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“From the Cracks in the Sidewalks of NYC”: The
“From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 by Elizabeth Healy Matassa B.A. in Italian and French Studies, May 2003, University of Delaware M.A. in Geography, May 2006, Louisiana State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by Suleiman Osman Associate Professor of American Studies The Columbian College of Arts and Sciences of the George Washington University certifies that Elizabeth Healy Matassa has passed the Final Examination for the degree of Doctor of Philosophy as of August 21, 2013. This is the final and approved form of the dissertation. “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 Elizabeth Healy Matassa Dissertation Research Committee: Suleiman Osman, Associate Professor of American Studies, Dissertation Director Elaine Peña, Associate Professor of American Studies, Committee Member Elizabeth Chacko, Associate Professor of Geography and International Affairs, Committee Member ii ©Copyright 2013 by Elizabeth Healy Matassa All rights reserved iii Dedication The author wishes to dedicate this dissertation to the five boroughs. From Woodlawn to the Rockaways: this one’s for you. iv Abstract of Dissertation “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 This dissertation argues that New York City’s 1970s fiscal crisis was not only an economic crisis, but was also a spatial and embodied one. -
2017 ANNUAL REPORT 2017 Annual Report Table of Contents the Michael J
Roadmaps for Progress 2017 ANNUAL REPORT 2017 Annual Report Table of Contents The Michael J. Fox Foundation is dedicated to finding a cure for 2 A Note from Michael Parkinson’s disease through an 4 Annual Letter from the CEO and the Co-Founder aggressively funded research agenda 6 Roadmaps for Progress and to ensuring the development of 8 2017 in Photos improved therapies for those living 10 2017 Donor Listing 16 Legacy Circle with Parkinson’s today. 18 Industry Partners 26 Corporate Gifts 32 Tributees 36 Recurring Gifts 39 Team Fox 40 Team Fox Lifetime MVPs 46 The MJFF Signature Series 47 Team Fox in Photos 48 Financial Highlights 54 Credits 55 Boards and Councils Milestone Markers Throughout the book, look for stories of some of the dedicated Michael J. Fox Foundation community members whose generosity and collaboration are moving us forward. 1 The Michael J. Fox Foundation 2017 Annual Report “What matters most isn’t getting diagnosed with Parkinson’s, it’s A Note from what you do next. Michael J. Fox The choices we make after we’re diagnosed Dear Friend, can open doors to One of the great gifts of my life is that I've been in a position to take my experience with Parkinson's and combine it with the perspectives and expertise of others to accelerate possibilities you’d improved treatments and a cure. never imagine.’’ In 2017, thanks to your generosity and fierce belief in our shared mission, we moved closer to this goal than ever before. For helping us put breakthroughs within reach — thank you. -
LIVE from LINCOLN CENTER December 31, 2002, 8:00 P.M. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert
LIVE FROM LINCOLN CENTER December 31, 2002, 8:00 p.m. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East.Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East. Celebrating the New Year with music is nothing new for Maazel: he holds the modern record for most appearances as conductor of the celebrated New Year’s Day concerts in Vienna by the Vienna Philharmonic Orchestra. There, of course, the fare is made up mostly of music by the waltzing Johann Strauss family, father and sons. For his New Year’s Eve concert with the New York Philharmonic Maazel has chosen quintessentially American music by the composer considered by many to be America’s closest equivalent to the Strausses, George Gershwin. -
Annual Report 2018
2018Annual Report Annual Report July 1, 2017–June 30, 2018 Council on Foreign Relations 58 East 68th Street, New York, NY 10065 tel 212.434.9400 1777 F Street, NW, Washington, DC 20006 tel 202.509.8400 www.cfr.org [email protected] OFFICERS DIRECTORS David M. Rubenstein Term Expiring 2019 Term Expiring 2022 Chairman David G. Bradley Sylvia Mathews Burwell Blair Effron Blair Effron Ash Carter Vice Chairman Susan Hockfield James P. Gorman Jami Miscik Donna J. Hrinak Laurene Powell Jobs Vice Chairman James G. Stavridis David M. Rubenstein Richard N. Haass Vin Weber Margaret G. Warner President Daniel H. Yergin Fareed Zakaria Keith Olson Term Expiring 2020 Term Expiring 2023 Executive Vice President, John P. Abizaid Kenneth I. Chenault Chief Financial Officer, and Treasurer Mary McInnis Boies Laurence D. Fink James M. Lindsay Timothy F. Geithner Stephen C. Freidheim Senior Vice President, Director of Studies, Stephen J. Hadley Margaret (Peggy) Hamburg and Maurice R. Greenberg Chair James Manyika Charles Phillips Jami Miscik Cecilia Elena Rouse Nancy D. Bodurtha Richard L. Plepler Frances Fragos Townsend Vice President, Meetings and Membership Term Expiring 2021 Irina A. Faskianos Vice President, National Program Tony Coles Richard N. Haass, ex officio and Outreach David M. Cote Steven A. Denning Suzanne E. Helm William H. McRaven Vice President, Philanthropy and Janet A. Napolitano Corporate Relations Eduardo J. Padrón Jan Mowder Hughes John Paulson Vice President, Human Resources and Administration Caroline Netchvolodoff OFFICERS AND DIRECTORS, Vice President, Education EMERITUS & HONORARY Shannon K. O’Neil Madeleine K. Albright Maurice R. Greenberg Vice President and Deputy Director of Studies Director Emerita Honorary Vice Chairman Lisa Shields Martin S. -
"Redeveloping" Corporate Governance Structures: Non-For-Profit Governance During Major Capital Projects, a Case Study at Lincoln Center for the Performing Arts
Fordham Law Review Volume 76 Issue 2 Article 14 2007 "Redeveloping" Corporate Governance Structures: Non-For-Profit Governance During Major Capital Projects, A Case Study at Lincoln Center for the Performing Arts Lesley Friedman Rosenthal Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law Commons Recommended Citation Lesley Friedman Rosenthal, "Redeveloping" Corporate Governance Structures: Non-For-Profit Governance During Major Capital Projects, A Case Study at Lincoln Center for the Performing Arts, 76 Fordham L. Rev. 929 (2007). Available at: https://ir.lawnet.fordham.edu/flr/vol76/iss2/14 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. "Redeveloping" Corporate Governance Structures: Non-For-Profit Governance During Major Capital Projects, A Case Study at Lincoln Center for the Performing Arts Cover Page Footnote J.D., Harvard Law School, 1989; A.B., Harvard College, 1986; Vice President, General Counsel, and Secretary, Lincoln Center for the Performing Arts, Inc. Ms. Rosenthal plays a lead role in fashioning the legal context for the ongoing redevelopment projects on the Lincoln Center campus. She is also part of the management committee team that is modernizing how Lincoln Center manages retail sales, restaurant and catering transactions, and parking. In her role as secretary, Ms. Rosenthal regularly interacts with the board of directors, drafting corporate resolutions and advising on corporate governance matters. -
Classical Jazz
LIVE FROM LINCOLN CENTER May 29, 2003, 8:00 p.m. on PBS Marsalis at the Penthouse In the summer of 1987 a "Classical Jazz" concert series was established at New York City's Lincoln Center for the Performing Arts, under the inspired leadership of trumpet player, Wynton Marsalis. Seven years later this indispensable activity was redefined and became the autonomous jazz division at Lincoln Center--Jazz at Lincoln Center. Thus this essential American musical form took its place at Lincoln Center alongside such other constituents as the New York Philharmonic and the Metropolitan Opera, with Marsalis continuing as the driving force behind it. We have been privileged over the years on Live From Lincoln Center to be able to bring you several performances by this outstanding ensemble, most recently in concert with Kurt Masur and the New York Philharmonic. (Interestingly, during the years of the Masur family's residence in New York, the Maestro's son-- himself an aspiring conductor--became a great jazz enthusiast.) Our next Live From Lincoln Center telecast, on Thursday evening, May 29, will be devoted to yet another live performance by Jazz at Lincoln Center. But with a difference! Our previous sessions with Jazz at Lincoln Center have originated in one of the several concert halls in the Lincoln Center complex and have featured the artistry of the large ensemble. On May 29 the 90-minute performance will take place in the intimate confines of the Kaplan Penthouse high atop the building that houses Lincoln Center's administration offices. The Kaplan Penthouse has served as the locale for three previous Live From Lincoln Center telecasts: two featuring Itzhak Perlman, the other spotlighting Renée Fleming. -
December 2011: Primetime Alaskapublic.Org
schedule available online: December 2011: Primetime alaskapublic.org 7:00 7:30 8:00 8:30 9:00 9:3010:00 10:30 11:00 11:30 Conversations: Bad Blood: A Cautionary Thu 12/1 This Old House Hour Charlie Rose Tavis Smiley Tavis Smiley Teen Suicide in Alaska Tale Washington Alaska PBS Arts From New York: Fri 12/2 Need to Know Charlie Rose Week Edition Great Performances Andrea Bocelli Live in Central Park Victor Borge Sat 12/3 Suze Orman's Money Class 60's Pop, Rock & Soul Victor Borge (start 6pm) Celtic Woman - Believe (start Sun 12/4 Lucille Ball: Finding Lucy An "American Masters" Special Rick Steves' European Christmas 6pm) Mon 12/5 Alone In The Wilderness, Part Two American Family: Anniversary Edition Charlie Rose Alaska Far Away: The New Deal Pioneers of the Matanuska Tue 12/6 Celtic Woman - Believe Charlie Rose Colony Wed 12/7 Suze Orman's Money Class Journey Of The Universe Victor Borge Charlie Rose 3 Steps To Incredible Health! With Joel Great Performances: Jackie How To Shop For Free With Thu 12/8 Charlie Rose Fuhrman, M.D. Evancho: Dream With Me In Concert Coupon Master Kathy Spencer Washington Alaska Human Nature Sings Motown With Special Fri 12/9 Need to Know Roy Orbison: In Dreams Charlie Rose Week Edition Guest Smokey Robinson Alaska Far Away Santana - Live At Montreux Sat 12/10 Alone In The Wilderness, Part Two Paul Simon: Live In Webster Hall, New York (start 6pm) 2011 Alone Great Performances: Jackie Sun 12/11 60's Pop, Rock & Soul Buddy Holly: Listen To Me (start 6pm) Evancho: Dream With Me In Concert Antiques Roadshow: B.E. -
The Black Clown
Wednesday–Saturday, July 24–27, 2019 at 7:30 pm Post-performance talk with Davóne Tines, Zack Winokur, and Chanel DaSilva on Thursday, July 25 NEW YORK PREMIERE The Black Clown Adapted from the Langston Hughes poem by Davóne Tines & Michael Schachter Music by Michael Schachter Directed by Zack Winokur A production of American Repertory Theater at Harvard University With the kind cooperation of the Estate of Langston Hughes Please make certain all your electronic devices are switched off. Major endowment support for contemporary dance and theater is provided by the Doris Duke Charitable Foundation. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Gerald W. Lynch Theater at John Jay College Mostly Mozart Festival American Express is the lead sponsor of the Mostly Mozart Festival Major endowment support for contemporary dance and theater is provided by the Doris Duke Charitable Foundation Additional endowment support is provided by the Blavatnik Family Foundation Fund for Dance, Nancy Abeles Marks and Jennie L. and Richard K. DeScherer The Mostly Mozart Festival is also made possible by Rita E. and Gustave M. Hauser. Additional support is provided by The Shubert Foundation, LuEsther T. Mertz Charitable Trust, Howard Gilman Foundation, The Fan Fox and Leslie R. Samuels Foundation, Inc., The Katzenberger Foundation, Inc., Mitsui & Co. (U.S.A.), Inc, Harkness Foundation for Dance, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, Friends of Mostly Mozart, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. -
After the Urban Crisis: New York and the Rise of Inequality
After the Urban Crisis: New York and the Rise of Inequality Edited by Themis Chronopoulos and Jonathan Soffer Forthcoming as a special issue of the Journal of Urban History Table of Contents and Abstracts Introduction. After the Urban Crisis: New York and the Rise of Inequality by Themis Chronopoulos and Jonathan Soffer “I am Not Co-Op!” The Struggle over Middle-Class Housing in 1970s New York by Benjamin Holtzman In 1970s New York, some landlords and major real estate associations argued that New York could stem the exodus of middle-income residents by creating greater opportunities for homeownership in a city that had long been dominated overwhelmingly by renters. They proposed converting middle-income rental housing into cooperatives, a process that would also enable former landlords to profit handsomely. Tenants, however, widely rejected apartment ownership, preferring the security of rent-regulated housing. This article traces the ensuing struggles between tenants, the real estate industry, and city officials over the nature of moderate and middle-income housing in New York. The eventual success of the real estate industry enabled cooperative conversions to expand dramatically in the 1980s, but only by bargaining with tenants and activists, offering tenants non-eviction plans, and heavily discounted insider prices. This process helped to transform the city by underwriting a momentous turnaround in the real estate market, while signaling a larger embrace of market deregulation. “A Shelter Can Tip the Scales Sometimes”: Disinvestment, Gentrification, and the Neighborhood Politics of Homelessness in 1980s New York City by Ariel Eisenberg In the 1980s, visible homelessness became one of the most pressing problems in New York City. -
GENERAL ELECTION a Non-Partisan Guide to Informed Voting
01Cover 10/24/05 1:26 PM Page 2 Citizens Union Voters Directory GENERAL ELECTION A Non-Partisan Guide to Informed Voting TUESDAY, NOVEMBER 8, 2005 BOARD OF DIRECTORS Richard J. Davis, Chair Robert Abrams James J. Harrington Malcolm MacKay Luis Garden Acosta Gail Hilson H. Carl McCall John Avlon Chung-Wha Hong Tom Osterman Edward Bautista John Horan John G. Proudfit Henry T. Berger Amabel B. James Bruce Rabb Joel Berger Robert M. Kaufman Anusha Rasalingam Richard Briffault Robert G. M. Keating Luis O. Reyes Lucy Cabrera, Ph.D. Eric Lee Torrance Webster Robinson Noreen Connell Nathan Leventhal Alan Rothstein Christina R. Davis Harold Levy Peter J.W. Sherwin Helena Rose Durst Ogden N. Lewis Edward C. Swenson Gail Erickson Mark Lieberman Karen Washington Edythe W. First Gena Lovett David L. Fogel Theodore S. Lynn LOCAL CANDIDATES COMMITTEE John Horan, Chair Miriam Adelman Nicole Dooskin Rita Kardeman Marc Norman Albert Asfazadour Kevin Duffy Patricia Killen Tom Osterman Scott Avidon Aine Duggan Peter Killen Anne Perkins Thomas Bach Gail Erickson David Charles Klein J. Robert Pigott Jessica Barclay- Lyle Frank Raymond Knowles John G. Proudfit Strobel Martin Gallent Adam Kurtz Anusha Rasalingam Sally Barhydt Arthur Galub Eric Lee Luis O. Reyes Joel Berger Joseph Gapper Sandra Lespinasse Richard Ropiak David Brauner Luis Garden Acosta Mark Lieberman Kenneth Seplow Lucy Cabrera, Ph.D. Elaine Gerstein Perry Luntz Marjorie Shea Andrew Cantor Sally Goodgold Theodore Lynn Peter J.W. Sherwin William Cantwell Craig Gurian Grace Lyu-Volckhausen Robert Snyder Stephan Cotton James J. Harrington Michael Marigliano Edward C. Swenson Christina R. Davis Gail Hilson Kerry McCarthy Karen Washington Richard J. -
Top 50 Banking Employers
“For those hoping to climb the ladder of success, 2011 EDITION 2011 EDITION [Vault’s] insights are priceless.” — Money TOP 50 BANKING EMPLOYERS TOP 50 BANKING EMPLOYERS “Excellent.” — Library Journal GET INSIDE INFO ON: IN THIS GUIDE: Barclays Capital • Company overviews and Credit Suisse recent firm news Deutsche Bank • Info on the hiring process for each firm Evercore Partners • Inside info on workplace culture Goldman Sachs and compensation Greenhill & Co. • And much more! J.P. Morgan Lazard AT VAULT.COM: Moelis & Company • Employee surveys for VAULT GUIDE TO THE Morgan Stanley thousands of top employers UBS Investment Bank • Tens of thousands of top job And many more! listings TOP 50 www.vault.com BANKING About Vault.com, Inc. Vault.com is the source of employer and university rankings, ratings and insight for highly credentialed, in-demand candidates. Vault.com is organized EMPLOYERS GET THE INSIDE SCOOP ON THE BEST FIRMS TO WORK FOR IN THE BANKING industry by profession, industry, company and schools. Vault’s profiles, rankings and assessment tools deliver the insider perspective and career research candidates need to successfully match themselves to the best available job, employer and career opportunity. The Vault.com website features profiles on Carrier/Reference more than 4,500 employers, 4,000 universities and hundreds of industries $34.95 and professions including the law, finance, accounting and consulting sectors. Founded in 1996, Vault.com is the only career resource of its kind and attracts more than 1000 employer and recruiter advertisers, more than ® 1200 school and institutional subscribers and millions of individual visitors and members. -
Gp 3.Qxt 7/14/17 12:16 PM Page 1
07-22 Jewels (Eve).qxp_Gp 3.qxt 7/14/17 12:16 PM Page 1 Lincoln Center Festival lead support is provided by American Express July 22 David H. Koch Theater Bolshoi Ballet Ballet Director Makhar Vaziev New York City Ballet Ballet Master in Chief Peter Martins Paris Opera Ballet Director of Dance Aurélie Dupont Jewels Choreography George Balanchine © The George Balanchine Trust Set Design Peter Harvey Lighting Design Mark Stanley New York City Ballet Orchestra Music Director Andrew Litton Approximate running time: 2 hours and 10 minutes, with two intermissions This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Made possible in part by members of the Producers Circle Major support is provided by LuEsther T. Mertz Charitable Trust. Additional support is provided by Jennie L. and Richard K. DeScherer, the Lepercq Charitable Foundation in Memory of Paul Lepercq, The Harkness Foundation for Dance, and The Joelson Foundation. Endowment support for the Lincoln Center Festival 2017 presentation of Jewels is provided by Blavatnik Family Foundation Fund for Dance. Public support for Festival 2017 is provided by the New York City Department of Cultural Affairs and New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. The Bolshoi Theatre gratefully acknowledges the support of its General Sponsor, Credit Suisse. Travelers is the Global Sponsor of New York City Ballet. 07-22 Jewels (Eve).qxp_Gp 3.qxt 7/14/17 12:16 PM Page 2 LINCOLN CENTER FESTIVAL 2017 JEWELS July 22, 2017, at 7:30 p.m.