The Japanese Learner and Metaphor
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Fungsi Ateji Dalam Lirik Lagu Pada Album Marginal #4 the Best 「Star Cluster 2」 Produksi Rejet
PARAMASASTRA Vol. 6 No. 1 - Maret 2019 p-ISSN 2355-4126 e-ISSN 2527-8754 http://journal.unesa.ac.id/index.php/paramasastra FUNGSI ATEJI DALAM LIRIK LAGU PADA ALBUM MARGINAL #4 THE BEST 「STAR CLUSTER 2」 PRODUKSI REJET Meisha Putri M.R., Agus Budi Cahyono Universitas Brawijaya, [email protected] Universitas Brawijaya, [email protected] ABSTRACT This article aimed to describe why furigana in Japanese songs often found different furigana actually with kanji below it. Data uses the album MARGINAL # 4 THE BEST 「STAR CLUSTER 2」 REJET Production. This study uses qualitative descriptive to examine the type of ateji based on Lewis's theory (2010) and its function based on the theory of Jakobson (1960). Based on analysis, writer find more contrastive ateji than denotive ateji. Fatigue function is found more than other functions. The metalingual function is found on all data. Keywords: Ateji, Furigana, semantic PENDAHULUAN Huruf bahasa Jepang dibagi menjadi 4 yang digunakan sehari-hari. Adapun huruf tersebut adalah Kanji, Hiragana, Katakana dan Romaji. Pada penulisan huruf Kanji kadang diikuti dengan furigana yang merupakan bantuan cara baca serta memaknai kanji itu sendiri karena huruf kanji kadang mempunyai cara baca yang berbeda. Selain pembubuhan dengan furigana ada juga dengan ateji. Furigana itu murni sebagai cara baca dan makna aslinya, maka ateji adalah bantuan cara baca yang dilekatkan untuk menambahkan lapisan ide maupun makna di dalam kanji itu sendiri. Ateji merupakan penulisan bahasa Jepang yang tidak mengikuti cara baca jion (cara baca kanji China) dan jikun (cara baca kanji Jepang) ataupun jigi (makna asli) bahasa Jepang tersebut (Shirose, 2012: 103). -
Uhm Phd 9506222 R.Pdf
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UM! films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent UJWD the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adverselyaffect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-band comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms tnternauonat A Bell & Howell tntorrnatron Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 313/761-4700 800:521·0600 Order Number 9506222 The linguistic and psycholinguistic nature of kanji: Do kanji represent and trigger only meanings? Matsunaga, Sachiko, Ph.D. University of Hawaii, 1994 Copyright @1994 by Matsunaga, Sachiko. -
The Interlinear Poetic Gloss of Japanese
Rubi -The interlinear poetic gloss of Japanese Joint Faculties of Humanities and Theology at SOL Lund Centre for Languages and Literature Div of Chinese Studies and Japanese Studies Bachelor thesis: Spring 2016 Edvin Melander Supervisor: Lars Larm © Copyright Edvin Melander The Faculties of Humanities and Theology Lund University Box 201 SE-221 00 Lund Sweden Phone: +46 (0)46 222 32 10 Humanistiska och teologiska fakulteterna vid SOL Lund Lund Universitet Box 201 SE-221 00 Lund Phone: +46 (0)46 222 32 10 Abstract The Japanese language has a complex system containing four different scripts. Through the combined usage of these scripts into something sometimes referred to as interlinear glossing, it is possible for the writer to express a wide range of poetic styles in a way that is quite unique to the Japanese language. Ranging from metonymical relations between words and sentences, to synecdoche, word play and visual rhymes. This thesis reviews some of the more recent research that has been conducted surrounding the combining of these different scripts to form poetical nuances and functions in written text, to try and find out just what functions and nuances these provide for written text and dialogue. The usage of five distinct but often overlapping categories of interlinear gloss will also be examined. This is done through the use of a questionnaire, where native Japanese speakers have been asked about these five different styles of usage separately in order to gain more sociolinguistic data regarding what nuances, implications, societal implications, functions etc, that these provide. Keywords: Ateji, Furigana, Interlinear gloss, Playful gloss, Rubi Foreword First, I would like to thank my teacher and thesis supervisor Lars Larm for his enthusiastic and tireless guidance, for the many hours spent after class discussing all kinds of matters relating to both language and writing, and especially for his many encouraging words along the way. -
Everything Useful I Know About Real Life I Know from Movies. Through An
Young adult fiction www.peachtree-online.com Everything useful I know about real ISBN 978-1-56145-742-7 $ life I know from movies. Through an 16.95 intense study of the characters who live and those that die gruesomely in final Sam Kinnison is a geek, and he’s totally fine scenes, I have narrowed down three basic with that. He has his horror movies, approaches to dealing with the world: his nerdy friends, and World of Warcraft. Until Princess Leia turns up in his 1. Keep your head down and your face out bedroom, worry about girls he will not. of anyone’s line of fire. studied cinema and Then Sam meets Camilla. She’s beautiful, MELISSA KEIL 2. Charge headfirst into the fray and friendly, and completely irrelevant to anthropology and has spent time as hope the enemy is too confused to his life. Sam is determined to ignore her, a high school teacher, Middle-Eastern aim straight. except that Camilla has a life of her own— tour guide, waitress, and IT help-desk and she’s decided that he’s going to be a person. She now works as a children’s 3. Cry and hide in the toilets. part of it. book editor, and spends her free time watching YouTube and geek TV. She lives Sam believes that everything he needs to in Australia. know he can learn from the movies…but “Sly, hilarious, and romantic. www.melissakeil.com now it looks like he’s been watching the A love story for weirdos wrong ones. -
General Explanations Nihon Kokugo Daijiten Editorial Policy 1
General Explanations Nihon kokugo daijiten Editorial Policy 1. This dictionary attempts to offer a historical account of the meanings and usages of the Japanese language through reference to various written materials. 2. Entry items include the vocabulary of modern Japanese as well as items from historical texts. Proper nouns, including names of places and people, and technical and specialized terms are also included. 3. Definitions of a given word are generally arranged in historical order; usage citations are accompanied by the name of the text in which they appear. 4. Sources for citations are taken from a broad spectrum of texts including literary, historical, religious, and other works of various periods. 5. Citation sources range from works of antiquity to works of the Meiji, Taishō, and Shōwa periods. Chinese texts are also used for Sino-Japanese words. 6. Citations are taken from the most reliable versions of historical texts; in cases where variant texts are cited, notice is given. 7. Identification of citations is a specific as possible. In order to facilitate comprehension, some citations include the author's name and the field with which the text is associated. 8. Separate subheadings for Dialectal Variants, Etymology, Pronunciation, and Premodern Dictionary Citations are included with commentary where appropriate. 9. Entry headings and definitions are based on modern standards, and are intended to make location and comprehension as easy as possible. Components of the Descriptions The descriptions of words in this dictionary are composed of the following elements: entry heading, historical kana orthography, kanji, part of speech, definitions, examples and sources, supplementary notes, dialectal variants, etymology, pronunciation, and premodern dictionary citations. -
Keep Your Head Down in Shooting Hundred and Twenty Newborn Opos Gerous Than the Hog-Nosed Snakes
- ·e ;t h h ll h - ir t- >r r. lS ae Volume 9 NOVEMBER 15, 1950 Number 11 l · !.h rs ,, e. ?r INCREDIBLE ''BROTHER 'POSSUM , * * * * * * * * * UGLY ACTING I. By James N elson Gowa nJoch C h ie f Biologis t, Louf'! innn D e par t of SNAKES m e nt of \Vild Life n nd F is h eries ut m ,e B y K enneth D. Carla nde r a nd Subject of this article is the most Robert B. 1\loorman b· fantastic, most amusing, most ds I owa S tnte Colle g e misunderstood of all native mam by mals of the United States, the opossum. ~d Probably more tall stories are ys told about the hog-nosed snakes T he opossum, one of the few to and the water snakes than any American mammals that ever con other harmless kinds. They act tributed a universally used phrase and look more dangerous than the to the English speaking world, poisonous species. "playing 'possum," has entered H og-nosed snakes when cor into the folklore, the legend and nered or startled will coil and then the literature of the United expand and flatten the head and States. • • * '!II neck to twice their normal width The life history of the opossum in a fashion suggesting a cobra. has only recently, in some of its be Meanwhile, air is expelled f rom most significant chapters, become b· the inflated body in short violent known. hisses which may easily be con Young opossums are born in a - fused with the rattling of a rattle virtually embryonic condition, only ae snake. -
Tom Paxton Len Chandler Phil Ochs OTHERS
THE NATIONAL TOPICAL SONG MAGAZINE APRIL 1966 PRICE -- 50¢ . IN THIS ISSUE BUffy Sainte;Marie Tom Paxton Len Chandler Phil Ochs OTHERS ".".".JflfJf NEW SONGWRlTEBS JIMMY.- COLLIER JUDY REISMAN JERRY MOORE TOllY .TOWNSBD teve: Mayer Reviews· the new Eric · Andersen Record "'BOUT CHANGES &: THIlfOB" Other record re views b;y STU COHER • •• •Parodies b;y LEDA RANDOLPH, AND! BEa- 1Wf, JERRY FARBl!2, PAUL WOLFE • .;. Arlo icl~:C6untr.r~est em Pro-War SOngs, by GORDON FRIESEN. Photograph by Erik Fa1kensteen - 2 - NEW YORK POST, THURSDAY, FEBRUARY 10, 1966 They shook the foreign shackles, The emptiness of American Hider but that they do seek an they fought the tyrant's hold, policy in Southeast Asia was end to the bloodshed in Viet They broke the hand that nailed them never m0re manifest than tn Nam and the beginning of a to a cross of blazing gold, President Johnson's invitation new era of social, economic and to the self·confessed admirer of political justice for all its people. But the battle that I waged was of a far, Adolf Hitler, Premier Ky, to The President's powers of per· far different kind, visit on American territory. The suasion could have been em· And mercy was the last thing on mw mind. general has not only expressed ployed to good use in convinc· admimtion for the arch brute ing Ky that what his unhappy Rifles rang and bullets sang, of history but he has also pltb· country needs is not a Hitler and the jungle sky grew red, J.jcly and consistently repudi· but a Lincoln, not war but ated American efforts to seek an peace. -
SEQUOYA REVIEW UTC’S Annual Literary & Arts Magazine 2017
SEQUOYA REVIEW UTC’s Annual Literary & Arts Magazine 2017 Thanks to Sarah Einstein, this year's advisor ARTIST STATEMENT A Statement from the Cover Artist: Sarah Bowers “Travel is fatal to prejudice, bigotry, and narrow-mindedness, and many of our people need it sorely on these accounts. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one's lifetime.” -Mark Twain SEQUOYA REVIEW 3 FOREWORD Foreword To borrow from our own Olivette Petersen’s poem “Immortality,” I truly believe that in this journal you will find “a million memories . a thousand pictures . a piece of yourself” – one that you’re looking to share, and maybe some that you keep hidden. This journal is a stained-glass mosaic of stories true and imagined, and of artwork that speaks without words. These pages are inhabited by commonality, but also by an unfathomable number of totally unique experiences. They weave together in beautiful diversity. Making art is how we is how we explore what it means to live, and it’s how we live forever. Take a look. Tara McGlocklin Editor-in-Chief Sequoya Review 4 SEQUOYA REVIEW HISTORY Sequoya Review: A History It was a busy time in the United States in In 1975, this magazine was officially 1965: Martin Luther King Jr. marched renamed Sequoya Review, which would 25,000 people to the capital of Alabama; serve as the permanent title for at least the U.S. authorized its first ground the next forty years. It is doubtful that combat forces in Vietnam; Malcolm X the title will be changed in the future, was assassinated; The Who dropped their for it both honors an important Cherokee very first album; The Sound of Music was contributor to the publishing realm, and released in theaters; and the television because we have invested a fair amount of soap opera Days of Our Lives premiered. -
Pre-Tryout Skills Clinic
San Ramon Valley Girls Athletic League 2010 Pre‐Tryout Skills Clinic Syllabus Offensive Session Hitting Mechanics . Bat Selection Swing Mechanics ¾ Grip ¾ Hand Position ¾ Stance ¾ Load ¾ Stride (Toe Touch) ¾ Hip Rotation and Pivot ¾ Swing ¾ Contact ¾ Follow Through and Finish Key Coaching Points Grip • Line up the middle knuckles. • Grip the bat in your fingers, not with your palms. Hold the bat where your fingers and palms meet. Stance • Have your weight on the balls of your feet in a balanced position. • Point your feet straight ahead. • Position your knees between your feet and bend them slightly. • Keep your hips level. • Hold your head and eyes level and still. • Position the front shoulder slightly down with your front arm bent at 90 degrees. • Let your elbows hang with them pointed slightly out with your back arm at 45 degrees. • Cock the front shoulder and hip slightly inward. • Hold your hands even with your back shoulder about 4‐6 inches from your body. • Your bottom hand should be at the top of the strike zone. 2009 Pre‐Tryout Skills Clinic Page 1 Load and Stride to Toe Touch • Cock the front shoulder, hip, and knee slightly toward the catcher. • Keep your weight balanced with about 60% on the inside of the back foot. • Move your hands back slightly to the top of the strike zone directly above your back foot. • Use the pitcher’s toe touch and your toe touch as a timing mechanism. • Focus you eyes on the pitcher’s release point… Focus on the ball. • Use a short, soft glide and land on the inside ball of your foot (your big toe) • The front toe opens slightly and the hip stays closed. -
Fractures & Outlines – 2019 – Defensless – Album Lyrics End of the World
Fractures & Outlines – 2019 – Defensless – Album Lyrics End of the world These thoughts are rushing through my head, the friends I've hurt, the things I've said I'm hanging by a thread. I've got to learn to let things go, I know it feels alright but it's all just for show, I've got to figure things out on my own. No more excuses, just act and then we'll see It's not the end of the world, but what's it supposed to be? Your words are different, but sound the same to me, It's not the end of the world, but what's it supposed to be? To be honest I've been broken, torn apart so many times, but I made it out alive. I've been fixing myself and I got back up, every single time, every single time. No more excuses, just act and then we'll see It's not the end of the world, but what's it supposed to be? Your words are different, but sound the same to me, It's not the end of the world, but what's it supposed to be? If it's not the end of the world, then what's it supposed to be? (x8) I'm tired and I'm anxious, my demons submerge me, this used to be good but you're making it worse No more excuses, just act and then we'll see It's not the end of the world, but what's it supposed to be? Your words are different, but sound the same to me, It's not the end of the world, but what's it supposed to be? Over my head Let's settle things right here, I know it's been a while, I've been counting years Always thought I could call you a friend, guess I was wrong, since you were playing pretend. -
Character Standardization: Japan's Influence on China
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2020 Character Standardization: Japan's Influence on China Luke Blough [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Recommended Citation Blough, Luke, "Character Standardization: Japan's Influence on China". Senior Theses, Trinity College, Hartford, CT 2020. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/811 Character Standardization: Japan’s Influence on China By Luke Blough In Partial Fulfillment of Requirements for the Degree of Bachelor of Arts Advisors: Professor Katsuya Izumi, Japanese and Professor Yipeng Shen, Chinese LACS: Japanese and Chinese Senior Thesis May 2nd, 2020 Japanese and Chinese are both incredibly complicated languages from the perspective of an English speaker. Unlike English, both languages incorporate symbols rather than just an alphabet. To be sure, Japanese does have a phonetic alphabet, two in fact. It also uses Chinese characters called kanji. Kanji, as well as Japan’s two phonetic alphabets (hiragana and katakana) were derived from Chinese characters. A unique characteristic of Chinese characters is that they represent a meaning rather than just a sound. In Japanese, every kanji has more than one way of being pronounced. Because these characters are so unlike a set alphabet, they are constantly being created, or written in different ways. In order to make the language understandable for the hundreds of millions of people who use them, the governments of Japan and China have each made their own lists of official characters. The most recent updates of these lists are the New List of Chinese Characters for General Use in Japan (新常用漢字表 [shin jouyou kanji hyou]) and the General Purpose Normalized Chinese Character List (通用规范汉字表 [tongyong guifan hanzi biao]) in China. -
Paranoize36.Pdf
Paranoize is a non-profit independent publication 4/26/15 based in New Orleans, Louisiana covering metal, BEHOLD! ANOTHER ISSUE OF punk, hardcore, sludge, doom, stoner rock and PARANOIZE HAS BEEN UNLEASHED! pretty much anything loud and noisy. This issue covers 4 New Orleans bands Bands/labels are encouraged to send their music who recently put out vinyl releases in the in to review, but if we don’t like it, you can bet past few months: Gasmiasma, Classhole, that we’ll make fun of you. Gristnam and Ossacrux plus an interview Criminal Slang from Vicksburg, Advertisements and donations are what keep this Mississippi. publication FREE. Go to www.paranoizenola.com or email I got t-shirts printed since the last issue of [email protected] to find out how to Paranoize and I’m having trouble keeping donate or advertise. them in stock! Thanks to all of you who You may send all comments, questions, letters, have supported this ‘zine! music for review (vinyl, cassette, cd), ‘zines for You can order them online in the Paranoize trade, money, various household items, etc. to: Webstore or hit me up and I’ll sell you one Paranoize at a show or something. There are stickers P.O. Box 2334 and koozies still available as well! Marrero, LA 70073-2334 The New Orleans scene has lost another of Visit Paranoize on the internet at: its ranks. Jason Baas, who was in The www.paranoizenola.com paranoizenola.bandcamp.com Flagrantz and Resin has left us. I didn’t www.facebook.com/paranoizenola know him personally, but I am a huge fan of www.twitter.com/paranoize the music that he has left behind.