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Ronny Chieng
Ronny Chieng Stand up comedian & actor Born in Malaysia, raised in the US and Singapore and tertiary educated in Australia, former Melbourne Law School graduate Ronny Chieng is now a very successful stand-up comedian and actor whose fame is growing rapidly. Ronny broke into comedy in his final year at university when he signed up for the annual campus comedy competition, stepped on stage for the first time in his life, did his five minutes and won. In 2012 Ronny won Best Newcomer Award at the Melbourne International Comedy Festival for his debut stand-up special The Ron Way and sold out his entire festival season, including extra shows. Ronny then sold out the entire month-long season of his second comedy show Can you do this? No you can’t in advance at the MICF and twice had to move to larger venues, culminating in a 1400- seat show in the Melbourne Town Hall. In 2013, Ronny, a fan of absurdist humour, was named one of the top 10 rising comedians in Australia by The Age, the Herald Sun and the Sydney Morning Herald. Just a year later, Ronny won the prestigious Directors’ Choice Award at the 2014 Melbourne International Comedy Festival and Best of the Fest (Local) at the Sydney Comedy Festival. Ronny’s 2014 show, Chieng Reaction, has also had sell-out seasons in Brisbane, Melbourne, Perth and Sydney. Ronny Chieng is also finding success as an actor. His growing TV credits include Peter Helliar’s acclaimed ABC1 comedy series, It’s a Date, panel shows Tractor Monkeys, Dirty Laundry Live and Have You Been Paying Attention, Sam Simmons’ ABC1 sketch series, Problems, ABC2’s This is Littleton, and Legally Brown on SBS, as well as stand-up comedy specials including Melbourne International Comedy Festival Gala on Channel Ten in 2012 and 2013, Wil Anderson’s Just for Laughs Festival 2013, Stand up at Bella Union on SBS and the Sydney Comedy Festival Gala on the Comedy Channel. -
DIVERSITY ANNUAL REPORT 2016–17 Contents
EQUITY AND DIVERSITY ANNUAL REPORT 2017 Black Comedy, Photo: ABC TV AUSTRALIAN BROADCASTING CORPORATION EQUITY AND DIVERSITY ANNUAL REPORT 2016–17 Contents PLANNING AND REPORTING 2 INDIGENOUS 15 PERFORMANCE MONITORING 3 NON-ENGLISH SPEAKING BACKGROUND 17 PERFORMANCE 4 DISABILITY 18 DIVERSITY AND INCLUSION HIGHLIGHTS 8 CONTENT HIGHLIGHTS 21 GENDER 13 Contents 1 Planning and reporting The Australian Broadcasting Corporation (ABC) About the Equity and is Australia’s national broadcaster and was established as a statutory corporation under Diversity Program the Australian Broadcasting Corporation Act This program has been designed to eliminate 1983 (the ABC Act). The ABC Act, which includes discrimination and promote equal opportunity the ABC Charter, sets out the functions and for women, Aboriginal and Torres Strait Islander duties of the Corporation. people, people from a non-English speaking As a Commonwealth authority employer, background and people with disabilities. the ABC is bound by the provisions of the: The ABC is a member of a number of key national • Equal Employment Opportunity diversity organisations, including the Diversity (Commonwealth Authorities) Act 1987 Council of Australia. • Racial Discrimination Act 1975 ABC Managing Director, Michelle Guthrie, • Sex Discrimination Act 1984 is a member of the Leadership Council on • Australian Human Rights Commission Cultural Diversity which is chaired by the Act 1986 Race Discrimination Commissioner, Tim Soutphommasane. The Council is committed to • Disability Discrimination Act -
Advice from Young Alumni to the Vanderbilt Class of 2020
A Gift from your Vanderbilt Alumni Association • Advice from Young Alumni to the Vanderbilt Class of 2020 • With contributions from: Vanderbilt Chapters Vanderbilt Career Center The Annual Giving Offce ~ VANDERBILT I ~ UNIVERSITY @ Alumni Association 2 Class of 2020, Congratulations on your forthcoming graduation from Vanderbilt University. Commence- ment ceremonies honor your personal accomplishments and provide an opportunity to celebrate with your families and friends—it’s a well–deserved recognition of your academic achievement, and it marks the beginning of the next exciting phase of your life. While you may not realize it, you’re already a member of the Vanderbilt Alumni Associa- tion. There are more than 140,000 of us around the world who have already transitioned to “life after college.” We have a vested interest in your success, too. You see, the more successful you become, the more valuable our Vanderbilt degree becomes. Many alumni have contributed useful tips and helpful advice for post–graduation success in this book. Please accept this “Life After Vanderbilt” guide as a gift from your Alumni Association. One day soon you may have tips of your own to add! The Alumni Association plays an active role in the life of the university and its alumni, and I hope you’ll take advantage of the many opportunities it offers to extend and deepen your lifelong relationship with Vanderbilt, including: • There are Vanderbilt chapters in more than 40 cities across the U.S. and around the world, so be sure to check in and sign up in your next location. Chapters are a great way to plug into the alumni network in your city. -
(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182. -
Melbourne University Magazine Homecomings
THE ‘MODEL’ EDUCATION APPEALING TO EMPLOYERS ISSUE 2, 2017 melbourne university magazine Homecomings Kanchana Kanchanasut is one of the University’s many alumni taking their skills to the world. 2 ISSUE 2, 2017 CONTENTS 3 unimelb.edu.au/3010 unimelb.edu.au/3010 unimelb.edu.au/3010 unimelb.edu.au/3010 STAY IN TOUCH We hope you enjoy your exclusive alumni magazine, COVER 3010. It’s just one of the many IMAGE: benefits available to members PATRICK ISSUE 1, 2017 BROWN/ of our alumni community, in ISSUE 2, 2017 PANOS PICTURES Australia and beyond. For more information, see page 35. WE WELCOME YOUR FEEDBACK For more news and features Email your comments to: [email protected] visit unimelb.edu.au/3010 Write to us at: The Advancement Office, The University of Melbourne, Victoria 3010, Australia Call us on: +61 3 8344 1751 WANT MORE? For more exclusive content visit: unimelb.edu.au/3010 GO ONLINE EDITORIAL Social media can connect you ADVISORY GROUP to many of the University’s DR JAMES ALLAN, DIRECTOR, ALUMNI 300,000-strong alumni AND STAKEHOLDER RELATIONS community. Our alumni are DORON BEN-MEIR, VICE-PRINCIPAL FOR ENTERPRISE represented on all the major ZOE FURMAN (BA(Hons) 1991), UNIVERSITY channels. OF MELBOURNE ALUMNI COUNCIL DR JENNIFER HENRY (BAgr(Hons) 1990, Go to alumni.unimelb.edu.au/ PhD 2001), BEQUESTS MANAGER alumni/connect PETER KRONBORG (MBA 1979), UNIVERSITY OF MELBOURNE ALUMNI COUNCIL When writers With more University of ASSOCIATE PROFESSOR TIMOTHY LYNCH, Melbourne alumni on Facebook GRADUATE SCHOOL OF HUMANITIES AND talk to each other SOCIAL SCIENCES than any other social network, it is MAXINE McKEW, HONORARY FELLOW For a teenage Alice Pung, the place to go for the latest alumni OF THE MELBOURNE GRADUATE SCHOOL author John Marsden was news, events and benefits. -
Comments&Controversies
Comments&Controversies Cannabis confiscated by law enforce- 4. Morrison P. It’s the lack of balance in cannabis that does the harm. http://www.beckleyfoundation. ment in the United States between org/2010/10/its-the-lack-of-balance-in-cannabis- that-does-the-harm. Published October 21, 2010. 1993 and 2008, revealed that the mean Accessed July 26, 2014. THC content increased from 3.4% in 1993, to 8.8% in 2008.2 The THC con- Research for 'Rx: Cannabis' tent of Cannabis is responsible for most is needed of its psychoactive effects, so that the Regarding the essay by Drs. Gershan higher the THC content, the greater and Gangahar on decriminaliza- the adverse effects on mental health. tion of Cannabis, I want to comment July 2014 A major phytocannabinoid, can- on issues surrounding prescription nabidiol (CBD), also present in Cannabis. Cannabis abuse and THC Cannabis, appears to counteract the It is clear that Cannabis can exac- content are on the rise adverse effects of THC, particularly erbate psychosis, among other risks, The authors of the July 2014 Residents’ by means of its antipsychotic property. but its potential benefits remain Voices article (What we ought to Compared with the rising mean THC relatively unexplored. The authors talk about when we’re talking about content of Cannabis from 1993 to 2008, correctly point out that, among decriminalizing Cannabis, Current CBD content has remained relatively indications for Cannabis, none are Psychiatry, July 2014, p. 45-46 [http:// the same: a mean of 0.3% in 1993 and FDA-approved. Yet, because off- bit.ly/1uAb7iK]) highlight the mental 0.4% in 2008.3,4 label prescribing is pervasive and health complications of Cannabis and Several factors have been pos- accepted in psychiatry, lack of FDA mention that, when Cannabis is juxta- tulated for the trend toward a high approval of indications for Cannabis posed with other illicit substances, it THC–low CBD profile in recent years: is not an especially compelling argu- appears innocuous. -
Asian American Romantic Comedies and Sociopolitical Influences
FROM PRINT TO SCREEN: ASIAN AMERICAN ROMANTIC COMEDIES AND SOCIOPOLITICAL INFLUENCES Karena S. Yu TC 660H Plan II Honors Program The University of Texas at Austin May 2019 ______________________________ Madhavi Mallapragada, Ph.D. Department of Radio-Television-Film Supervising Professor ______________________________ Chiu-Mi Lai, Ph.D. Department of Asian Studies Second Reader Abstract Author: Karena S. Yu Title: From Print to Screen: Asian American Romantic Comedies and Sociopolitical Influences Supervisor: Madhavi Mallapragada, Ph.D. In this thesis, I examine how sociopolitical contexts and production cultures have affected how original Asian American narrative texts have been adapted into mainstream romantic comedies. I begin by defining several terms used throughout my thesis: race, ethnicity, Asian American, and humor/comedy. Then, I give a history of Asian American media portrayals, as these earlier images have profoundly affected the ways in which Asian Americans are seen in media today. Finally, I compare the adaptation of humor in two case studies, Flower Drum Song (1961) which was created by Rodgers and Hammerstein, and Crazy Rich Asians (2018) which was directed by Jon M. Chu. From this analysis, I argue that both seek to undercut the perpetual foreigner myth, but the difference in sociocultural incentives and control of production have resulted in more nuanced portrayals of some Asian Americans in the latter case. However, its tendency to push towards the mainstream has limited its ability to challenge stereotyped representations, and it continues to privilege an Americentric perspective. 2 Acknowledgements I owe this thesis to the support and love of many people. To Dr. Mallapragada, thank you for helping me shape my topic through both your class and our meetings. -
Quotes Contact
WINNER WINNER WINNER NOMINEE NOMINEE BEST DIRECTORS’ BEST BEST COMEDY BEST COMEDY CHOICE PERFORMER RELEASE SHOW NEWCOMER HELPMANN AWARDS ARIA AWARDS SCF 2014 MICF 2014 MICF 2012 2014 & 2015 2014 & 2015 Ronny Chieng is a Chinese stand-up comedian and actor born in Johor Bahru, Malaysia, raised in Malaysia, USA and Singapore, who graduated from the In 2016 also co-created and starred in his own TV comedy University of Melbourne in Australia in pilot “International Student” on ABC (Australia) which was nominated for Cutting Edge Short Film Production of the 2009 with a Bachelor of Laws and a Year at the 16th Screen Producers Australia Awards and Bachelor of Commerce. was nominated for Best Comedy Programme at the Asian Television Awards 2016 in Singapore. Ronny started performing comedy in Melbourne in Ronny has toured and recorded 4 one-hour stand up 2009. Since then he has toured 4 sold out global stand comedy specials - The Ron Way (2012), Can You Do This? up comedy theatre tours in Australia, New Zealand, No You Can’t. (2013), Chieng Reaction (2014), You Don’t Singapore, Malaysia, Hong Kong, India, Canada and Know What You’re Talking About (2015), which have London. Ronny has been invited to the Just for Laughs received awards and nominations. Comedy Festival in Montreal in 2012, 2013, 2015 and 2016. He made his US television debut on the Late Late Show In 2015 Ronny moved to New York City after being hired with Craig Ferguson in 2015. as a correspondent on the Daily Show with Trevor Noah on Comedy Central. -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles -
Kelly Clarkson Piece by Piece Full Album Mp3 Download Piece by Piece
kelly clarkson piece by piece full album mp3 download Piece by Piece. Recording has rarely come easy for Kelly Clarkson. The classic example of this trouble is My December, the album where she attempted to break away from her American Idol benefactors to find her own way, but 2015's Piece by Piece bears signs of a potentially rocky creation. At the very least, its gleaming surface is evidence that during the four-year hiatus between 2011's Stronger and this 2015 release, she and 19/BMG spent considerable time figuring out which direction she should pursue as she entered the second phase of her career. Instead of consolidating the assured mature pop of Stronger, Piece by Piece refurbishes Kelly, piling on EDM affectations and finding her singing cuts co-written by such successful contemporary pop hitmakers as Sia ("Invincible"), Matthew Koma ("Someone"), and MoZella ("Take You High") on an album largely produced by Greg Kurstin, who has had hits with Sia, Tegan and Sara, Ellie Goulding, and Lily Allen. Previously, Kurstin proved to be a good fit for Kelly -- he produced three cuts on Stronger, including its title track -- but Piece by Piece often makes the cardinal mistake of so many botched albums by pop divas: it places the emphasis on sound, not song. This decision tends to submerge Clarkson, who performs as powerfully as ever but is nevertheless overwhelmed by skittish beats, fragmented samples, and electronic sheen. Her receding presence unfortunately is mirrored by the lack of songwriting credits -- she has just three on the standard edition of the album, half of what she had last time around -- and it's also not true that only the tunes she had a hand with are the ones that work: Sia's "Let Your Tears Fall" has an appealing nocturnal pulse, "Good Goes the Bye" floats upon its percolating beats, and "Nostalgic" is a nifty piece of neo-new wave. -
Expert Report Dated October 15, 2010 and in My Supplemental Report Dated December 3,2010, in Connection with the Above-Referenced Litigation
1 UNITED STATES DISTICT COURT SOUTHERN DISTRICT OF NEW YORK -----------------------------------------------------------x DAVID FLOYD et al., Plaintiffs, - against- 08 Civ. 01034 (SAS) Second Supplemental CITY OF NEW YORK et aI., Report of Jeffrey Fagan, Ph.D. Defendants. -----------------------------------------------------------x I. OVERVIEW This report provides further supplemental statistical analysis that updates the scientific evidence presented in my expert report dated October 15, 2010 and in my supplemental report dated December 3,2010, in connection with the above-referenced litigation. l The previous reports presented statistical evidence on patterns ofstop and frisk (hereafter, SQF) activity from January 1,2004 - December 31,2009. This report extends the analyses presented in the previous two reports to the current period. It provides statistical evidence on patterns of SQF activity from January 1, 2010 - June 30, 2012. A. Qualifications I am the Isidor and Seville Sulzbacher Professor ofLaw at Columbia Law School and Professor ofEpidemiology at the Mailman School ofPublic Health, both at Columbia University. I also am a Senior Research Scholar and Visiting Professor at Yale Law School. I previously was a Visiting Professor ofLaw at Yale Law School from July 2009 - June 2010. In the 2010-11 Academic Year, I was a Fellow at the Straus Institute for the Advanced Study ofLaw & Justice at New York University School ofLaw. I was the Director ofthe Center for Community and Law at Columbia Law School from 2003 2009, and resumed that position from 2011 to the present. Prior to my appointment at Columbia University, I was Professor ofCriminal Justice at Rutgers -The State University ofNew Jersey (1989-96), and Associate Professor, John Jay College of Criminal Justice in the City University ofNew York. -
Kelly Clarkson My December Mp3, Flac, Wma
Kelly Clarkson My December mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: My December Country: Europe Released: 2007 Style: Pop Rock MP3 version RAR size: 1406 mb FLAC version RAR size: 1392 mb WMA version RAR size: 1876 mb Rating: 4.3 Votes: 609 Other Formats: MP1 AHX ASF MP3 WAV DTS TTA Tracklist 1 Never Again 3:36 2 One Minute 3:06 3 Hole 3:01 4 Sober 4:52 5 Don't Waste Your Time 3:36 6 Judas 3:37 7 Haunted 3:20 8 Be Still 3:25 9 Maybe 4:24 10 How I Feel 3:42 11 Yeah 2:43 12 Can I Have A Kiss 3:32 13.1 Irvine 4:13 13.2 [No Audio] 1:05 13.3 Chivas 3:30 Companies, etc. Phonographic Copyright (p) – 19 Recordings Ltd. Copyright (c) – RCA Records Distributed By – Sony BMG Music Entertainment Licensed To – RCA Records Credits Co-producer – Jason Halbert, Jimmy Messer Executive-Producer – Jeff Kwatinetz, Kelly Clarkson Mixed By – Andy Wallace Producer – David Kahne Notes "Chivas" is a hidden track beginning about 1:05 after "Irvine" ends on Track 13. ℗ 2007 19 Recordings Limited under exclusive license to RCA Records © 2007 RCA Records, a unit of SONY BMG MUSIC ENTERTAINMENT Distributed by SONY BMG MUSIC ENTERTAINMENT Made In The EU. Barcode and Other Identifiers Barcode: 8 8697-06900-2 7 Label Code: LC 00316 Matrix / Runout (Variant 1): Sony DADC IFPI L551 A0100825052-0101 11 A01 Mastering SID Code (Variant 1): IFPI L551 Matrix / Runout (Variant 2): Sony DADC IFPI L551 A0100825052-0101 11 A 4 Mastering SID Code (Variant 2, 3, 5): IFPI L551 Mould SID Code (Variant 2): IFPI 944N Matrix / Runout (Variant 3): Sony DADC IFPI