Introduction to the Short Story Genre
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Damsel in Distress Or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2020-12-09 Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Education Commons BYU ScholarsArchive Citation Carling, Rylee, "Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency" (2020). Theses and Dissertations. 8758. https://scholarsarchive.byu.edu/etd/8758 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Paul Ricks, Chair Terrell Young Dawan Coombs Stefinee Pinnegar Department of Teacher Education Brigham Young University Copyright © 2020 Rylee Carling All Rights Reserved ABSTRACT Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Department of Teacher Education, BYU Master of Arts Retellings of classic fairy tales have become increasingly popular in the past decade, but little research has been done on the novelizations written for a young adult (YA) audience. -
Governs the Making of Photocopies Or Other Reproductions of Copyrighted Materials
Warning Concerning Copyright Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. University of Nevada, Reno Fathom: A Collection of Short Stories A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS IN ENGLISH—WRITING AND THE HONORS PROGRAM by IRIS SALTUS Susan Palwick, Ph.D., Thesis Advisor May, 2013 UNIVERSITY OF NEVADA THE HONORS PROGRAM RENO We recommend that the thesis prepared under our supervision by IRIS SALTUS entitled Fathom: A Collection of Short Stories be accepted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS IN ENGLISH—WRITING AND THE HONORS PROGRAM ______________________________________________ Susan Palwick, Ph.D., Thesis Advisor ______________________________________________ Tamara Valentine, Ph.D., Director, Honors Program May, 2013 i ABSTRACT This collection of short stories explores four different psychological disorders: post-traumatic stress disorder, impulse control disorder, substance abuse disorder, and bipolar disorder. The goal of this exploration is to expose a narrative of each disorder. By going into the lives of the different characters portrayed in the short stories, an insight into these disorders is presented to the reader. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
Stephen-King-Book-List
BOOK NERD ALERT: STEPHEN KING ULTIMATE BOOK SELECTIONS *Short stories and poems on separate pages Stand-Alone Novels Carrie Salem’s Lot Night Shift The Stand The Dead Zone Firestarter Cujo The Plant Christine Pet Sematary Cycle of the Werewolf The Eyes Of The Dragon The Plant It The Eyes of the Dragon Misery The Tommyknockers The Dark Half Dolan’s Cadillac Needful Things Gerald’s Game Dolores Claiborne Insomnia Rose Madder Umney’s Last Case Desperation Bag of Bones The Girl Who Loved Tom Gordon The New Lieutenant’s Rap Blood and Smoke Dreamcatcher From a Buick 8 The Colorado Kid Cell Lisey’s Story Duma Key www.booknerdalert.com Last updated: 7/15/2020 Just After Sunset The Little Sisters of Eluria Under the Dome Blockade Billy 11/22/63 Joyland The Dark Man Revival Sleeping Beauties w/ Owen King The Outsider Flight or Fright Elevation The Institute Later Written by his penname Richard Bachman: Rage The Long Walk Blaze The Regulators Thinner The Running Man Roadwork Shining Books: The Shining Doctor Sleep Green Mile The Two Dead Girls The Mouse on the Mile Coffey’s Heads The Bad Death of Eduard Delacroix Night Journey Coffey on the Mile The Dark Tower Books The Gunslinger The Drawing of the Three The Waste Lands Wizard and Glass www.booknerdalert.com Last updated: 7/15/2020 Wolves and the Calla Song of Susannah The Dark Tower The Wind Through the Keyhole Talisman Books The Talisman Black House Bill Hodges Trilogy Mr. Mercedes Finders Keepers End of Watch Short -
"Authenticity" in Rap Music by Consumers."
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 "Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers." James L. Wright UTK, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Critical and Cultural Studies Commons, Ethnomusicology Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Recommended Citation Wright, James L., ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers.". " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/760 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by James L. Wright entitled ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers."." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. Suzaanne B. Kurth, Major Professor We have read this dissertation and recommend its acceptance: Robert Emmet Jones; Hoan Bui; Debora Baldwin Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by James L. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Four Quarters Volume 4 Article 1 Number 2 Four Quarters: January 1955 Vol
Four Quarters Volume 4 Article 1 Number 2 Four Quarters: January 1955 Vol. IV No. 2 1-15-1955 Four Quarters: January 1955 Vol. IV, No. 2 Follow this and additional works at: http://digitalcommons.lasalle.edu/fourquarters Recommended Citation (1955) "Four Quarters: January 1955 Vol. IV, No. 2," Four Quarters: Vol. 4 : No. 2 , Article 1. Available at: http://digitalcommons.lasalle.edu/fourquarters/vol4/iss2/1 This Complete Issue is brought to you for free and open access by the University Publications at La Salle University Digital Commons. It has been accepted for inclusion in Four Quarters by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. four Quarters In This Beginning • Page 1 A Story by Emilie Glen Europe From the Reformation ta the Revolution • Page 8 An Article by Christopher Dawson Chatzkel • Page 14 IS A Story by Charles Angoff O A Time to Die • Page 22 A Story by Daniel DePaola The Professor Steals the Show • Page 30 A Story by LeGarJe S. Doughty Poetry • Bronislarv Slawecki, Page 7; • Geoffrey Johnson, Page 21; • Stephen Morris, Page 28; • Raymond Roseliep, Back Cover January, 1955 vol. IV, no. 2 • fifty cents 1 Digitized by the Internet Archive in 2010 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/fourquarters91unse Contrihutors i^HRlSTOPHER DAWSON, British sociologist-historiaH, continues his V^ study of European cultural forces. LeGARDE S. DOUGHTY, has con- tributed stories to Prairie Schooner, Arizona Quarterly, Decade, etc., and is honored in Martha Foley's most recent collection of The Best American Short Stones. -
Butterfly Dawn (Orange)
Butterfly Dawn written as a Novel-in-a-Day BUTTERFLY DAWN Originally published: 2019 Copyright © 2019 Various Authors Cassandra Lee Yieng, Noé Ramalleira Fernández, Victoria Griesdoorn Alex Brantham, Ron Ward, Conrad Gempf Amy E Lilly, Emily Thrash, Jaysen O'Dell Matthew Schillinger, Marc Cooper, Dañiel Garcia Waleed Ovase, Dan Hallberg, Julia Ward SR Martin, Kaide Li, Pete Becker Marilou Goodwin Story by: Tim Rogers The moral rights of the authors have been asserted. All characters and events in this publication are fictitious and any resemblance to real persons, living, dead, or scared of sunlight, is purely coincidental This work is licensed under a Creative Commons Attribution - NonCommercial - NoDerivs 3.0 Unported License. You are free to share (to copy, distribute and transmit the work) under the following conditions: Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Noncommercial — You may not use this work for commercial purposes. No Derivative Works — You may not alter, transform, or build upon this work. For more details, visit: http://creativecommons.org/licenses/by-nc-nd/3.0/ Original cover photograph by: Tim Rogers www.novelinaday.com Also by Novel-in-a-Day: The Dark Lunar520 Made Man Section7 Marshal Law 3 Ghosts Start Wearing Purple Auld Lang Syne www.novelinaday.com sponsored by Literature & Latte, creators of Scrivener for Montrée Time is no substitute for talent There is a well-known saying that if you give a monkey a typewriter and an infinite amount of time then it will eventually produce the complete works of Shakespeare. -
(A Novel) Anthony John Browne 2011
My Brother’s Keeper (A Novel) Anthony John Browne 2011 Centre for Creative Writing, School of Communication Studies Primary supervisor: James George A thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Creative Writing Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 Table of Contents 1. Attestation of Authorship 2 2. Intellectual Property Rights 3 3. Confidential Material 4 4. Abstract 5 5. Exegesis: Between Thorns 7 6. References 31 7. Thesis: My Brother’s Keeper (A Novel) 32 2 Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 Attestation of Authorship I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person (except where explicitly defined in the acknowledgements), nor material which to a substantial extent has been submitted for the award of any other degree or diploma of a university or other institution of higher learning. Candidate’s Signature: Anthony John Browne 3 Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 Intellectual Property Rights All intellectual property, including copyright, is retained by the candidate in the content of the candidate‟s thesis. For the removal of doubt, publication by the candidate of this or any derivative work does not change the intellectual rights of the candidate in relation to the thesis. 4 Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 Confidential material 1. The content of the candidate’s thesis is confidential for commercial reasons, that is, the possible publication of the thesis, or a derivative of it, as a work of creative fiction for sale. -
The Vehicle, Spring 1980
Eastern Illinois University The Keep The Vehicle Student Theses & Publications Spring 1980 The Vehicle, Spring 1980 Starla Stensaas Elisabeth Crist Sheila Katty Kathleen Alaks Scott Fishel See next page for additional authors Follow this and additional works at: https://thekeep.eiu.edu/vehicle Recommended Citation Stensaas, Starla; Crist, Elisabeth; Katty, Sheila; Alaks, Kathleen; Fishel, Scott; George, Cathy; Douglas, Nancy; Schumacher, Robert; Goerlich, Chris; Swanson, Robert; Wallace, Jean; Buchanan, Karen; Heinz, Annette; McAnulty, Jerry; Anzelmo, Laurel; Rozmin, Cynthia; Van Cleave, Nancy; Davinroy, Denise; Strohecker, Ginny; Stouse, Jeffrey; Adams, Katherine; McDaniel, Mary; Stockman, John; Hempel, Elise; Vitez, Carla; Schinagl, Robert; Livingston, Lisa; Dankovich, Karen; Hubbartt, Cindy; and Larson, Lisa, "The Vehicle, Spring 1980" (1980). The Vehicle. 38. https://thekeep.eiu.edu/vehicle/38 This Book is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in The Vehicle by an authorized administrator of The Keep. For more information, please contact [email protected]. Authors Starla Stensaas, Elisabeth Crist, Sheila Katty, Kathleen Alaks, Scott Fishel, Cathy George, Nancy Douglas, Robert Schumacher, Chris Goerlich, Robert Swanson, Jean Wallace, Karen Buchanan, Annette Heinz, Jerry McAnulty, Laurel Anzelmo, Cynthia Rozmin, Nancy Van Cleave, Denise Davinroy, Ginny Strohecker, Jeffrey Stouse, Katherine Adams, Mary McDaniel, John Stockman, Elise Hempel, Carla Vitez, -
Shawshank Redemption
THE SHAWSHANK REDEMPTION by Frank Darabont Based upon the story Rita Hayworth and Shawshank Redemption by Stephen King 1 INT -- CABIN -- NIGHT (1946) A dark, empty room. The door bursts open. A MAN and WOMAN enter, drunk and giggling, horny as hell. No sooner is the door shut than they're all over each other, ripping at clothes, pawing at flesh, mouths locked together. He gropes for a lamp, tries to turn it on, knocks it over instead. Hell with it. He's got more urgent things to do, like getting her blouse open and his hands on her breasts. She arches, moaning, fumbling with his fly. He slams her against the wall, ripping her skirt. We hear fabric tear. He enters her right then and there, roughly, up against the wall. She cries out, hitting her head against the wall but not caring, grinding against him, clawing his back, shivering with the sensations running through her. He carries her across the room with her legs wrapped around him. They fall onto the bed. CAMERA PULLS BACK, exiting through the window, traveling smoothly outside... 2 EXT -- CABIN -- NIGHT (1946) 2 ...to reveal the bungalow, remote in a wooded area, the lovers' cries spilling into the night... ...and we drift down a wooded path, the sounds of rutting passion growing fainter, mingling now with the night sounds of crickets and hoot owls... ...and we begin to hear FAINT MUSIC in the woods, tinny and incongruous, and still we keep PULLING BACK until... ...a car is revealed. A 1946 Plymouth. Parked in a clearing. -
Musical Segregation in American College Football
Journal of the Society for American Music (2020), Volume 14, Number 3, pp. 337–363 © The Society for American Music 2020 doi:10.1017/S175219632000022X “This Is Ghetto Row”: Musical Segregation in American College Football JOHN MICHAEL MCCLUSKEY Abstract A historical overview of college football’s participants exemplifies the diversification of main- stream American culture from the late nineteenth century to the twenty-first. The same can- not be said for the sport’s audience, which remains largely white American. Gerald Gems maintains that football culture reinforces the construction of American identity as “an aggres- sive, commercial, white, Protestant, male society.” Ken McLeod echoes this perspective in his description of college football’s musical soundscape, “white-dominated hard rock, heavy metal, and country music—in addition to marching bands.” This article examines musical segregation in college football, drawing from case studies and interviews conducted in 2013 with university music coordinators from the five largest collegiate athletic conferences in the United States. These case studies reveal several trends in which music is used as a tool to manipulate and divide college football fans and players along racial lines, including special sections for music associated with blackness, musical selections targeted at recruits, and the continued position of the marching band—a European military ensemble—as the musical representative of the sport. These areas reinforce college football culture as a bastion of white strength despite the diversity among player demographics. College football is one of the many public stages on which mainstream American culture diversified between the late nineteenth and the twenty-first centuries.