No.52 That Unforgettable Song and What It Means to Me
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Los Kjarkas Historia Jamás Contada
LOS KJARKAS: LA HISTORIA NO CONTADA LOS KJARKAS Actual formación de Los Kjarkas Introducción: Los más grandes de entre los grandes, los músicos andinos que han llevado al folklore latinoamericano a lo más alto, son sin duda alguna Los Kjarkas, un grupo que revolucionó el arte musical andino hace ya casi 50 años y que a lo largo de toda una vida nos han deleitado con impagables obras maestras con mayúsculas. Y es que todo en Los Kjarkas es grandioso: grandes músicos, grandes composiciones y una gran historia, por él han pasado intérpretes y compositores de gran calibre, manteniendo siempre un núcleo familiar en torno a la familia Hermosa. Sin embargo, no todo ha sido alegría, comprensión u honestidad dentro del grupo. En muchos foros, entrevistas o videos, se habla sobre la historia de los Kjarkas, pero se ha omitido gran parte de esta historia, historia que leerás hoy día. Es esta pues, la historia oculta de Los Kjarkas. LOS KJARKAS: LA HISTORIA NO CONTADA Advertencias: - Si eres una persona conservadora, un fanático a morir de Los Kjarkas, que los ve como “ídolos”, que no podrían hacer malo, y no deseas “tener” una mala imagen de ellos, te pido que dejes de leer este artículo, porque podrías cambiar de mirada y llevarte un gran disgusto. - Durante la historia, se nombrarán a otros grupos, que son necesarios de nombrar para poder entender la historia de Los Kjarkas. LOS KJARKAS: LA HISTORIA NO CONTADA Etimología del nombre: Sobre el nombre “Kjarkas” no hay nada dicho ciertamente. Se manejan dos significados y orígenes que se contradicen. -
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Dancando Lambada Hintergründe von S. Radic "Dançando Lambada" is a song of the French- Brazilian group Kaoma with the Brazilian singer Loalwa Braz. It was the second single from Kaomas debut album Worldbeat and followed the world hit "Lambada". Released in October 1989, the album peaked in 4th place in France, 6th in Switzerland and 11th in Ireland, but could not continue the success of the previous hit single. A dub version of "Lambada" was available on the 12" and CD maxi. In 1976 Aurino Quirino Gonçalves released a song under his Lambada-Original is the title of a million-seller stage name Pinduca under the title "Lambada of the international group Kaoma from 1989, (Sambão)" as the sixth title on his LP "No embalo which has triggered a dance wave with the of carimbó and sirimbó vol. 5". Another Brazilian dance of the same name. The song Lambada record entitled "Lambada das Quebradas" was is actually a plagiarism, because music and then released in 1978, and at the end of 1980 parts of the lyrics go back to the original title several dance halls were finally created in Rio de "Llorando se fue" ("Crying she went") of the Janeiro and other Brazilian cities under the name Bolivian folklore group Los Kjarkas from the "Lambateria". Márcia Ferreira then remembered Municipio Cochabamba. She had recorded this forgotten Bolivian song in 1986 and recorded the song composed by Ulises Hermosa and a legal Portuguese cover version for the Brazilian his brother Gonzalo Hermosa-Gonzalez, to market under the title Chorando se foi (same which they dance Saya in Bolivia, for their meaning as the Spanish original) with Portuguese 1981 LP Canto a la mujer de mi pueblo, text; but even this version remained without great released by EMI. -
INSTRUMENTAL ENSEMBLE Catalog Addendum
HAL LEONARD INSTRUMENTAL2012 ENSEMBLE catalog addendum Concert Band • Marching Band • Jazz Ensemble • Orchestra • Essential Elements • Rubank • Methods This brochure details products which have been created since publishing the 2011-2012 Hal Leonard Instrumental Ensemble Catalog. Please see this catalog, HL 90008184, for a complete listing of titles available, or visit our website at www.halleonard.com 1033585 Addendum.indd 1 5/18/12 2:31 PM 2 MARCHING BAND Inv. No. Title (Arranger) Series/Grade Price Inv. No. Title (Arranger) Series/Grade Price _____ 40004100 30-Second Blasters _____ 03745581 Kernkraft 400 (arr. Jay Dawson/Jim Reed) ......APCMB3 ......... $60.00 (arr. Paul Lavender/Will Rapp) ..CNTMB3 ......... $55.00 _____ 03745577 Afro Blue _____ 03745573 Kickbutt Cadences Vol. 2 (arr. Paul Murtha/Will Rapp)......ESPRT2 .......... $55.00 (Will Rapp) ................................ESPRT3 .......... $45.00 _____ 40004084 Americano (arr. Tom Wallace/ _____ 03745569 The Lady Is a Tramp Tony McCutchen) ......................APCMB3 ......... $60.00 (arr. Paul Murtha/Will Rapp)......PFELT4 ........... $65.00 _____ 40004080 Blackbird/Yesterday _____ 40004076 Magical Mystery Tour/Lady Madonna (arr. Tom Wallace) .....................APCMB3 ......... $80.00 (arr. Tom Wallace) .....................APCMB3 ......... $80.00 _____ 40004102 Bully(arr. Tom Wallace/ _____ 03745579 Misirlou (arr. Tim Waters) ...........ESPRT2 .......... $55.00 Tony McCutchen) ......................APCMB3 ......... $60.00 _____ 40004094 Moves like Jagger (arr. Tom Wallace/ _____ 03745563 Captain America March Tony McCutchen) ......................APCMB3 ......... $60.00 (arr. Paul Murtha) ......................PFELT3 ........... $65.00 _____ 40004096 On the Floor (arr. Tom Wallace/ _____ 03745567 Come Fly with Me (arr. Paul Murtha/ Tony McCutchen) ......................APCMB3 ......... $70.00 Will Rapp) ..................................PFELT4 ........... $65.00 _____ 03745565 Party Rock Anthem _____ 03745601 Crocodile Rock (arr. -
Performing Blackness in the Danza De Caporales
Roper, Danielle. 2019. Blackface at the Andean Fiesta: Performing Blackness in the Danza de Caporales. Latin American Research Review 54(2), pp. 381–397. DOI: https://doi.org/10.25222/larr.300 OTHER ARTS AND HUMANITIES Blackface at the Andean Fiesta: Performing Blackness in the Danza de Caporales Danielle Roper University of Chicago, US [email protected] This study assesses the deployment of blackface in a performance of the Danza de Caporales at La Fiesta de la Virgen de la Candelaria in Puno, Peru, by the performance troupe Sambos Illimani con Sentimiento y Devoción. Since blackface is so widely associated with the nineteenth- century US blackface minstrel tradition, this article develops the concept of “hemispheric blackface” to expand common understandings of the form. It historicizes Sambos’ deployment of blackface within an Andean performance tradition known as the Tundique, and then traces the way multiple hemispheric performance traditions can converge in a single blackface act. It underscores the amorphous nature of blackface itself and critically assesses its role in producing anti-blackness in the performance. Este ensayo analiza el uso de “blackface” (literalmente, cara negra: término que designa el uso de maquillaje negro cubriendo un rostro de piel más pálida) en la Danza de Caporales puesta en escena por el grupo Sambos Illimani con Sentimiento y Devoción que tuvo lugar en la fiesta de la Virgen de la Candelaria en Puno, Perú. Ya que el “blackface” es frecuentemente asociado a una tradición estadounidense del siglo XIX, este artículo desarrolla el concepto de “hemispheric blackface” (cara-negra hemisférica) para dar cuenta de elementos comunes en este género escénico. -
Hong Kong Observations on BEPS 2.0 Developments
Hong Kong Observations on BEPS 2.0 Developments July 2021 Executive Summary On 9-10 July 2021, the G201 Finance Ministers and Central Bank Governors met in Venice. At the conclusion of the meeting, a joint communiqué (the communiqué) on key topics discussed at the meeting was issued. With respect to the ongoing G20/OECD2 project on addressing the tax challenges arising from the digitalization of the economy (the BEPS 2.0 project), the Finance Ministers endorsed the key components of the two pillars on reallocation of profits and a global minimum tax as set out in the Statement released by the OECD/G20 Inclusive Framework on Base Erosion and Profit Shifting (BEPS) on 1 July 2021. They also called on the Inclusive Framework to swiftly address the remaining issues, finalize the design elements within the agreed framework and provide an implementation plan for the two pillars by the October G20 Finance Ministers meeting. In addition, they invited the Inclusive Framework member jurisdictions that have not yet joined the agreement to do so. Detailed Discussion ► Under a special purpose nexus rule that will apply for these Background purposes, the new rules for allocation to a market jurisdiction would be applicable if the in-scope MNE derives at least €1 ► On 12 October 2020, the OECD released a series of major million in revenue from that jurisdiction. A lower threshold of documents in connection with the BEPS 2.0 project. These €250,000 would apply in the case of smaller jurisdictions documents included Blueprints on Pillar One (on new nexus that have a gross domestic product lower than €40 billion. -
Volume 25, Number 1, Fall 2012
Fall 2012 Volume 25, Issue 1 Biannual Newsletter Canadian Association for the History of Nursing Association canadienne pour l’histoire du nursing President’s Message – Dr. Beverley Hicks The CAHN conference and meeting in Medicine Hat is now a happy recollection and I am sure the 25th anniversary conference is recalled with good memories. This year’s Hannah lecturer, Carol Helmstadter, spoke on “Military Nursing in Four Different Contexts”. Carol’s meticulous research was evident as she explored different nursing responses to the Crimean war. It was a privilege that one of our long standing members and supporters gave this 25th Hannah Lecture. All the papers were excellent but one that stands out for me was presented by Jayne Elliott. It was the work of Jayne and Cynthia Toman who brought some order, continuity and clarity to our own history. This will help us to see our progress and will also encourage us as we move forward. For a small group we have done well to maintain a national presence. Medicine Hat College and the local arrangements chair Florence Melchior did a superb job of arranging the conference, accommodation, and meals and Saturday evening entertainment. This was one of the smallest venues in which the conference has been held but all agreed it was excellent. The next conference will be in Victoria in conjunction with the Canadian Society for the History of Medicine. The new slate of officers is published in this issue of the newsletter, including a number of students, and this is an excellent way to get students involved. -
For Immediate Release Contact: [email protected]
For Immediate Release Contact: [email protected] TEA & JUSTICE — AWARD-WINNING FILM ON NYPD ASIAN WOMEN COPS TO SCREEN AT LA FEMME FILM FESTIVAL, BEVERLY HILLS, OCT. 17 Beverly Hills, CA, October 13, 2008 — TEA & JUSTICE , a documentary about three petite immigrant Asian women defying stereotypes in the New York Police Department (NYPD) will screen at La Femme Film Festival on Friday, October 17, 2008, 10:00 am at the Fine Arts Theatre, 8556 Wilshire Boulevard, Beverly Hills, CA. Director/Producer Ermena Vinluan will be present. According to Leslie Lapage, Founder & Executive Director of La Femme , “The Festival screens films for a world audience. Last year, over 10,000 attended, celebrating films made by women – for everyone.” TEA & JUSTICE is about three petite Asian immigrant women who help change the face of the NYPD – and its soul. VINLUAN made the film because she was intrigued by the image of Asian women in such a non-traditional career. The filmmaker also explores her activist ideas and mixed feelings about cops, while honoring the challenges the women embraced and reforms they accomplished. Hollywood Reporter called the film “thoughtful and provocative.” TEA & JUSTICE was also described as “…a heartfelt documentary…delightful” ( Rocky Chin, Esq., NY State Civil Rights Commission); and “…bold, sensitive, passionate, analytical and iconoclastic,” (Prof. Estella Habal, Asian Studies at San Jose State University) . ABOUT THE FILM AGNES CHAN, a 20-year-old college student and Chinatown garment factory worker became NYPD's first Asian female officer in 1980. Chan was committed to creating a bridge between the police and the poorly- served Asian community. -
Summary of the Workshop “Rethinking Creativity, Recognition and Indigeneity”1
SUMMARY OF THE WORKSHOP “RETHINKING CREATIVITY, RECOGNITION AND INDIGENEITY”1 Coroico, July 17-20, 2012 INTRODUCTION The Alta-PI Working Group (Alternatives to Intellectual Property) began with the premise that certain puzzles at the intersection of creativity, recognition, and indigeneity remain unsolved. How should creativity be recognized? How should such recognition be taken into consideration when dealing with communities and collectivities of creators and custodians of knowledge? Many people around the world have addressed these questions either by implementing a form of intellectual property rights or by framing the creative work as intangible heritage. The project organizers believe that Bolivian civil society could occupy a unique position for beginning to untangle the complex socio-political knots that have increasingly conflated culture with property. By international standards, a very high percentage of Bolivians identify themselves or are identified by others as indigenous, and since the beginning of the 21st century, the country has undergone a series of major transformations, including the creation of a new constitution (2009) that significantly expanded indigenous rights. In this context, Alta-PI proposes facilitating broad civil society discussions about creativity, recognition, and indigeneity, hoping that from Bolivia innovative proposals might emerge that can stimulate the international debates around these issues. 1 This workshop and the dissemination of its results have been made possible by a National Science Foundation grant (#1156260, Michelle Bigenho—PI, Henry Stobart—Co-PI). In addition, the workshop organizing team included Juan Carlos Cordero, Bernardo Rozo, and Phoebe Smolin. The ideas expressed here do not represent or reflect those of the National Science Foundation. -
The Hyogo Framework for Action - Progress on the Implementation and Building Resilient Cities
Disaster Risk Reduction Symposium / Disaster Reduction Alliance Forum 2010 Five years since the adoption of the Hyogo Framework for Action - Progress on the implementation and building resilient cities Summary Repot Date : 14 January (ursday) 2010 (14:00-17:00) Venue : South Wing B1F Topaz, Portopia Hotel (10-1 6-chome Minatojimanakamachi, Chuo-ku, Kobe, Hyogo) Organizers Disaster Reduction Alliance (DRA), Hyogo Prefecture, Hyogo Earthquake Memorial 21st Century Research Institute (HEM21), Disaster Reduction and Human Renovation Institution (DRI), and UNISDR Secretariat Hyogo Oce are the joint organizers of this event. Supporters Cabinet Oce, Government of Japan , Ministry of Foreign Aairs of Japan , e Asahi Shimbun Company, e Kobe Shimbun, Japan Committee for UNICEF Hyogo Area Committee is event is organized by the kind cooperation and nancial support of the Hyogo Earthquake Memorial 21st Century Research Institute, and Hyogo Safety Day Committee. Disaster Risk Reduction Symposium / Disaster Reduction Alliance Forum 2010 Five years since the adoption of the Hyogo Framework for Action - Progress on the implementation and building resilient cities Summary Repot Objective Member organizations of the Disaster Reduction Alliance (DRA) holds various international symposiums in this January, as 15 year-anniversary events of the Great Hanshin-Awaji Earthquake. As opening of a series of these events, this forum addresses challenges of international disaster risk reduction and roles by member organizations of DRA, and raises public attention to the issues of disaster risk reduction. This year is the halfway point of the target year of the Hyogo Framework for Action (HFA) which was adopted at the United Nations World Conference on Disaster Reduction held in Kobe in January 2005. -
Download the Journal
ARUP 60TH ANNIVERSARY YEAR KCRC WEST RAIL SPECIAL ISSUE The Arup Journal 3/2006 Foreword For 20 years the Kowloon-Canton F a1lway Corporat on has been a significant client for Arup in Hong Kong This period has seen a substantial growth of th KCRC's railway network to meet the needs of an expanding population in Hong Kong, and rapidly developing domestic and inter-city services with maJor cities in mainland China. As the first railway company in Hong Kong opening in 1910, the KCRC operated domestic, cross-boundary and inter-city railway services for most of the 20th century on what 1s now known as East Rail. However, the KCRC in its role as a public corporation has become a planner, designer and builder of maJor new railway networks, in response to Hong Kong's development. Since 2003, new lines have been added to the network with the 1rnt1al phase of West Rail which 1s covered in this special issue of The Arup Journal followed in 2004 by the extensions for East Rail on Ma On Shan Rail and the Ts1m Sha Tsu, Extension. Our projects for these lines, together with our involvement in the Lok Ma Chau Spur Line, will be covered in a further special issue of The Arup Journal. Arup has played a very significant role in the design and provision of many specialist inputs as well as construction superv1s1on in all of these proJects and I am pleased that this special issue has been devoted to recording our achievements on West Rail Andrew Chan Chairman, Arup East Asia Region The Arup Journal 3/2006 3 Introduction Arup and thE3 In 1863 plans were proposed to link Peking (now Beijing), Tientsin, Shanghai, Hankow, and Canton (now Guangzhou) by a rail network. -
Research Projects Research Outputs and Publications
Department of Anthropology RESEARCH PROJECTS Resettlement and Indigenous People: A Study of Long Geng Kenyah in Sarawak Natural Resources and Human Subsistence " TAN Chee Beng Strategies in South China Between 10000 and 10 July 2000 5000 Years Ago CUHK Special Grant for Conducting Research Abroad in Summer " LU Lie Dan z FU Xian Guo* 1 November 2000 This project is an up-dated study of the Kenyah CUHK Research Committee Funding (Direct people (an indigenous minority in Sarawak, Grants) Malaysia). Since my study in 1995, the people had been relocated to another site. The study investigates This project aims to investigate the environment, the initial effects of relocation on this people, and natural resources and human subsistence strategies sees how the people cope with their economic and during the period between 10,000 and 5,000 years social life in the relocated area. It contributes to the ago in South China, focusing in the Yong River study of indigenous people and development, and the valley in South Guangxi. This period was a crucial results are useful for comparison with the study of time in prehistory, particularly in East Asia, as indigenous people in China and elsewhere. agriculture occurred both in the Yangzi and the Theoretically the study contributes to the Yellow Valleys, with rice and millet being the major understanding of how disempowered people cultivars respectively. The emergence of agriculture articulate their local interests. was one of the greatest events in human history. It (SS00377) was based upon rice and millet cultivation that Chinese civilization was founded. Please refer to previous issues of this publication The progenitor of domesticated rice is the wild rice, a for more details of the following ongoing research grass still widely distributed in South China today. -
Fiesta De La Virgen De La Candelaria ("The Flame Virgin"): This Festival Lasts Two Weeks (The First Two Weeks of February), the Main Day Being the 2Nd
Peru (Sth. America) From a collection by Cassandra Ward for her Queen’s Guide. Fiesta de La Virgen de la Candelaria ("The flame Virgin"): This festival lasts two weeks (the first two weeks of February), the main day being the 2nd . Peru In Quechua is better known as the Mamacha Candicha. This is one of the great celebrations in Peru with beautiful dancers, many bands and people dancing in the street. This feast is celebrated in Puno (near the Titicaca lake) next to Bolivia, like many other feast this has been transculturated from an Inca feast through Catholicism. There are people dressed as SUPAYS (devils in Quechua) and dance "La diablada" ('The devil dance' in Spanish). You can also dance the Tuntuna (Like the KJARKAS's "Llorando se fue" theme that was copied for Kaoma in the Lambada), this rhythm is a soft mix of African and Andean tunes because of the presence of African slaves here who were working in the mines. Mamacha Candicha is the Puno's Patron, in the Catholic representation she is Jesus’s Mother, but she assumes almost all the devotion that Incas gave to the PACHA (earth). For this celebration comes bands from many sites, there are Bolivian groups too. The folk music from Puno is very rich. The groups and bands come here with their best dressings (multicolours, lighting and jingling), there are awards for the best. The mamacha candicha is taken in a "procession" and receives flowers, medals, lighting candles, prayers, songs and dances.... Food: Leche Asada (8-10 servings) · 1 can of sweetened, condensed milk · 1 can of evaporated milk · 1 cup sugar · 1 tsp vanilla extract · 8 eggs, beaten · 1/4 cup water Mix the condensed milk, evaporated milk, 1/2 cup of sugar, the vanilla, and eggs.