album Chart at Number 1 following the physical release on July 3rd. On hearing the news Ron and Russell Mael said “When making a record we determine to be adventurous and bold, to take risks and never compromise, and to make the best pop record we can. It means a lot that there is an audience who appreciate that. Thank you.” ‘A Steady Drip, Drip, Drip’ - buy/stream HERE Sparks last week released the video for ‘The Existential Threat’. Animated by Cyriak, views of the mind- bending video have already passed 600,000. Watch HERE. This next year should also see the eagerly awaited premiere of the musical Annette, the first English- language film from groundbreaking French director Leos Carax (Holy Motors, Pola X), written by Ron and Russell Mael and starring Adam Driver and Marion Cotillard. In addition, director Edgar Wright (Shaun of the Dead, Hot Fuzz, Baby Driver) is putting the finishing touches to his as-yet-untitled Sparks documentary, a long-in-the-making feature-length film celebrating this singular band. www.allsparks.com For further information contact Sue Harris, Republic Media, [email protected] 7 Broadbent Close, Highgate Village, London, N6 5JW t 020 3213 0135 ⋅ f 020 8348 7776⋅ e [email protected] ⋅ www.republicmedia.net @republic_media .
Recommended publications
  • I Love Lucy, That Girl, and Changing Gender Norms on and Off Screen
    Oberlin Digital Commons at Oberlin Honors Papers Student Work 2018 I Love Lucy, That Girl, and Changing Gender Norms On and Off Screen Emilia Anne De Leo Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the History Commons Repository Citation De Leo, Emilia Anne, "I Love Lucy, That Girl, and Changing Gender Norms On and Off Screen" (2018). Honors Papers. 148. https://digitalcommons.oberlin.edu/honors/148 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact [email protected]. I Love Lucy, That Girl, and Changing Gender Norms On and Off Screen, 1951-71 Emilia Anne De Leo Candidate for Honors in History at OBerlin College Professor Clayton Koppes, Advisor Spring, 2018 2 Acknowledgements There are many people who have helped me immensely throughout the thesis writing process. I would like to thank my thesis advisor Professor Clayton Koppes for all the insight as well as moral support that he has provided me Both while writing this thesis and throughout my time here at OBerlin. I would also like to thank my thesis readers Professors Danielle Terrazas Williams and Shelley Lee for their comments on drafts. In addition, I want to thank the thesis seminar advisor Professor Leonard Smith for his assistance and for fostering a productive and kind environment in the thesis seminar. I owe many thanks to my fellow honors thesis colleagues as well.
    [Show full text]
  • Sparks Indiscreet Mp3, Flac, Wma
    Sparks Indiscreet mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Indiscreet Country: Europe Released: 2017 Style: Pop Rock MP3 version RAR size: 1498 mb FLAC version RAR size: 1878 mb WMA version RAR size: 1267 mb Rating: 4.3 Votes: 367 Other Formats: AAC ASF XM AU DXD MP3 TTA Tracklist Hide Credits A1 Hospitality On Parade A2 Happy Hunting Ground A3 Without Using Hands A4 Get In The Swing A5 Under The Table With Her A6 How Are You Getting Home? B1 Pineapple B2 Tits It Ain't 1918 B3 Fiddle – Mike Piggot* B4 The Lady Is Lingering B5 In The Future B6 Looks, Looks, Looks B7 Miss The Start, Miss The End Credits Arranged By [Orchestral Arrangements] – Tony Visconti Bass – Ian Hampton Drums – Dinky Diamond Guitar – Trevor White Keyboards – Ron Mael Photography By [Back Cover] – Gered Mankowitz Photography By [Front Cover And Inside Photography] – Richard Creamer Producer – Tony Visconti Vocals – Russell Mael Written-By – Ron Mael (tracks: A1 to A6, B2 to B7), Russell Mael (tracks: B1) Notes Gatefold sleeve. Repress of the LP included in the 2015 box set on 180 gram vinyl. Includes a 'The Sound Of Vinyl' download code card. Barcode and Other Identifiers Barcode: 602547359063 Other versions Category Artist Title (Format) Label Category Country Year Indiscreet (LP, Island ILPS 9345 Sparks ILPS 9345 UK 1975 Album, Gat) Records Indiscreet (CD, Vox Humana ILSP 9345 Sparks Album, Unofficial, ILSP 9345 Russia 2000 Records Car) L 35669 ILPS Indiscreet (LP, Island L 35669 ILPS New Sparks 1975 9345 Album, Gat) Records 9345 Zealand Indiscreet (LP, Island South ILPS 9345 Sparks ILPS 9345 1975 Album, Gat) Records Africa Indiscreet (CD, Island UICY-94100 Sparks Album, Num, RE, UICY-94100 Japan 2009 Records Min) Comments about Indiscreet - Sparks Vushura really nice clear sound on my copy with no noise at all and really nice gatefold packaging - recommended! Related Music albums to Indiscreet by Sparks Sparks - Lil' Beethoven Sparks - The Best Of Sparks Sparks - Propaganda Sparks - Kimono My House Sparks - No.
    [Show full text]
  • Kimono My House Ebay
    Kimono my house ebay click here to download Shop Kimono My House Toys. Find more of what you love on eBay stores! Kimono My House(LP). In My Family. Here In Heaven. This Town Ain't Big Enough For The Both Of Us. Amateur Hour. Falling In Love With Myself Again. Go to store. eBay eBay, Sparks Kimono My House German CD album (CDLP) ISLAND Condition: Very Good, Time left: 1d 2h 34m 31s. Ships to. Kimono MY House, Emeryville, California. likes · 41 talking about this · were here. www.doorway.ru KIMONO MY. VINTAGE MEDICOM TERMINATOR 2 TIN WIND UP W/ BONUS MINI T WIND UP WALKER 90s. Buy: $ eBay (kimono-my-house). Shop Kimono My House [VINYL]. Everyday low prices and free delivery on eligible orders. Sparks Kimono My House LP EXC No Scratches | eBay. Based in United States they have been selling on eBay USA marketplace since The store is run by kimono-my-house. They have hundreds of products in. Kimono MY House is using Alignable to connect with other businesses in Emeryville. www.doorway.ru Kimono My House is a music studio album recording by SPARKS (Crossover free MP3 download (stream), buy online links: ebay and amazon, ratings and. The Avengers In Color Series 2 - [Base] # Kimono My House COMC Item: $ Buy It Now 29d, $ Shipping, Day Returns, eBay. reviews of kimono my house from Emeryville, CAbeen here B4,Best place First saw their store on eBay (what caught my attention was a "Dominion Tank. www.doorway.ru KIMONO MY HOUSE HAS THE LARGEST SELECTION OF JAPANESE ANIME AND SCI FI TOYS IN THE.
    [Show full text]
  • SWR2 Musikpassagen
    SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE __________________________________________________________________________ SWR2 Musikpassagen Skurriles Brüderpaar Die Sparks aus Los Angeles Von Bernd Gürtler Sendung: Sonntag, 1. Juli 2018, 23.15 Uhr Redaktion: Anette Sidhu-Ingenhoff Produktion: SWR 2018 __________________________________________________________________________ Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. __________________________________________________________________________ Service: Die SWR2 Musikpassagen können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de __________________________________________________________________________ Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de Und heute, skurriles Brüderpaar, die Sparks aus Los Angeles. Es gibt ein Interview und Musik. Als erstes "Scandinavian Design", ein Song, der auch ohne dass eine Sitar zum Einsatz kommt, an die Beatles und ihr "Norwegian Wood" erinnert. Am Mikrofon begrüßt Bernd Gürtler. SPARKS: Scandinavian Design (4:10)
    [Show full text]
  • L a COLLABORAZIONE FUNZIONA FOTO © DAVID EDWARDS 012 013 Copertina
    L A COLLABORAZIONE FUNZIONA FOTO © DAVID EDWARDS © DAVID FOTO 012 013 copertina FRANZ FERDINAND SPARKS di Giuseppe Zevolli L A Lo sfzio di un supergruppo o il debutto di una band COLLABORAZIONE alle prime armi? Durante un incontro londinese i Franz Ferdinand FUNZIONA e gli SparkS ci raccontano il “rock con la r minuscola” di FFS. uando esordirono nei primi Russell Ron e io proviamo sempre a lanciarci in Duemila i Franz Ferdinand qualcosa che possa stupire innanzitutto noi stessi. sembravano determinati a spaz- Intendiamo ogni progetto come un’impresa rinvigo- zare via i lasciti del britpop più rente. Formare un gruppo con i Franz da una parte è statico e atteggione, pur rievo- una mossa “illogica”, rischiosa, dall’altra è logica per il candone i momenti danzerec- nostro modo di operare. ci, quelli che neanche i più scettici erano riusciti a Alex Per noi è lo stesso. Con FFS non c’è il minimo Qscampare. Complice l’accattivante crooning di Alex desiderio di dimostrare un’evoluzione “credibile” o ri- Kapranos, immagine semiseria e determinazione badire l’appartenenza al mondo rock. Quello che degli nel rianimare il pubblico indie rock inglese con con- Sparks ci ha sempre ispirato è la capacità di fregarsene tagiosa ritmicità funk, gli scozzesi vennero rinomi- dei generi e fare a modo loro. nati da John Peel “i salvatori del rock and roll” ancor prima del successo internazionale del brano Take Che cosa possono aspettarsi i fan? Perlustrando una Me Out (2004). Nelle prime session i Franz non si manciata di forum, scopro che alcuni ammiratori dei ispiravano di certo all’animo nascostamente emo di Franz Ferdinand, nell’attesa, si sono persi nei meandri Brett Anderson o dei Gallagher.
    [Show full text]
  • Glam Rock by Barney Hoskyns 1
    Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era.
    [Show full text]
  • Dear Friends That Love Music
    Thorcraft Cobra ~ The Distance Thorcraft Cobra have perfected the seemingly lost art of combining big, radio-friendly hooks with big, classic-rock guitars.” - LA Weekly “It's not really a record people can bone to, so it better be cerebral.” – Billy Zimmer First off, despite their righteously badass nom de artiste Thorcraft Cobra are not purveyors of weed- hazed, beer-soaked SoCal Throttle Rock. Together, Billy Zimmer (Brown Eyed Susans) and Tammy Glover (Sparks) combine a knack for concise pop songwriting, a gift for crafting immediately engaging melody, and impeccable taste in rock and roll sonics into something that is both fresh and undeniable. Zimmer and Glover first crossed paths when their respective acts signed to the same label. “I started as a fan of his guitar tone” relates Glover, “but quickly fell for his wit and songwriting skills.” Zimmer’s band, Brown Eyed Susans, had moved to Los Angeles, recorded a lost classic Afraid of Heights with Jason Falkner (Beck, Air, Paul McCartney, Jellyfish) producing, and was seemingly poised for success. Meanwhile, Tammy became the drummer for brothers Ron and Russell Mael in their iconic band, Sparks, and toured the world. When Brown Eyed Susans imploded in a cloud of dust, Zimmer retreated to his depressing North Hollywood wood-paneled hermitage to lick his wounds. He started working on some rough demos, and decided to play a few for his labelmate. “I wasn't super confident in my work. Then I played some it for Tammy, and she was like, "whhhaaatttt". And told me that it was good, and that she should play drums on it and we should put it out” explains Zimmer.
    [Show full text]
  • SPARKS Biografie Jeder Von Uns Hat Wohl Einen Oder Eine. Das Herz
    SPARKS Biografie Jeder von uns hat wohl einen oder eine. Das Herz eines jeden Musikliebhabers mag wohl angesichts der unerhörten Ungerechtigkeit bluten, dass nicht jedem persönlichen Lieblingskünstler oder Lieblingskünstlerin eben die Anerkennung und Glorie zuteil wird, die er oder sie in den Augen des Einzelnen verdient hat. Tief gekränkt vom Umstand, dass jenen Wunderbaren ihr redlich erarbeiteter Platz im Pantheon nicht nur verweigert wird, sondern und sie von grobschlächtigen Historikern bisweilen zur Fußnote der Geschichte degradiert werden. Künstler und Künstlerinnen, deren Kunst sie predigen und von denen sie Mixtapes für die ganz besonderen Freunde erstellen, die sie vielleicht auch verstehen. Ein/e Künstler oder Künstlerin, über die stundenlang gesprochen wird bei einer zufälligen Begegnung mit einem anderen Mit-Fan. Zum tiefen Erstaunen der Außenstehenden, versteht sich. In meinen – und in den Augen tausend anderer – repräsentieren die Sparks die ultimative „Warum sind sie nicht riesengroß?“-Band. In einem intakten Universum würde man Ron und Russell Mael ganze akademische Studienreihen widmen. Ebenso, wie man es heute mit Dylan, Bowie oder den Beatles tut. Städtische Einrichtungen oder Parks wären nach ihnen benannt, Denkmäler würden ihnen zu Ehren errichtet. Im Denken eines Wissenden käme ihnen eben diese Bedeutung zu. So könnte man das wundervoll schwermütige „When Do I Get To Sing `My Way`?“ wohl als kapitale Fehleinschätzung bezeichnen – einen Song, auf dem die Sparks durch die Blume die unfaire Tatsache verhandeln, bisher noch nicht in die ehrwürdige Hall Of Fame aufgenommen worden zu sein. Um es mit den Worten von „Sunset Boulevard“ zu sagen – und die Sparks sind auf viele Arten extrem „Sunset Boulevard“-like – Sparks sind groß.
    [Show full text]
  • Smash Hits Volume 13
    \% Words to the TOP SINGLES Boogie WcmdMand NolSong In Heaven Shine A little Love Ain't No Stopping Us Hi By Sparks on Virgin Records Chorus ^B Gabriel plays it It's number one all over heaven Let's hear him play it It's number one all over heaven It's number one all over heaven Repeat chorus The number one song all over heaven The song filters down down through the If you should die before you awake clouds If you should die while crossing the It reaches the earth and winds all around street And then it breaks up in millions of ways The song that you'll hear I guarantee It goes la la la la la la la la la la la la etc Repeat chorus Ooh in cars it becomes a hit The one that's the rage up here in the And in your home it becomes clouds advertisements Loud as a crowd or soft as a doubt And in the streets it becomes children Lyrically weak but the music's the thing singing Ooh la la la la la ia la Gabriel plays it Repeat to fade God how he plays it Gabriel plays it God how he plays it Words and music by Ron Mael/Giorgio <f> Gabriel plays it Moroder/Russell Mael. Reproduced by God how he plays it permission Heath Levy Music. 2 SMASH HITS ' d n oat an l!; ace s de e° ?„gula' '^.sh^"? in , S»° McF^ h v ' g$> sp0 cke b£ mm&*#'punIk * ( 6 issue yo^ainJ"" s Vde» see v we ii.
    [Show full text]
  • Sparks Team up with Estonian Animation Director Chintis Lundgren for New Music Video
    Sparks team up with Estonian animation director Chintis Lundgren for new music video Ground-breaking pop pioneers Sparks – Los Angeleno brothers Ron and Russell Mael – have turned to the Estonian animation director Chintis Lundgren for the video for their new single ‘One For The Ages’, available on YouTube HERE. Renowned for her acclaimed, award-winning short film Manivald, Chintis runs her own animation studio Chintis Lundgreni Animatsioonistuudio and is co-founder of Adriatic Animation, an animation studio based in Zagreb, Croatia. The video follows a protagonist who dreams of creating something that could one day be considered 'one for the ages'. Each image is hand drawn on A5-sized printing paper, photographed with a Canon EOS 400 D digital camera with a 50 mm prime lens, coloured in Photoshop and edited in Adobe Premiere. Working to a tight timeline Chintis teamed up with animator Draško Ivezić for the project. “Draško has created a digital pencil that has pretty much the same kind of line as my analogue one, so I'm able to combine his digital drawing with my analogue ones without there being any noticeable difference.” 7 Broadbent Close, Highgate Village, London, N6 5JW t 020 3213 0135 f 020 8348 7776 e [email protected] www.republicmedia.net @republic_media "Who among us doesn't feel the need to be involved with One For The Ages, either in a creative endeavor, a personal relationship, or as the next Michael Jordan?" Ron Mael The song is taken from Sparks’ forthcoming album ‘A Steady Drip, Drip, Drip’, due on Friday, May 15th on digital platforms with the release date for CD, vinyl and cassette now set for July 3rd available for PRE- ORDER now.
    [Show full text]
  • Sparks - This Town Ain’T Big Enough for Both of Us Episode 211
    Song Exploder Sparks - This Town Ain’t Big Enough for Both of Us Episode 211 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs and piece by piece tell the story of how they were made. My name is Hrishikesh Hirway. (“This Town Ain’t Big Enough for Both of Us” by SPARKS) Russell: We're big, uh, cinema buffs, so I think we've always had this kind of rationale that in making pop songs, you're able to make the most elaborate movie in your own mind in a three-minute song. Hrishikesh: That’s Russell Mael. He and his brother Ron Mael are the legendary duo, Sparks, from Los Angeles. Over the last 50 years, they’ve released 25 albums. They’ve collaborated with Giorgio Moroder and Franz Ferdinand, and influenced bands like Joy Division, Faith No More, Björk, and countless others. There’s a new documentary about them called The Sparks Brothers made by one of my favorite directors, Edgar Wright. His films include Shaun of the Dead, Hot Fuzz, Baby Driver, and Scott Pilgrim vs the World. The new documentary premiered at Sundance this year, and comes out in theaters this Friday, June 18th. Here’s what Edgar Wright says in the intro of the film. Edgar: Sparks. How did this glam rock anomaly become a band with a career spanning 5 decades? How can Ron and Russell Mael be successful, underrated, hugely influential and overlooked all at the same time? And where does one even start with 25 studio albums and nearly 500 songs? Hrishikesh: We’re gonna start with just one song.
    [Show full text]
  • Smash Hits Volume 30
    FORTNIGHTLY 30p January 24-February 6 1980 r Words to the TOP SINGLES >«« ' including Someone's Looking Mama'^Biv Spirits Having Flown 'm$ m iniM By Styx on A&M Records Babe, I'm leaving I must be on my way The time is drawing near My train is going I see it in your eyes The love, the need, your tears But I'll be lonely without you And I'll need your love to see me through So please believe me My heart is in your hand I'll be missing you ('Cause) You know it's you, babe Whenever I get weary And I've had enough Feel like giving up You know it's you, babe Giving me the courage And the strength I need Please believe that it's true Babe, I love you Repeat last verse Babe, I'm leaving I'll say it once again And somehow try to smile I know the feeling we're trying to forget If only for a while 'Cause I'll be lonely without you And I'll need your love to see me through So please believe me My heart is in your hands 'Cause I'll be missing you Babe I love you Babe, I love you, ooh, babe Words artd music by D. De Young. Reproduced by permission Stygian Songs. Young blood, where you going now? Young blood, where you going now? I didn't mind it when you left me, honey But I miss you, ain't it the truth? phone I haven't given up hanging on the But all I hear is the proof Chorus Oh another night and I'm thinking what's going wrong? You say you love me but does love take this long? Rebel, all these dreams are broken Rebel, let me solve them Stop your running away Young blood, ooh tell me, where you going now? Young blood, ooh tell me, where you going now? It's never-never, we're fools forever Turning gold in our hands There's no magic.
    [Show full text]