Edgar Lee Masters - Poems
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April 10, 1992 Glèbe Ttepa April 10, 1992 Vol
falrebereporlj April 10, 1992 glèbe ttepa April 10, 1992 Vol. 21 No. 4 ''.111111111111111111 Great Glebe Garage Sale Sat., May 23rd Register Today! BY JIM FOSTER will hold garage sales and call Jim Foster at 563-3571 Registered donators are Support Ottawa's Food sidewalk sales. They are HELP US WITH OUR PUBLICITY eligible for prizes from Bank and have fun: From asked to contribute 10% of CAMPAIGN! Tomores and Wringers! bathtubs to James Brown, their sales to the Ottawa Note on the registration WANT TO HELP? Call Jim baked goods to bikes! Pull Food Bank. form if your sale will have Foster 563-3571 or Neil your treasures from the CANADA 125 a specific theme or inter- Knudson 234-0906. depths of the basement, We are a Canada 125 event! esting sale items. For CANADA 125 and the Great from the peak of the attic! In keeping with the spirit example, the Glebe Cooper- Glebe Garage Sale Here comes the Seventh of celebrating our commun- ative playgroup will be Celebrating our Community! Annual Great Glebe Garage ity, we are encouraging selling used toys. Sale! street parties after the Tell a friend about the On May 23rd residents sale. For an information Registration Form on P. 2 sale. and businesses in the Glebe pack to get you started, Street tree inventory BY ELAINE MARLIN forest. Do you know what species of Interested? Fill in the trees are growing on your form below and drop if off block? How big and wide to: those trees are? How healthy? The Glebe Community Assoc- Thanks to Councillor Jim iation letter box at the Watson, the G.C.A. -
Facts About Edgar Lee Masters
Personal Timeline of Edgar Lee Masters 1868-1950 Prepared by Natalie N. Jeckel, Millikin University 1868 Edgar Lee Masters is born August 1903-1908 Law partnership with 23 in Garnett, Kansas, son of Hardin W. Clarence Darrow. Masters and Emma Dexter Masters. Two daughters born, Madeline and Marcia. 1869 Masters family returns to the New Star Chamber (1904). Illinois farm of Harding’s parents in Plays: The Blood of the Prophets (1905), Menard County near Pertersburg. Althea (1907), The Trifler (1908). 1870-1880 Spends childhood in and 1909 Play, The Leaves of the Tree. around Petersburg, Illinois. Affair with Tennessee Mitchell; wife Younger brother Alexander dies of refuses to divorce him. diphtheria, age five, in 1878. Best friend Mitch Miller dies 1879. 1910 Plays, Eileen and The Locket. Songs and Sonnets published under 1880-1890 Family moves to Lewistown, pseudonym Webster Ford. Illinois. Masters attends Lewistown high school, 1911 Sets up private law practice. graduating in 1886. Ends affair with Tennessee Mitchell. Publishes his first writing in Chicago Play, The Bread of Idleness. Daily News. Works in his father’s law office. 1912 Songs and Sonnets, Second Series. 1891-1892 Admitted to the Illinois Bar. 1914 "Spoon River" epitaphs appear Moves to Chicago. under pseudonym Webster Ford in Works as bill collector for Edison Reedy’s Mirror on May 29. Company. Masters reveals authorship in November. 1893 Establishes first law office in 1915 Spoon River Anthology in book Chicago with Kicksham Scanlon. form. Writes play Benedict Arnold. 1916 The Great Valley and Songs and 1898 A Book of Verses. Satires, poems. -
Poetry's Afterlife: Verse in the Digital Age / Kevin Stein
POETRY'S AFTERLIFE DIgITALCULTUREBDDKS is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Poetry's Afterlife VERSE IN THE DIGITAL AGE Kevin Stein The University of Michigan Press and The University of Michigan Library ANN ARBOR Copyright © by the University of Michigan 20IO Some rights reserved This work is licensed under the Creative Commons Attribution-Noncommercial No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by The University of Michigan Press and The University of Michigan Library Manufactured in the United States of America r§ Printed on acid-free paper 2013 2012 2011 2010 4 3 2 I A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Stein, Kevin, 1954- Poetry's afterlife: verse in the digital age / Kevin Stein. p. cm. - (Digitalculturebooks) ISBN 978-0-472-07099-2 (cloth: alk. paper) - ISBN 978-0-472-05099-4 (pbk.: alk. paper) I. American poetrY-21st century-History and criticism. 2. Poetry-Appreciation United States-HistorY-2Ist century. 3. Poetry-Appreciation-United States HistorY-20th century. 4. American poetrY-20th century-History and criticism. I. Title. ps326s74 2010 811.509-dc22 ISBN 978-0-472-02670-8 (e-book) For Deb, with daisies, And for Kirsten and Joseph, who question everything. -
About the Author Praise for Hiding in Plain Sight
ABOUT THE AUTHOR NURUDDIN FARAH is the author of eleven previous novels, which have been translated into more than twenty languages and have won numerous awards. Born in Baidoa, Somalia, he lives in Cape Town, South Africa, and Annandale-on-Hudson, New York, where he is Distinguished Professor of Literature at Bard College. Praise for Hiding in Plain Sight ‘ The rewards of reading Hiding in Plain Sight lie in Farah’s sensitive exploration of grief and his depiction of a family’s love for one another ... Farah is particularly adept at evoking the way in which the sight of a familiar face or place can trigger painful memories and how comfort can come to us from unexpected sources.’ New York Times Book Review ‘A rich exploration of political and social crises … [and] a sensitive story about living in the shadow of grief, learning to forgive and trying to answer the question, “What does it mean to be Somali in this day and age?”’ Washington Post ‘Farah’s powerful story of a shattered family makes vivid the human repercussions of political chaos and violence.’ BBC.com ‘Absorbing and provocative ... [Farah] writes evocatively about every- thing from Nairobi traffic to Kenyan game reserves to, importantly, how Somalis are seen not just through the eyes of others, but through 1S their own.’ USA Today R 1L ‘[Farah] takes us deep into the domestic life of a sophisticated African family, with great emotional effect ... Each of the kids ... becomes starkly real in their intelligence, ingenuity, anger and grief. Even their outrageous mother (and her selfish choices) seems credible … This family, our families, Africa and Europe and America, have never seemed closer in the way we live now – and this engaging novel, from its explosive beginning to its complex yet uplifting last scenes, shows us why.’ NPR, Alan Cheuse ‘[Hiding in Plain Sight] … rattles the cage of conventional thinking about family, gender and sexuality as they apply to the African context. -
Paul Simon Graceland Album Mp3 Download Paul Simon (Tamasha Records) Download Music from Your Favorite Artists for Free with Mdundo
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Nate Jones Song List C/O CLE Music Group
Nate Jones Song List c/o CLE Music Group PRIVATE EVENT SONG LIST Alicia Keys “No One” Allman Brothers Band “Midnight Rider” America “Horse with No Name” “Ventura Highway” Amos Lee “Sweet Pea” “Keep It Loose, Keep It Tight” ”Windows are Rolled Down” Arlo Guthrie ”City of New Orleans” “Coming into Los Angeles” “Darkest Hour” Art Garfunkel “All I Know” “A Heart In New York” Badfinger “Day After Day” “No Matter What” The Band “Ophelia” “The Weight” “The Night They Drove Old Dixie Down” The Beatles “Yesterday” “In My Life” “Here, There and Everywhere” “When I’m Sixty-Four” “Strawberry Fields Forever” “Blackbird” “Dear Prudence” “Julia” “Rocky Raccoon” “I Will” “While My Guitar Gently Weeps” “Mother Nature’s Son” “Revolution No. 1” “Honey Pie” “Hey Jude” “Let It Be” “Get Back” “The Long and Winding Road” “Come Together” “Something” “Maxwell’s Silver Hammer” “Oh! Darling” “Here Comes The Sun” Bill Withers “Lean On Me” “Ain’t No Sunshine” “Use Me” Billy Joel “Piano Man” “Only the Good Die Young” “Movin’ Out” “Just the Way You Are” “She’s Always a Woman” “My Life” “She’s Got A Way” “Miami 2017 (Seen The Lights Go Out on Broadway)” “Honesty” “Everybody Loves You Now” “Don’t Ask Me Why” “You’re My Home” “Through the Long Night” “An Innocent Man” “The Longest Time” The Black Keys “Tighten Up” Blind Faith “Can’t Find My Way Home” “Presence of the Lord” Blues Traveler “Run-Around” “Hook” Bob Dylan “Don't Think Twice (It’s Alright)” “I Shall Be Released” “Mr. Tambourine Man” “Like a Rolling Stone” “Tangled Up in Blue” “Shelter From the Storm” Bob Seger “Turn the Page” “Still The Same” Bonnie Raitt “Something to Talk About” Bread “Everything I Own” “The Guitar Man” Buffalo Springfield “For What It’s Worth” “Mr. -
S.B. Grand Jury to Probe 'Questioned' L V. Funds by JOHN BAUR David Strayhorn
w Vol. 58, No. 47 University of California, Santa Barbara Thursday, November 17, 1977 ¡T ¡ggglmf ï In Wake of Audit S.B. Grand Jury to Probe 'Questioned' L V. Funds By JOHN BAUR David Strayhorn. The files received the payment from The Santa Barbara County contain no warrants, Chabrow. Grand Jury will begin an inquiry authorizations, or approval by the Nancy Sieh of the District today into questions raised by the IV-MACboardforthedisbursal of Attorney’s office stated that audit of the Isla Vista Municipal these funds. All four checks were return of the funds would not Advisory Council (IV-MAC). written by Chabrow, who worked affect the investigation, if it was r The involvement of the Grand under Strayhorn. determined that a crime was Jury follows an investigation by In a letter to Parsons dated committed. “It is no defense to the District Attorney’s office that November 8, Howard Dyck, the any crime of theft that the money examined the actions of two present administrative analyst was later returned.” she said. “former employees” of the IV- for the IV-MAC, acknowledged Sieh would not confirm that the MAC in regards to “questioned that the Council would try to Grand Jury would begin con appropriations” of $700 in federal return all of the questioned ex sideration of the case today, or Comprehensive Employment and penditures, including the $700. even that the D.A.’s investigation Training Act (CETA) funds. An The Letter says in part, would be completed this week. audit of the IV-MAC by the “Attached is the first part of She stated that the investigation Former UCSB Director of the Center for Black County Auditor-Controller our repayment of the $1,202 in centered on the question of Studies Gerald C. -
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In the Flesh: Authenticity, Nationalism, and Performance on the American Frontier, 1860-1925
IN THE FLESH: AUTHENTICITY, NATIONALISM, AND PERFORMANCE ON THE AMERICAN FRONTIER, 1860-1925 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jefferson D. Slagle, M.A. ***** The Ohio State University 2006 Dissertation Committee: Approved by Professor Chadwick Allen, Adviser Professor Jared Gardner ________________________________ Professor Susan S. Williams Adviser English Graduate Program Copyright by Jefferson D. Slagle 2006 ABSTRACT Representations of the frontier through the early twentieth century have been subject to two sets of critical criteria: the conventional aesthetic expectations of the particular genres and forms in which westerns are produced, and the popular cultural demand for imitative “authenticity” or faithfulness to the “real west.” “In the Flesh” probes how literary history is bound up with the history of performance westerns that establish the criteria of “authenticity” that text westerns seek to fulfill. The dissertation demonstrates how the impulse to verify western authenticity is part of a post-Civil War American nationalism that locates the frontier as the paradigmatic American socio-topography. It argues westerns produced in a variety of media sought to distance themselves from their status as art forms subject to the critical standards of particular genres and to represent themselves as faithful transcriptions of popular frontier history. The primary signifier of historicity in all these forms is the technical ability to represent authentic bodies capable of performing that history. Postbellum westerns, in short, seek to show their audiences history embodied “in the flesh” of western performers. “In the Flesh” is therefore divided into two sections: the first analyzes performance westerns, including stage drama, Wild West, and film, that place bodies on display for the immediate appraisal of audiences. -
Master Set List
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Master Set List
Jen Porter Song List www.JenPorter.com TITLE ARTIST 1 2 3 4 Feist 50 Ways to Leave Your Lover Simon & Garfunkel 867-5309 (Jenny) Tommy TuTone 9 to 5 Dolly Parton A Night Like This Caro Emerald A Whiter Shade of Pale Procol Harum Accidentally In Love Counting Crows Add It Up Violent Femmes Africa Toto African Skies Paul Simon After Midnight Eric Clapton Afternoon Delight The Starland Vocal Band Ai Se Eu te Pego Michel Telo Ain't Too Proud to Beg Temptations, The Alabama Song (Whiskey Bar) The Doors All About That Bass Meghan Trainor All I Wanna Do Sheryl Crow All I Want is You U2 All Night Long Lionel Richie All of Me John Legend All Out of Love Air Supply All Shook Up Elvis Presley All Star Smash Mouth All Summer Long Kid Rock All That Jazz Chicago, The Musical All You Need Is Love Beatles Along the Way Jen Porter Always & Forever Heatwave Amazed Lonestar America Simon & Garfunkel Page 1 Jen Porter Song List www.JenPorter.com TITLE ARTIST American Girl Tom Petty & The Heartbreakers American Pie Don McClean American Tune Paul Simon American Woman The Guess Who Amie Pure Prairie League And So It Goes Billy Joel Angel Sarah McLachan Angel From Montgomery John Pryne Angels Robbie Williams Another Day Jen Porter Another One Bites the Dust Queen Ants Marching Dave Matthews Band At Last Etta James Baby Can I Hold You Tracy Chapman Baby Got Back Sir Mix-a lot Baby I’m A Star Prince Babylon David Gray Back on the Chain Gang Pretenders Bad Bad Leroy Brown Jim Croce Bad Guy Billie Eilish Bad Moon Rising Creedence Clearwater Revival Bad Romance Lady -
The Legacy of the Spoon River Author Between Illinois and Italy
Article Forum Italicum 2019, Vol. 53(3) 679–698 ! The Author(s) 2019 Masters vs. Lee Masters: Article reuse guidelines: sagepub.com/journals-permissions The legacy of the Spoon DOI: 10.1177/0014585819854046 River author between journals.sagepub.com/home/foi Illinois and Italy Julianne VanWagenen Tsinghua University, China Abstract Edgar Lee Masters’ 1915 Spoon River Anthology has been one of the most popular books of foreign poetry in Italy since it was first translated and published there by Fernanda Pivano and Cesare Pavese in 1943. Yet, in the US, Masters is virtually unknown to the public; American scholars find him a problematic figure and his Spoon River only viable in piece- meal form. This article considers the translation and reception history of Spoon River in Italy as well as Masters’ publication and reception history in the US until his death in 1950, to bring to light the reasons for the poet’s differing legacies. It goes on to examine recent scholarly translations of Spoon River, as they at once engage with and neutralize critical American scholarship in order to secure Masters’ status in Italy. Finally, the article sug- gests a way forward for Italian scholarly work on Masters, which does not attempt to engage American criticism, but, rather, roots itself in the fraught Italian relationship with ‘‘agrarian’’ literature after the ventennio fascista and Mussolini’s rural rhetoric. Keywords American poetry, anti-Fascism, Fernanda Pivano, Spoon River, translation Edgar Lee Masters’ Spoon River Anthology was the best-selling book of poetry to date in the United States when it was first published in 1915 (Russell, 2001: 83).