DOCSLIB.ORG

Asian Migrant Writers in Australia and the Negotiation of the Third Space

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Asian Migrant Writers in Australia and the Negotiation of the Third Space Edith Cowan University Research Online Theses: Doctorates and Masters Theses 5-2011 Asian migrant writers in Australia and the negotiation of the third space Jacqueline M. Highland Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Australian Studies Commons Recommended Citation Highland, J. M. (2011). Asian migrant writers in Australia and the negotiation of the third space. https://ro.ecu.edu.au/theses/156 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/156 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. ASIAN MIGRANT WRITERS IN AUSTRALIA AND THE NEGOTIATION OF THE THIRD SPACE JACQUELINE MARY HIGHLAND B A . B. ED. UNIVERSITY OF MADRAS A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS OF THE AWARD OF MASTER OF ARTS, ENGLISH. FACULTY OF EDUCATION AND ARTS EDITH COWAN UNIVERSITY th DATE OF SUBMISSION: 18 May, 2011 USE OF THESIS The Use of Thesis statement is not included in this version of the thesis. ABSTRACT This thesis is a comparative study of three selected texts by Australian novelists Yasmine Gooneratne, A Change of Skies,(1991) Adib Khan, Seasonal Adjustments (1994) and Brian Castro, Birds of Passage ((1983). All three writers explore the experiences and perceptions of their protagonists in relating to the landscape, people and cultural traditions within the Australian context into which they have migrated from different Asian countries. Brian Castro’s central characters, Lo Yun Shan and Seamus O’Young, are drawn from two contexts, the former from the 19th century China while the latter is a contemporary Australian born Chinese. Gooneratne’s and Khan’s protagonists hail from South-East Asian contexts, which are again interestingly different, Gooneratne’s character being from Sri Lanka and Khan’s from Bangladesh. From the multiplicity of cultures from which these texts emerge with their inevitable movements of the protagonists between the originary and adoptive homes, there seems to be a reaching towards a necessary ‘inter’ space, what Homi Bhabha calls the ‘Third Space.’ In terms of perception of identity and belonging this borderline position would appear to be crucial to the diasporic condition. (1994, p. 53) While this study explores the problematics, accommodations, resolutions and synergies involved in the experience of negotiating this liminal space and living what Rushdie calls a ‘translated’ existence, (1991, p. 17) the focus is on particular processes crucial to that translation. My study will suggest that the arrival at the ‘Third Space’ is represented neither as a benign experience of adaptation to a different sense of home nor a sense of being relegated to a state of permanent loss and alienation. Rather it will be apparent that the migrant experience is more mosaic than formulaic resisting neat definitions of movement from an initial sense of estrangement from the host nation to accommodation and assimilation within the new society. It seems that each individual character is poised on different and differing configurations of cultural allegiances and identities within the’ Third Space’. The representation and perception of the’ Third Space’ ‘in relation to the performance of identity as - ii - iteration and the recreation of self…[particularly in terms of] the desire for recognition’ (Bhabha, 2004, p.12) appears more diverse than originally envisaged by Bhabha. There appears to be a plurality of articulations within this formulation, suggesting it is not a single, homogenous in-between space but a constellation of ‘Third Spaces’, fluid and changing, overriding the possibility of a ‘happy hybridity’ which, in any case. most theorists in the field find an untenable concept. The tracing of this highly complex . inter-related and entangled plethora of experiences which constitute the fate of the migrant will be explored in depth and detail in this thesis. Finally, no arrival at certain certainties is promised at its conclusion; only, possibly, a heightening of awareness, an expansion of understanding.. This provides an opportunity to revisit, indeed to rethink the complexities of migrant experience as not only transcending dichotomies of insider/outsider, belonging/alterity which are encoded in the narrative of a nation, while simultaneously affirming the processes of hybridity as crucial to the formation of a ‘double selved’ identity. - iii - DECLARATION I certify that this thesis does not to the best of my knowledge and belief: (I) incorporate without acknowledgement any material previously submitted for a degree or diploma in any institution of higher education; (ii) contain any material previously published or written by another person except where due reference is made in the text; or (iii) contain any defamatory material. I also grant permission for the Library at Edith Cowan University to make duplicate copies of my thesis as required. Signature________________________ Date ________________________ - iv - ACKNOWLEDGEMENTS My principal thanks are to my supervisor, Dr Cynthia vanden Driesen, for her unflagging encouragement, patient guidance and education in scholarship. I also wish to acknowledge Honorary Professor, Glen Phillips for his advice, direction and support throughput this process. I would like to express my gratitude to my colleagues and friends at Chisholm Catholic College and Seton Catholic College for their encouragement and support through the years: to Louise Hulton who first urged me on this path; to my two Principals, Patricia Rodriguez and Egmont Melton for creating a climate of learning and enquiry; to the English Department for their affirmation and encouragement; to my Literature students for their engagement and fascination with new and different worlds of experience. Finally and most importantly I must express my appreciation to my wonderful family: Cornell, Samantha, Simon, Will and my sisters Marianne and Christine whose belief in me never wavered, whose ongoing support have helped carry me over the hardest parts of this odyssey and, in doing so, oriented me towards my own ‘Third Space of Enunciation’. - v - TABLE OF CONTENTS Copyright and Access Declaration……………………….......................i Abstract………………………………………………………..…...…..iii Declaration……………………………………………………………..v Acknowledgements……………………………………………..……...vi Introduction……………………………………………………………..1 Chapter 1 – Context: Host and Originary Cultures. ….…………….…..7 Chapter 2 - Negotiating the Landscape …………………………….…24 Chapter 3 - Representations of People……………………….……..…49 Chapter 4 - Negotiating Cultural Rituals.……………………..…….....92 Conclusion.……………………………………………….…………..114 Bibliography……………………………………………………….….137 INTRODUCTION People are always very curious about nationality. They will go to great lengths to pigeonhole someone. They think this knowledge gives them power. Birds of Passage, (Castro, 1983, p. 8) Until we choose where we shall settle, and decide (in our own time) to make ourselves known, displaced people such as ourselves enjoy a liberty that others may well envy. A Change of Skies, (Gooneratne, 1991, p. 281) I am a variable without a constant to measure myself against, a changing shadow whose exact composition cannot be determined. Seasonal Adjustments, (Khan, 1994, p.9) - - 1 - - Salman Rushdie, in his essay ‘Imaginary Homelands’ (1991), quotes these well known words from L P Hartley’s novel The Go-Between: ‘…the past is a foreign country, they do things differently there’ but he goes on to state that this idea should be inverted, that instead ‘...it is the present that is foreign and the past is home, albeit a lost home in a lost city in the mists of lost time’ (Rushdie, 1991, p.9). Granted, individuals carry what Said identifies as an ‘infinity of traces’ (1978, p. 25) regarding the past, but for a migrant, the experience of disorientation and loss is particularly acute on account of being ‘out-of-country’ and even ‘out- of-language’ (Rushdie, 1991, p.12). Rushdie goes on to state that individuals in diaspora become hybridised, radically altered in translation, and it is only through this hybridisation that innovation can surface. The hybridity of diasporic peoples across the world has been an insistent trope in literary studies over the past two decades, mainly because the study of race has radically altered critical interpretations of literature. T.S. Eliot (cited in Bhabha, 1996, p.54) states: The migrations of modern times…have
Load more

Recommended publications
  • Damsel in Distress Or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2020-12-09 Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Education Commons BYU ScholarsArchive Citation Carling, Rylee, "Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency" (2020). Theses and Dissertations. 8758. https://scholarsarchive.byu.edu/etd/8758 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Paul Ricks, Chair Terrell Young Dawan Coombs Stefinee Pinnegar Department of Teacher Education Brigham Young University Copyright © 2020 Rylee Carling All Rights Reserved ABSTRACT Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Department of Teacher Education, BYU Master of Arts Retellings of classic fairy tales have become increasingly popular in the past decade, but little research has been done on the novelizations written for a young adult (YA) audience.
    [Show full text]
  • Stephen-King-Book-List
    BOOK NERD ALERT: STEPHEN KING ULTIMATE BOOK SELECTIONS *Short stories and poems on separate pages Stand-Alone Novels Carrie Salem’s Lot Night Shift The Stand The Dead Zone Firestarter Cujo The Plant Christine Pet Sematary Cycle of the Werewolf The Eyes Of The Dragon The Plant It The Eyes of the Dragon Misery The Tommyknockers The Dark Half Dolan’s Cadillac Needful Things Gerald’s Game Dolores Claiborne Insomnia Rose Madder Umney’s Last Case Desperation Bag of Bones The Girl Who Loved Tom Gordon The New Lieutenant’s Rap Blood and Smoke Dreamcatcher From a Buick 8 The Colorado Kid Cell Lisey’s Story Duma Key www.booknerdalert.com Last updated: 7/15/2020 Just After Sunset The Little Sisters of Eluria Under the Dome Blockade Billy 11/22/63 Joyland The Dark Man Revival Sleeping Beauties w/ Owen King The Outsider Flight or Fright Elevation The Institute Later Written by his penname Richard Bachman: Rage The Long Walk Blaze The Regulators Thinner The Running Man Roadwork Shining Books: The Shining Doctor Sleep Green Mile The Two Dead Girls The Mouse on the Mile Coffey’s Heads The Bad Death of Eduard Delacroix Night Journey Coffey on the Mile The Dark Tower Books The Gunslinger The Drawing of the Three The Waste Lands Wizard and Glass www.booknerdalert.com Last updated: 7/15/2020 Wolves and the Calla Song of Susannah The Dark Tower The Wind Through the Keyhole Talisman Books The Talisman Black House Bill Hodges Trilogy Mr. Mercedes Finders Keepers End of Watch Short
    [Show full text]
  • Butterfly Dawn (Orange)
    Butterfly Dawn written as a Novel-in-a-Day BUTTERFLY DAWN Originally published: 2019 Copyright © 2019 Various Authors Cassandra Lee Yieng, Noé Ramalleira Fernández, Victoria Griesdoorn Alex Brantham, Ron Ward, Conrad Gempf Amy E Lilly, Emily Thrash, Jaysen O'Dell Matthew Schillinger, Marc Cooper, Dañiel Garcia Waleed Ovase, Dan Hallberg, Julia Ward SR Martin, Kaide Li, Pete Becker Marilou Goodwin Story by: Tim Rogers The moral rights of the authors have been asserted. All characters and events in this publication are fictitious and any resemblance to real persons, living, dead, or scared of sunlight, is purely coincidental This work is licensed under a Creative Commons Attribution - NonCommercial - NoDerivs 3.0 Unported License. You are free to share (to copy, distribute and transmit the work) under the following conditions: Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Noncommercial — You may not use this work for commercial purposes. No Derivative Works — You may not alter, transform, or build upon this work. For more details, visit: http://creativecommons.org/licenses/by-nc-nd/3.0/ Original cover photograph by: Tim Rogers www.novelinaday.com Also by Novel-in-a-Day: The Dark Lunar520 Made Man Section7 Marshal Law 3 Ghosts Start Wearing Purple Auld Lang Syne www.novelinaday.com sponsored by Literature & Latte, creators of Scrivener for Montrée Time is no substitute for talent There is a well-known saying that if you give a monkey a typewriter and an infinite amount of time then it will eventually produce the complete works of Shakespeare.
    [Show full text]
  • (A Novel) Anthony John Browne 2011
    My Brother’s Keeper (A Novel) Anthony John Browne 2011 Centre for Creative Writing, School of Communication Studies Primary supervisor: James George A thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Creative Writing Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 Table of Contents 1. Attestation of Authorship 2 2. Intellectual Property Rights 3 3. Confidential Material 4 4. Abstract 5 5. Exegesis: Between Thorns 7 6. References 31 7. Thesis: My Brother’s Keeper (A Novel) 32 2 Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 Attestation of Authorship I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person (except where explicitly defined in the acknowledgements), nor material which to a substantial extent has been submitted for the award of any other degree or diploma of a university or other institution of higher learning. Candidate’s Signature: Anthony John Browne 3 Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 Intellectual Property Rights All intellectual property, including copyright, is retained by the candidate in the content of the candidate‟s thesis. For the removal of doubt, publication by the candidate of this or any derivative work does not change the intellectual rights of the candidate in relation to the thesis. 4 Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 Confidential material 1. The content of the candidate’s thesis is confidential for commercial reasons, that is, the possible publication of the thesis, or a derivative of it, as a work of creative fiction for sale.
    [Show full text]
  • The Vehicle, Spring 1980
    Eastern Illinois University The Keep The Vehicle Student Theses & Publications Spring 1980 The Vehicle, Spring 1980 Starla Stensaas Elisabeth Crist Sheila Katty Kathleen Alaks Scott Fishel See next page for additional authors Follow this and additional works at: https://thekeep.eiu.edu/vehicle Recommended Citation Stensaas, Starla; Crist, Elisabeth; Katty, Sheila; Alaks, Kathleen; Fishel, Scott; George, Cathy; Douglas, Nancy; Schumacher, Robert; Goerlich, Chris; Swanson, Robert; Wallace, Jean; Buchanan, Karen; Heinz, Annette; McAnulty, Jerry; Anzelmo, Laurel; Rozmin, Cynthia; Van Cleave, Nancy; Davinroy, Denise; Strohecker, Ginny; Stouse, Jeffrey; Adams, Katherine; McDaniel, Mary; Stockman, John; Hempel, Elise; Vitez, Carla; Schinagl, Robert; Livingston, Lisa; Dankovich, Karen; Hubbartt, Cindy; and Larson, Lisa, "The Vehicle, Spring 1980" (1980). The Vehicle. 38. https://thekeep.eiu.edu/vehicle/38 This Book is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in The Vehicle by an authorized administrator of The Keep. For more information, please contact [email protected]. Authors Starla Stensaas, Elisabeth Crist, Sheila Katty, Kathleen Alaks, Scott Fishel, Cathy George, Nancy Douglas, Robert Schumacher, Chris Goerlich, Robert Swanson, Jean Wallace, Karen Buchanan, Annette Heinz, Jerry McAnulty, Laurel Anzelmo, Cynthia Rozmin, Nancy Van Cleave, Denise Davinroy, Ginny Strohecker, Jeffrey Stouse, Katherine Adams, Mary McDaniel, John Stockman, Elise Hempel, Carla Vitez,
    [Show full text]
  • Shawshank Redemption
    THE SHAWSHANK REDEMPTION by Frank Darabont Based upon the story Rita Hayworth and Shawshank Redemption by Stephen King 1 INT -- CABIN -- NIGHT (1946) A dark, empty room. The door bursts open. A MAN and WOMAN enter, drunk and giggling, horny as hell. No sooner is the door shut than they're all over each other, ripping at clothes, pawing at flesh, mouths locked together. He gropes for a lamp, tries to turn it on, knocks it over instead. Hell with it. He's got more urgent things to do, like getting her blouse open and his hands on her breasts. She arches, moaning, fumbling with his fly. He slams her against the wall, ripping her skirt. We hear fabric tear. He enters her right then and there, roughly, up against the wall. She cries out, hitting her head against the wall but not caring, grinding against him, clawing his back, shivering with the sensations running through her. He carries her across the room with her legs wrapped around him. They fall onto the bed. CAMERA PULLS BACK, exiting through the window, traveling smoothly outside... 2 EXT -- CABIN -- NIGHT (1946) 2 ...to reveal the bungalow, remote in a wooded area, the lovers' cries spilling into the night... ...and we drift down a wooded path, the sounds of rutting passion growing fainter, mingling now with the night sounds of crickets and hoot owls... ...and we begin to hear FAINT MUSIC in the woods, tinny and incongruous, and still we keep PULLING BACK until... ...a car is revealed. A 1946 Plymouth. Parked in a clearing.
    [Show full text]
  • The Reel Prison Experience
    SMU Law Review Volume 55 Issue 4 Article 7 2002 "Failure to Communicate" - The Reel Prison Experience Melvin Gutterman Follow this and additional works at: https://scholar.smu.edu/smulr Recommended Citation Melvin Gutterman, "Failure to Communicate" - The Reel Prison Experience, 55 SMU L. REV. 1515 (2002) https://scholar.smu.edu/smulr/vol55/iss4/7 This Article is brought to you for free and open access by the Law Journals at SMU Scholar. It has been accepted for inclusion in SMU Law Review by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. "FAILURE To COMMUNICATE ' t THE REEL PRISON EXPERIENCE Melvin Gutterman* I. INTRODUCTION HE academic legal community has failed to appropriately recog- nize the images of law depicted by Hollywood as a legitimate and important subject for scholarly review.' Movies have the capacity to "open up" the discussion of contemporary legal issues that conven- tional legal sources ignore. 2 Although different from the normative legal theory of study, movies provide a rich portrait of popular jurisprudence of legal values.3 A fundamental paradox of many notable films is their inability to simultaneously achieve both scholastic acceptance and artistic achievement, at least equal to other media. 4 Movies are very powerful and can, through the use of provocative images, explore controversial themes and evoke passions that can affect even the most tightly closed minds. 5 The exclusion of films' celebrated images from academic study has its cost. There is, for example, a prevalent belief that life in prison is too t In the most celebrated colloquy in the movie Cool Hand Luke, the Captain as he stands over the defiant convict Luke asserts, "[w]hat we've got here is failure to communicate." What the Captain actually demands is that Luke totally capitulate to the contemptible prison system he embodies.
    [Show full text]
  • A Cultural Literary Analysis of Buchi Emecheta
    “WITH HOPE HUNGER DOES NOT KILL,” A CULTURAL LITERARY ANALYSIS OF BUCHI EMECHETA ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ By Monique N. Johnston May, 2012 Examining Committee Members: Abu Abarry, Graduate Director, African American Studies Benjamin Talton, Associate Professor, History Edward Lama Wonkeryor, Assistant Professor, African American Studies Zebulon Kendrick, Vice-Provost, Graduate School – External Member ii ABSTRACT This dissertation attempts to critically engage the many hues of Buchi Emecheta‟s literature. It follows in the vein of activist scholarship that has assisted Africana scholars in reclaiming knowledge of African culture, life, and history. It strives to build upon fresh theories and ideas that aid in interpreting African phenomena. The goal of this research lies in determining how Emecheta‟s literature reflects Igbo cultural values. While this study is informed by the Afrocentric idea, it is not limited by such scholarship. This work attempts a broadly framed African-centered approach to analyzing the literature, which necessitates the primacy of culture when interpreting the texts. The ultimate goal of this dissertation is to join the energetic conversation regarding the purpose, authenticity, and effectiveness of Emecheta‟s art, as work that reflects the challenges and triumphs of life for African women on the Continent and abroad. iii ACKNOWLEDGEMENTS I would like to thank the following scholars for their guidance in my academic career: Abu S. Abarry, Ph.D., Molefi Asante, Ph.D., Clenora Hudson-Weems, Ph.D., April Langley, Ph.D., Nathaniel Norment, Ph.D., Sonja Peterson-Lewis, Ph.D., Benjamin Talton, Ph.D., T.
    [Show full text]
  • Working in the Belly of the Beast: the Productive Intellectual Labor of Us Prison Writers, 1929-2007
    WORKING IN THE BELLY OF THE BEAST: THE PRODUCTIVE INTELLECTUAL LABOR OF US PRISON WRITERS, 1929-2007 by Nathaniel Zachery Heggins Bryant BA, University of North Carolina at Greensboro, 2005 MA, University of Tennessee, 2008 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathaniel Zachery Heggins Bryant It was defended on May 19, 2014 and approved by Sabine von Dirke, Associate Professor, Department of German Nicholas Coles, Associate Professor, Department of English David Bartholomae, Professor, Department of English Dissertation Advisor: Philip Smith, Associate Professor, Department of English ii Copyright © by Nathaniel Zachery Heggins Bryant 2014 iii WORKING IN THE BELLY OF THE BEAST: THE PRODUCTIVE INTELLECTUAL LABOR OF US PRISON WRITERS, 1929-2007 Nathaniel Zachery Heggins Bryant, PhD University of Pittsburgh, 2014 This dissertation seeks to revise and expand notions of US prison writing beyond the normative categories of “literature” by examining the compositional and rhetorical efforts of US prison writers working from 1929 to 2007. I situate certain modes, discourses, and texts produced by prisoners—scientific research, jailhouse legal work, letter-writing, revolutionary polemic, and testimonial writing—within a larger rubric of what I call “productive intellectual labor.” The project draws on Marxist debates to define each part of that term and employs the work of Michel Foucault to contextualize prevailing historical notions regarding penal labor, the evolution of punishment, and discursive trends of those writing back to power.
    [Show full text]
  • SEPTEMBER 1968 EDITORIAL TAKING CARE of OUR OWN This Last Month a .·Lot Has Happened a Revolutionary Identity
    HAIGHT STREET BLUES P. 3 20¢ WILDCATS IN CHICAGO P. 6 CUBAN POEMS, PHOTOS P. 8 photo by stephen Shames by Karen Wald Oakland, California -- him. Garry hammered not only at the Laughter broke out in the courtroom Garry aske:i, "How do I find a juror racial compositionbut the economic class at one point when Zeisel was asked by who is not racist to the extent that he OUtside the Alameda County Courthouse bias of the jury panel. disciplined Black Panthers, men and the somewhat disconcerted judge, "Do will prejudge a black defendant?" women, lead a demonstration of thou­ Expert Testimony you think white jurors would wrongfully The most feasible way" , Blauner testi­ sands. Free Huey! Set our warrior free! convict a Negro defendant?" Zeisel, who fied, "would be not to have whiteson the GarrY's pre-trial motions were based had been trying to avoid strong condemn­ jury." (Exactly what the Panthers and Inside the seventh floor courtroom sits Garry have argued from the beginning). Huey P. Newton, Ministe-r of Defense, on several days of expert testimony by ations and stick to clear evidence, said, charged with first-degre-e murder. But social scientists. Dr. Jan Dizard of U.C. " It's been rumored to have happened." If this was not done, Blauner suggested, even as Huey Newton sits in the court­ cited a study he had made of Oakland Zeisel's testimony on capital punish­ there might be ways to eliminate the most room, it is America on trial. and various national studies to indicate ment included a description of what has serious racists.
    [Show full text]
  • The Bear Went Over the Mountain
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-21-2004 The Bear Went Over the Mountain Sonja Mongar University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Mongar, Sonja, "The Bear Went Over the Mountain" (2004). University of New Orleans Theses and Dissertations. 76. https://scholarworks.uno.edu/td/76 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. THE BEAR WENT OVER THE MOUNTAIN A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements of the degree of Master of Fine Arts in Creative Writing by Sonja S. Mongar B.A. University of North Florida, 1994 M.A. University of Central Florida, 2001 May 2004 Copyright 2004, Sonja S. Mongar ii DEDICATION For those who come after us: Dakota, Connor, Eric Jr., Ross, Tylor, Joey, Clarence and Hillary iii ACKNOWLEDGMENTS Melvin, mi media naranja, has been with me during this entire project, from listening to every painful revelation to spending hours, even days figuring out how to layout text and meet format requirements.
    [Show full text]
  • The Wonderful Story of Henry Sugar and Six More by Roald Dahl Eversion 4.0 / Notes at EOF
    The Wonderful Story of Henry Sugar and Six More by Roald Dahl eVersion 4.0 / Notes at EOF Back Cover: Seven stories out of this world People are as strange, grotesque and superhuman as you always suspected, in the hands of "that great magician Roald Dahl" -- Spectator "An unforgettable read, don't miss it" -- Sunday Times PENGUIN BOOKS Published by the Penguin Group 27 Wrights Lane, London W8 512. England Viking Penguin Inc.. 40 West Third Street. New York. New York 10010. USA Penguin Books Australia Ltd, Ringwood, Victoria. Austrailia Penguin Books Canada Ltd, 2801 John Street, Markham, Ontario, Canada Penguin Books (NZ) Ltd, 182-190 Wairau Road. Auckland 10, New Zealand Penguin Books Ltd. Registered Offices: Harmondsworth, Middlesex, England First published by Jonathan Cape 1977 Published in Peacock Books 1978 Reprinted 1978, 1979 Reprinted in Penguin Books 1982 Reprinted 1982, 1983, 1984, 1985, 1986, 1987, 1988 Copyright © Roald Dahl, 1977 All rights reserved Earlier versions of "The Mildenhall Treasure" and "A Piece of Cake" were first published in the Saturday Evening Post Made and printed m Great Britain by Richard Clay Ltd, Bungay, Suffolk Set in Linotype Pilgrim Ezcept in the United States of America, THIS book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that m which it is published and without a similar condition including this condition being imposed on the subsequent purchaser Contents 1 The Boy Who Talked with Animals 2 The Hitch-hiker 3 The Mildenhall Treasure 4 The Swan 5 The Wonderful Story of Henry Sugar 6 Lucky Break 7 A Piece of Cake The Boy Who Talked with Animals Not so long ago, I decided to spend a few days in the West Indies.
    [Show full text]