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Exhibition Venues Outside the Gwangju Biennale

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Exhibition Venues Outside the Gwangju Biennale The 11th Gwangju Biennale 2016 “The Eighth Climate (What Does Art Do?)” Exhibition Period September 2– November 11, 2016 (66 days) Ashkan Sepahvand, Nazgol Ansarinia, Nicholas Mangan, Osías Yanov, Information Host & Organizer The Gwangju Biennale Foundation & Otobong Nkanga, The Otolith Group, Pauline Boudry / Renate Lorenz, The Gwangju Metropolitan City Government Philippe Parreno, Prajakta Potnis, Pratchaya Phinthong, Rana Begum, Venues Gwangju Biennale Exhibition Hall, Raqs Media Collective, Ruth Buchanan, Sachiko Kazama, Saskia Noor Asia Culture Center, van Imhoff, Seola Kim, siren eun young jung, Sojung Jun, Søren Andreasen, Uijae Art Museum, Suki Seokyeong Kang, Sul Park, Tania Pérez Córdova, Tommy Støckel, Mudeung Museum of Contemporary Art, Trevor Paglen, Tromarama(Febie Babyrose, Herbert Hans Maruli, Ruddy Woo Jaeghil Art Museum, Hatumena), Tyler Coburn, Walid Raad, Yongchul Kim, Yu Ji, Zhou Tao 5.18 Archives, Mite-Ugro & other places Official Website www.gwangjubiennale.org The Curatorial Maria Lind, Artistic director / Binna Choi, Curator / Azar Mahmoudian, Team Margarida Mendes and Michelle Wong, Assistant Curators / Mite- Ugro, the art collective, as local curatorial associates List of Artists Adam Pendleton, Ade Darmawan, Adelita Husni-Bey, Agnieszka Polska, Ahmet Öğüt, Aimée Zito Lema, Alma Heikkilä, Amalia Pica, Andrew Norman Wilson, Ane Graff, Ane Hjort Guttu with Daisuke Kosugi, Anicka Premise “The Eighth Climate (What Does Art Do?)” is the title of GB11. It is not Yi, Ann Lislegaard, Annie Lai Kuen Wan, Anton Vidokle, Apolonija a “theme” or a “concept,” but rather indicates a set of parameters of Šušteršic with Dari Bae, Arseny Zhilyaev, Ayesha Sultana, Azar GB11. It is about placing art center stage, art’s capacity to always say Alsharif, Babi Badalov, Barbora Kleinhamplová with Tereza Stejskalová, something about the future, connect dots over small and big distances, Bernd Krauß, Bik Van der Pol, Bona Park, Céline Condorelli, Christian embeddedness in particular situations, and mediation. What happens Nyampeta, Christopher Kulendran Thomas, Claire Barclay, Cooperativa if we try to tease out as much as possible of the artworks in this Cráter Invertido, Dale Harding, David Maljkovic, Diogo Evangelista, Dora eclectic, kaleidoscopic, and puzzling adventure? If we accept their García, Doug Ashford, Elena Damiani, Emily Roysdon, Eyal Weizman, invitation to engage, and take their interpellation more at face value? Fahd Burki, Faivovich & Goldberg, Fernando Garcia-Dory, Flo Kasearu, One of the things which we might end up doing is to enter a dance of Goldin+Senneby, Gunilla Klingberg, Hajra Waheed, Hito Steyerl, Hu futurity where the past is neither completely forgotten nor a guiding Yun, Ingela Ihrman, Inseon Park, Iza Tarasewicz, Jasmina Metwaly & light. In this sense, GB11 is a temperature check of art today. Philip Rizk, Jeamin Cha, Jewyo Rhii with Jihyun Jung, José León Cerrillo, Joungmin Yi, Julia Sarisetiati, Katie Paterson, Lawrence Abu Hamdan, Composition GB11 is also a constellation of many parts happening over one year, Li Jinghu, Lili Reynaud Dewar, Mariana Silva, Marie Kølbæk Iversen, starting in January 2016. Thinking thoroughly about what art does— Marie-Louise Ekman, Matias Faldbakken, Metahaven, Michael Beutler, without necessarily implying a utilitarian approach—how artworks land Mika Tajima, Mohammad Salemy, Monir Shahroudy Farmanfarmaian, in different contexts, and how they sit in society and create ripples on Munem Wasif, Nabuqi, Nadia Belerique, Natascha Sadr Haghighian with the water, GB11 comprises Monthly Gatherings, or Wol-rae-hoe, made 2 3 The 11th Gwangju Biennale 2016 Monthly Gatherings & Infra-School “The Eighth Climate (What Does Art Do?)” together with the local curatorial associates Mite-Ugro in Gwangju Monthly Monthly Gatherings—Wol-rae-hoe—is a series of informal gatherings in (GB11 curatorial associates), an Infra-School in Gwangju, Seoul, and Gatherings Gwangju, on different scales, running January–October 2016. The term is beyond, around a hundred national and international Biennale Fellows, Wol-rae-hoe used in Korea for regular gatherings after scheduled work time at workplaces. a Forum with the Fellows, two publications and a blog designed by Each GB11 Monthly Gathering focuses on art and Gwangju and goes on for Metahaven, as well as an exhibition which stretches from the Gwangju two to three days. It is a collaboration between Mite-Ugro, the local curatorial Biennale building to other venues and places in the city, including Asia associates of GB11, and the curatorial team. Mite-Ugro’s project space in Culture Center and the 5.18 Archives, and online. the Daein Market is the main venue for the events, and the participants are GB11 artists, students, citizens, and initiatives, primarily from Gwangju. The “The Eighth The “eighth climate” of the exhibition’s title refers to a state, or inter purpose of the Monthly Gathering program is to bring closer together the Climate” world, one might reach using imaginative capacities. The notion of the Gwangju Biennale and the art world in Gwangju, especially its younger sections, eighth climate dates back to 12th century Persian mystic and philosopher through face-to-face contact and formal as well as informal exchanges and Sohrevardi, and was elaborated by 20th century French philosopher conversations. The activities of Monthly Gathering include the donation-based Henri Corbin. It is an addition to the seven physical climates of the Earth Mite-Ugro Art and Theory Book Collection, group readings, artists screenings, identified by ancient Greek geographers. Unlike the seven Earthly climates, The Art Work in Focus Discussion Groups, and Curated Walks, and they have the eighth climate is not based on a separation of matter and spirit, history all been developed based on perceived needs of the local art scene. For more and myth; rather, it is ontologically real and has concrete effects. It is information on each activity visit http://www.the8thclimate.org/en/monthly_ characterized by its imaginative qualities and potentiality. In this way, the gatherings/ eighth climate shows interesting parallels with how contemporary art is functioning. Infra-School The Infra-School is a program in which GB11 connects its curatorial and artistic knowledge to the existing formal and informal educational institutions in The eighth climate might well resonate with global warming. However, in Gwangju and beyond. Infra-School consists of lectures, presentations, group the context of GB11, the eighth climate helps us explore art’s capacity to discussions, and seminars by GB11 artists and curators. Instead of establishing say and do something about the future, without either being paralyzed a new independent educational arm, the Infra-School taps into resources which by its prospects or defaulting to established technologies of prediction. are already there and intends to multiply connections and expand relations. The eighth climate evokes art as a seismograph, detecting change before In doing so, it aims at embedding GB11 in the local, regional, and national other means of observation, whether the artists are conscious of it or ecosystem of art, whereby the mutual benefits and interdependence between not, allowing for slightly different—and perhaps ambiguous and conflictual different entities become strengthened. Among the Infra-School associates perspectives on how art engages with what lies ahead of us. This neither are Chosun University, Gwangju; Chonnam University, Gwangju; Dongduk implies art for art’s sake nor a utilitarian approach. It is not about “art for Women’s University, Seoul; Gwangju International Center; Hongik University, art’s sake” but rather about “art itself”. Seoul; RAT School of Art, Seoul; The New Center, New York and online; Seoul National University—Asia Centre; and the Inter-Asia Biennale Forum. For more information on each event visit http://www.the8thclimate.org/en/infra_school/ 4 5 Forum & Fellows Forum: To All On 2-4 September the Forum: To All the Contributing Factors will (Mumbai), Campus in Camps (Palestine), Careof (Milan), Casa do Povo the Contributing also take place at which the Biennale Fellows—small- to mid-scale (São Paulo), Casco-Office for Art, Design and Theory (Utrecht), CCA Factors art organizations “differential” work is genuinely valuable to the art Glasgow (Glasgow), CCA Tallinn (Tallinn), Centre for Contemporary ecology—peers and colleagues, artists, and other interested people Art, Lagos (Lagos), Centro de Arte Dos de Mayo (Madrid), Chimurenga are invited to come together, share experiences, and discuss the (Cape Town), Chto Delat (What is to be done?) (St Petersburg), future of this kind of work, especially with regards to questions of Clark House Initiative (Mumbai), Community Space LITMUS (Ansan), value, continuity, and scale. Cooperativa Cráter Invertido (Mexico City), Council (Paris), Delfina Foundation (London), DiscLab (Manila), Di Tella (Buenos Aires), Fellows Roughly one hundred small- and medium-scale art organizations whose Eastside Projects (Birmingham), e-flux (New York), Forum Lenteng work makes important contributions to the art of today are invited (Jakarta), Galerie für Zeitgenössische Kunst (Leipzig), Grizedale as the Biennale Fellows. While being “appointed” Biennale Fellows, Arts (Cumbria), Henie Onstad Kunstsenter (Oslo), If I Can’t Dance they simply go on doing the great work they are engaged with in their (Amsterdam), Institute for New Connotative Action (Seattle), Institute own
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