IUOMA Blog Archive 2008 01 01
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
By TIMO VAN LUIJK
TIMO VAN LUIJK EVENTS, NEW COMPOSITIONS AND RECORDS RECENTLY RELEASED ON THE METAPHONE LABEL ===================================================================== ===================================================================== "L'ORO NERO" by TIMO VAN LUIJK "L'Oro Nero" (the black gold) is a multitrack composition for concrete sounds, flute, harmonica and voice. This piece, commissioned by Musica in Neerpelt (Belgium), is inspired by the local coalmines abondoned since the late 80's. A sonic chart of the subterranean atmosphere and the decay of the gigantic remaining desolate sites. All concrete sounds and instruments were recorded in the corridors of the mine museum in Beringen. Click on the link below for more info and online listening: http://www.musica.be/nl/klankkunst/klankatlas/belgisch-limburg.aspx Info : www.lasciedoree.be --------------------------------------------------------------------------------------------------------------------- --------------------------------------------------------------------------------------------------------------------- EDWARD KA-SPEL & SILVERMAN / IN CAMERA (Christoph Heemann & Timo van Luijk) : Musiques Insolites #6 Sunday 27 february, 15h30 Les Ateliers Claus Passage Rogier, 1210 Brussels Info : www.metaphon.be --------------------------------------------------------------------------------------------------------------------- --------------------------------------------------------------------------------------------------------------------- P-ART : Piano op Indische Vleugel(s) Thursday -
Dear Reader. Don't Read
1 Guy Schraenen Ulises Carrión Dear reader. Don’t read. The revolution engendered by access to knowledge on the Internet brings to the fore certain artistic projects of the past that seem to resonate with the present, as a kind of wake-up call or an invitation to reflect. This is the case, for instance, of the heterodox, multiform oeuvre of the artist, writer, and publisher Ulises Carrión. Right from its title, the exhibition Dear reader. Don’t read raises a paradox in the form of a negative imperative: it reminds us of the need to approach written text, literature, and hence culture as an ambiguous and contra- dictory field full of latent meanings that may perhaps even surface through their negation. The exhibition, which takes the thought-provoking form of a large exhibited—or “published”—archive, inquires into what a museum can contain, beyond traditional formats. It also explores what an art institution can do in the sense of giving voice to groups of thoughts that have been hidden by the veil of time and by the material complexity of the media in which they are expressed. The Ulises Carrión exhibition and publication are presented at a time when both the Museo Reina Sofía and its foundation are paying close attention to archives, particularly those related to Latin America’s cultural scene. Due to their very nature, these groups of units of knowledge are at risk of disappearing, either literally in the physical sense or by succumbing to oblivion and neglect, to the point where they can no longer be read or interpreted. -
Artists3 Books
ARTISTS3BOOKS:' news and reviews NEWS included an interview with Stephen Moore from San Jose, and No. 7 included an interview with Susan Wick. The Recently, Susan Wick closed her AART store, a six-month tabloid in newsprint is available free from Another Room, experiment in retailing contemporary art from $5 to $50 1640 18th St., Oakland, CA 94607. Space is available for in Oakland, California, and devised this recipe, which we advertising and printing for artists at $65 a full page. want to pass on to our readers: ARTISTS' PERIODICALS 1) Take a storefront in a very accessible shopping area that you can afford to pay the rent, electricity, water, Artpolice Magazines come out of Minneapolis. They publish insurance, etc. one to seven issues per year. 1979 saw 5 issues and 6 news- 2) Take work on consignment from artists with the letters. They publish in small editions and seek a serious agreement to pay 70% of sales to the artist. alternative to art being made today. The formats are wild, 3) Remain available for artists to do a varying number and the cartoons are sensational! Artpolice can be found of things, such as artists do, in around and with the si- at Artworks, Printed Matter, or from Artpolice, 133 E. multaneous showing of the static art. 25th Street, Minneapolis, MN 55404. 4) Specialize in prices that are affordable, $5 - $50. 5) Pay the artists once a month for any profit of $5 or Reaktion 4 is a tiltiUating voyage through the work of Omir, more. Erben, Heibel, Bertrand, Van Dijk, Morellet, De Vries and 6) Remain available to the public as a bridge between the Parmiggiani, which includes sensual conceptual photographs, artists and the community, encouraging collecting of this overlays, photographs on various kinds of paper, visual-verbal kind of art. -
The P0litics of S0und / the Culture 0F Exchange
The P0litics of S0und / The Culture 0f Exchange Online Panel Discussion Live from January 31 - March 23 2005 with Kenneth Goldsmith, Douglas Kahn and John Oswald Moderated by Lina Dzuverovic Lina Dzuverovic Subject: The P0litics of S0und / The Culture 0f Exchange Posted: Jan 31, 2005 2:12 PM The practice of cutting-up, appropriating and repurposing existing content in the creation of new artworks was central to 20th century artistic practice. From Marcel Duchamp’s ‘Erratum Musical’ (1913) which spliced together dictionary definitions of the word ‘imprimer’ with a score composed from notes pulled out of a hat, via William Burroughs’s and Brion Gysin’s ‘cut-up’ technique used to allow new meanings to ‘leak in’ by re-cutting existing texts, to John Oswald’s releases which mixed and altered several musical sources, the history of the 20th century avant-garde can be read as the history of appropriation. The availability, immediacy and ease of use of digital networked technologies in the last decade has made the link between the notion of 'the original' and artistic value more tenuous than ever, ushering in a new chapter in the debate around appropriation and the role of the author. The early years of the Internet enabled independent musical and artistic networks to flourish and operate somewhat ‘under the radar’ of commercial production, often establishing their own gift economies and adhering to rules decided by the network participants themselves. But this brief period of ‘making it up as we go along’ when it comes to file sharing, distribution and exchange is coming to an end in the face of endless attempts by the music industry to understand, co-opt, capitalize on and engage with cultures of exchange introduced by online networks and grassroots initiatives. -
RARE Periodicals Performance ART, Happenings, Fluxus Etc
We specialize in RARE JOURNALS, PERIODICALS and MAGAZINES rare PeriodicAlS Please ask for our Catalogues and come to visit us at: per fORMANcE ART, HappENINgS, http://antiq.benjamins.com flT UxUS E c. RARE PERIODICALS Search from our Website for Unusual, Rare, Obscure - complete sets and special issues of journals, in the best possible condition. Avant Garde Art Documentation Concrete Art Fluxus Visual Poetry Small Press Publications Little Magazines Artist Periodicals De-Luxe editions CAT. Beat Periodicals 297 Underground and Counterculture and much more Catalogue No. 297 (2017/2018) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75G · 1033 NN Amsterdam · The Netherlands Postal address: P.O. BOX 36224 · 1020 ME Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM CONDITIONS OF SALE 1. Prices in this catalogue are indicated in EUR. Payment and billing in US-dollars to the Euro equivalent is possible. 2. All prices are strictly net. For sales and delivery within the European Union, VAT will be charged unless a VAT number is supplied with the order. Libraries within the European Community are therefore requested to supply their VAT-ID number when ordering, in which case we can issue the invoice at zero-rate. For sales outside the European Community the sales-tax (VAT) will not be applicable (zero-rate). 3. The cost of shipment and insurance is additional. 4. Delivery according to the Trade Conditions of the NVvA (Antiquarian Booksellers Association of The Netherlands), Amsterdam, depot nr. 212/1982. All goods supplied will remain our property until full payment has been received. -
25 YEARS in Mail-Art
25 YEARS in mail-art (Eraser carving of Ruud Janssen by Tim Mancusi - USA) . 1 2 INDEX INDEX............................................................................................................... 3 Publishing Thoughts .......................................................................................... 5 The IUOMA ...................................................................................................... 6 Fluxus Heidelberg Center.................................................................................. 8 Interviews .......................................................................................................... 9 Overview ....................................................................................................... 9 BY HANS-RUEDI FRICKER .................................................................... 10 BY CAROL STETSER ............................................................................... 24 BY MARK GREENFIELD ......................................................................... 42 BY DOBRICA KAMPERELIC .................................................................. 58 Ruud Janssen and the TAM Web Site............................................................. 65 Introduction to Ruud Janssen ...................................................................... 65 The combination of mail art and computers: the TAM web site................. 66 Look and feel of TAM................................................................................. 67 TAM in context -
Copyright by Madelyn Kim Starbuck 2003
Copyright by Madelyn Kim Starbuck 2003 The Dissertation Committee for Madelyn Kim Starbuck Certifies that this is the approved version of the following dissertation: Clashing and Converging: Effects of the Internet on the Correspondence Art Network Committee: John Slatin, Supervisor DeLayne Hudspeth Allucquére Rosanne Stone Oscar Mink George Culp Clashing and Converging: Effects of the Internet on the Correspondence Art Network by Madelyn Kim Starbuck, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2003 Dedication To the memory of Ray Johnson and in celebration of the Correspondence Art Network past, present, and future. Acknowledgements I gratefully acknowledge the many correspondence artists who generously contributed their interviews, their art works, and their review of parts of this study. Warm thanks to Anna Madrona and Knut Graf for critical path direction and to honoria, my artist identity. v Clashing and Converging: Effects of the Internet on the Correspondence Art Network Publication No._____________ Madelyn Kim Starbuck, Ph.D. The University of Texas at Austin, 2003 Supervisor: John M. Slatin This study examines the effects of the Internet on an international community of artists who have exchanged art through postal systems for 40 years. The methods of grounded theory are employed to collect and analyze three types of data. The sources of data are: literature collected from Internet communities where the artists converse and publish artworks, interviews with artists who have experience in both electronic and traditional network environments, and artworks made by artists to express their visual and poetic responses to the Internet. -
The Network Atlas
Géza Perneczky NETWORK ATLAS Works and Publications by the People of the First Network Volume 1: A - N A Historical Atlas for the Post-Fluxus Movements as Mail Art, Visual Poetry, Copy Art, Stamp Art & Other Relative Trends with Addresses, Projects, Publications & Exhibition Events (Unedited manuscript) * Up to date: July 2004. © Geza Perneczky Soft Geometry, Cologne 2 3 It's very important for me to say that I consider my occupation as an artist as very small and insignificant but at the same time as one of great dignity. I mean the refusal to accept compromisses with power, no matter of what kind it is, and the rejection of the use of art and the artistic work as its instrument... Es muy importante para mí expresar que el ejercicio de mi profesión artística lo veo como una actividad muy modesta, pero con mucha dignidad a la vez. Me refiero a la actitud de rechazo de todo compromiso con el poder, cualquiera que sea, y de la utilización de la actividad creadore como instrumento de él... Es ist für mich sehr wichtig zu sagen, daß ich meine künstlerische Tätigkeit als sehr bescheiden betrachte, gleichzeitig aber als eine von großer Würde. Ich meine damit das Zurückweisen von Kompromissen mit der Macht, egal welcher Art sie ist, und das Zurückweisen der Benutzung der Kunst und der künstlerischen Tätigkeit als ihr Instrument... (Guillermo Deisler: Some events... ) 4 1 a Collective de Arte Postale» Faculdade de Filosofia. Arapongas Brasil 1978 → °1 a Collective de Arte Postale. Doc. List of 29 parts. 1978 «A 1. Waste Paper Comp. -
A Finding Aid to the John Held Papers Relating to Mail Art in the Archives of American Art
A Finding Aid to the John Held Papers Relating to Mail Art in the Archives of American Art Jean Fitzgerald & Judy Ng Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. July 30, 2009 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographical Material, 1990-1999............................................................. 5 Series 2: Diaries, 1990-2000................................................................................... 6 Series 3: Letters, 1973-2008................................................................................... -
Mail-Art CD's in the TAM-Archive Collection
v 1.5 Overview of Mail-Art CD’s in the TAM Archives collection. This is just the rough data for each CD. Updated: Saturday, 15 November 2003 So far 44 CD’s are indexed in this document. TAM-Archive Curator: Ruud Janssen Postal Address: P.O. Box 10388 5000 JJ Tilburg Netherlands www.iuoma.org [email protected] CD collection about Mail-Art in TAM-Archive / Netherlands page 1 of 47 CD number : 2002.01 Title: Travelling – Arte Postal Publisher: Porte Portugal. Description: Self-made CD-ROM of a mail-art project done in Portugal in 2002. CD-R finished in March 2003. Sort of CD: CD-ROM / CD-R / CD-RW / DVD / Small size CD-R (20 minutes) Texts/Booklets: none Source/ Address: unknown Number of CD’s in 1 Archive: Copies sent to: - Copy received from: Organizer project Documentation of Yes project: Private published No Documentation: Other remarks: Well done digital lay-out of the works with a complete menu. CD collection about Mail-Art in TAM-Archive / Netherlands page 2 of 47 CD number : 1998.01 Title: Bureaus 1001 desks Publisher: Guy Bleus with centrum Beeldende Kunst Groningen – Netherlands Description: Documentation of a mail-art project by Guy Bleus – Belgium done for the Cultural centre in Groningen. Sort of CD: CD-ROM / CD-R / CD-RW / DVD / Small size CD-R (20 minutes) Texts/Booklets: Yes Source/ Address: Guy Bleus Administration Centre – 42.292 Postbus 43 3830 – Wellen Belgium Number of CD’s in 1 Archive: Copies sent to: - Copy received from: Guy Bleus / organizer project Documentation of Yes project: Private published No Documentation: Other remarks: Edition of 1000 CD’s was made. -
ART Versus SOCIÉTÉ : L'art Doit Changer Le Monde
ART versus SOCIÉTÉ : l’art doit changer le monde Sous la direction d’Hervé Fischer M@GM@ Revue internationale en Sciences Humaines et Sociales vol.18, n.3, 2020, ISSN 1721-9809 Donate online - PayPal email : [email protected] M@GM@ Revue Internationale en Sciences Humaines et Sociales ISSN 1721-9809 Périodique électronique fondé et dirigé par le Sociologue Orazio Maria Valastro Revue enregistrée n.27/02 du 19/11/02 dans le Registre Presse du Tribunal de Catania Revue scientifique ANVUR Section 14 Rédaction : via Pietro Mascagni n.20, 95131 Catania-Italie Direction Scientifique : Orazio Maria Valastro Comité Scientifique : Christian Chelebourg, Vito Antonio D’Armento, Augusto Debernardi, Cecilia Edel- stein, Carolina Ferrer, Hervé Fischer, Mabel Franzone, Philippe Lejeune, Maria Immacolata Macioti, Michel Maffesoli, Ana Maria Peçanha, Danielle Perin Rocha Pitta, Mohammed Taleb. Comité de Rédaction - Comité de Lecture : Cecilia Edelstein, Mabel Franzone, Luca Benvenga, AnnaMaria Calore, Jawad Mejjad, Bernard Troude ; Mehdi Alioua, Maria Francesca Carnea, Naila Clerici, Christian Gatard, Anne-Marie Laulan, Ana Rita Santiago, Jean-Jacques Vincensini. Bureau de Rédaction : Maria Crivelli. Observatoire Processus Communications - Association Culturelle Scientifique Email : [email protected] Site Web : www.analisiqualitativa.com Via Pietro Mascagni n.20 - 95131 Catania - Italy ART versus SOCIÉTÉ : l’art doit changer le monde Sous la direction d’Hervé Fischer M@GM@ Revue internationale en Sciences Humaines et Sociales vol.18, n.3, 2020, ISSN 1721-9809 Sommaire L’art doit changer le monde Hervé Fischer - France et Canada L’art a pu être une célébration ou un divertissement pour les fêtes aristocratiques, bourgeoises ou populaires. Mais dans les sociétés « premières », c’était avant tout un rituel sacré multimédia de solidarité tribale et de communication avec les esprits. -
News 6 Notes
NEWS 6 NOTES The Corcoran Gallery of Art has been are being shown at the Union Gallery, phers includes Fay Godwin, Simon awarded at grant of $20,740 from the San Jose State University, San Jose. Marsden, John Blakemore, Ken Baird, National Historic Publications and Re- Thomas Joshua Cooper, Paul Joyce, cords Commission (NHPRC) to pro- PHOTOGRAPHY and others, sponsored by the Arts mote the development of the Corco- Council of Great Britain. For catalog, ran's archives. In January 1980, with Garlic Press, P.O. Box 24799, Los write to Museum of Art, WSU, Pull- a first grant, the Corcoran created the Angeles, CA 90024 offers art photo- man, WA 99164. Archives for the collection and preser- graphy mailing lists, covering museums vation of records which document the and galleries in the U.S. and in foreign The latest world record for a single 110-year heritage of the largest private countries, as well as lists of art photo- photograph is Ansel Adams' Moonrise, museum and school of art in Washing- graphy book publishers and art photo- Hernandez, New Mexico, recently pur- ron, DC. graphy periodicals. For more informa- chased by television producer, Burt During the first year, records orga- tion, write them for price list. Sugarman, for $71,500, from G. Ray nized were the Director's Correspon- Hawkins. art dealer. dence 1908-1968, exhibition files Portfolio: A Contemporary Education- 1907-1976, and gallery catalogs 1874- al Photography Magazine (no. 3) was Harry Callahan and Lee Friedlander 1980. This year, the staff will assem- issued in the Fall 1980 by Greg received Annual Peer Awards in Crea- ble the gallery's photographs and con- Holmes and Martin Wolin Jr.