JEFFREY SHAW 23-10-44 Melbourne

1962-1966 Studied Architecture and Art History at the , Sculpture at the Brera Acadamy, Milan, and at St Martin’s School of Art, London.

1966 Foundation member of Sigma Projects, Amsterdam

1968 Foundation member of the Artist Placement Group (APG), London

1969-1982 Co-founder of the Eventstructure Research Group (ERG), Amsterdam

1977-1982 Co-founder of Javaphile Productions, Amsterdam

1988-1989 Visiting professor at the Rotterdam Academie van Beeldende, Kunsten and the Gerrit Rietveld Academie, Amsterdam.

1990 Visiting Professor of the Städelschule, Institut für Neue Medien, Frankfurt am Main, Germany.

1991-2003 Founding Director of the Institute for Visual Media at the ZKM Centre for Art and Media, Karlsruhe, Germany.

1995–2003 Professor of Media Art at the Staatlichen Hochschule für Gestaltung, Karlsruhe, Germany.

2000-2002 Visiting Professor at the College of Fine Arts, University of New South Wales (UNSW), Sydney.

2003-2009 Australian Research Council Federation Fellowship founding director of the Centre for Interactive Cinema Research (iCinema), University of New South Wales, Sydney.

2010-continuing Chair Professor of Media Art and Dean of the School of Creative Media, City University, Hong Kong. Director of the Center for Applied Computing and Interactive Media (ACIM), and of the Applied Laboratory for Interactive Visualization and Embodiment (ALIVE), City University, Hong Kong.

2014-continuing Visiting Professor Central Academy of Fine Art (CAFA), Beijing. Visiting Professor Institute of Global Health Innovation, Imperial College, London. University Distinguished Professor, University of New South Wales, Sydney

1 Exhibitions 2014 -1966 by date and title of work ______

2014 • PLACE-Hampi, Chronus Art Centre, Shanghai, China • PLACE-Ruhr, Chronus Art Centre, Shanghai, China • T-Visionarium, Chronus Art Centre, Shanghai, China • Utopia Triumphans, Chronus Art Centre, Shanghai, China • There is Still Time Brother, Chronus Art Centre, Shanghai, China • The Infinite Line, Chronus Art Centre, Shanghai, China • The Legible City, ICC Intercommunicatin Centre, Tokyo, Japan • FALL AGAIN, FALL BETTER, Animamix, CityU CMC, Hong Kong; OIL Gallery, Hong Kong

2013 • Scroll Panorama and Scroll Navigator: Pacifying the South China Sea Pirates, Hong Kong Maritime Museum, Hong Kong • ECloud, Trinity College, Dublin; Hong Kong Economic Journal’s 40th Anniversary, Hong Kong • FALL AGAIN, FALL BETTER, Power Station of Art, Shanghai Biennial, Shanghai • Pure Land – Augmented Reality Edition, Power Station of Art, Shanghai Biennial, Shanghai • Shanghai Odyssey, West Bund, Biennial of Contemporary Art and Architecture, Shanghai • AVIE, Avignon Festival, Avignon, France • Legible City, House of Electronic Arts, Basel, Switzerland • Brush Eye View – Wang Dongling, Making Environment: Calligraphic Painting & Spatial Poetry in Garden, West Lake Expo Museum, Hangzhou

2012 • PLACE-Hampi, Kaladham, Karnataka, India • Pure Land: Inside the Mogao Grottoes at Dunhuang, Freer Sackler Galleries, Smithsonian Institute, Washington, USA; Gallery360, Run Run Shaw Creative Media Centre, Hong Kong; Book Fair, Convention Centre, Hong Kong • Pure Land - Augmented Reality Edition, HK Art Fair, Hong Kong • ECloud, EUROPEANA, Brussels and Leuven • Pure Land: Inside the Mogao Grottoes at Dunhuang, • Legible City - CEAAC, Straßburg, France; Espace Multimédia Gantner, Bourogne, France • Re-Actor, Montreal Digital Biennial, Museum of Fine Arts Montreal, Canada; Seoul Mediacity Biennial, Seoul Museum of Arts, Korea • Various early works related to the Artist Placement Group and John Latham, The Individual and the Organization, Raven Row, London

2011 • Re-Actor, Lumière / Matter-Light, Béthune France • iJaio, Genesis and Spirit, Intangible Heritage of China, Central Library, Hong Kong • AVIE, Sydney Festival, Sydney; Festival d’Avignon, Avignon, France; Matter-Light, Bethune, France

2010 • T Visionarium, STRP Festival, Eindhoven, Netherlands • YER-Turkiye, Made-Isik, Borusan Music House, Istanbul, Turkey • AVIE, Digital Life, La Pelanda, Rome.

2 2009 • PLACE-Ruhr, Museum in Bewegung, Museum am Ostwall, Dortmund. • T_Visionarium, Un Volcan Numérique, Le Volcan Scène Nationale du Havre, Le Havre; Seconde Nature, Espace Vasarély, Aix-en-Provence, France; International Architecture Biennale, Amsterdam.

2008 • YOUbiläums Browser, You_ser: The Century of the Consumer, ZKM Centre for Art and Media, Karlsruhe. • Place-Hampi, Immigration Museum, Melbourne (2008-2009); eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai. • Unmakeablelove, eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai. • The Golden Calf, eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai. • T_Visionarium, eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai; You_ser: The Century of the Consumer, ZKM Center for Art and Media, Karlsruhe; Sydney Festival, University of New South Wales, Sydney; Biennial of Seville, Alhambra, Granada, Spain

2007 • There is Still Time...Brother, Experimental Media and Performing Arts Centre (EMPAC), Rensselaer Polytechnic University, Troy; Panorama Festival, ZKM Center for Art and Media, Karlsruhe.. • PLACE-Hampi, Vom Funken zum Pixel (From Spark to Pixel), Martin-Gropius-Bau, Berlin; ZKM Center for Art and Media, Karlsruhe; Future Festival, Singapore Science Centre, Singapore • The Virtual Museum, ZKM Karlsruhe

2006 • PLACE-Hampi, Lille 3000 Bombaysers de Lille, Rotonde de l'Opera, Lille. • Waterwalk, Glas-Kultur, Centre d'Art la Panera, Lieda. • EVE: Extended Virtual Environment Vom Funken zum Pixel (From Spark to Pixel), Zendai Museum of Modern Art, Shanghai. • The Royal Road, Video Sculpture Retrospective, Centre of International Modern Art, Calcutta; Video Sculpture Retrospective, College of Fine Arts, Bangalore. • Waterwalk, Glas-Kultur, Koldo Mitxelena Kulturunea, Donostia-San Sebastian. • The Legible City, Grid Matrix, Mildred Lane Kemper Art Museum, Washington University, St Louis. • Heavens Gate, State Library of Victoria, Melbourne. • Web of Life, Algorithmic Revolution in Artescienza 2006: Spazio Deformato, Casa dell'Architettura, Rome. • T_Visionarium I, Algorithmic Revolution in Artescienza 2006: Spazio Deformato, Casa dell'Architettura, Rome.

2005 • Eavesdrop, Sydney Festival, Powerhouse Museum, Sydney. • Conversations @ the Studio, Powerhouse Museum, Sydney. • The Golden Calf, X-Space Kensington Market, Toronto. • The Royal Road, Video Sculpture Retrospective, Apeejay Media Art Gallery, New Delhi; National Gallery of Modern Art, Bombay.

3 • The Legible City, Art Meets Media: Adventures In Perception, NTT Intercommunication Center, Tokyo. • T_Visionarium I, Beijing International New Media Arts Exhibition and Symposium 2005, China Millenium Art Museum, Beijing. • T_Visionarium II, University of New South Wales, Sydney.

2004 • Eavesdrop, Brisbane Festival, Block Gallery, Queensland University of Technology, Brisbane; Melbourne International Festival of the Arts, Australian Centre for the Moving Image, Melbourne. • Cupola-Look Up Kyoto, Future Vision, Kyoto Saga University of Art, Kyoto. • Cupola-Lille, Cinémas du Futur, Lille 2004 Capitale Européenne de la Culture, Lille. • The Virtual Museum, Masterpieces of Media Art from the ZKM Collection, ZKM Centre for Art and Media, Karlsruhe. • The Legible City, Timeshift, Eyebeam, New York; Ars Electronica Centre, Linz. • The Golden Calf, Invisibile, Palazzo Delle Papesse Museu Darte Contemporanea, Siena. • Place-Urbanity (dis)Locations, Ivan Dougherty Gallery, Sydney. • Web of Life, Australian Centre for the Moving Image (ACMI); Queensland University of Technology, Brisbane. • Conversations, Powerhouse Museum, Sydney. • T_Visionarium I, ZKM Center for Art and Media, Karlsruhe; Cinémas du Futur in Lille 2004 Capitale Européenne de la Culture, Centre Euralille, Lille.

2003 • Place-Urbanity (dis)Locations, Australian Centre for the Moving Image, Melbourne. • Web of Life, Dutch Electronic Art Festival (DEAF), Rotterdam.

2002 • Configuring The CAVE, CAVE Festival: Art of Immersion, Animax Multimedia Theatre, Bonn. • PLACE-Ruhr, Emocao art.ficial, Itau Cultural Institute, Sao Paulo; Future Cinema, ZKM Center for Art and Media, Karlsruhe. • PLACE-Urbanity, Australian Centre for the Moving Image, Melbourne; Future Cinema, ZKM Center for Art and Media, Karlsruhe. • The Royal Road, Videoskulptur Seit 1963, Museo Nacional De Arte, La Paz; Museo De La Ciudad, Quito. • Panoramic Navigator, Future Cinema, ZKM Center For Art and Media, Karlsruhe. • Legible City, Navigate@Art Die Faszination Virtueller Welten, Automobil Forum Unter Den Linden, Berlin. • configuring the CAVE, Art of Immersion, Animax Multimediatheater, Bonn-Bad Godesberg. • The Golden Calf, Iconoclash. Beyond The Image Wars In Science, Religion and Art, ZKM Center For Art and Media, Karlsruhe. • Web of Life, Das Netz. Sinn und Sinnlichkeit vernetzter Systeme, Museum Für Kommunikation, Frankfurt; Emocao art.ficial, Itau Cultural Institute, Sao Paulo; World Summit for Sustainable Development: Rio+10, Environment Center of the World Conservation Union IUCN, Johannesburg; International Symposium on Electronic Arts, ISEA (Inter-Society For The Electronic Arts), Nagoya; Erde 2.0 (Planet Earth 2.0), Stuttgart International Exhibition Centre, Stuttgart; Multimedia Art Asia Pacific Festival (MAAP), China Millenium Art Museum, Beijing; NTT Intercommunication Center, Tokyo; New Media Culture Week, Multimedia Institute, Zagreb.

4 2001 • The Royal Road, Videoskulptur Seit 1963, Museo De Arte Carillo Gil, Mexico City; Museum For Audiovisual Art - Museo Alejandro Otero, Caracas; Cultural Center Cabanas, Guadalajara; Tretjakow Gallery, Moscow; Manege, St Petersburg; Soros- Gallery, Kiew. • (dis)LOCATIONS, Artspace, Sydney; ZKM Center for Art and Media, Karlsruhe.

2000 • Re-Configuring The Cave, Vision and Reality, Louisiana Museum of Modern Art. • The Legible City In Media Art Festival, St Petersburg; Gasteig, Munich. • PLACE-Ruhr, Vision Ruhr, Westfälisches Industriemuseum, Dortmund; Wro 2000@Kultura, 17th Meridian Exhibition, The Museum of Wroclaw University, Wroclaw. • PlaceWorld, Esprit I3net Conference, Jonkoping; Doors of Perception Conference, Amsterdam. • Panoramic Navigator, Frankfurt Automobile Fair, Frankfurt; Expo 2000, Hannover; Volkswagen Autostadt, Wolfsburg. • Heavens Gate Himmelfahrt, Trilogie Zeitgenössischer Kunst Zur Jahrtausendwende, Munich; Tate Gallery, Liverpool. • The Golden Calf, Das Fünfte Element, Geld Oder Kunst, Kunsthalle, Düsseldorf.

1999 • The Royal Road, Videoskulptur Seit 1963, Fabric. Arts Academy, Athens; City Art Gallery, Ankara; Atatürk Cultural Center, Istanbul. • Points of View, Stand Der Dinge / Virtuelle Entwicklungen, Künstlerhaus, Vienna. • The Distributed Legible City, European 5th Framework Conference, Essen; • Heavens Gate, Perspective: International Media Art and Media History Exhibition, C3 Center For Culture & Communication, Budapest; Kunsthalle, Düsseldorf • Panoramic Navigator, Net_Condition, ZKM Center For Art and Media, Karlsruhe. • The Net Art Browser, Net_Condition, ZKM Center For Art and Media, Karlsruhe; Neue Galerie, Graz. • The Golden Calf, National Museum of Photography, Film and Television, Bradford. • Points of View (reconstructed), Stand der Dinge / Virtuelle Entwicklungen, Kunstlerhaus, Vienna, Austria • PLACE-a users manual, City Gallery, Wellington, New Zealand

1998 • The Royal Road, Videoskulptur Seit 1963, Fondazione Mudima, Milan; Centro De Cultura Opera Paese, Rome. • replaced in EVE, Surrogate, ZKM Center For Art and Media, Karlsruhe. • The Distributed Legible City, Surrogate, ZKM Center For Art and Media, Karlsruhe and Neue Galerie, Graz. • The Golden Calf, Anticipation Version 4.0, Centre Pour L’image Contemporaine, Geneva. • Place – a users manual, National Gallery Wellington, Wellington.

1997 • reConfiguring the Cave, ZKM Center For Art and Media, Karlsruhe. • PLACE – a users manual, Virtual Art, Plural Reality, Museo De Monterrey, Monterrey; Bundes Kunst- Und Ausstellungshalle Bonn, Bonn. • The Royal Road, Videoskulptur Seit 1963, Seoul Arts Center Museum, Seoul; Hara Museum of Contemporary Art, Tokyo; Hanrim Museum, Taejon; Singapore Arts Museum.

5 • Heavens Gate, Multimediale 5, ZKM Center For Art and Media, Karlsruhe. • The Golden Calf, Interact!, Wilhelm Lehmbruck Museum, Duisburg. • Aussenkennung, ZKM Karlsruhe. • Panoramic Navigator, ZKM Karlsruhe

1996 • reConfiguring the Cave, NTT Intercommunication Center, Tokyo. • The Royal Road, Videoskulptur Seit 1963; Museum Van Hedendaagse Kunst, Gent; Galeria Zacheta, Warszaw; Circulo De Bellas Artes, Madrid. • The Legible City, Mediascape, Guggenheim Museum Soho, New York. • The Golden Calf, Artifices 4, Saint-Denis. • Heavens Gate, Interaktive Objekte und Kunstwerke, Landeskunstwochen Ettlingen, Museum Ettlingen, Ettlingen; The Butterfly Effect, Soros Center For Contemporary Arts, Budapest. • PLACE – a users manual, Cité des Sciences et de l'Industrie, Paris, Under Capricorn, Stedelijk Museum, Amsterdam.

1995 • The Narrative Landscape, Photography after Photography: Siemens Kulturprogramm, Munich; Aktionsforum Praterinsel, Munich, Germany; Kunsthalle, Krems, Austria; Städtische Galerie, Erlangen, Germany; Brandenburgische Kunstsammlungen, Cottbus, Germany; Museet for Fotokunst, Odense, Denmark. • The Royal Road, Videoskulptur Seit 1963, Hong Kong Arts Centre, Hong Kong; Centrum Beeldende Kunst, Groningen. • The Legible City, 3e Biennale D´Art Contemporain De Lyon, Musèe D´Art Contemporain, Lyon; Art and Electronics, Hong Kong Arts Centre, Hong Kong. • Jeffrey Shaw Trigon-Personale 95: The Golden Calf, The Narrative Landscape, Heavens Gate, PLACE- users manual, The Legible City, Neue Galerie, Graz. • The Golden Calf, The Interaction 95, International Academy of Media Arts and Sciences, Gifu, Japan • EVE Extended Virtual Environment, Multimediale 4, ZKM, Karlsruhe; Acciona Museo Interactivo De La Cienca, Madrid, Spain. • Heavens Gate, World Wide Video Center, The Hague; Artslab, Turin. • PLACE-a users manual, Museo de Monterrey, Monterrey, Mexico • Revolution, Kwangju Biennale ‘95, Seoul.

1994 • The Virtual Museum, Interactive Media Festival, Los Angeles; Arte Virtual, Communidad De Madrid, Madrid. • The Royal Road, Videoskulptur Seit 1963, Kunsthalle, Rostock. • The Golden Calf, Ars Electronica 94: Intelligente Ambiente, Brucknerhaus, Linz. • EVE Extended Virtual Environment, Le Metafort, D´Aubervilliers, France • Disappearance, Automata, World Festival Exposition Mie 94, Nagoya, MultiMediale 3, ZKM, Karlsruhe • The Legible City, Siggraph 94, Orlando. • Heavens Gate, Technoart: An Interactive New Media Exhibition, Ontario Science Centre, Toronto. • Revolution; Imago - Fin De Siècle In Dutch Contemporary Art, Hara Art Museum, Gunma, Japan; Tart 94: Mens En Cyberspace, De Vrijhof Universiteit, Twente, Fine Arts Museum, Taipei. • Place-A User’s Manual, Artifices 4, Paris.

6 1993 • The Royal Road, Videoskulptur Seit 1963, Institut fuer Auslandbeziehungen, Stuttgart. • EVE, MultiMediale 3, ZKM, Karlsruhe • The Virtual Museum. Künstliche Spiele, Medienlabor, Munich. • Revolution, Mediale, Deichtorhallen, Hamburg. • Heavens Gate, Media Passage: Intercommunication 93, NTT Intercommunication Center, Beam Theater,Tokyo. • The Legible City, Die Sprache Der Kunst. Die Beziehung Von Bild Und Text In Der Kunst Des 20. Jahrhunderts, Kunsthalle Wien, Vienna. • Disappearance, Binaera, Interaktionen – Kunst und Technologie, Musée Communal Dixelles, Bruxelles. • Televirtual Chit Chat, Imagina 93, Monte Carlo and ZKM Karlsruhe. • Machine Culture, Siggraph 93, Anaheim

1992 • ArchiText, Stadsschouwburg, Zoetermeer. • Virtual World Voyaging: Agnes Hegedüs and Jeffrey Shaw, Art Gallery, Fukuoka. • The Virtual Museum, Revue Virtuelle, Centre Georges Pompidou, Paris; Ars Electronica 92: Die Welt Von Innen - Endo & Nano, Brucknerhaus, Linz; The Robots, Nagashima Spaland, Nagoya, Japan • The Legible City, The Boundary Rider, 9th Biennale of Sydney, Sydney; Manifestation for the Unstable Media, V2, Den Bosch, Netherlands. • Disappearance, The Binary Era, Musee D’ixelles, Bruxelles. • Heavens Gate, Der Entfesselte Blick, Seedamm-Kulturzentrum, Kunstmuseum Bern; Fotografie Biennale Rotterdam, Rotterdam. • Revolution, Imago: Fin de siècle in Dutch Contemporary Art, Palao de la Virreina, Barcelona, Spain; Edificio de Alfandega do Porto, Oporto, Portugal; World Expo, Seville, Spain.–

1991 • Heavens Gate, Outer Space, South Bank Centre, London; Laing Art Gallery, Newcastle- upon-Tyne; Ferens Art Gallery, Hull; Camden Arts Centre, London; Arnolfini Gallery, Bristol • The Virtual Museum, Das Belebte Bild, Art Frankfurt, Frankfurt; Machines À Communiquer, Cité des Sciences et de l'Industrie, Paris; Multimediale 2, ZKM Center For Art and Media, Karlsruhe. • The Legible City, Multimediale 2, ZKM Center For Art and Media, Karlsruhe; Video Art Festival, Locarno; Stanford Conference On Design, Stanford, California; Muumedia Festival, Interaktiviisen Mediataiteen Näytteky, Galleria Otso, Espoo, El Art, Retretti Art Center, Retretti. • Revolution, Imago - Fin De Siècle In Dutch Contemporary Art, Kulturni Dom, Bratislava.

1990 • The Spatial Pendulum, Vrije Universiteit Centre for Mathematics and Computer Science, Amsterdam; • The Legible City, Dernieres Visites Avant Travaux, Le Fresnoy; Artifices, Saint-Denis; Interface I, Museum Für Kunst Und Gewerbe, Hamburg; Vom Verschwinden Der Ferne, Telekommunikation Und Kunst, Deutsches Postmuseum, Frankfurt Am Main; De Balie Theater, Amsterdam; L´Immagine Elettronica, Chiesa Di San Romano, Ferrara; Les Artistes Et La Lumiere, Centre National Art Et Technologie, Reims; Artware Kunst Und Elektronik, CeBIT, Hannover; Time Space Light, Academie Minerva, Groningen; • Revolution, Imago - Fin De Siècle In Dutch Contemporary Art, Kunst-Rai, Amsterdam; Video Art Festival, Locarno.

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1989 • WordPlay, Stadsschouwburg, Arnheim. • The Legible City, Artec 89, World Design Expo, Nagoya; Siggraph 89, Boston; Ars Electronica, Im Netz Der Systeme, Brucknerhaus, Linz. • Imaginary Museum of Revolutions, Inventer 89, Cité des Sciences et de l'Industrie, Paris; Tekens Van Verzet, Fodor Museum, Amsterdam; Is In De Hal, Kunsthal, Rotterdam; Zyklus Arbeit 89, Brucknerhaus, Linz. • Alice's Rooms, Kanagawa International Art and Science Exhibition, Kanagawa Science Center, Kawasaki-Shi. • The Narrative Landscape, 25 Jahre Video-Skulptur, DuMont Kunsthalle, Cologne, Germany; 39. Berliner Festwochen, Berlin, Germany; Kunsthaus, Zürich, Switzerland.

1988 • The Legible City (prototype), Het Postmoderne Aan Kinderen Verklaaard, Bonnefanten Museum, Maastricht; Museum Voor Hedendaagse Kunst, Antwerp. • Propogation of the Luminous Word, Landelijk Bibliotheekcentrale, Almere. • Heavens Gate, Third Australian Video Festival, Powerhouse Museum, Sydney. • Imaginary Museum of Revolutions, De Haagse Zomer, Den Haag. • Your Portrait with Eiffel Tower, Manifestation For The Unstable Media, V2, Den Bosch.

1987 • Heavens Gate, Felix Meritis 1787-1987 Festival, Shaffy Theater, Amsterdam; PC Rai, Amsterdam; Stipendia 85-86, Y-Tech, Amsterdam. • Video Narcissus, Lo Specchio E Ii Doppio, Mole Antonelliana, Turin. • Infinity Divided by Sixteen, Image and Sound Festival, Haags Filmhuis, The Hague, Netherlands; Manifestation for the Unstable Media, V2, Den Bosch, Netherlands. • Anamorphoses of Memory, Municipal Art Acquisitions, Fodor Museum, Amsterdam.

1986 • Inventer La Terre, Cité des Sciences et de l'Industrie, Paris. • The Narrative Landscape, Festival Des Arts Electroniques, Rennes. • Heavens Gate, Image and Sound Festival, Haags Filmhuis, The Hague. • Anamorphoses of Memory, Kunst Over De Vloer, Entrepotdok, Amsterdam. • Going to the Centre of the Heart of the Garden of Delights; De Vleeshal, Middelburg.

1985 • The Narrative Landscape, Aorta, Amsterdam, Netherlands; Siggraph ’85 Art Show, Exploratorium, San Francisco, United States; De Lantaren, Rotterdam, Netherlands; Performancetage, Moltkerei-Werkstatt, Cologne, Germany • Jules Verne Opera Installation, Stadsschouwburg, Groningen, Netherlands

1984 • Points of View III - A Three Dimensional Story, Computer Festival, De Meervaart, Amsterdam. • Points of View I, Apollohuis, Eindhoven.

1983 • Points of View I, Mickery Theater, Amsterdam; De Lantaren, Rotterdam; Kijkhuis, The Hague, Netherlands • Continuous Sound and Image Moments, Film En Kunst, Centrum T'hoogt, Utrecht; • Points of View II - Babel, Mickery Theater, Amsterdam

8 • Corrida, Logique de la Perception, Gallery Menz, Amsterdam, • Dell’Inferno Di Dante, Aorta, Amsterdam

1982 • Corrida, Logique de la Perceptio,n World Wide Video Festival, Kijkhuis, The Hague;

1981 • One Plus Two in 3D, Stadsschouwburg, Groningen.

1980 • Stichting Stroombeeld, Amsterdam. • Video Ball Sculpture, Scholengemeenschap Quirijn, Tilburg.

1979 • Eventstructure Research Group, Actie, Werkelijkheid en Fictie in de Kunst van de Jaren‚ 60 in Nederland, Boymans-van-Beuningen Museum, Rotterdam. • Once upon a time…, Gallery Bedaux, Amsterdam. • Bubble Wall, de Hoogeberg, Velsen. • Neon Wave Sculpture, Koopvaardersplantsoen, Amsterdam

1978 • Supertube, Anti-City Circus, Waterlooplein, Amsterdam. • SUNCYCLE, Lucht, Stedelijk Museum, Schiedam. • FIRE AND ICE, Melkweg, Amsterdam • Virtual Projections, Melkweg, Amsterdam • Poetry in Performance, One World Poetry Festival, Melkweg, Amsterdam.

1977 • Kinetic Light and Mirror Sculpture, Genesis world tour • Opening Disillusionary Event, Fort Van Sjakoo, Jodenbreestraat, Amsterdam. • Tearfall, Teardrop, Ongelukkige Liefde Festival, De Lantaarn, Rotterdam.

1976 • Sesamstraat (1976-79) NOS Television, Amsterdam. • Laser Installation and Performances, Stichting De Appel, Amsterdam. • PIG, for album cover, Battersea Park, London

1975 • Viewpoint, 6th Biennale De Paris, Musee d'Art Moderne, Paris. • Genesis "The Lamb Lies Down in Broadway" world tour • Airground Mattress, Speelruimte, Dordrechts Museum, Dordrecht. • Virtual Sculpture, Melkweg, Amsterdam

1974 • Airground, Tabarka Festival, Tabarka, Tunisia • Diadrama, Universiteits Theater, Amsterdam; De Lantaarn, Rotterdam. • Staircase, Stedelijk Museum, Amsterdam.

1973 • Projections, Pinacotheca and Tolarno Galleries, Melbourne; Museum Fodor, Amsterdam.

9 1972 • Waterwalk Tube, Groningen. • Aqua-airground, Floriade: Kind En Leefmilieu Festival, Amsterdam. • Centipede, Waterwalk, Moomba Festival, Melbourne. • Rainbow, National Gallery of Victoria, Melbourne. • More and Less, British Avantgarde, Gallery House, London.

1971 • Hayward Gallery Projects, Between 5, Kunsthalle, Düsseldorf. • Scottish Sorrow, Edinburgh Festival, Edinburgh. • Three Pavilions, Homage to Bladen, Sonsbeek Buiten De Perken, Arnheim. • Hayward Gallery Projects, Inno 70, Hayward Gallery, London.

1970 • Waterwalk, Brighton Festival, Brighton. • Cloud (of day time sky at night), Stedelijk Museum, Amsterdam. • Waterwalk Tube Street Art Festival, Hannover. • Smokescreen, Holland Pop Festival, Kralingen. • NO THING, C’70 Schouwburgplein, Rotterdam. • Waterquake, Assen, Nettherlands • TELEVENTS, VPRO Television, Netherlands • Artificial Landscapes, Kunsthalle, Hamburg.

1969 • Brickhill, Environments Reversal, Camden Arts Centre, London. • Sandquake, TV Gallery Gerry Schum, Camargue. • Smokescreen, Swansea Art Festival, University of Wales, Swansea. • Six Events In Amsterdam( Grassroll, Waterwalk, Brickhill, Totems, Cushion, Pneutube), Amsterdam. • Wind and Rain, Sigma5, Bordeaux. • The Pneu-Written (Moviemovie), St George's Art Centre, Liverpool. • Pneutube, Institute of Contemporary Art, London. • Artificial Landscapes, Art After Plans, Kunsthalle, Bern. • Dragon, for William Klein’s film Mr. Freedom

1968 • Octopus, Stedelijk Museum, Amsterdam. • Airground, City of London Festival, London; Brighton Festival, Brighton; • Disillusion of Women Wrestling, Air Light Sound Sight Event, Theatre Royal Stratford, London. • Alpevent, 50 Jahre Kunsthalle Bern, Kornhauskeller, Bern. • Airground, Brighton Festival, Brighton. • Black Airground Museum of Modern Art, Oxford. • Pneutube, Kinetische Objektenshow, Franz-Hals-Museum, Haarlem; Environments, Rijksuniversiteit, Utrecht. • Structures Gonflables, Musee d'Art Moderne de la Ville de Paris, Paris. • Contemporary Art from Holland, Kunsthalle, Bern

1967 • Continuous Sound and Image Moments, 26 Kingly Street Gallery, London • Moviemovie, 4th International Experimental Film Festival, Knokke-Le-Zoute. • This is No Thing, This is a Situation of Opportunity, 26 Kingly Street Gallery, London

10 • Disillusion of a Fish Pond, 26 Kingly Street Gallery, London • Disillusion of Striptease Films, 26 Kingly Street Gallery, London • Book Plumbing with John Latham, Better Books, London • Corpocinema, Sigma Projects, Museumplein, Amsterdam; Schouwburgplein, Rotterdam • Glove Screen, 26 Kingy Street Gallery, London. • Disillusionary Happening, Cinestud Filmfestival, The Hague.

1966 • Continuous Sound and Image Moments, Kasteelhoeve Beek en Donk, Netherlands; Better Books, London • Emergence of Continuous Forms, Better Books, London • Disillusionary Hommage to Clovis Trouille, Kasteelhoeve Beek en Donk, Netherlands. • The Dante Cupboard, Centro Culturale San Fedele, Milan, Italy.

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