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Los Kjarkas Historia Jamás Contada
LOS KJARKAS: LA HISTORIA NO CONTADA LOS KJARKAS Actual formación de Los Kjarkas Introducción: Los más grandes de entre los grandes, los músicos andinos que han llevado al folklore latinoamericano a lo más alto, son sin duda alguna Los Kjarkas, un grupo que revolucionó el arte musical andino hace ya casi 50 años y que a lo largo de toda una vida nos han deleitado con impagables obras maestras con mayúsculas. Y es que todo en Los Kjarkas es grandioso: grandes músicos, grandes composiciones y una gran historia, por él han pasado intérpretes y compositores de gran calibre, manteniendo siempre un núcleo familiar en torno a la familia Hermosa. Sin embargo, no todo ha sido alegría, comprensión u honestidad dentro del grupo. En muchos foros, entrevistas o videos, se habla sobre la historia de los Kjarkas, pero se ha omitido gran parte de esta historia, historia que leerás hoy día. Es esta pues, la historia oculta de Los Kjarkas. LOS KJARKAS: LA HISTORIA NO CONTADA Advertencias: - Si eres una persona conservadora, un fanático a morir de Los Kjarkas, que los ve como “ídolos”, que no podrían hacer malo, y no deseas “tener” una mala imagen de ellos, te pido que dejes de leer este artículo, porque podrías cambiar de mirada y llevarte un gran disgusto. - Durante la historia, se nombrarán a otros grupos, que son necesarios de nombrar para poder entender la historia de Los Kjarkas. LOS KJARKAS: LA HISTORIA NO CONTADA Etimología del nombre: Sobre el nombre “Kjarkas” no hay nada dicho ciertamente. Se manejan dos significados y orígenes que se contradicen. -
C:\010 MWP-Sonderausgaben (C)\D
Dancando Lambada Hintergründe von S. Radic "Dançando Lambada" is a song of the French- Brazilian group Kaoma with the Brazilian singer Loalwa Braz. It was the second single from Kaomas debut album Worldbeat and followed the world hit "Lambada". Released in October 1989, the album peaked in 4th place in France, 6th in Switzerland and 11th in Ireland, but could not continue the success of the previous hit single. A dub version of "Lambada" was available on the 12" and CD maxi. In 1976 Aurino Quirino Gonçalves released a song under his Lambada-Original is the title of a million-seller stage name Pinduca under the title "Lambada of the international group Kaoma from 1989, (Sambão)" as the sixth title on his LP "No embalo which has triggered a dance wave with the of carimbó and sirimbó vol. 5". Another Brazilian dance of the same name. The song Lambada record entitled "Lambada das Quebradas" was is actually a plagiarism, because music and then released in 1978, and at the end of 1980 parts of the lyrics go back to the original title several dance halls were finally created in Rio de "Llorando se fue" ("Crying she went") of the Janeiro and other Brazilian cities under the name Bolivian folklore group Los Kjarkas from the "Lambateria". Márcia Ferreira then remembered Municipio Cochabamba. She had recorded this forgotten Bolivian song in 1986 and recorded the song composed by Ulises Hermosa and a legal Portuguese cover version for the Brazilian his brother Gonzalo Hermosa-Gonzalez, to market under the title Chorando se foi (same which they dance Saya in Bolivia, for their meaning as the Spanish original) with Portuguese 1981 LP Canto a la mujer de mi pueblo, text; but even this version remained without great released by EMI. -
INSTRUMENTAL ENSEMBLE Catalog Addendum
HAL LEONARD INSTRUMENTAL2012 ENSEMBLE catalog addendum Concert Band • Marching Band • Jazz Ensemble • Orchestra • Essential Elements • Rubank • Methods This brochure details products which have been created since publishing the 2011-2012 Hal Leonard Instrumental Ensemble Catalog. Please see this catalog, HL 90008184, for a complete listing of titles available, or visit our website at www.halleonard.com 1033585 Addendum.indd 1 5/18/12 2:31 PM 2 MARCHING BAND Inv. No. Title (Arranger) Series/Grade Price Inv. No. Title (Arranger) Series/Grade Price _____ 40004100 30-Second Blasters _____ 03745581 Kernkraft 400 (arr. Jay Dawson/Jim Reed) ......APCMB3 ......... $60.00 (arr. Paul Lavender/Will Rapp) ..CNTMB3 ......... $55.00 _____ 03745577 Afro Blue _____ 03745573 Kickbutt Cadences Vol. 2 (arr. Paul Murtha/Will Rapp)......ESPRT2 .......... $55.00 (Will Rapp) ................................ESPRT3 .......... $45.00 _____ 40004084 Americano (arr. Tom Wallace/ _____ 03745569 The Lady Is a Tramp Tony McCutchen) ......................APCMB3 ......... $60.00 (arr. Paul Murtha/Will Rapp)......PFELT4 ........... $65.00 _____ 40004080 Blackbird/Yesterday _____ 40004076 Magical Mystery Tour/Lady Madonna (arr. Tom Wallace) .....................APCMB3 ......... $80.00 (arr. Tom Wallace) .....................APCMB3 ......... $80.00 _____ 40004102 Bully(arr. Tom Wallace/ _____ 03745579 Misirlou (arr. Tim Waters) ...........ESPRT2 .......... $55.00 Tony McCutchen) ......................APCMB3 ......... $60.00 _____ 40004094 Moves like Jagger (arr. Tom Wallace/ _____ 03745563 Captain America March Tony McCutchen) ......................APCMB3 ......... $60.00 (arr. Paul Murtha) ......................PFELT3 ........... $65.00 _____ 40004096 On the Floor (arr. Tom Wallace/ _____ 03745567 Come Fly with Me (arr. Paul Murtha/ Tony McCutchen) ......................APCMB3 ......... $70.00 Will Rapp) ..................................PFELT4 ........... $65.00 _____ 03745565 Party Rock Anthem _____ 03745601 Crocodile Rock (arr. -
Performing Blackness in the Danza De Caporales
Roper, Danielle. 2019. Blackface at the Andean Fiesta: Performing Blackness in the Danza de Caporales. Latin American Research Review 54(2), pp. 381–397. DOI: https://doi.org/10.25222/larr.300 OTHER ARTS AND HUMANITIES Blackface at the Andean Fiesta: Performing Blackness in the Danza de Caporales Danielle Roper University of Chicago, US [email protected] This study assesses the deployment of blackface in a performance of the Danza de Caporales at La Fiesta de la Virgen de la Candelaria in Puno, Peru, by the performance troupe Sambos Illimani con Sentimiento y Devoción. Since blackface is so widely associated with the nineteenth- century US blackface minstrel tradition, this article develops the concept of “hemispheric blackface” to expand common understandings of the form. It historicizes Sambos’ deployment of blackface within an Andean performance tradition known as the Tundique, and then traces the way multiple hemispheric performance traditions can converge in a single blackface act. It underscores the amorphous nature of blackface itself and critically assesses its role in producing anti-blackness in the performance. Este ensayo analiza el uso de “blackface” (literalmente, cara negra: término que designa el uso de maquillaje negro cubriendo un rostro de piel más pálida) en la Danza de Caporales puesta en escena por el grupo Sambos Illimani con Sentimiento y Devoción que tuvo lugar en la fiesta de la Virgen de la Candelaria en Puno, Perú. Ya que el “blackface” es frecuentemente asociado a una tradición estadounidense del siglo XIX, este artículo desarrolla el concepto de “hemispheric blackface” (cara-negra hemisférica) para dar cuenta de elementos comunes en este género escénico. -
Summary of the Workshop “Rethinking Creativity, Recognition and Indigeneity”1
SUMMARY OF THE WORKSHOP “RETHINKING CREATIVITY, RECOGNITION AND INDIGENEITY”1 Coroico, July 17-20, 2012 INTRODUCTION The Alta-PI Working Group (Alternatives to Intellectual Property) began with the premise that certain puzzles at the intersection of creativity, recognition, and indigeneity remain unsolved. How should creativity be recognized? How should such recognition be taken into consideration when dealing with communities and collectivities of creators and custodians of knowledge? Many people around the world have addressed these questions either by implementing a form of intellectual property rights or by framing the creative work as intangible heritage. The project organizers believe that Bolivian civil society could occupy a unique position for beginning to untangle the complex socio-political knots that have increasingly conflated culture with property. By international standards, a very high percentage of Bolivians identify themselves or are identified by others as indigenous, and since the beginning of the 21st century, the country has undergone a series of major transformations, including the creation of a new constitution (2009) that significantly expanded indigenous rights. In this context, Alta-PI proposes facilitating broad civil society discussions about creativity, recognition, and indigeneity, hoping that from Bolivia innovative proposals might emerge that can stimulate the international debates around these issues. 1 This workshop and the dissemination of its results have been made possible by a National Science Foundation grant (#1156260, Michelle Bigenho—PI, Henry Stobart—Co-PI). In addition, the workshop organizing team included Juan Carlos Cordero, Bernardo Rozo, and Phoebe Smolin. The ideas expressed here do not represent or reflect those of the National Science Foundation. -
No.52 That Unforgettable Song and What It Means to Me
No. 52 October, 2006 ᷼࿖㓙ᵹදળ Minato International Association ⋡ᰴ 䊶 Contents 䊶 Ⳃᔩ 䉰䉡䉴 䊶 䉡䉞䊮䊄⠡⸶⠪⚫ 䋺 ᧘᳓ ............................................................................................ 2 South Wind Translator and editorial staff member: Li Shui ................................................. 3 Njफ亢nj㓪䕥ҎਬПҟ㒡ĩ㗏䆥Ꮉ㗙ᴢ∈ ................................................................... 3 ᗐ䈇䈱䈮ᕁ䈉䈖䈫 ................................................................................................................. 4 Thoughts from songs in Memories....................................................................................... 4 㗕℠䅽៥ᛇ䍋ⱘ .............................................................................................................. 5 ਁ࿖྾ᣇᣇ㩷㩿㪈㪀 䇸㪠㩾㫄㩷㫋㪿㪼㩷㪢㫀㫅㪾㩷㫆㪽㩷㫋㪿㪼㩷㪥㫀㪾㪿㫋㩷㪫㫀㫄㪼㩷㪮㫆㫉㫃㪻㩸㩸䇹 ......................................................... 6 Every Direction of the World (1) “I’m the King of the Night Time World!! ............................. 7 ϛಯ䴶ܿᮍ , PWKH.LQJRIWKH1LJKW7LPH:RUOG.................................. 7 ᔓ䉏䉌䉏䈭䈇䈫ᗐ䈇 ............................................................................................................ 8 Memorable songs and memories I can’t forget. ................................................................... 9 ᖬϡњⱘ℠᳆ಲᖚ ....................................................................................................... 10 ᔓ䉏䉌䉏䈭䈇䈫ᕁ䈇 ............................................................................................................ 11 I’ll never forget that -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit Lage, Analyse und Perspektive österreichischer Musiker im Forschungsfeld der FM4 Charts 2011 unter Berücksichtigung deutscher und/oder englischer Texte. Verfasser Roland Maurer angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuerin: Univ.-Prof. Mag. Dr. Regine Allgayer-Kaufmann 1 Inhaltsverzeichnis 1. Einleitung ……………………........…...……………………………...... 4 2. Problemstellung und Erkenntnisinteresse …....…………………….... 7 2.1. Forschungsfragen ….......…………………………………………...... 9 2.2. Forschungshypothesen …………………………………………….... 9 2.3. Erhebungsgegenstand ……………………………………….………. 10 2.4. Stand der Forschung …………………………………………………. 11 THEORETISCHE VERANKERUNG 3. IFPI Austria Musikbericht 2011 …............................……………….... 13 4. Forschungsfeld Radio FM4 ………………………………………….... 17 4.1 Musikauswahl, Marktsituation, FM4 Charts ………………………... 19 4.2. Position, Sprache, Formate …………………………………............. 21 4.3. Auftrag, HörerInnen, Radio FM4 Off Air ………………................... 22 4.4. FM4 Radio Sessions, FM4 Überraschungskonzerte, FM4 Soundpark 23 Exkurs 1: Jugendkultur ……………………………………………………....... 25 Exkurs 2: Independent vs. Popularmusik ………………………………........ 26 5. Sprache in der Musik ………………………………………………...... 33 6. Bandscout ……………………………………………………................ 35 6.1. Rahmenbedingungen, die sich von Bandscout ableiten …........... 36 6.1.1. Anzahl der Live-Konzerte ! Booking ……………………… 36 6.1.2. Größe -
Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
Genesis: Get ‘Em Out By Friday The Official Release Dates 1968-78 Introduction Depending on where one looks for the information, the original release dates of Genesis singles and albums are often misreported. This article uses several sources, including music paper cuttings, websites and books, to try and determine the most likely release date in the UK for their officially released product issued between 1968 and 1978. For a detailed analysis to be completed beyond 1978 will require the input of others that know that era far better than I with the resources to examine it in appropriate levels of detail. My own collection of source material essentially runs dry after 1978. As most people searching for release dates are likely to go to Wikipedia that is where this search for the truth behind Genesis’ back catalogie. The dates claimed on Wikipedia would themselves have come from a number of sources referenced by contributors over the years but what these references lack is the evidence to back up their claims. This article aims to either confirm or disprove these dates with the added bonus of citing where this information stems from. It’s not without a fair share of assumptions and educated deductions but it offers more on this subject than any previously published piece. The main sources consulted in the writing of this article are as follows: 1. The Genesis File Melody Maker 16 December 1972 2. Genesis Information Newsletter Issue No. 1 October 1976 3. Wax Fax by Barry Lazzell - a series of articles on Genesis releases published in Sounds over several weeks in 1977 4. -
James Blunt Giver Koncert På Rosenborg Slot
2011-03-08 07:13 CET James Blunt giver koncert på Rosenborg Slot Den britiske sanger og sangskriver gæster Rosenborg Slot den 16. Juni 2011. To albums, to verdens turneér og 18 millioner solgte plader senere har James Blunt været på en rejse som de færreste oplever. I november 2010 udgav han sit 3. studiealbum ”Some Kind of Trouble”, som i den første uge solgte over 1 million eksemplarer. Albummets første single hedder ”Stay the Night” og albummet indeholder mere optimistiske sange end tidligere, helt nøjagtigt 12 af slagsen og er produceret af Steve Robson. Det viser en Blunt med en ny følelse af spontanitet og friskhed – og ”Some Kind of Touble” er starten på et nyt kapitel. Folk forventer, at han er en meget seriøs person – der tager livet og sig selv alvorligt og det er slet ikke tilfældet. Han håber, at med dette album, folk vil se en anden side af ham. Hvert album har en milepæl som definerer en forfatter for sig selv. ”Goodbye My Lover” var milepælen på det første album og ”Same Mistake” var på album nr. 2. Sangen ”No Tears” er en usentimental ballade om ”opsummering af et liv” og den er Blunt´s milepæl på dette album. James Blunt er forhenværende soldat og var blandt andet udstationeret med de fredsbevarende styrker i Kosovo – men han valgte guitaren og musikken, hvilket nu har resulteret i rigtig mange hits. Han fik sit gennembrud i 2005 med singlen ”You´re Beautiful”, som er fra Blunt´s første album ”Back to Bedlam” – albummet indeholdt også sange som ”High” og føromtalte ”Goodbye My Lover” – sange som gjorde at James Blunt hittede overalt i verden. -
Beautiful Liar Mp3 Download Muzmo
Beautiful liar mp3 download muzmo LINK TO DOWNLOAD Beautiful Liar Songs - Download Beautiful Liar mp3 songs to your Hungama account. Get the complete list of Beautiful Liar mp3 songs free online. Find the best place to Beautiful Liar movie songs download list. Download Hungama Music app to get access to unlimited free mp3 songs, free movies, latest music videos, online radio, new TV shows and much more at Hungama. Beautiful Liar Songs Download- Listen Beautiful Liar MP3 songs online free. Play Beautiful Liar album songs MP3 by Beyonce and download Beautiful Liar songs on renuzap.podarokideal.ru Beautiful Liar MP3 Song by Ananda Sen from the album Beautiful Liar. Download Beautiful Liar song on renuzap.podarokideal.ru and listen Beautiful Liar Beautiful Liar song offline. Download and Listen to Beyonce ft Shakira - Beautiful Liar mp3 Arabic song For Collection - Kharabeesh 9/5/ · Camila Cabello – Liar mp3 song audio Download Music. The talented American female singer and songwriter Camila Cabello comes through with this classic song titled “Liar”. Download lagu Satisfya Mp3 Song Download Muzmo convert mp3, Video 3gp & mp4. List download link Lagu MP3 Satisfya Mp3 Song Download Muzmo gratis [MB] and free streaming full album terbaru Satisfya Mp3 Song Download Muzmo mp3 download. Download Free Songs and Videos Download Beautiful Liar Letra En Español Mp3 dan Mp4 kbps Gratis - Beautiful liar- Beyoncé ft Shakira |Subtitulado en español|, All Content both Songs, Videos and Lyrics available here, sourced from Youtube. Download lagu Lovely Mp3 Download Muzmo convert mp3, Video 3gp & mp4. List download link Lagu MP3 Lovely Mp3 Download Muzmo gratis [MB] and free streaming full album terbaru Lovely Mp3 Download Muzmo mp3 download. -
Wise Men Still Seek
Volume 2, Number 12 Published Monthly December, 2019 Wise Men Still Seek Him Nana Yaw Aidoo In the second chapter of the gospel account of Matthew, we have an account of some men from the East, who sought our Lord Jesus Christ when He was a baby, in order to worship Him. This incident plays a huge role in the nativity scenes and dramas of those who religiously celebrate Christmas. The nativity scenes portray the men as three people, who were present at the birth of the Christ in a manger. The Bible on the other hand, says a great, big nothing about the number of men, and plainly tells us that these men visited Jesus Christ in a house (Matt. 2:11),—not in a manger—about two years after the Christ was born (Matt. 2:7, 16). It says a lot that many would believe just about anything the Bible is alleged to teach, without verifying to see what the Bible actually teaches (Acts 17:11; 1 Thess. 5:21; 1 John 4:1). Little wonder so many believe that men are saved from their sins by saying a prayer or are saved at the point of faith, without further acts of obedience, all because they don’t care about their souls enough to verify what the Bible has to say on the subject of salvation (Matt. 15:14). However, in spite of the abundance of errors that surround the religious celebration of Christmas, foremost among them being the lack of scriptural authority (Luke 22:19; Col. 3:17), the birth of Christ and the circumstances surrounding this miracle, are facts that have been recorded in scripture and thus are “profitable for doctrine, for reproof, for correction, for instruction in righteousness: that the man of God may be perfect, throughly furnished unto all good works.” What then do we learn from these Eastern travellers who sought the Christ when He was a baby? First, we learn that the men who sought Christ were wise men. -
PP – James Blunt
http://www.youtube.com/watch?v=ehToBz7zhqE James Hillier Blount 22. Februar 1974 Pop rock Musiker og låtskriver Vokal, gitar, keybord Grammys #1 VG-lista Studioalbum Singler Carry You Home (2008) Back to Bedlam (2004) High (2004) Debut album I Really Want You (2008) Wisemen (2005) All the Lost Souls (2007) Love, Love, Love (2008) You’re Beautiful (2005) Some Kind of Trouble (2010) Stay The Night (2010) Goodbye My Lover Live albums (2005) So Far Gone (2011) Chasing Time: The Bedlam No Bravery (2006) Sessions (2006) If Time Is All I Have (2011) 1973 (2007) Les Sessions Lost Souls I’ll Be Your Man (2011) (2008) Same Mistake (2007) Dangerous (2011) Trouble Revisited (2011) Back to Bedlam (2004) All the Lost Souls (2007) Some Kind of Trouble (2010) Budskap/melding: You're Beautiful Medium - film Budskap - utilgjengelig kjærlighet Sjanger - Musikkvideo Tilleggsbudskap - Du er ikke den Kanal - hjemmeside, Facebook- eneste med kjærlighetssorg side, Youtube kanal, Spotify kanal Sender – James Blunt Tilbakemelding - Youtube videoen og Facebook siden Mottaker- fans og folk som surfer på Youtube Mulig støy - uforståelig språk eller dialekt Målgruppen - unge og voksne. gjerne unge med kjærlighetssorg Youtube kommentarer Facebook-side http://www.youtube.com/watch?v=YOlI5Qiq-9g Balanse Kontrast Bevegelse Rytme Tid Musikkvideon er kombinert med musikk, ord, bevegelse. Japansk ritual Ordtak Ethos: Har skjedd før. Pathos: Sangen er veldig følsom, kjærlighet i sentrum. Logos: Spiller veldig lite i det. Vakkert og klart Gjentagelser Rytme og klang http://www.azlyrics.com/lyrics/jamesblunt/yourebeautiful.html http://en.wikipedia.org/wiki/James_Blunt http://en.wikipedia.org/wiki/James_Blunt_discography Google http://www.americaunleaded.com/bluntsong.html Oppgave presentasjon http://www.idefagskolen.no/mediedesign/fagemner/komposisjonsprinsipper/ http://ladeblogg.wordpress.com/skole/komposisjonsprinsipper-film/ Romyna & Paulo .