CHAD PRATHER Entertains, Enlightens, and Encourages Through His Stories of Life Experience
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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
2018 Winter Seminar
2018 WINTER SEMINAR MARCH 22-24, 2018 SHERATON GRAND NASHVILLE www.cfsaa.org “Nashville may be best known as ‘Music ABOUT NASHVILLE City’, but its food and drink scene is Nashville is the capital of Tennessee and home to Vanderbilt Uni- starting to have just as much soul and versity. Legendary country music venues include the Grand Ole rock’n’roll swagger.” Opry House, home of the famous “Grand Ole Opry” stage and radio show. The Country Music Hall of Fame and Museum and historic Ryman Auditorium are Downtown, as is the District, fea- - The Guardian turing honky-tonks with live music, the bars of Broadway Street, and the Johnny Cash Museum, celebrating the singer's life. “Nashville, Tennessee moves beyond its The 2018 Winter Seminar will be based in the Sheraton Grand country roots and embraces a new, mul- Nashville Downtown, located just steps from the historic Arts District and the center of Music City nightlife. The recently reno- tifaceted role as one of our country’s vated hotel features spacious rooms, an indoor pool & spa, and leading arts-and-entertainment cities.” the trendy Library Bar & Lounge. The hotel also offers a variety of event spaces, including an impressive rooftop dining room. The glass-walled rooftop dining room offers a 360-degree view of the - American Way city, and will be the location for two Winter Seminar events. ARRIVAL AND DEPARTURE The Sheraton Grand is conveniently located in the center of Nashville with easy access from the highway and the airport. From the airport: Grayline Airport Express runs a shuttle ser- vice from the airport to the hotel. -
At Bluebird Café Show
Wednesday, April 2, 2008 WIN FREE Vol. 32 No. 14 MOVIE TICKETS See the Where’s Wally ad for details on how to win FREE Movie Passes to Bellevue Regal 12! Songwriters “Nashville ECLECTIC Service” at Bluebird Café show Songwriters Les Kerr, Bryan Cumming, Allison Kerr and Everette Brown will com- bine their unique individual Highway styles to create the “Nashville ECLECTIC Service” for a con- cert April 17, 2008 at the 70 Wreck Bluebird Café, 4104 Hillsboro Road, Nashville, Tennessee at 6:00 p.m. Reservations are Causes strongly recommended and can be obtained online at Concern www.bluebirdcafe.com (pre- ferred method) or by phone at 615-383-1461. Drivers who saw blue The songwriters chose the lights of police cars on name of their collaboration Highway 70 near the 70-70 because of the variety of styles split and Huntwick Trail they all perform. All are Monday night, March 31, singers and musicians and three are multi-instrumentalists. were concerned that a pedes- They who are known for writ- trian had been hit by a car. ing music ranging from blues Everette Brown, Bryan Cumming, Allison Kerr and Les Kerr are Nashville ECLECTIC Service That was not the case. and swing to Cajun and folk. Mississippi Gulf Coast official theme songs for include “Allison Kerr” and “Sit It seems that two people Les Kerr is known for the native Les Kerr incorporates Cookeville, Tennessee and the on the Front Porch and Swing.” in a vehicle got into an argu- unusual style he calls “Hillbilly blues; New Orleans-influenced University of Mississippi’s The author of Easy Right ment and one decided to exit Blues Caribbean Rock & Roll,” music; bluegrass and Caribbean MomentUM scholarship and Hand Guitar Styles, a guitar the moving vehicle. -
October 2017
DELIVERING BUSINESS ESSENTIALS TO NTA MEMBERS OCTOBER 2017 MUSIC DESTINATIONS PAGE 25 NASHVILLE: EVERYBODY PLAYS PAGE 29 Noted! GUIDE TO THEATERS, PERFORMANCE VENUES PAGE 41 TWO TAKES ON CANADA PAGE 21 TRAVEL EXCHANGE BFFS PAGE 56 Songwriters at Nashville’s Bluebird Café THE VOICE MUST BE HEARD An Unforgettable New York Experience Don’t miss extraordinary Met productions, including such classics as Turandot, La Bohème, Madama Butterfl y, and The Magic Flute. Tickets start at $25 metopera.org Photo: Jonathan Tichler/Metropolitan Opera October 2017 JACOBSPILLOW.ORG Not your typical barn dance: Jacob’s Pillow Dance Festival takes place each summer in western Massachusetts’ Berkshires region. This celebration of dance and movement includes hundreds of free performances and master classes that showcase the talents of world-class performers. Turn to page 37 to read about the event, as well as other tour options in the New England states. Features 21 25 29 Two takes on Canada Move to the music City Spotlight: Nashville Courier’s Gabe Webb and Pat Henderson Travelers journey to destinations across Visitors to this Tennessee town have as offer their thoughts on their respective the U.S. to experience the music they much fun with music’s past as they do recent trips to Ottawa and Winnipeg. love; see what’s there to greet them. with its present—and presence. Compass 34 Great Plains 37 New England 40 China A heap of history in North Dakota All about the arts in the Berkshires On the UNESCO trail in Beijing Good things in the Badlands Seafood tops -
Ron Block Hogan's House of Music Liner Notes Smartville (Ron Block
Ron Block Hogan’s House of Music Liner Notes Smartville (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Tim Crouch - fiddle Jerry Douglas - Dobro Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Hogan’s House of Boogie (Ron Block, Moonlight Canyon Publishing, BMI) Ron Block – banjo, rhythm and lead guitar Sam Bush - mandolin Jerry Douglas – Dobro Byron House - bass Dan Tyminski – rhythm guitar Lynn Williams – snare Wolves A-Howling (Traditional) Barry Bales - bass Ron Block - banjo Stuart Duncan - fiddle Adam Steffey - mandolin Dan Tyminski - rhythm guitar The Spotted Pony (Traditional, arr. Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Dan Tyminski - rhythm guitar Lynn Williams – snare Clinch Mountain Backstep (Ralph Stanley) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Gentle Annie (Stephen Foster) Ron Block – banjo, guitar Tim Crouch – fiddles, cello, bowed bass Mark Fain - bass Sierra Hull – octave mandolins Mooney Flat Road (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Jeff Taylor - accordion Dan Tyminski - rhythm guitar Lynn Williams – snare Mollie -
Alanis Morissette Manager Admits He Stole $5 Million
Lifestyle FRIDAY, JANUARY 20, 2017 Paul McCartney sues to take back Beatles catalogue aul McCartney on Wednesday filed a law- cert shortly before the Duran Duran decision suit to secure the copyright to the and hinted that the publisher would fight hard- PBeatles back catalogue in a case that er in light of the British case. The lawsuit said could have wide ramifications for the music that McCartney had asked Sony ATV to make industry. The complicated dispute centers clear that it recognized the former Beatle's around the US Copyright Act of 1976 which notices that he planned to terminate publishing aimed to address pop music's checkered histo- contracts under the US law. ry with artists by ensuring long-term rights for "Defendants have refused to provide such songwriters and their heirs. Under the law, confirmation," the lawsuit said, voicing worry Photo shows the members of Lady Antebellum, from left, Dave Haywood, Hillary Scott, and artists could reclaim copyright for songs 35 that Sony ATV would instead declare Charles Kelley pose in Nashville, Tenn. — AP years after they gave them away-or 56 years for McCartney-who wrote much of the Beatles cata- tracks from before 1978. log with the late John Lennon-to be in breach of But in a startling win for publishers, a British contract. The case could have wide effects on court in December refused to grant Duran the future of payments in the music industry. After short hiatus, Lady Antebellum Duran the US rights to the pop group's early Publishers collect and distribute royalties to hits-such as "Rio" and the James Bond theme "A songwriters-an especially lucrative area for clas- is back with new music View to a Kill"-on the grounds that the US act sic tunes. -
MUSIC PREVIEW Debut Single, “Homesick.” After Going Viral on Tiktok King’S First Single Released to Country
MIRANDA LAMBERT MAREN MORRIS RACHEL WAMMACK TENILLE TOWNES KAT (OF KAT & ALEX) PISTOL ANNIES HANNAH DASHER GEORGIA WEBSTER ELLE KING MIRANDA LAMBERT MAREN MORRIS RACHEL WAMMACK TENILLE TOWNES KAT (OF KAT & ALEX) PISTOL ANNIES HANNAH DASHER GEORGIA WEBSTER ELLE KING LET’S GROW, GIRLS Labels share what to expect from the women on their rosters in 2021 and beyond 19th & Grand out June 25. Pearce returns to the road in late July as Broken Bow Coming off her first No. 1 at direct support for the upcoming Lady A: What A Song Can Do Tour. Lainey Wilson knows some Country radio with “Somebody things a man … and woman … Like That” and an ACM New Callista Clark is already Top 40 with her debut single, “It’s ‘Cause I Am.” Chosen by the majority of oughta know. Called a “song Female Artist nomination, every country fan needs to hear” Tenille Arts is set to release her broadcast companies as a new music initiative and most recently selected as iHeartCountry’s On The (Taste of Country) and a “must third studio album later this year. listen” (Rolling Stone), “Things A “Back Then, Right Now” is the Verge artist, the 17-year-old is Man Oughta Know” is climbing Lainey lead single. “With the success of celebrating the release of her Tenille Arts through the teens. And she’s Wilson ‘Somebody Like That’ breaking debut collection, Real To Me. “The thing that sets Callista just getting started, according records across the board, it to VP/Promotion Lee Adams: becomes the highest-charting song and the only No. -
Hit & Run Bio 2014
2009 International Bluegrass Music Association "Recorded Event of the Year" Winner (Rebecca Frazier, Daughters of Bluegrass) 2006 First woman on cover of Flatpicking Guitar Magazine (Rebecca Frazier) 2005 International Bluegrass Music Association Showcase Artist First Place, 2005 SPBGMA International Band Championship (Nashville, TN) First Place, 2003 Telluride Bluegrass Festival Band Contest (Telluride, CO) First Place, 2002 Rockygrass Band Contest (Lyons, CO) Rebecca Frazier gained notoriety as the first woman on the cover of Flatpicking Guitar Magazine. With over a decade of touring under her belt, Frazier has returned to the national stage with her flatpicking and songwriting showcase, “When We Fall,” and her new affiliation with Compass Records. In 2013, Rebecca Frazier and Hit & Run have continued to delight audiences across the country with the “handspun yet motor-driven” music that earned Hit & Run their reputation as “one of the tightest groups performing.” They are the only band to win the top triumvirate of major bluegrass band contests at the Telluride, Rockygrass, and SPBGMA Festival Band Championships. Hit & Run formed in late 2001 with the mutual desire to play “authentic yet modern” bluegrass. They quickly launched themselves as a successful touring act out of Colorado, gracing stages of prestigious festivals and venues in 36 states and Canada and eventually migrating to Nashville in 2007 with two studio albums under their belts. Since 2002, Hit & Run has shared stages with the likes of Jimmy Martin, Hot Rize, Rhonda Vincent, Jerry Douglas, Sam Bush, Del McCoury, David Grisman, Ricky Skaggs, Creedence Clearwater Revisited, G. Love & Special Sauce, Galactic, Medeski Martin & Wood, and many other recognized acts bluegrass and popular music. -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB
Total tracks number: 1715 Total tracks length: 87:21:49 Total tracks size: 10.8 GB # Artist Title Length 01 Adam Brand Good Friends 03:38 02 Adam Harvey God Made Beer 03:46 03 Al Dexter Guitar Polka 02:42 04 Al Dexter I'm Losing My Mind Over You 02:46 05 Al Dexter & His Troopers Pistol Packin' Mama 02:45 06 Alabama Dixie Land Delight 05:17 07 Alabama Down Home 03:23 08 Alabama Feels So Right 03:34 09 Alabama For The Record - Why Lady Why 04:06 10 Alabama Forever's As Far As I'll Go 03:29 11 Alabama Forty Hour Week 03:18 12 Alabama Happy Birthday Jesus 03:04 13 Alabama High Cotton 02:58 14 Alabama If You're Gonna Play In Texas 03:19 15 Alabama I'm In A Hurry 02:47 16 Alabama Love In the First Degree 03:13 17 Alabama Mountain Music 03:59 18 Alabama My Home's In Alabama 04:17 19 Alabama Old Flame 03:00 20 Alabama Tennessee River 02:58 21 Alabama The Closer You Get 03:30 22 Alan Jackson Between The Devil And Me 03:17 23 Alan Jackson Don't Rock The Jukebox 02:49 24 Alan Jackson Drive - 07 - Designated Drinke 03:48 25 Alan Jackson Drive 04:00 26 Alan Jackson Gone Country 04:11 27 Alan Jackson Here in the Real World 03:35 28 Alan Jackson I'd Love You All Over Again 03:08 29 Alan Jackson I'll Try 03:04 30 Alan Jackson Little Bitty 02:35 31 Alan Jackson She's Got The Rhythm (And I Go 02:22 32 Alan Jackson Tall Tall Trees 02:28 33 Alan Jackson That'd Be Alright 03:36 34 Allan Jackson Whos Cheatin Who 04:52 35 Alvie Self Rain Dance 01:51 36 Amber Lawrence Good Girls 03:17 37 Amos Morris Home 03:40 38 Anne Kirkpatrick Travellin' Still, Always Will 03:28 39 Anne Murray Could I Have This Dance 03:11 40 Anne Murray He Thinks I Still Care 02:49 41 Anne Murray There Goes My Everything 03:22 42 Asleep At The Wheel Choo Choo Ch' Boogie 02:55 43 B.J. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS APRIL 12, 2021 | PAGE 1 OF 20 BILLBOARD COUNTRY UPDATE [email protected] INSIDE Tenille Arts Overcomes Multiple Challenges En Route To An Unlikely First Top 10 Stapleton, Tenille Arts won’t be taking home any trophies from the 2019, it entered the chart dated Feb. 15, 2020, at No. 59, just Barrett 56th annual Academy of Country Music (ACM) Awards on weeks before COVID-19 threw businesses around the world Rule Charts April 18 — competitor Gabby Barrett received the new female into chaos. Shortly afterward, Reviver was out of the picture. >page 4 artist honor in advance — but Arts has already won big by Effective with the chart dated May 2, 19th & Grand — headed overcoming an extraordinary hurdle to claim a precedent- by CEO Hal Oven — was officially listed as the lone associated setting top 10 single with her first bona label. Reviver executive vp/GM Gator Mi- fide hit. chaels left to form a consultancy in April Clint Black Arts, who was named a finalist for new 2020 and tagged Arts and 19th & Grand ‘Circles’ TV female when nominations were unveiled as his initial clients. Former Reviver vp Feb. 26, moves to No. 9 on the Country Air- promotion Jim Malito likewise shifted to >page 11 play chart dated April 17 in her 61st week 19th & Grand, using the same title. Four on the list. Co-written with producer Alex of the five current 19th & Grand regionals Kline (Terri Clark, Erin Enderlin) and Alli- are also working the same territory they son Veltz Cruz (“Prayed for You”), “Some- worked at Reviver. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MARCH 1, 2021 | PAGE 1 OF 18 INSIDE BILLBOARD COUNTRY UPDATE [email protected] What’s Up With Strait Talk With Songwriter Dean Dillon Bryan’s ‘Down’ >page 4 As He Awaits His Hall Of Fame Induction Academy Of Country Life-changing moments are not always obvious at the time minutes,” says Dillon. “I was in shock. My life is racing through Music Awards they occur. my mind, you know? And finally, I said something stupid, like, Raise Diversity So it’s easy to understand how songwriter Dean Dillon (“Ten- ‘Well, I’ve given my life to country music.’ She goes, ‘Well, we >page 10 nessee Whiskey,” “The Chair”) missed the 40th anniversary know you have, and we’re just proud to tell you that you’re going of a turning point in his career in February. He and songwriter to be inducted next fall.’ ” Frank Dycus (“I Don’t Need Your Rockin’ Chair,” “Marina Del The pandemic screwed up those plans. Dillon couldn’t even Rey”) were sitting on the front porch at Dycus’ share his good fortune until August — “I was tired FGL, Lambert, Clark home/office on Music Row when producer Blake of keeping that a secret,” he says — and he’s still Get Musical Help Mevis (Keith Whitley, Vern Gosdin) pulled over waiting, likely until this fall, to enter the hall >page 11 at the curb and asked if they had any material. along with Marty Stuart and Hank Williams Jr. He was about to record a new kid and needed Joining with Bocephus is apropos: Dillon used some songs.