JEFFREY SHAW 23-10-44 Melbourne 1962-1966 Studied Architecture and Art History at the University of Melbourne, Sculpture at the Brera Acadamy, Milan, and at St Martin’s School of Art, London. 1966 Foundation member of Sigma Projects, Amsterdam 1968 Foundation member of the Artist Placement Group (APG), London 1969-1982 Co-founder of the Eventstructure Research Group (ERG), Amsterdam 1977-1982 Co-founder of Javaphile Productions, Amsterdam 1988-1989 Visiting professor at the Rotterdam Academie van Beeldende, Kunsten and the Gerrit Rietveld Academie, Amsterdam. 1990 Visiting Professor of the Städelschule, Institut für Neue Medien, Frankfurt am Main, Germany. 1991-2003 Founding Director of the Institute for Visual Media at the ZKM Centre for Art and Media, Karlsruhe, Germany. 1995–2003 Professor of Media Art at the Staatlichen Hochschule für Gestaltung, Karlsruhe, Germany. 2000-2002 Visiting Professor at the College of Fine Arts, University of New South Wales (UNSW), Sydney. 2003-2009 Australian Research Council Federation Fellowship founding director of the Centre for Interactive Cinema Research (iCinema), University of New South Wales, Sydney. 2010-continuing Chair Professor of Media Art and Dean of the School of Creative Media, City University, Hong Kong. Director of the Center for Applied Computing and Interactive Media (ACIM), and of the Applied Laboratory for Interactive Visualization and Embodiment (ALIVE), City University, Hong Kong. 2014-continuing Visiting Professor Central Academy of Fine Art (CAFA), Beijing. Visiting Professor Institute of Global Health Innovation, Imperial College, London. University Distinguished Professor, University of New South Wales, Sydney 1 Exhibitions 2014 -1966 by date and title of work ________________________________________________________________________________________________ 2014 • PLACE-Hampi, Chronus Art Centre, Shanghai, China • PLACE-Ruhr, Chronus Art Centre, Shanghai, China • T-Visionarium, Chronus Art Centre, Shanghai, China • Utopia Triumphans, Chronus Art Centre, Shanghai, China • There is Still Time Brother, Chronus Art Centre, Shanghai, China • The Infinite Line, Chronus Art Centre, Shanghai, China • The Legible City, ICC Intercommunicatin Centre, Tokyo, Japan • FALL AGAIN, FALL BETTER, Animamix, CityU CMC, Hong Kong; OIL Gallery, Hong Kong 2013 • Scroll Panorama and Scroll Navigator: Pacifying the South China Sea Pirates, Hong Kong Maritime Museum, Hong Kong • ECloud, Trinity College, Dublin; Hong Kong Economic Journal’s 40th Anniversary, Hong Kong • FALL AGAIN, FALL BETTER, Power Station of Art, Shanghai Biennial, Shanghai • Pure Land – Augmented Reality Edition, Power Station of Art, Shanghai Biennial, Shanghai • Shanghai Odyssey, West Bund, Biennial of Contemporary Art and Architecture, Shanghai • AVIE, Avignon Festival, Avignon, France • Legible City, House of Electronic Arts, Basel, Switzerland • Brush Eye View – Wang Dongling, Making Environment: Calligraphic Painting & Spatial Poetry in Garden, West Lake Expo Museum, Hangzhou 2012 • PLACE-Hampi, Kaladham, Karnataka, India • Pure Land: Inside the Mogao Grottoes at Dunhuang, Freer Sackler Galleries, Smithsonian Institute, Washington, USA; Gallery360, Run Run Shaw Creative Media Centre, Hong Kong; Book Fair, Convention Centre, Hong Kong • Pure Land - Augmented Reality Edition, HK Art Fair, Hong Kong • ECloud, EUROPEANA, Brussels and Leuven • Pure Land: Inside the Mogao Grottoes at Dunhuang, • Legible City - CEAAC, Straßburg, France; Espace Multimédia Gantner, Bourogne, France • Re-Actor, Montreal Digital Biennial, Museum of Fine Arts Montreal, Canada; Seoul Mediacity Biennial, Seoul Museum of Arts, Korea • Various early works related to the Artist Placement Group and John Latham, The Individual and the Organization, Raven Row, London 2011 • Re-Actor, Lumière / Matter-Light, Béthune France • iJaio, Genesis and Spirit, Intangible Heritage of China, Central Library, Hong Kong • AVIE, Sydney Festival, Sydney; Festival d’Avignon, Avignon, France; Matter-Light, Bethune, France 2010 • T Visionarium, STRP Festival, Eindhoven, Netherlands • YER-Turkiye, Made-Isik, Borusan Music House, Istanbul, Turkey • AVIE, Digital Life, La Pelanda, Rome. 2 2009 • PLACE-Ruhr, Museum in Bewegung, Museum am Ostwall, Dortmund. • T_Visionarium, Un Volcan Numérique, Le Volcan Scène Nationale du Havre, Le Havre; Seconde Nature, Espace Vasarély, Aix-en-Provence, France; International Architecture Biennale, Amsterdam. 2008 • YOUbiläums Browser, You_ser: The Century of the Consumer, ZKM Centre for Art and Media, Karlsruhe. • Place-Hampi, Immigration Museum, Melbourne (2008-2009); eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai. • Unmakeablelove, eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai. • The Golden Calf, eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai. • T_Visionarium, eArts Festival: eLandscapes, Shanghai Science and Technology Museum, Shanghai; You_ser: The Century of the Consumer, ZKM Center for Art and Media, Karlsruhe; Sydney Festival, University of New South Wales, Sydney; Biennial of Seville, Alhambra, Granada, Spain 2007 • There is Still Time...Brother, Experimental Media and Performing Arts Centre (EMPAC), Rensselaer Polytechnic University, Troy; Panorama Festival, ZKM Center for Art and Media, Karlsruhe.. • PLACE-Hampi, Vom Funken zum Pixel (From Spark to Pixel), Martin-Gropius-Bau, Berlin; ZKM Center for Art and Media, Karlsruhe; Future Festival, Singapore Science Centre, Singapore • The Virtual Museum, ZKM Karlsruhe 2006 • PLACE-Hampi, Lille 3000 Bombaysers de Lille, Rotonde de l'Opera, Lille. • Waterwalk, Glas-Kultur, Centre d'Art la Panera, Lieda. • EVE: Extended Virtual Environment Vom Funken zum Pixel (From Spark to Pixel), Zendai Museum of Modern Art, Shanghai. • The Royal Road, Video Sculpture Retrospective, Centre of International Modern Art, Calcutta; Video Sculpture Retrospective, College of Fine Arts, Bangalore. • Waterwalk, Glas-Kultur, Koldo Mitxelena Kulturunea, Donostia-San Sebastian. • The Legible City, Grid Matrix, Mildred Lane Kemper Art Museum, Washington University, St Louis. • Heavens Gate, State Library of Victoria, Melbourne. • Web of Life, Algorithmic Revolution in Artescienza 2006: Spazio Deformato, Casa dell'Architettura, Rome. • T_Visionarium I, Algorithmic Revolution in Artescienza 2006: Spazio Deformato, Casa dell'Architettura, Rome. 2005 • Eavesdrop, Sydney Festival, Powerhouse Museum, Sydney. • Conversations @ the Studio, Powerhouse Museum, Sydney. • The Golden Calf, X-Space Kensington Market, Toronto. • The Royal Road, Video Sculpture Retrospective, Apeejay Media Art Gallery, New Delhi; National Gallery of Modern Art, Bombay. 3 • The Legible City, Art Meets Media: Adventures In Perception, NTT Intercommunication Center, Tokyo. • T_Visionarium I, Beijing International New Media Arts Exhibition and Symposium 2005, China Millenium Art Museum, Beijing. • T_Visionarium II, University of New South Wales, Sydney. 2004 • Eavesdrop, Brisbane Festival, Block Gallery, Queensland University of Technology, Brisbane; Melbourne International Festival of the Arts, Australian Centre for the Moving Image, Melbourne. • Cupola-Look Up Kyoto, Future Vision, Kyoto Saga University of Art, Kyoto. • Cupola-Lille, Cinémas du Futur, Lille 2004 Capitale Européenne de la Culture, Lille. • The Virtual Museum, Masterpieces of Media Art from the ZKM Collection, ZKM Centre for Art and Media, Karlsruhe. • The Legible City, Timeshift, Eyebeam, New York; Ars Electronica Centre, Linz. • The Golden Calf, Invisibile, Palazzo Delle Papesse Museu Darte Contemporanea, Siena. • Place-Urbanity (dis)Locations, Ivan Dougherty Gallery, Sydney. • Web of Life, Australian Centre for the Moving Image (ACMI); Queensland University of Technology, Brisbane. • Conversations, Powerhouse Museum, Sydney. • T_Visionarium I, ZKM Center for Art and Media, Karlsruhe; Cinémas du Futur in Lille 2004 Capitale Européenne de la Culture, Centre Euralille, Lille. 2003 • Place-Urbanity (dis)Locations, Australian Centre for the Moving Image, Melbourne. • Web of Life, Dutch Electronic Art Festival (DEAF), Rotterdam. 2002 • Configuring The CAVE, CAVE Festival: Art of Immersion, Animax Multimedia Theatre, Bonn. • PLACE-Ruhr, Emocao art.ficial, Itau Cultural Institute, Sao Paulo; Future Cinema, ZKM Center for Art and Media, Karlsruhe. • PLACE-Urbanity, Australian Centre for the Moving Image, Melbourne; Future Cinema, ZKM Center for Art and Media, Karlsruhe. • The Royal Road, Videoskulptur Seit 1963, Museo Nacional De Arte, La Paz; Museo De La Ciudad, quito. • Panoramic Navigator, Future Cinema, ZKM Center For Art and Media, Karlsruhe. • Legible City, Navigate@Art Die Faszination Virtueller Welten, Automobil Forum Unter Den Linden, Berlin. • configuring the CAVE, Art of Immersion, Animax Multimediatheater, Bonn-Bad Godesberg. • The Golden Calf, Iconoclash. Beyond The Image Wars In Science, Religion and Art, ZKM Center For Art and Media, Karlsruhe. • Web of Life, Das Netz. Sinn und Sinnlichkeit vernetzter Systeme, Museum Für Kommunikation, Frankfurt; Emocao art.ficial, Itau Cultural Institute, Sao Paulo; World Summit for Sustainable Development: Rio+10, Environment Center of the World Conservation Union IUCN, Johannesburg; International Symposium on Electronic Arts, ISEA (Inter-Society For The Electronic Arts), Nagoya; Erde 2.0 (Planet Earth 2.0), Stuttgart International Exhibition Centre, Stuttgart; Multimedia Art Asia Pacific Festival (MAAP), China Millenium Art Museum, Beijing;