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Bio-Bibliographie Alle Rechte vorbehalten. Alle Angaben ohne Gewähr. © Diogenes Verlag AG www.diogenes.ch e-mail: [email protected] Diogenes Bio-Bibliographie Fred Uhlman Fred Uhlman, geboren 1901 in einer mittelständischen jüdischen Familie in Stuttgart, studierte in Freiburg, München und Tübingen Rechtswissenschaft, war aktives Mitglied der SPD und mit Kurt Schumacher befreundet. 1933 flüchtete er nach Frankreich und lebte später als vielbeachteter Maler und Schriftsteller in Paris, Spanien und England. Er starb 1985 in London. Werke The Making of an Englishman · Autobiographie. 1960 Erinnerungen eines Stuttgarter Juden Aus dem Englischen von Manfred Schmid Stuttgart: Archiv der Stadt Stuttgart, 1992 Taschenbuchausgabe unter dem Titel The Making of an Englishman. Erinnerungen eines deutschen Juden. Aus dem Englischen von Manfred Schmid Zürich: Diogenes, 1998 (detebe 23018) Diogenes · Bio-Bibliographie Fred Uhlman Seite 2 Reunion. Erzählung. 1971 Neuauflage mit einem Vorwort von Arthur Koestler. 1977 Versöhnt Aus dem Englischen von Eugen Stamm und Thomas Stamm Köln: Hermansen, 1979 Neuübersetzung unter dem Titel: Mit neuem Namen ergänzt durch den Fortsetzungsteil »Die Aufzeichnungen des Konradin von Hohenfels« (»No Coward Soul Is Mine«) Aus dem Englischen von Felix Berner Stuttgart: Deutsche Verlags-Anstalt, 1985 Der wiedergefundene Freund Aus dem Englischen von Felix Berner Zürich: Diogenes, 1988 (Taschenbuchausgabe, detebe 21664) Neuausgabe 1997 (gebundene Ausgabe) Neuausgabe im Taschenbuch, 1998 (detebe 23101) Diogenes Bibliothek, 2004 (gebundene Ausgabe) diogenes deluxe ebd., 2016 (26128) Beneath the Lightning and the Moon · Roman. 1984 Diogenes Hörbuch Der wiedergefundene Freund. 2 CD Sprecher: Hans Korte Zürich: Diogenes, 2010; Hörbuch Download ebd., 2014 (69253) Verfilmung Reunion/L’ami retrouvé · F, D, GB, 1989 Regie: Jerry Schatzberg. Drehbuch: Harold Pinter nach dem gleichnamigen Roman von Fred Uhlman. Mit Jason Robards, Christian Anholt, Samuel West, Françoise Fabian und Barbara Jefford. November 2018 · [email protected] .

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The Free German League of Culture
VOLAJRUME JOURNAL 0 NO.9 SEPTEMBER 200 The Free German League of Culture oday, it is hard to imagine that 1939 at an informal meeting held at the the AJR was once overshadowed Hampstead home of the refugee lawyer T by other organisations claiming and painter Fred Uhlman. It was formally to represent the refugees from Germany constituted at a meeting on 1 March 1939, and Austria in Britain. Yet this was the when Uhlman was appointed chairman, case during the wartime years, when and four honorary presidents were the Free German League of Culture elected: the artist Oskar Kokoschka, the (FGLC, Freier Deutscher Kulturbund) drama critic Alfred Kerr, the writer Stefan was active as the body representing the Zweig and the film director Berthold refugees from Germany, and the Austrian Viertel. The presence of these eminent Centre those from Austria. These were names indicates the importance of culture politically inspired organisations, aiming to the League and to its political aims. It to represent all anti-Nazi refugees from had close relations with the small group Germany or Austria irrespective of of German Communists who had fled to religion or race, unlike the AJR, whose London. Its strategy mirrored Communist constituency was the Jewish refugees tactics during the Popular Front period of irrespective of nationality. the 1930s: to use a programme of cultural Both the FGLC and the Austrian Centre and artistic events to enlist the support of were founded in 1939, just before the FGLC honorary president Oskar Kokoschka a broad spectrum of left-liberal, culturally outbreak of war.
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Adapted to the Cinema by Harold Pinter for Jerry Schatzberg (1989): from (Auto)Biography to Politics
Interfaces Image Texte Language 37 | 2016 Appropriation and Reappropriation of Narratives Reunion, a Novella by Fred Uhlman (1971) adapted to the Cinema by Harold Pinter for Jerry Schatzberg (1989): from (auto)biography to politics Isabelle Roblin Electronic version URL: http://journals.openedition.org/interfaces/298 DOI: 10.4000/interfaces.298 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 1 January 2016 Number of pages: 163-179 ISSN: 1164-6225 Electronic reference Isabelle Roblin, “Reunion, a Novella by Fred Uhlman (1971) adapted to the Cinema by Harold Pinter for Jerry Schatzberg (1989): from (auto)biography to politics”, Interfaces [Online], 37 | 2016, Online since 19 March 2018, connection on 06 January 2021. URL: http://journals.openedition.org/interfaces/298 ; DOI: https://doi.org/10.4000/interfaces.298 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. 163 REUNION, A NOVELLA BY FRED UHLMAN (1971) ADAPTED TO THE CINEMA BY HAROLD PINTER FOR JERRY SCHATZBERG (1989): FROM (AUTO)BIOGRAPHY TO POLITICS Isabelle Roblin Before starting on the analysis of the ways in which Harold Pinter and Jerry Schatzberg transformed and re appropriated Fred Uhlman’s text to make it into a film, it is necessary to sum up what the text is about. The plot of Uhlman’s largely autobiographical novella is quite simple. It is about the short and intense, but ultimately impossible, friendship between two fifteen-year-old school boys during the rise of the Nazi party in Stuttgart in the early 1930s, and more exactly between February 1932 and January 1933.
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Bangor University DOCTOR of PHILOSOPHY the History of the Jewish Diaspora in Wales Parry-Jones
Bangor University DOCTOR OF PHILOSOPHY The history of the Jewish diaspora in Wales Parry-Jones, Cai Award date: 2014 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 Contents Abstract ii Acknowledgments iii List of Abbreviations v Map of Jewish communities established in Wales between 1768 and 1996 vii Introduction 1 1. The Growth and Development of Welsh Jewry 36 2. Patterns of Religious and Communal Life in Wales’ Orthodox Jewish 75 Communities 3. Jewish Refugees, Evacuees and the Second World War 123 4. A Tolerant Nation?: An Exploration of Jewish and Non-Jewish Relations 165 in Nineteenth and Twentieth Century Wales 5. Being Jewish in Wales: Exploring Jewish Encounters with Welshness 221 6. The Decline and Endurance of Wales’ Jewish Communities in the 265 Twentieth and Twenty-first Centuries Conclusion 302 Appendix A: Photographs and Etchings of a Number of Wales’ Synagogues 318 Appendix B: Images from Newspapers and Periodicals 331 Appendix C: Figures for the Size of the Communities Drawn from the 332 Jewish Year Book, 1896-2013 Glossary 347 Bibliography 353 i Abstract This thesis examines the history of Jewish communities and individuals in Wales.
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INFORMATION Fssufd SY the Assoaum of JEVUSH REFU^S U OEAT BRITMI
Volume XXXIV No. 5 May 1979 INFORMATION fSSUfD SY THE Assoaum OF JEVUSH REFU^S U OEAT BRITMI %on Larsen peared from the German scene: where and in what personal situation he worked was irrele vant. Even as a fanner he was still a writer. Another recent book on the subject is GERMAN LITERATURE-IN-EXILE Polififc und Literatur im Exil (Christian Ver The Last Chapter? lag, Hamburg) by Alfred Kantorowicz who emigrated to France, fought against Franco in ^ew topics in literary history have been dis- fred Durzak, Bloomington, who is also the Spain, fled to America and retumed, as a Com *^ussed, studied, written about all over the editor of the anthology) the success stories munist of long standing, to East Germany. But *orld as much as that of German Exilliteratur, are also rare, but some of them are quite the GDR tumed out to be the worst "exile" r'er since the buming of the books and the astounding: Vicki Baum, Lion Feuchtwanger, for him, and after a decade of frustration he "**ss exodus of writers from Nazi Gennany. Franz Werfel extended their former mainly left it to settle in the Federal RepubUc. He But the very diversity of attitudes to the German-language readership into a worldwide died in Hamburg two months ago. ^"Dject makes it difficult to define the term one from their American exile; Anna Segher's Kantorowicz starts his work—compiled for , "Winteratur. Does it mean anything produced Das siebte Kreuz achieved a sale of 600,000 the Forschungsstelle fur die Geschichte des J former Gennan writers outside their home- copies in the U.S.
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Ami Retrouvé
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The Development of Harold Pinter's Political Drama
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the pennission of the Author. FROM MENACE TO TORTURE: THE DEVELOPMENT OF HAROLD PINTER'S POLITICAL DRAMA A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in English at Massey University Betty s. Livingston 1993 ii ABSTRACT There is a degree of continuity between Pinter's "comedies of menace" and his overtly political plays. The chief difference between the two types of plays is one of focus: in the "comedies of menace" Pinter emphasises social pressures exerted on the nonconforming indi victual, whereas in the overtly political plays he focusses explicitly on State oppression of the dissident. Pinter's passionate concern with politics has adversely affected his art, though there are signs of a return to form in his latest play, Party Time. iii ACKNOWLEDGEMENT I am extremely grateful to Professor Dick Corballis for his generous and invaluable guidance and assistance. CONTENTS Page Acknowledgement iii CHAPTER ONE: Introduction 1 CHAPTER TWO: Society versus the nonconforming 5 individual: the "comedies of menace" CHAPTER THREE: The State versus the dissident 48 individual: the overtly political plays CHAPTER FOUR: The effect of Pinter's political 82 commitment on his art NOTES 89 BIBLIOGRAPHY 97 CHAPTER ONE INTRODUCTION Pinter's seemingly abrupt switch to explicitly political drama in One for the Road took many of his critics by surprise.
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