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HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
The Algonquin Round Table New York: a Historical Guide the Algonquin Round Table New York: a Historical Guide
(Read free ebook) The Algonquin Round Table New York: A Historical Guide The Algonquin Round Table New York: A Historical Guide QxKpnBVVk The Algonquin Round Table New York: A Historical Guide GF-51433 USmix/Data/US-2015 4.5/5 From 294 Reviews Kevin C. Fitzpatrick DOC | *audiobook | ebooks | Download PDF | ePub 13 of 13 people found the following review helpful. A great way to introduce yourself to a group who made literary historyBy Greg HatfieldIt seems my entire life has been connected to the Algonquin Round Table. When I first discovered Harpo Marx, as a youngster, it led me to his autobiography, Harpo Speaks,where I then learned about the Round Table. Alexander Woollcott, George S. Kaufman, Dorothy Parker, Robert Benchley, Franklin P. Adams, Edna Ferber, Heywood Broun, and all the rest who made up the Vicious Circle, became an obsession to me and I had to learn about their lives and, more importantly, their work.Kevin Fitzpatrick has done a remarkable job with this book, putting the group into a historical perspective, and giving the reader a terrific overview of what made the Algonquin Round Table unique and worthy of your time. They were the leading writers and critics of the 1920's, who really did enjoy one another's company, meeting practically every day for lunch for ten years at the Algonquin Hotel.Fitzpatrick says, in one section, that there isn't a day, in this modern era, where someone, somewhere, mentions one of the group in a glowing context (I'm paraphrasing here). The fact remains that the work of Kaufman, Mrs. -
Orson Welles: CHIMES at MIDNIGHT (1965), 115 Min
October 18, 2016 (XXXIII:8) Orson Welles: CHIMES AT MIDNIGHT (1965), 115 min. Directed by Orson Welles Written by William Shakespeare (plays), Raphael Holinshed (book), Orson Welles (screenplay) Produced by Ángel Escolano, Emiliano Piedra, Harry Saltzman Music Angelo Francesco Lavagnino Cinematography Edmond Richard Film Editing Elena Jaumandreu , Frederick Muller, Peter Parasheles Production Design Mariano Erdoiza Set Decoration José Antonio de la Guerra Costume Design Orson Welles Cast Orson Welles…Falstaff Jeanne Moreau…Doll Tearsheet Worlds" panicked thousands of listeners. His made his Margaret Rutherford…Mistress Quickly first film Citizen Kane (1941), which tops nearly all lists John Gielgud ... Henry IV of the world's greatest films, when he was only 25. Marina Vlady ... Kate Percy Despite his reputation as an actor and master filmmaker, Walter Chiari ... Mr. Silence he maintained his memberships in the International Michael Aldridge ...Pistol Brotherhood of Magicians and the Society of American Tony Beckley ... Ned Poins and regularly practiced sleight-of-hand magic in case his Jeremy Rowe ... Prince John career came to an abrupt end. Welles occasionally Alan Webb ... Shallow performed at the annual conventions of each organization, Fernando Rey ... Worcester and was considered by fellow magicians to be extremely Keith Baxter...Prince Hal accomplished. Laurence Olivier had wanted to cast him as Norman Rodway ... Henry 'Hotspur' Percy Buckingham in Richard III (1955), his film of William José Nieto ... Northumberland Shakespeare's play "Richard III", but gave the role to Andrew Faulds ... Westmoreland Ralph Richardson, his oldest friend, because Richardson Patrick Bedford ... Bardolph (as Paddy Bedford) wanted it. In his autobiography, Olivier says he wishes he Beatrice Welles .. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
The Role of Stanislavsky and the Moscow Art Theatre's 1923 And
CULTURAL EXCHANGE: THE ROLE OF STANISLAVSKY AND THE MOSCOW ART THEATRE’S 1923 AND1924 AMERICAN TOURS Cassandra M. Brooks, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2014 APPROVED: Olga Velikanova, Major Professor Richard Golden, Committee Member Guy Chet, Committee Member Richard B. McCaslin, Chair of the Department of History Mark Wardell, Dean of the Toulouse Graduate School Brooks, Cassandra M. Cultural Exchange: The Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours. Master of Arts (History), August 2014, 105 pp., bibliography, 43 titles. The following is a historical analysis on the Moscow Art Theatre’s (MAT) tours to the United States in 1923 and 1924, and the developments and changes that occurred in Russian and American theatre cultures as a result of those visits. Konstantin Stanislavsky, the MAT’s co-founder and director, developed the System as a new tool used to help train actors—it provided techniques employed to develop their craft and get into character. This would drastically change modern acting in Russia, the United States and throughout the world. The MAT’s first (January 2, 1923 – June 7, 1923) and second (November 23, 1923 – May 24, 1924) tours provided a vehicle for the transmission of the System. In addition, the tour itself impacted the culture of the countries involved. Thus far, the implications of the 1923 and 1924 tours have been ignored by the historians, and have mostly been briefly discussed by the theatre professionals. This thesis fills the gap in historical knowledge. -
Western Ways Features Film Collection
THE WESTERN WAYS FEATURE FILES COLLECTION MS 1056 DESCRIPTION This collection consists of several types of materials: "data" files; business correspondence; manuscripts of features stories; photographs, negatives and color transparencies; and many files of legal papers, court orders, and transcripts of legal hearings. The first category, "data" files, refers to the research materials collected for use in writing feature stories. These materials consist of ephemeral materials, such as booklets, pamphlets, maps, flyers and promotional materials, usually distributed for tourists by such agencies as Chambers of Commerce, local governments, businesses, or in some cases federal government agencies like the Department of the Interior, the National Park Service and the Bureau of Indian affairs. These ephemeral materials date from the late 1930's to the late 1960's. The second category of business correspondence consists mainly of letters to and from publishers; photographic agencies; advertising agencies; individual businesses; writers; photographers; and the Western Ways Features company. Although a small proportion of the material is personal correspondence, the great bulk of the letters are business-related. The dates of the letters range from the early 1930's until the late 1970's. There are large numbers of letters to and from Arizona Highways and its long-time editor, Raymond Carlson, over a period of three decades. An equally large number of letters are between Western Ways and the Camera Press agency in London, which represented western ways in Europe for over thirty years. Smaller collections of letters are with such Arizona personalities as Barry Goldwater, Roy Drachman, Ray Manley and many others. The third type of material are manuscripts of stories that the Western Ways Features company attempted to market, and were usually part of a package offered along with accompanying set of photographs. -
The Transnational Sound of Harpo Marx
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Electronic version URL: http://journals.openedition.org/miranda/36228 DOI: 10.4000/miranda.36228 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Marie Ventura, “Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx”, Miranda [Online], 22 | 2021, Online since 02 March 2021, connection on 27 April 2021. URL: http:// journals.openedition.org/miranda/36228 ; DOI: https://doi.org/10.4000/miranda.36228 This text was automatically generated on 27 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx 1 Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Introduction: a Transnational Trickster 1 In early autumn, 1933, New York critic Alexander Woollcott telephoned his friend Harpo Marx with a singular proposal. Having just learned that President Franklin Roosevelt was about to carry out his campaign promise to have the United States recognize the Soviet Union, Woollcott—a great friend and supporter of the Roosevelts, and Eleanor Roosevelt in particular—had decided “that Harpo Marx should be the first American artist to perform in Moscow after the US and the USSR become friendly nations” (Marx and Barber 297). “They’ll adore you,” Woollcott told him. “With a name like yours, how can you miss? Can’t you see the three-sheets? ‘Presenting Marx—In person’!” (Marx and Barber 297) 2 Harpo’s response, quite naturally, was a rather vehement: you’re crazy! The forty-four- year-old performer had no intention of going to Russia.1 In 1933, he was working in Hollywood as one of a family comedy team of four Marx Brothers: Chico, Harpo, Groucho, and Zeppo. -
Glitter the Deadline for Voting in the 2012 Fan Activity Achievement Awards (Faan Awards) Is March 9, 2012
1 FAAn Awards Deadline Is Today! Corflu Glitter The deadline for voting in the 2012 Fan Activity Achievement Awards (FAAn Awards) is March 9, 2012. That’s today, but there’s still (Corflu 29) time to get your choices for the best writers, artists, editors and posters of 2011. Voting is free, all knowledgeable fans are eligible to cast a ballot Sunset Station and it’s the fannish thing to do. The top finishers in each category and the Number One Fan Face (highest overall point getter) will receive Hotel-Casino awards at the Corflu Glitter banquet. All top finishers will be featured in a special results fanzine written Henderson, NV by Arnie Katz, Andy Hooper, Claire Brialey and other well-known fans. Volunteer writers are most welcome. If you’d like to help, write to Ar- nie ([email protected]). April 20-22, 2012 Full Website Poised to Go! The upgraded Corflu website ( www.Corflu.org ) is about to go live. Email: [email protected] This will replace the temporary site put up by Bill Burns. “The combined talent and energy of Corflu Web Host Bill Burns and Corflu Webmaster Tom Becker has finally triumphed over the sloth and Glitter #53, March 9, 2012 , The procrastination of the site’s head writer,” notes Arnie Katz, the head Glish, is the fanzine of Corflu Glit- writer. “A little polite whip-cracking has pried the needed content from ter, the 29th edition of what has the writer so that Tom and Bill can put the full site into place in the next become the World Trufandom few days.” Convention. -
The Inventory of the Alexander Woollcott Collection #344
The Inventory of the Alexander Woollcott Collection #344 Howard Gotlieb Archival Research Center WOOLLCOTT, Alexander Purchase: 1971. #l2G Box 1 Folder 1921-1940. Letters from Alexander Woollcott ( #1) 1921 ALS, to Dr. Saunders. October 28. "About 1921 11 marked in pencil on the first page. 2 pp. 1932 TLS, New York, to Mrs. A. P. Saunders, Clinton, N. '/· March 19. 2 pp. Typescript envelope postmarked the same date. TLS, New York, to Mrs. Saunders. October 21. 2 pp. 1936 ALS, Bomciseen,~Vt., to "Louise" October 6, no year marked on letter. 3 pp. Holograph note about Eleanora (van?) Mendelsohn, Viennese actress, who is mentioned in the letter, enclosed. Holograph envelope postmarked October 7. 11 1939 TLS, Beverley Hills, Calif., to "Louise • April 1. 2 pp. Typescript envelope postmarked the same date. 1940 TLS, Bomoseen, Vt., to Mr. Plumley. September 22. 2 pp. Note: Louise is Mrs. Saunders. Dr. Saunders is Arthur Percy Saunders, 1869-1953.~ a ahemist and dean at Hamilton College. WOOLLCOTT, ALEXANDER Purchase: Addenda January 1972 Box 1 Letters from Alexander Woollcott (#1) 1930 TLS. No place, To Miss Schneider, October 3, 1930. 1930 TLS. New York, To Miss Schneider, October 15, 1930. 1934 TLS. New York, to Mr. Scaife t: Roger Livingston Scaife 1875-19513, December 12, 1934. 2 PP• 1936 TLS. New York, to the Rev. Charles Russell Peck, Concord, Mass., no date with typescript envelope postmarked December 7, 1936. 1940 TLS. Fairmont Hotel, San Francisco, to Pierre Monteux (1875-1964), San Francisco, March 27,1940 with envelope postmarked March 26. WOOLLCOTT, Alexander Purchase: November 1977 :Jox 1 Letters from Alexander Woollcott (#1) ALS Carlton Hotel, London to Negley Farson, April 9, 1936, 2 p. -
Golden Ag E W Estern Comics Golden
Golden Age Western Comics Western Golden Age he Wild West has been romanticized in American culture ever since the dime novels capturing the exploits of Jesse James were produced in the years directly Tfollowing the Civil War, and the Western genre continues to enthrall audiences to this day. The stories of frontiersmen, outlaws, cowboys, Indians, prospectors, and marksmen surviving the harshest of environments through wit, skill, and determination, or meeting their end by bullet, noose, or exposure speak to what it means to be American and play an essential part in how we define ourselves as a nation. These mythic stories have been captured and created in almost every popular mass medium of the past century and beyond from tabloids to novels, radio plays, television shows, and movies. Now, powerHouse Books is pleased to present a collection of these uniquely American stories as told through a uniquely American medium…the comic book! Golden Age Western Comics lovingly reproduces in full-color, restored, complete scans of over 40 of the best Western stories created between the years 1948 and 1956. These lavishly illustrated stories of guts and glory, violence and valor, intrigue, romance, and betrayal, on the range and in lawless frontier towns, were created by some of the best artists and writers of the era. The action flies off the page in stories such as “The Tragedy at Massacre Pass,” and “Breakout in Rondo Prison,” from the greatest earliest publishing houses, including: Fawcett, Charlton, Avon, Youthful, and more. Golden Age Western -
An Educational Guide Filled with Youthful Bravado, Welles Is a Genius Who Is in Love with and Welles Began His Short-Lived Reign Over the World of Film
Welcome to StageDirect Continued from cover Woollcott and Thornton Wilder. He later became associated with StageDirect is dedicated to capturing top-quality live performance It’s now 1942 and the 27 year old Orson Welles is in Rio de Janeiro John Houseman, and together, they took New York theater by (primarily contemporary theater) on digital video. We know that there is on behalf of the State Department, making a goodwill film for the storm with their work for the Federal Theatre Project. In 1937 their tremendous work going on every day in small theaters all over the world. war effort. Still struggling to satisfy RKO with a final edit, Welles is production of The Cradle Will Rock led to controversy and they were This is entertainment that challenges, provokes, takes risks, explodes forced to entrust Ambersons to his editor, Robert Wise, and oversee fired. Soon after Houseman and Welles founded the Mercury Theater. conventions - because the actors, writers, and stage companies are not its completion from afar. The company soon made the leap from stage to radio. slaves to the Hollywood/Broadway formula machine. These productions It’s a hot, loud night in Rio as Orson Welles (actor: Marcus In 1938, the Mercury Theater’s War of the Worlds made appear for a few weeks, usually with little marketing, then they disappear. Wolland) settles in to relate to us his ‘memoir,’ summarizing the broadcast history when thousands of listeners mistakenly believed Unless you’re a real fanatic, you’ll miss even the top performances in your early years of his career in theater and radio. -
Journalist Biographie Archibald, John
Report Title - p. 1 of 303 Report Title Amadé, Emilio Sarzi (Curtatone 1925-1989 Mailand) : Journalist Biographie 1957-1961 Emilio Sarzi Amadé ist Korrespondent für Italien in China. [Wik] Archibald, John (Huntley, Aberdeenshire 1853-nach 1922) : Protestantischer Missionar, Journalist Biographie 1876-1913 John Archibald arbeitet für die National Bible Society of Scotland in Hankou. Er resit in Hubei, Hunan, Henan, Anhui und Jiangxi. [Who2] 1913 John Archibald wird Herausgeber der Central China post. [Who2] Bibliographie : Autor 1910 Archibald, John. The National Bible Society of Scotland. In : The China mission year book ; Shanghai (1910). [Int] Balf, Todd (um 2000) : Amerikanischer Journalist, Senior Editor Outside Magazine, Mitherausgeber Men's journal Bibliographie : Autor 2000 Balf, Todd. The last river : the tragic race for Shangi-la. (New York, N.Y. : Crown, 2000). [Erstbefahrung 1998 für die National Geographic Society durch wilde Schluchten des Brahmaputra (Tsangpo) in Tibet, die wegen Strömungen und Tod von Douglas Gordon (1956-1998) scheitert]. [WC,Cla] Balfour, Frederic Henry (1846-1909) : Kaufmann, Journalist in China Bibliographie : Autor 1876 Balfour, Frederic Henry. Waifs and strays from the Far East ; being a series of disconnected essays on matters relating to China. (London : Trübner, 1876). https://archive.org/details/waifsstraysfromf00balfrich. 1881 Chuang Tsze. The divine classsic of Nan-hua : being the works of Chuang Tsze, taoist philosopher. With an excursus, and copious annotations in English and Chinese by Frederic Henry Balfour. (Shanhgai ; Hongkong : Kelly & Walsh, 1881). [Zhuangzi. Nan hua jing]. https://catalog.hathitrust.org/Record/100328385. 1883 Balfour, Frederic Henry. Idiomatic dialogues in the Peking colloquial for the use of students. (Shanghai : Printed at the North-China Herald Office, 1883).