HISTORICAL FICTION Longwood High School Library Global 10 (After 1500)

Total Page:16

File Type:pdf, Size:1020Kb

HISTORICAL FICTION Longwood High School Library Global 10 (After 1500) HISTORICAL FICTION Longwood High School Library Global 10 (After 1500) 2009 Forgotten Fire by Adam Bagdasarian, 2000. The General in His Labyrinth: A Novel by The House of Windjammer by V.A. Gabriel Garcia Márquez, 2003. Richardson, 2003. The story of how Vahan Kenderian survived the Turkish massacre of the Armenians in Forced from power, General Simon Bolivar In the fall of 1636, Adam, fourteen-year-old 1915. (FIC BAG) embarks on a seven months' voyage down heir to the House of Windjammer, must find the Magdalena River, reflecting along the a way to keep his family afloat after his All Souls’ Rising by Madison Smartt Bell, way on his life of campaigns and battles, father dies and tulip fever sweeps 2004. love and loss. (FIC GAR) Amsterdam. (FIC RIC) A fictional account of the late-eighteenth- The Red Necklace: A Story of the French Andi’s War by Billi Rosen, 1989. century Haitian revolution, focusing on Toussaint Louverture, a self-educated slave, Revolution by Sally Gardner, 2008. and Dr. Hebert, a man who falls in love with With her parents away fighting on the Nanon, a mulatto. (FIC BEL) In the late eighteenth-century, Sido, Communist side during Greece's Civil War, the twelve-year-old daughter of a self- Andi fights her own battle against Aristo, the Forbidden City: A Novel by Madison indulgent marquis, and Yann, cruel son of the oppressive Chief of Smartt Bell, 1996. a fourteen-year-old Gypsy orphan raised to Police. (FIC ROS) perform in a magic show, face a common Seventeen-year-old Alex joined his father, a enemy at the start Yellow Star by Jennifer Rozines Roy. 2006. cameraman for the Canadian Broadcasting of the French Revolution. (FIC GAR) Corporation, in China in 1989. As outsiders From 1939, when Sylia is four and a half they faced a time of upheaval as political The Minister’s Daughter by Julie Hearn, years old, to 1945 when she has just turned demonstrations began in Tian An Men 2005. ten, a Jewish girl and her family struggle to Square. (FIC BEL) survive in Poland's Lodz ghetto during the In 1645 in England, the daughters of the Nazi occupation. (FIC ROY) The Boy in the Striped Pajamas by John town minister successfully accuse a local Boyne, 2006. healer and her granddaughter of witchcraft to Eyes of the Emperor by Graham Salisbury, conceal an out-of-wedlock pregnancy, but 2005. Bored and lonely after his family years later during the 1692 Salem trials their moves from Berlin to a place called "Out- lie has unexpected repercussions. (FIC Following orders from the United States With" in 1942, Bruno, the son of a Nazi HEA) Army, several young Japanese American officer, befriends a boy in striped pajamas men train K-9 units to hunt who lives behind a wire fence. (FIC BOY) The Poisonwood Bible: A Novel by Asians during World War II. (FIC SAL) For Freedom: The Story of a French Spy Barbara Kingsolver, 1998. by Kimberly Brubaker Bradley, 2005. Anson’s Way by Gary D. Schmidt, 1999. Nathan Price and his family move to the A novel based on the experiences of Suzanne Belgian Congo in 1959, and the experiences While serving as a British Fencible to David Hall, who, as a teenager in Nazi- they have while living in Africa affect each maintain the peace in Ireland, Anson finds occupied France, worked as a spy for the member of the family in a different that his sympathy for a hedge master places French Resistance while training to be an way. (FIC KIN) him in conflict with the law of King George opera singer. (FIC BRA) II. (FIC SCH) Kiss the Dust by Elizabeth Laird, 1994. Year of Wonders: A Novel of the Plague Kipling’s Choice by Geert Spillebeen 2005. by Geraldine Brooks, 2001. Her father's involvement with the Kurdish resistance movement in Iraq forces thirteen- Presents an historical fiction of World War The story of a small mountain village in year-old One in France and Belgium based upon England and housemaid Anna Frith as they Tara to flee with her family over the border actual records of real events and try to survive the terrible plague year of into Iran, where they face an unknown figures. (FIC SPI) 1666. (FIC BRO) future. (FIC LAI) Code Talker: A Novel About the Navajo The Convicts by Iain Lawrence, 2005. Marines of World War Two by Joseph Bruchac, 2005. His efforts to avenge his father's unjust A novel based on the experiences of Suzanne imprisonment force fourteen-year-old Tom David Hall, who, as a teenager in Nazi- Tin into the streets of nineteenth-century occupied France, worked as a spy for the London, but after he is convicted of murder, French Resistance while training to be an Tom is eventually sent to Australia where opera singer. (FIC BRU) he has a surprise reunion. (FIC LAW) The Power of One by Bryce Courtenay, Number the Stars by Lois Lowry, 1989. Shabanu: Daughter of theWind by 1996. Suzanne FisherStaples, 1997. In 1943, during the German occupation of Story of Peekay, an English boy, living in Denmark, ten-year-old Annemarie learns When eleven-year-old Shabanu, the daughter South Africa during World War II whose how to be brave and courageous when she of a nomad in the Cholistan Desert of present dream is to become a winner. (FIC COU) helps shelter her Jewish friend from the -day Pakistan, is pledged in marriage to an Nazis. (FIC LOW) older man whose money will bring prestige The Farming of Bones: A Novel by to the family, she must either accept the Edwidge Danticat, 1998. Girl of Kosovo by Alice Mead, 2001. decision, as is the custom, or risk theconsequences of defying her father's Amabelle, a Haitian woman who has grown Although Zana, an eleven-year-old Albanian wishes. (FIC STA) up as a servant in the home of Dominicans, girl, experiences the turmoil and violence of falls in love with Sebastien, an itinerant the 1999 conflict in Vanity Fair: A Novel Withouta Hero by sugarcane cutter, and together they try to her native Kosovo, she remembers her William Makepeace Thackeray, 2001. weather the storms of persecution against father's admonition to not let her heart their people. (FIC DAN) become filled with hate. (FIC MEA) A satirical look at Victorianmanners recounting the experiences of two finishing A Journal of the Plague Year by Daniel Bloody Jack: Being an Account of the school graduates, Becky Sharp and DeFoe, 2003. Curious Adventures of Mary “Jacky” Amelia Sedley. (FIC THA) Faber, Ship’s Boy by L.A. Meyer, 2002. Presents seventeenth-century author Daniel Reunion by Fred Uhlman, 1977. Defoe's fictionalized account of what it was Reduced to begging and thievery in the like to live in London in 1665 when the city streets of London, a thirteen-year-old orphan The close friendship of two German boys, was in the grip of plague. (FIC DEF) disguises herself as a boy and connives her one of them Jewish, is destroyed when the way onto a British warship set for high sea Nazis gain power in their country.(PB FIC Powder Monkey: The Adventures of Sam adventure in search of pirates. (PB FIC UHL) Witchall by Paul Dowswell, 2005. MEY) Montmorency: Thief, Liar, Gentleman? Thirteen-year-old Sam endures harsh Hush: An Irish Princess' Tale by Donna Jo By Eleanor Updale, 2004. conditions, battles, and a shipwreck after Napoli, 2007. being pressed into service aboard the HMS In Victorian London, after his lifeis saved by Miranda during the Napoleonic Wars. (FIC Fifteen-year-old Melkorka, an Irish a young physician, athief utilizes the DOW) princess, is kidnapped by Russian slave knowledge hegains in prison and from the traders and not only learns how to survive scientific lectures he attends as the Birdsong by Sebastian Faulks, 1996 but to challenge some of the brutality of her physician's case study exhibit to create a captors, who are fascinated by her apparent new, highly successful, Rootless and heartbroken Stephen Wraysford muteness and the possibility that she is double life for himself. (FIC UPD) joins the army at the outbreak of World War enchanted. (FIC NAP) I. He and his men are given the assignment The Bridge of San Luis Rey by Thornton to tunnel under the German lines and set off When My Name Was Keoko by Linda Sue Wilder, 2004. bombs. The comaraderie, love, and loyalty Park, 2004. of the soldiers contrasts with the horrors of In Peru in 1714, FranciscanBrother Juniper the underground, air, and trench With national pride and occasional fear, a inquires into the lives of five travelers who warfare. (FIC FAU) brother and sister face the increasingly died when a bridge collapsed, in an attempt oppressive occupation of Korea by Japan to prove that this was not an accident but 1632 by Eric Flint, 2000. during World War II, which threatens to part of God's plan. (FIC WIL) suppress Korean culture entirely. (FIC PAR) Mike Stern and his friends are transported Soldier X by Don Wulffson, 2001. into the Thirty Year's War where they Sovay by Celia Rees, 2008. introduce freedom and justice, American In 1943 sixteen-year-old Erik experiences style. (PB FIC FLI) An historical novel set in 1794 England, the horrors of war when he is drafted into the about a wealthy girl who disguises herself as German army and sent to fight on The Braid by Helen Frost, 2006. a highwayman, acquires papers that could the Russian front.
Recommended publications
  • The Free German League of Culture
    VOLAJRUME JOURNAL 0 NO.9 SEPTEMBER 200 The Free German League of Culture oday, it is hard to imagine that 1939 at an informal meeting held at the the AJR was once overshadowed Hampstead home of the refugee lawyer T by other organisations claiming and painter Fred Uhlman. It was formally to represent the refugees from Germany constituted at a meeting on 1 March 1939, and Austria in Britain. Yet this was the when Uhlman was appointed chairman, case during the wartime years, when and four honorary presidents were the Free German League of Culture elected: the artist Oskar Kokoschka, the (FGLC, Freier Deutscher Kulturbund) drama critic Alfred Kerr, the writer Stefan was active as the body representing the Zweig and the film director Berthold refugees from Germany, and the Austrian Viertel. The presence of these eminent Centre those from Austria. These were names indicates the importance of culture politically inspired organisations, aiming to the League and to its political aims. It to represent all anti-Nazi refugees from had close relations with the small group Germany or Austria irrespective of of German Communists who had fled to religion or race, unlike the AJR, whose London. Its strategy mirrored Communist constituency was the Jewish refugees tactics during the Popular Front period of irrespective of nationality. the 1930s: to use a programme of cultural Both the FGLC and the Austrian Centre and artistic events to enlist the support of were founded in 1939, just before the FGLC honorary president Oskar Kokoschka a broad spectrum of left-liberal, culturally outbreak of war.
    [Show full text]
  • Adapted to the Cinema by Harold Pinter for Jerry Schatzberg (1989): from (Auto)Biography to Politics
    Interfaces Image Texte Language 37 | 2016 Appropriation and Reappropriation of Narratives Reunion, a Novella by Fred Uhlman (1971) adapted to the Cinema by Harold Pinter for Jerry Schatzberg (1989): from (auto)biography to politics Isabelle Roblin Electronic version URL: http://journals.openedition.org/interfaces/298 DOI: 10.4000/interfaces.298 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 1 January 2016 Number of pages: 163-179 ISSN: 1164-6225 Electronic reference Isabelle Roblin, “Reunion, a Novella by Fred Uhlman (1971) adapted to the Cinema by Harold Pinter for Jerry Schatzberg (1989): from (auto)biography to politics”, Interfaces [Online], 37 | 2016, Online since 19 March 2018, connection on 06 January 2021. URL: http://journals.openedition.org/interfaces/298 ; DOI: https://doi.org/10.4000/interfaces.298 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. 163 REUNION, A NOVELLA BY FRED UHLMAN (1971) ADAPTED TO THE CINEMA BY HAROLD PINTER FOR JERRY SCHATZBERG (1989): FROM (AUTO)BIOGRAPHY TO POLITICS Isabelle Roblin Before starting on the analysis of the ways in which Harold Pinter and Jerry Schatzberg transformed and re appropriated Fred Uhlman’s text to make it into a film, it is necessary to sum up what the text is about. The plot of Uhlman’s largely autobiographical novella is quite simple. It is about the short and intense, but ultimately impossible, friendship between two fifteen-year-old school boys during the rise of the Nazi party in Stuttgart in the early 1930s, and more exactly between February 1932 and January 1933.
    [Show full text]
  • Bangor University DOCTOR of PHILOSOPHY the History of the Jewish Diaspora in Wales Parry-Jones
    Bangor University DOCTOR OF PHILOSOPHY The history of the Jewish diaspora in Wales Parry-Jones, Cai Award date: 2014 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 Contents Abstract ii Acknowledgments iii List of Abbreviations v Map of Jewish communities established in Wales between 1768 and 1996 vii Introduction 1 1. The Growth and Development of Welsh Jewry 36 2. Patterns of Religious and Communal Life in Wales’ Orthodox Jewish 75 Communities 3. Jewish Refugees, Evacuees and the Second World War 123 4. A Tolerant Nation?: An Exploration of Jewish and Non-Jewish Relations 165 in Nineteenth and Twentieth Century Wales 5. Being Jewish in Wales: Exploring Jewish Encounters with Welshness 221 6. The Decline and Endurance of Wales’ Jewish Communities in the 265 Twentieth and Twenty-first Centuries Conclusion 302 Appendix A: Photographs and Etchings of a Number of Wales’ Synagogues 318 Appendix B: Images from Newspapers and Periodicals 331 Appendix C: Figures for the Size of the Communities Drawn from the 332 Jewish Year Book, 1896-2013 Glossary 347 Bibliography 353 i Abstract This thesis examines the history of Jewish communities and individuals in Wales.
    [Show full text]
  • INFORMATION Fssufd SY the Assoaum of JEVUSH REFU^S U OEAT BRITMI
    Volume XXXIV No. 5 May 1979 INFORMATION fSSUfD SY THE Assoaum OF JEVUSH REFU^S U OEAT BRITMI %on Larsen peared from the German scene: where and in what personal situation he worked was irrele­ vant. Even as a fanner he was still a writer. Another recent book on the subject is GERMAN LITERATURE-IN-EXILE Polififc und Literatur im Exil (Christian Ver­ The Last Chapter? lag, Hamburg) by Alfred Kantorowicz who emigrated to France, fought against Franco in ^ew topics in literary history have been dis- fred Durzak, Bloomington, who is also the Spain, fled to America and retumed, as a Com­ *^ussed, studied, written about all over the editor of the anthology) the success stories munist of long standing, to East Germany. But *orld as much as that of German Exilliteratur, are also rare, but some of them are quite the GDR tumed out to be the worst "exile" r'er since the buming of the books and the astounding: Vicki Baum, Lion Feuchtwanger, for him, and after a decade of frustration he "**ss exodus of writers from Nazi Gennany. Franz Werfel extended their former mainly left it to settle in the Federal RepubUc. He But the very diversity of attitudes to the German-language readership into a worldwide died in Hamburg two months ago. ^"Dject makes it difficult to define the term one from their American exile; Anna Segher's Kantorowicz starts his work—compiled for , "Winteratur. Does it mean anything produced Das siebte Kreuz achieved a sale of 600,000 the Forschungsstelle fur die Geschichte des J former Gennan writers outside their home- copies in the U.S.
    [Show full text]
  • CITING CITIES Abstracts
    EnterText 5.2 EnterText volume 5 number 2 CITING CITIES Abstracts Tara Brabazon: There is a Light that Never Goes Out: Neil Finn, Johnny Marr and the Flickering of Popular Music Some pop concerts arch beyond a single night or list of yearly favourites. Remember The Beatles at the top of the Apple Building, with John Lennon’s wild fur coat, squalling hair and flying fingers. The Band’s Last Waltz was transposed, via Martin Scorsese’s incisive editing, camera work and direction, beyond a great final gig for Dylan’s backing group and into the eulogy of a generation. The Last Waltz danced between mockumentary and documentary, generational envy and generational angst. Another great concert enfolds passionate and complex musical trajectories from Manchester to Melbourne, London to Auckland. In late March 2001, Neil Finn assembled musicians he respected. They rehearsed for a few days at Kare Kare above a gothic beachfront, and then performed four concerts at St James Theatre in Auckland, New Zealand. The resultant concert survives on compact disc, video and DVD under the title 7 Worlds Collide. Besides contacting his brother Tim, Neil Finn telephoned Eddie Vedder and Radiohead’s Ed O’Brien and Philip Selway, who all decided to appear on stage with a songwriter they admire. One more notable performer also journeyed into the Pacific to join the ensemble. When Neil Finn gathered his postmodern supergroup at Kare Kare, Johnny Marr became the fulcrum of the band. It was a fascinating choice. The Smiths had a success always promised to Split Enz, but never delivered.
    [Show full text]
  • “Creative Writing Workshop on Jewish History and Culture”
    Workshop syllabi Carlota Matesanz Sanchioli SYLLABI “Creative Writing Workshop on Jewish History and Culture” ➢ This is an introductory workshop; the focus is on familiarizing students with specific topics and to learn and reflect about them through creative writing. ➢ The topics taught in this workshop are Jewish religion and culture; socio-political frameworks of Jewish communities in Europe from 1800; the dynamics of anti-Judaism and antisemitism; the structures and narratives of hate that led to the Holocaust; the complexities of contemporary antisemitism from 1945; and Jewish life today. ➢ This workshop is oriented to small groups of young adults, ranging from seventeen to eighteen years old. The workshop will take place in a high-school environment in Madrid, Spain. ➢ This is a five-session workshop taught over five consecutive days. Each day will consist of a four-hour session plus two half-hour intervals. READINGS AND VISUALS Extracts will be read and watched in class. Session 1: Selected short videos of Jewish life pre-Holocaust. Session 2: Reunion by Fred Uhlman (1971). Session 3: Maus by Art Spiegelman (2007). Session 4: - Antisemitism Here and Now by Deborah Lipstadt (2019). - Cartoons and Extremism by Joël Kotek (2008). - ADL 100 Report - https://global100.adl.org/map - RAXEN Report - http://www.movimientocontralaintolerancia.com/html/raxen/raxen.asp Session 5: Dora Bruder by Patrick Modiano (2016) [to be read before the session]. OPTIONAL VIEWINGS The students will be offered two additional online activities: - Online viewing of Himmelweg by Juan Mayorga (theatre play) (2011). - Online visit to the “Auschwitz” exhibition, as displayed in Madrid from 2017 to 2018.
    [Show full text]
  • PINTER on SCREEN: POWER, SEX & POLITICS (1 July – 31 August) – Curated by Harold Pinter Biographer and Theatre Critic for the Guardian Michael Billington
    Tuesday 19 June 2018, London. To mark the 10th anniversary of the death of one of the most important and influential British playwrights of the last century, HAROLD PINTER, BFI Southbank will host a special two month season – PINTER ON SCREEN: POWER, SEX & POLITICS (1 July – 31 August) – curated by Harold Pinter biographer and theatre critic for The Guardian Michael Billington. Best-known for his work as a playwright, PINTER ON SCREEN will celebrate his contribution to film and television, which was extremely significant, not only writing pioneering plays for television, but also for working on scripts for a varied range of landmark films like Joseph Losey’s The Servant (1963), The French Lieutenant’s Woman (Karel Reisz, 1981) starring Meryl Streep and Jeremy Irons, The Comfort of Strangers (Paul Schrader, 1990) and the 1990 adaptation of Margaret Atwood’s still all-too-relevant The Handmaid’s Tale (Volker Schlöndorff). “‘Truth in drama, is forever elusive. You never quite find it, but the search for it is compulsive.’ – Harold Pinter on receiving the Nobel Prize for Literature in 2005. On this statement, and on Pinter, season curator Michael Billington says: “That applies as much to his work for the screen as it does to the stage with which it shares many qualities: a fascination with the private roots of power, an abiding preoccupation with memory and the deceptiveness of language, a belief in the agency of women. Pinter, from his teenage years when he explored the work of Luis Buñuel, Marcel Carné and Jean Vigo, was always passionately in love with cinema and was proud that the majority of his screenplays were filmed.
    [Show full text]
  • 1 Kurt Schwitters in Isolation
    Kurt Schwitters in Isolation - An Aesthetics of Resistance Item Type Article Authors Quayle, Cian Citation Quayle, C. (2020). Kurt Schwitters in Isolation - An Aesthetics of Resistance. Sch... The Journal of the Kurt Schwitters Society, 8, 49 - 77 Publisher The Kurt Schwitters Society Journal Sch... The Journal of the Kurt Schwitters Society Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 24/09/2021 04:32:07 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10034/624198 Kurt Schwitters in Isolation – An Aesthetics of Resistance Cian Quayle In 2007 I cycled from Clapham Junction to Highgate to meet Klaus Hinrichsen and his wife Margarete (Gretel) at their home in a part of the city long associated with émigré artists. The Hinrichsens had already settled in London prior to the war and this continued after their release from internment. Hinrichsen’s account of internment has an established track record, documented in his own essay ‘Visual Art Behind the Wire’.1 I, like many others before, was warmly welcomed at the Hinrichsen’s home. Prior to our meeting I had explained that I was born in the Isle of Man and had a long-standing interest in the work of Kurt Schwitters, and in particular the period of internment, which Hinrichsen had shared with Schwitters; both were detained in Hutchinson ‘P’ Camp, one of six in Douglas, and a total of eleven in the Isle of Man. During the internment period, the authorities were aware of the importance of finding ways to keep the internees occupied as a way of counteracting the fears, anxieties and problems that their confinement might lead to.
    [Show full text]
  • Identity Among Internees in Great Britain During World War II Elizabeth A
    Volume 4 Article 5 2005 "You must all be Interned": Identity Among Internees in Great Britain during World War II Elizabeth A. Atkins Gettysburg College Class of 2005 Follow this and additional works at: https://cupola.gettysburg.edu/ghj Part of the European History Commons Share feedback about the accessibility of this item. Atkins, Elizabeth A. (2005) ""You must all be Interned": Identity Among Internees in Great Britain during World War II," The Gettysburg Historical Journal: Vol. 4 , Article 5. Available at: https://cupola.gettysburg.edu/ghj/vol4/iss1/5 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. "You must all be Interned": Identity Among Internees in Great Britain during World War II Abstract Between 1933 and 1940, the United States, Great Britain and most other developed nations saw an influx of German refugees entering their borders attempting to be free of the tyranny of Hitler’s National Socialism. Many of those fleeing from Germany were intellectuals: authors, teachers, artists, or thinkers who faced persecution in their homeland. For the men, women, and children who chose the British Isles as their new home, Great Britain symbolized hope for a life free from persecution. By 1941, however, many refugees from Germany found themselves arrested and put into camps, not by the Nazis, but by their protectors, the British. Keywords Great Britain, World War II, German refugees, internment camps This article is available in The Gettysburg Historical Journal: https://cupola.gettysburg.edu/ghj/vol4/iss1/5 “You must all be Interned”: Identity Among Internees in Great Britain during World War II Elizabeth A.
    [Show full text]
  • Ami Retrouvé
    L’Ami retrouvé Ou l’amitié malmenée par l’Histoire Dossier pédagogique de Marie- Anne LIEB Docteur en Etudes Cinématographiques Janvier 2011 Synopsis New York, 1988. Un vieil homme part pour l’Allemagne, prétextant un voyage d’affaires. Il est en réalité sur les traces de son passé. Un passé lointain et torturant puisqu’en 1932, ce fils d’un médecin juif assiste à la montée du nazisme. Il a alors seize ans et lie une profonde amitié avec un jeune aristocrate fortuné, dont les parents sont nazis. Hans Strauss va chercher à savoir ce qu’est devenu son ami d’enfance, Konrad Von Lorenbourg. Autopsie d’un roman Le film intitulé L’Ami retrouvé (dont le titre original anglais est Reunion) est une adaptation du livre éponyme de Fred Uhlman, paru en 1971. Celle-ci fut réalisée par le réalisateur Jerry Schatzberg et le dramaturge Harold Pinter. Fred Uhlman, né le 19 janvier 1901 à Stuttgart en Allemagne, mort à Londres en avril 1985, était un écrivain ainsi qu’un peintre britannique d'origine allemande. Si ce roman n’est pas au sens strict du terme autobiographique, nous y retrouvons néanmoins de nombreuses corrélations romancées avec la vie de son auteur. Fred Uhlman fréquente le collège de Stuttgart et ses matières de prédilection étaient les mathématiques et l’histoire à l’instar de son héros, le jeune Hans Schwarz. Il devient avocat après des études de droit commencées en 1927 à l’université de Tübingen, puis à Fribourg et Munich. Le premier plan nous présente Henry dans son bureau d’avocat new-yorkais.
    [Show full text]
  • The Development of Harold Pinter's Political Drama
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the pennission of the Author. FROM MENACE TO TORTURE: THE DEVELOPMENT OF HAROLD PINTER'S POLITICAL DRAMA A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in English at Massey University Betty s. Livingston 1993 ii ABSTRACT There is a degree of continuity between Pinter's "comedies of menace" and his overtly political plays. The chief difference between the two types of plays is one of focus: in the "comedies of menace" Pinter emphasises social pressures exerted on the nonconforming indi victual, whereas in the overtly political plays he focusses explicitly on State oppression of the dissident. Pinter's passionate concern with politics has adversely affected his art, though there are signs of a return to form in his latest play, Party Time. iii ACKNOWLEDGEMENT I am extremely grateful to Professor Dick Corballis for his generous and invaluable guidance and assistance. CONTENTS Page Acknowledgement iii CHAPTER ONE: Introduction 1 CHAPTER TWO: Society versus the nonconforming 5 individual: the "comedies of menace" CHAPTER THREE: The State versus the dissident 48 individual: the overtly political plays CHAPTER FOUR: The effect of Pinter's political 82 commitment on his art NOTES 89 BIBLIOGRAPHY 97 CHAPTER ONE INTRODUCTION Pinter's seemingly abrupt switch to explicitly political drama in One for the Road took many of his critics by surprise.
    [Show full text]
  • Downloaded from Manchesterhive.Com at 10/05/2021 07:19:55AM Via Free Access Now This All Feels a Bit Strained, and the Theme Overstated
    3: Aliens For my first creative writing group, formed with three colleagues at the [ 39 ] South Bank Centre in London in December 1987, I wrote about this photograph, taken in 1940 or 1941. I called the piece ‘Image of an alien’. But the really extraordinary thing about this photo is that he is right in the centre. Not only that. He is framed and displayed by the arch, projected, more than any of the other men, against the pale background of the sky. It took me a while to understand what was so unsettling about it. I thought it was the dislocating effect of seeing him in the company of men – a different vision of how he might have been before the matriarchy took him over on his return. There is something strange, too, in the evidence that he existed, in a particular place and at a particular moment, before I was born. But now it’s perfectly clear that the most disorienting feature of this image is his position of casual centrality. Because for the past forty years he has only appeared at the edges of things, exiled to the margins of the life and the conversations of the family. I imagine that this was, for him, a position he took with some gratitude. Excluded by culture and language, as well as by natural inhibition and reticence, he was more than content to leave all the Important Things (which included the children) to my mother and her ample extended family. There’s only one photo of him holding the baby (me), in which he looks embarrassed and nervous (but with the same shy smile as in this photo).
    [Show full text]