Material Translations in the Cartesian Brain
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Descartes (1596-1650) from I
René Descartes (1596-1650) from http://radicalacademy.com/phildescartes1.htm I. General Observations René Descartes is justly considered the father of modern philosophy and the founder of the rational method as applied to philosophical research. In fact, he is the first philosopher to begin with the impressions which are in our intellect (intellectual phenomenalism) and lay down the laws which reason must follow in order to arrive at reasonably certain philosophical data. This phenomenalism does not find its full development in Descartes. Indeed, Descartes reaches metaphysical conclusions which are no different from those of Scholastic philosophy. He maintains the transcendency of God, upholds human liberty and Christian morality. But pantheism is sown deep in every form of immanentism. The rationalism of Descartes was to be quickly and logically bent in this direction by Spinoza, while other Cartesians, such as Malebranche and Leibniz, tried -- with less logic -- middle-of-the-road solutions between pantheism and the transcendence of God. II. Life and Works Descartes was born in 1596 at La Haye in France of a noble family, and was educated in the celebrated Jesuit college of La Flèche, where he received a philosophical and scientific education according to the principles of the Scholasticism of his day. Not fully satisfied with this first education, and urged on by a desire to better himself, he went first to Paris, and then enlisted in the army during the Thirty Years' War. On the ninth of November, 1619, while still in the service in winter quarters, he gave himself up to meditating on how to apply the mathematical method of the sciences to philosophy. -
Tales of Dread
Zlom1_2019_Sestava 1 5.4.19 8:01 Stránka 65 WINNER OF THE FABIAN DORSCH ESA ESSAY PRIZE TALES OF DREAD MARK WINDSOR ‘Tales of dread’ is a genre that has received scant attention in aesthetics. In this paper, I aim to elaborate an account of tales of dread which (1) effectively distinguishes these from horror stories, and (2) helps explain the close affinity between the two, accommodating borderline cases. I briefly consider two existing accounts of the genre – namely, those of Noël Carroll and of Cynthia Freeland – and show why they are inadequate for my purposes. I then develop my own account of tales of dread, drawing on two theoretical resources: Freud’s ‘The “Uncanny”’, and Tzvetan Todorov’s The Fantastic. In particular, I draw on Freud to help distinguish tales of dread from horror stories, and I draw on Todorov to help explain the fluidity between the genres. I argue that both horror stories and tales of dread feature apparent impossibilities which are threatening; but whereas in horror stories the existence of the monster (the apparent impossibility) is confirmed, tales of dread are sustained by the audience’s uncertainty pertaining to preternatural objects or events. Where horror monsters pose an immediate, concrete danger to the subject’s physical well-being, these preternatural objects or events pose a psychological threat to the subject’s grasp of reality. I In his book The Philosophy of Horror, Noël Carroll identifies a narrative genre that he calls ‘tales of dread’. Unlike horror stories, Carroll claims, tales of dread do not feature monstrous entities or beings, but rather a distinctive kind of preternatural event. -
Descartes' Bête Machine, the Leibnizian Correction and Religious Influence
University of South Florida Digital Commons @ University of South Florida Graduate Theses and Dissertations Graduate School 4-7-2010 Descartes' Bête Machine, the Leibnizian Correction and Religious Influence John Voelpel University of South Florida Follow this and additional works at: https://digitalcommons.usf.edu/etd Part of the American Studies Commons, and the Philosophy Commons Scholar Commons Citation Voelpel, John, "Descartes' Bête Machine, the Leibnizian Correction and Religious Influence" (2010). Graduate Theses and Dissertations. https://digitalcommons.usf.edu/etd/3527 This Thesis is brought to you for free and open access by the Graduate School at Digital Commons @ University of South Florida. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Digital Commons @ University of South Florida. For more information, please contact [email protected]. Descartes’ Bête Machine, the Leibnizian Correction and Religious Influence by John Voelpel A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Philosophy College of Arts and Sciences University of South Florida Major Professor: Martin Schönfeld, Ph.D. Roger Ariew, Ph.D. Stephen Turner, Ph.D. Date of Approval: April 7, 2010 Keywords: environmental ethics, nonhuman animals, Montaigne, skepticism, active force, categories © Copyright 2010, John W. Voelpel 040410 Note to Reader: Because the quotations from referenced sources in this paper include both parentheses and brackets, this paper uses braces “{}” in any location {inside or outside of quotations} for the writer’s parenthetical-like additions in both text and footnotes. 040410 Table of Contents Abstract iii I. Introduction 1 II. Chapter One: Montaigne: An Explanation for Descartes’ Bête Machine 4 Historical Environment 5 Background Concerning Nonhuman Nature 8 Position About Nature Generally 11 Position About Nonhuman Animals 12 Influence of Religious Institutions 17 Summary of Montaigne’s Perspective 20 III. -
Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2020 Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance Sarah Lucie The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3828 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ACTING OBJECTS STAGING NEW MATERIALISM, POSTHUMANISM AND THE ECOCRITICAL CRISIS IN CONTEMPORARY PERFORMANCE by SARAH LUCIE A dissertation submitted to the Graduate Faculty in Theatre and Performance in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 SARAH LUCIE All rights reserved ii Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance by Sarah Lucie This manuscript has been read and accepted by the Graduate Faculty in Theatre and Performance in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________________________________________________________________ Date Peter Eckersall Chair of Examining Committee __________________________________________________________________________ Date Peter Eckersall Executive Officer Supervisory Committee: Erika Lin Edward Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance by Sarah Lucie Advisor: Peter Eckersall I investigate the material relationship between human and nonhuman objects in performance, asking what their shifting relations reveal about our contemporary condition. -
Neopastoral Artifacts and the Phenomenology of Environment in American Modernist Poetics
REFUSE TO RELIC: NEOPASTORAL ARTIFACTS AND THE PHENOMENOLOGY OF ENVIRONMENT IN AMERICAN MODERNIST POETICS Douglas ii Refuse to Relic: Neopastoral Artifacts and the Phenomenology of Environment in American Modernist Poetics Thesis format: Monograph by Jeffrey Daniel Douglas, B.A., B.Ed., M.A. Graduate Program in English A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate Studies McMaster University Hamilton, Ontario, Canada © Jeffrey D. Douglas 2013 Douglas iii Abstract Building on concepts of the pastoral, the picturesque, the “vernacular ruin,” and frontierism in an American context, this thesis explores the interest in ruin and commodity- oriented refuse within rural, wilderness, and what Leo Marx in The Machine in the Garden calls “middle ground” environments. Chapter one analyzes how “nature,” as both scenery and the natural environment removed from civilization, has been conceptualized as a place where human-made objects become repurposed through the gaze of the spectator. Theories surrounding gallery and exhibition space, as well as archaeological practices related to garbage excavation, are assessed to determine how waste objects, when wrested out of context, become artifacts of cultural significance. Chapter two turns to focus on the settler experience of the frontier in order to locate a uniquely American evolution of the interest in everyday waste objects. Because the frontier wilderness in American culture can be regarded as a site of transition and malleability, it is argued that the (mis)perception of object matter within this transitional space helped to shape modernist poetics and its association with everyday objects. Chapters three and four return to the rural and the pastoral to focus on Marx’s concept of the “middle ground,” borderlands of quasi-natural space that are located “somewhere ‘between,’ yet in a transcendent relation to, the opposing forces of civilization and nature” (23). -
Plato's Phaedrus After Descartes' Passions
© Lo Sguardo - rivista di filosofia N. 27, 2018 (II) - Politica delle passioni? Contributi/2 Plato’s Phaedrus after Descartes’ Passions Reviving Reason’s Political Force Joshua Hall Articolo sottoposto a doppia blind review. Inviato il 2/09/2018. Accettato il 16/05/2019. For this special issue, dedicated to the historical break in what one might call ‘the politics of feeling’ between ancient ‘passions’ (in the ‘soul’) and modern ‘emotions’ (in the ‘mind’), I will suggest that the pivotal difference might be located instead between ancient and modern conceptions of the passions. Through new interpretations of two exemplars of these conceptions, Plato’s Phaedrus and Descartes’ Passions of the Soul, I will suggest that our politics today need to return to what I term Plato’s ‘psychological virtue’ (drawing on virtue’s dual senses as ‘goodness’ and ‘power’), defined as a dynamic tension among mindful desire (nous), carnal desire (epithumia) and societal desire (thumos) achieved through rational discourse (logos). The upshot of this concept of psychological virtue, is that mind, at least via discourse, is also a desiring force, and thus capable of helping create new actions for souls in the political world. *** Through its mythological analysis, Plato’s Phaedrus offers a metaphor of the soul as the dialogical relationship (more precisely ‘natural union’) of a winged chariot team among its charioteer, a light horse, and a dark horse. In other words, the soul is a triadic tug of war among carnal desire (for food, drink, sex, etc.), societal desire (for honor and glory), and mindful desire (for knowledge, beauty, justice, etc.) as managed by discourse (logos). -
Descartes and Spinoza
OUP UNCORRECTED PROOF – FIRSTPROOFS, Thu Dec 29 2016, NEWGEN 229 chapter nine Descartes and Spinoza Two Approaches to Embodiment Alison Peterman 1. Introduction Descartes1 (1596– 1650) and Spinoza (1632– 1677) each gave us interest- ing and infuential approaches to answering what I’ll call “embodiment question”: what is the relationship between a mind and its body— the one that it seems to inhabit, feel, control or otherwise be uniquely involved with?2 In Spinoza we fnd (at least) three diferent answers, the ingenuity of all of which is attested to by their long reception in the philosophical tradition. Descartes was an important infuence on Spinoza, but on many others, too, ushering in the era of the “mind- body 1 I am grateful to Colin Chamberlain, Michael Della Rocca, Keota Fields, Kristin Primus, and Alison Simmons for discussion, and also to the other contributors to this volume. 2 Tis question is broader than one than one about the constitutive or essential relationship between a mind and its body. 229 02_acprof-9780190490447_Ch7-11.indd 229 12/29/2016 2:13:15 AM OUP UNCORRECTED PROOF – FIRSTPROOFS, Thu Dec 29 2016, NEWGEN 230 230 Embodiment problem” in the form that many philosophers still grapple with. Here, I’ll by no means attempt a comprehensive treatment of their contribu- tions. Instead I will try to uncover an unnoticed similarity between the two, and apply it to understanding the coherence of Spinoza’s account of embodiment. I’ll argue that Descartes and Spinoza both approach the embodiment question in two diferent ways: one approach starts with some metaphysical commitments about the kinds of entities, properties, and interactions there are in the world, and the other starts by attending to the experience of an embodied subject. -
The Year of the Animal in France
1668 The Year of the Animal in France Peter Sahlins ZONE BOOKS • NEW YORK 2017 © 2017 Peter Sahlins zone books 633 Vanderbilt Street Brooklyn, NY 11218 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, including electronic, mechanical, photocopying, microfilming, recording, or otherwise (except for that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the Publisher. Printed in Canada. Distributed by The MIT Press, Cambridge, Massachusetts, and London, England Permissions from the publishers to incorporate from the following previously published works is greatly appreciated: “The Royal Menageries of Louis XIV and the Civilizing Process Revisited,” was originally published in French Historical Studies 35.2, pp. 226–46. © 2012 Society of French Historical Studies. All rights reserved. Republished by permission of the copyright holder, and the present publisher, Duke University Press. www.dukeupress.edu; “A Tale of Three Chameleons: The Animal between Literature and Science in the Age of Louis XIV,” was originally published in French Thinking About Animals, eds. Louisa MacKenzie and Stephanie Posthumus, pp. 15–30. © 2014 Michigan State University Press; “Where the Sun Don’t Shine: The Royal Labyrinth at Versailles, 1668– 1674,” was originally published in Animals and Early Modern Identity, ed. Pia Cuneo, pp. 67–88. © 2014 Ashgate: Surrey, England and Burlington, VT, 2014. Reprinted by permission from Taylor & Francis; “The Beast Within: Animals and the First Xenotransfusion Experiments in France, 1667–68,” was originally published in Representations 129, pp. -
Philosophy for Children and Pragmatism Part I. the Uncanny History of Pragmatism
Philosophy for Children and Pragmatism Part I. The Uncanny History of Pragmatism Agora Philosophical Forum Handout by Soroush Marouzi 1. A Brief Overview of the Pragmatism-P4C Relation: - Pragmatism was born in 1867 in America - P4C as a social movement was initiated in the early 1970’s - Pragmatism, as a philosophical position, manifests itself in the educational method advocated by the proponents of the P4C movement - Hence, we shall start with an overview of pragmatism - The methodological sensitivities to explore pragmatist philosophies o Employing the intellectual biography approach to unfold the varieties of pragmatist notions 2. The Metaphysical Club: - The American pragmatists were struggling to build the ‘modern’ America after the Civil war. o A historical narrative of the club by Louis Menand (2001) - The objective of the club: Bring metaphysics down to earth; start with human experience - The Four Greats: Charles S. Peirce, William James, Oliver W. Holmes, and Chauncy Wright 2.1. Charles. S. Peirce (1839-1914): - Peirce was “the greatest American thinker ever” (Russell 1959, p 276). - Peirce invented pragmatism o Along with semiotics, mathematical logic, statistical economics, game-theoretic semantics, economics of science, propensity interpretation of probability, indeterministic metaphysics, falsification, abductive reasoning, etc. - Peirce’s works to be discussed in this workshop o On a New List of Categories (1867) o The Fixation of Belief (1877) o How to Make Our Ideas Clear (1878) 2.2. William James (1842-1910): - A charming man with a popular philosophy - He is known as the father of psychology in America. o In his Principles of Psychology (1890), he demarcated psychology from philosophy. -
The Functional Logic of Cartesian Passions
Amélie Rorty The Functional Logic of Cartesian Passions Abstract: Cartesian passion-ideas are able to promote “the good of this life” because they bear law-like dynamic relations to one another. Descartes is a foundationalist: all passions “originate” from six basic passions: wonder, desire, love and hate, joy and sadness. As passion-ideas, compound passions are in part individuated by their generic intentional contents. As passion-ideas, compound passions prompt bodily changes that benefit or harm psycho-physi- cal individuals. Although Descartes resists teleological explanations, he is an internal functionalist: the body is organized as a self-preserving mechanical system, capable of integrating motions prompted by the activity of the mind. Similarly, the mind forms a coherent system, capable of integrating ideas prompted by the body. Finally, Descartes is also an intellectualist. Besides passions, there are also émotions intérieures, dispositional ideas that, like self- esteem and generosité, are caused in the mind by the mind. Prompted by proper self-esteem, the will can choose the course that will serve the intellectu- ally-weighted psycho-physical individual, the scientist rather than the hypo- chondriac. “It is on these,” Descartes says of the passions, “that the good and ill of this life depend.” (AT XI, 488; PA 212).1 Indeed the reassurances of divine benevolence introduced in the Sixth Meditation assert that all the passions are, in their own nature, good, and are as such agreeable to us. (“Elles sont toutes bonnes de leur nature” (PA 211)). Whatever harm their excess or deficiencies might bring can in principle be controlled or deflected by wisdom and the power of the will. -
The Uncanny Valley: Existence and Explanations
Review of General Psychology © 2015 American Psychological Association 2015, Vol. 19, No. 4, 393–407 1089-2680/15/$12.00 http://dx.doi.org/10.1037/gpr0000056 The Uncanny Valley: Existence and Explanations Shensheng Wang, Scott O. Lilienfeld, and Philippe Rochat Emory University More than 40 years ago, Japanese roboticist Masahiro Mori (1970/2005) proposed the “uncanny valley” hypothesis, which predicted a nonlinear relation between robots’ perceived human likeness and their likability. Although some studies have corroborated this hypothesis and proposed explanations for its existence, the evidence on both fronts has been mixed and open to debate. We first review the literature to ascertain whether the uncanny valley exists. We then try to explain the uncanny phenomenon by reviewing hypotheses derived from diverse theoretical and methodological perspectives within psychol- ogy and allied fields, including evolutionary, social, cognitive, and psychodynamic approaches. Next, we provide an evaluation and critique of these studies by focusing on their methodological limitations, leading us to question the accepted definition of the uncanny valley. We examine the definitions of human likeness and likability, and propose a statistical test to preliminarily quantify their nonlinear relation. We argue that the uncanny valley hypothesis is ultimately an engineering problem that bears on the possibility of building androids that may some day become indistinguishable from humans. In closing, we propose a dehumanization hypothesis to explain the uncanny phenomenon. Keywords: animacy, dehumanization, humanness, statistical test, uncanny valley Over the centuries, machines have increasingly assumed the characters (avatars), such as those in the film The Polar Express heavy duties of dangerous and mundane work from humans and (Zemeckis, 2004), reportedly elicited unease in some human ob- improved humans’ living conditions. -
Form and Relation. Materialism on an Uncanny Stage
Intellectica , 2014/1, 61, pp . 105-121 Form and Relation. Materialism on an Uncanny Stage Yuk HUI ≤ ABSTRACT . This article seeks a materialism that is largely ignored in current philosophical discussion, which originates from speculation on the materiality of forms. Following the critique of Simondon and Heidegger, this article rejects hylomorphism which gives substantiality to forms rather than matter; at the same time, this proposition also wants to distinguish itself from the current proposals of a return to matter, such as the vibrant matter of Jane Bennett or the principle of factuality of Quentin Meillassoux, by outlining a genealogy of the material conditions for the individuation of forms. The article endeavours to understand the evolution of the concept of form in different stages of technological development: crafts, machines, technological systems exemplified by the web. The article suggests that the materiality of form is not only thinkable, but also necessary for the development of a speculative metaphysics and critical theory of machines. Keywords : Materialism, digital objects, forms, Simondon, Heidegger. RÉSUMÉ . Forme et relation – L’inquiétante étrangeté de la scène du matérialisme . Cet article entend chercher un matérialisme largement ignoré dans les discussions philosophiques actuelles, qui tire son origine de spéculations sur la matérialité des formes. En suivant la critique de Simondon et de Heidegger, il rejette l'hylémorphisme en raison de la priorité qu’il accorde une forme pure et abstraite en dehors de la matière ; de même, il se distingue des propositions actuelles qui valorisent un retour à la matière, à l’image de la matière vibrante de Jane Bennett ou du principe de factualité de Quentin Meillassoux, en esquissant une généalogie des conditions matérielle de l'individuation des formes.