The Loved One by Evelyn Waugh Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

The Loved One by Evelyn Waugh Pdf, Epub, Ebook THE LOVED ONE BY EVELYN WAUGH PDF, EPUB, EBOOK BookRags | 9781630173838 | | | | | The Loved One by Evelyn Waugh PDF Book But never mind all that. Woe betide anyone who resists this expectation. Books Read in Jan 22, Velvetink rated it it was amazing Shelves: fiction , read Sean Fitzpatrick is a senior contributor to Crisis. The other is Dennis Barlow an English "poet" and trickster who works at a crematorium for pets watch out for the funeral of the parrot. When Waugh demanded complete veto rights over the finished product, the project was scrapped. Evelyn Waugh: A Life Revisited. Not even things as lofty as Love, Death, Art, or Religion. Set in s Hollywood, Los Angeles, it tells the story of British "poet" hired-then-fired film scriptwriter, duplicitous Mr. Barlow visits Whispering Glades seeking inspiration for Hinsley's funeral ode. It's short and though shallow on the surface, it's devious in its depths. Crisis Magazine. The Loved One by Evelyn Waugh. In arranging for the interment of his Loved One, Denis meets cosmetician Aimee Thanatogenos who has found tra figuration in her work. Was he a very cheerful old gentleman? Films directed by Tony Richardson. Miss Thanatogenos Mr. MGM abandoned its pursuit of the novel after Waugh explained to Gordon "what Brideshead was about", and he seemed to "lose heart", citing aspects highlighted by the censor. The Loved One is crass, irreverent, perverse, and merciless. No Comments Yet. I do not, however, find the story to be quite as condescending towards Americans as some people have said it was. Norman, Oklahoma : Pilgrim Books. Well honestly, I hated it. Waugh came to the United States and faced the chewing-gum trends of America with a stiff collar and a shiny bowler. Running time. I would highly recommend this book to all! Especially so if they are done in books or movies or newspapers. Still a very good read. Tour of California I Agree This site uses cookies to deliver our services, improve performance, for analytics, and if not signed in for advertising. The Loved One by Evelyn Waugh Writer But I was so pleased with the weirdness of it all - weird in a way I'd never expected from Waugh, and very welcome after becoming exasperated with serious realist fiction in general - that I haven't. I'm inclined to go with the second. References to this work on external resources. Goodreads helps you keep track of books you want to read. He found, in the end, wonderful material for a story to satirize the bizarre American funeral-home industry. Opposite the Happier Hunting Ground is the lavish and mawkish funeral service provider for humans called the Whispering Glades where Mr. In the end that came to nothing. Joyboy she works with. In discussing this book with a friend, it was brought to my attention that umbrage at Waugh's treatment of Americans might be inappropriate when one considers that his main character Dennis Barlow, an Englishman, is a fairly loathsome human being. Click to show. I'm currently reading his Decline and Fall and loving every word. Joyboy brings in his pet myna bird to be buried and discovers the identity of his rival. Waugh would certainly encourage his readers to feel free to appreciate and enjoy the story as such, indecent though it is—for it is base with the highest intentions. Because of the difficulty he is having rebranding actress Juanita del Pablo as an Irish starlet having previously rebranded Baby Aaronson as del Pablo , Hinsley is sent to work from home. Your use of the site and services is subject to these policies and terms. Really, I do know what it's like to be very upset by the death of a pet, and I wouldn't conscion simply binning a deceased animal, but I've always found the idea of pet undertakers quite absurd. There is no loved one. Want to Read Currently Reading Read. Quotes from The Loved One. For Mr. Dennis and Henry Glenworthy meet their neighbor, a boy genius Paul Williams with an interest in rocketry, and they let him set up a lab at the pet cemetery. This article's plot summary may be too long or excessively detailed. During the thirties Waugh produced one gem after another. See Evelyn Waugh's author page. And as morbid as it may be, the scene surrounding the preparations for the Loved One's final arrangements had me laughing out loud through the duration, a perfect lampooning of the industry. The book is a satire on many things-religion,newspapers,marriage,funeral practices etc. The book was adapted in by Terry Southern and Christopher Isherwood into a film of the same title, which features, while adding to the novel's plot with new characters and scenes, many in-joke cameos and familiar California filming locations like the Greystone Mansion. In which Waugh again proves that the satisfactions of 'realistic' fiction are pretty pale compared to the satisfactions of vicious, spiteful, hate-filled satire. To raise money, Dennis begins working at Happier Hunting Grounds, a local pet cemetery run by the reverend's brother Henry Glenworthy also played by Winters , who has lately been fired by the movie studio as well. The Loved One is full of sly, macabre humour, and some of the funniest scenes occur when Aimee goes home with Mr. After the televised funeral ceremony and launch, Dennis is seen boarding the first-class section of a plane back to England. And here he is on the beneficient properties of smoking : The cigarettes Mr Slump smoked were prepared by doctors, so the advertisements declared, with the sole purpose of protecting the respiratory system. For we shall all stand before the judgment seat of God… So each of us shall give account of himself to God. At the time he was glad to escape England but found the sprawling, uninspiring features of Tinseltown not really to his liking. The person who suffers most is Aimme. This book has weaknesses which stop it being great. I swapp I haven't been to a library for eight weeks, undoubtedly the longest period since I learned to read. Or if stupidity is a choice and is more correctly understood as ignorance , it's a far more difficult choice to decipher. Did Mr. The story centres on Dennis Barlow, a young British writer who is earning his keep by working at a pet cemetery. Only this time it is a people and a place we have all come to be too familiar with over the last 70 years, Los Angeles, USA. The characters, however, exhibit an unsettling level of cruelty. Wikipedia in English None. Starker Liberace. Written in black-and-white, these statements may seem unfortunately provocative and categorical, but if set aside our desire to be outraged, we will easily comprehend their meaning. Which is a thin novel, of no great consequence. In the past it was feared that people will start moving away from God and religion the more civilized they become. The nastiness creeps in where the two main Californians, Aimee Thanatogenos and Mr. Dennis Barlow is a young poet, who is staying with Sir Francis Hinsley. The Loved One by Evelyn Waugh Reviews It seems not unreasonable to infer that he didn't like what he saw of it. Journey to a War , with W. He stood up and stood out in the name of an old civilization that was rapidly being destroyed and forgotten in the new world. Evelyn Waugh. There is no security. And that's not a good thing at all. The perils of watching the movie before reading the book. Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. This is not the first time I'm treated to such a shock but I admit that it's not something that happens usually. Slump smoked were prepared by the doctors, so the advertisements declared, with the sole purpose of protecting the respiratory system" p The Loved One is mildly amusing, and Whispering Glades is certainly a good satirical creation, but the Barlow and Aimee are too much the naifs and the rest of the cast are all pretty much caricatures. I get two or three notifications daily saying this or that person has key to my future and whether I'd like to know that. The Loved One by Evelyn Waugh. Like all satire, this is cruel in places and you can just imagine the delight Waugh had presenting this to his publisher. References to this work on external resources. Please select an existing bookshelf OR Create a new bookshelf Continue. The Loved One is one of the oddest novels in the English l Satire on the funeral business, in which a young British poet goes to work at a Hollywood cemetery. Retrieve credentials. Compact Disc. His Archbishop read The Loved One and declined the offer. Welcome to Weimar America. Evelyn Waugh's father Arthur was a noted editor and publisher. Imagine the sort of book an Englishman would write about living in LA and working in a funeral parlour for animals who fancies a local woman who works in a funeral parlour for people and sends her poetry he has written, just for her - you know - like Shall I compare thee Book description. Barlow who took a job in the Happier Hunting Ground, a pet cemetery that offers unusual funeral services, thereby being an embarrassment to the Hollywood British enclave. She was named after evangelist Aimee Semple McPherson.
Recommended publications
  • D. Marcel Decoste, the Vocation of Evelyn Waugh: Faith and Art in the Post-War Fiction
    This is a repository copy of D. Marcel DeCoste, The Vocation of Evelyn Waugh: Faith and Art in the Post-War Fiction. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/120342/ Version: Accepted Version Article: Brennan, MG orcid.org/0000-0001-6310-9722 (2017) D. Marcel DeCoste, The Vocation of Evelyn Waugh: Faith and Art in the Post-War Fiction. Notes and Queries, 64 (1). pp. 193-195. ISSN 0029-3970 https://doi.org/10.1093/notesj/gjw273 © The Author (2017). Published by Oxford University Press. All rights reserved. This is a pre-copyedited, author-produced PDF of an article accepted for publication in Notes and Queries following peer review. The version of record Brennan, MG (2017) D. Marcel DeCoste, The Vocation of Evelyn Waugh: Faith and Art in the Post-War Fiction. Notes and Queries, 64 (1). pp. 193-195. ISSN 0029-3970 is available online at: https://doi.org/10.1093/notesj/gjw273. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request.
    [Show full text]
  • Waugh in Pieces the Critics
    98 THE CRITICS A CRITIC AT LARGE 6 WAUGH IN PIECES Cruelty and compassion mingle in the short stories of a master. BY ANTHONY LANE N July, 1956, Evelyn Waugh gave a Complete Stories of Evelyn Waugh” dinner party for his daughter Te- (Little, Brown; $29.95). The title is clear, I resa. In anticipation of the event, although in the Waugh canon a short he wrote to a friend, Brian Franks, with story is not easily defined. The unfin- a description of the menu, closing with ished yet gracefully rounded tale “Work the words “Non Vintage champagne for Suspended,” for instance, which con- all but me.” Rarely has an edict been is- sumes eighty-four pages of the present sued with such a firm smack of the lips, book, feels almost a match for “The yet nothing could be sadder. At Oxford Loved One,” “Helena,” and “The Or- in the nineteen-twenties, Waugh had deal of Gilbert Pinfold”—the brisk, chosen his friends on the basis of their peppery, death-haunted trio of novellas ability to handle, or entertainingly mis- that Waugh produced in his riper years, handle, the effects of alcohol; “an excess and which are available only in individ- of wine nauseated him and this made ual volumes. He himself was a chronic an insurmountable barrier between us,” bibliophile and a connoisseur of typog- he wrote of one college acquaintance. raphy, who was admired in his youth Now, thirty years later, he would sit in for his capacity to illustrate rather than solitude, grasping his glass, bullishly compose a text, and his fussing is conta- proud that there was nobody present gious; as a rule, I am quite happy to read who deserved to share a drop.
    [Show full text]
  • A Classic/Romantic Paradigm
    Studies in English, New Series Volume 11 Volumes 11-12 Article 31 1993 Waugh’s The Loved One: A Classic/Romantic Paradigm Brooke Allen Columbia University Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the Literature in English, British Isles Commons Recommended Citation Allen, Brooke (1993) "Waugh’s The Loved One: A Classic/Romantic Paradigm," Studies in English, New Series: Vol. 11 , Article 31. Available at: https://egrove.olemiss.edu/studies_eng_new/vol11/iss1/31 This Article is brought to you for free and open access by the Studies in English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Allen: Waugh’s The Loved One: A Classic/Romantic Paradigm WAUGH’S THE LOVED ONE: A CLASSIC/ROMANTIC PARADIGM Brooke Allen Columbia University Evelyn Waugh’s The Loved One can, like its precursor A Handful of Dust, be read as a critique of nineteenth-century values and mores. A Handful of Dust dealt with those values as they pertained to private life, and explored the failure of humanism to provide sufficient social and moral structure. The Loved One, on the other hand, specifically questions the dilemma of the artist; here Romanticism, as opposed to the more general concept of nineteenth-century humanism, is the object of Waugh’s ire. Like Eliot, Waugh considered himself philosophically and artistically a classicist, and he blamed Romanticism—especially the extremes to which the Romantic ethos was carried during the course of the later nineteenth and the twentieth centuries—for setting up a false religion in opposition to the true.
    [Show full text]
  • The World of Evelyn Waugh
    PERSPECTIVES The World of Evelyn Waugh The late Edmund Wilson, America's foremost critic, once hailed Britain's Evelyn Waugh as "the only first rate comic genius in English since George Bernard Shaw." Waugh's more serious work, including Brideshead Revisited and his war trilogy Sword of Honour, has steadily gained renown in this country. Yet until last fall, when they were re-issued here to coincide with the publication of his diary, Waugh's early comic novels were hard to find in America. Here, we present Kathleen Darman's profile of Waugh, followed by several excerpts from those penetratingly funny early books. by Kathleen Emmet Barman A comic, detached ambivalence lies cism. (Still, he found the Church's at the heart of Evelyn Waugh's work. Index of forbidden books a "conven- He immersed himself in the glitter- ient excuse for not reading Sartre.") ing, sordid swirl of prewar England He came out of a Victorian middle- but at the same time believed it class family but chose the high life would be "very wicked indeed to do among the titled rich, the merely anything to fit a boy for the modem rich, and the leisured indigent-most world." He could be generous, chari- of whom he both loved and deplored. table, and kind, but in his novels he His first published essay was a de- clearly, if genially, detests Ameri- fense of Cubism; but in the end, as he cans, blacks, peers, machines, Eng- conceded in his autobiographical lishmen, Jews, everything. He meted The Ordeal of Gilbert Pinfold, "his out prejudice equitably, outrage- strongest tastes were negative.
    [Show full text]
  • EVELYN WAUGH STUDIES Vol
    EVELYN WAUGH STUDIES Vol. 50, No. 1 Spring 2019 CONTENTS “Huxley’s Ape:” Waugh in Scandinavia (August-September 1947) 2 Jeffrey Manley REVIEWS Reconstruction and Ricochet 29 The Bitter Taste of Victory: Life, Love and Art in the Ruins of the Reich, by Lara Feigel. Reviewed by Marshall McGraw Inez, Evelyn, and the Blitz 33 The Blitz Writing: Night Shift and It Was Different at the Time, by Inez Holden. Reviewed by Jeffrey Manley NEWS Evelyn Waugh Studies 2 “Huxley’s Ape:” Waugh in Scandinavia (August-September 1947) Jeffrey Manley Between his first two trips to the USA (Spring 1947 and Fall 1948), Evelyn Waugh made a two-week tour of Scandinavia. This was proposed and sponsored by the Daily Telegraph, publishing two articles about the trip afterwards. Unlike his earlier postwar journeys to Spain and the USA, this one produced neither a novel nor a travel book. Nor do his biographers spend much time considering either the motivations for the trip or the newspaper articles it produced. The trip is of interest to Waugh readers, however, because it took place at the peak of his popularity as a novelist, between the publication of his two best-selling works. Brideshead had been issued in 1945, and he had just completed The Loved One, that would be published in 1948. During the tour he was extensively interviewed by reporters and asked about these two books, as well as those written previously and what new works he had in mind. In addition, he had recently returned from his trip to Hollywood and discussed his impressions of the USA and the film industry as well as the burial practices at Forest Lawn.
    [Show full text]
  • Evelyn Waugh
    EVELYN WAUGH In Brideshead Revisited, written during a war time leave, Waugh set out to write the obituary of the doomed English upper class. It was only after he had finished his magnificent World War II trilogy Sword of Honor in 1961 that he realized he had written another obituary, that of the Roman Catholic Church in England as it had existed for centuries. At the end of his novella Scott­King's Modern Europe, Evelyn Waugh's hero remarks, "I think it would be very wicked indeed to do anything to fit a boy for the modern world." This was in 1946 when Waugh's career as a novelist was not quite two decades old and when he had exactly twenty years more of life. Once it was fashionable to dismiss Waugh as a curmudgeon who dearly loved a lord and could not or would not adjust to the realities of socialist Britain. He did say he found it possible to go on living in his native land only by imagining he was a tourist. In this negative attitude toward the way we live now, Waugh seems merely to have beat the rush, but as always with this deep and subtle man there is so much more than conservative grumbling about confiscatory taxation to finance the welfare state. Waugh was a tourist here in the way every Catholic is ­­ he was in via. His early novels are disarming. In a style midway between that of Ronald Firbank and P. G. Wodehouse, Waugh wrote of bright young things, heedless, mindless aesthetes who careened about London in what seemed a prelapsarian fashion.
    [Show full text]
  • But Mortimer Saw Its Potentialities and He Stayed There with His Duck, Which Became One of the First Stars
    -4- but children and village idiots; but Mortimer saw its potentialities and he stayed there with his duck, which became one of the first stars. On its death, Mortimer had it stuffed and carried it about with him everywhere. But as fortune favored him, he thought a plastic replica was more artistic and 'classy.' So there was the statue of 'Kush Kush' on his desk. (151) The only specific resemblance between Hollywood Cemetery and The Loved One occurs in the authors' mutual satiric amusement at the hyperboles of American advertising. Waughians will recall Aimee Thanatogenos's preparation for a date as she applies "Jungle Venom": "From the depth of the fever-ridden swamp .. .'Jungle Venom' comes to with the remorseless stealth of the hunting cannibal." O'Fiaherty too has his fun with the extremes and exaggerations of New World advertisements, one of which reads: Don't Burn in Hell. You got to burn some time. Why not let Eucalyptus Crematorium do the job and leave your ashes to the one you love best in a eucalyptus casket. Cheat the Devil. (116) It is only in this passage that O'Fiaherty "anticipated the necrophiliac comedy of Evelyn Waugh." THE RELATIONSHIP OF CHARLES AND SEBASTIAN John W. Osborne (Rutgers University) David Bittner contests my argument, which appears in the Evelyn Waugh Newsletter (Winter, 1989, pp. 7-8). that Sebastian in Brideshead Revisited was homosexual. To begin, I completely agree with Mr. Bittner with respect to the video version of the novel making the relationship of Sebastian and Charles Ryder overtly homosexual and thus violating the reticence of Waugh on the subject.
    [Show full text]
  • EVELYN WAUGH STUDIES Vol. 44, No. 3 Winter 2014
    EVELYN WAUGH STUDIES Vol. 44, No. 3 Winter 2014 Arthur Waugh’s Influence, Part II: Tradition and Change John Howard Wilson Lock Haven University Arthur Waugh’s second collection of essays, Tradition and Change: Studies in Contemporary Literature, was published in 1919 and dedicated to his younger son, Evelyn Waugh. Arthur’s first collection, Reticence in Literature (1915), had been dedicated to his elder son, Alec. Evelyn clearly absorbed the content, but Tradition and Change naturally had more of an effect on him. The book’s influence can be sorted into five categories: (1) writers reviewed by both Arthur and Evelyn; (2) Alec Waugh’s experience as a soldier, and Arthur’s and Evelyn’s reactions to the Great War; (3) religion, especially Roman Catholicism, and how to write about it; (4) art and how to produce it; and (5) subjects raised by Arthur and taken up by Evelyn in writing. Especially in youth, Evelyn scorned his father and disclaimed any influence, but Tradition and Change obviously gave him much food for thought. Sometimes Evelyn accepted Arthur’s ideas; sometimes he rejected them; most often, he worked with them as an important contribution to his own inimitable oeuvre. As a young man, Evelyn preferred change, but as he aged, he showed more and more esteem for tradition and thus moved closer to his father’s conservatism. (1) Writers Arthur refers to many writers, and Evelyn employs several of the same names in his own work. There are six examples in Tradition and Change: Charles Dickens (1812-1870), Henry James (1843-1916), John Galsworthy (1867-1933), Compton Mackenzie (1883-1972), D.
    [Show full text]
  • Evelyn Waugh
    Evelyn Waugh: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator Waugh, Evelyn, 1903-1966 Title Evelyn Waugh Collection 1843-1994 (bulk 1910-1966) Dates: 1843-1994 Extent 16 boxes (6.67 linear feet), 3 oversize boxes, 1 oversize folder, and 1 galley folder Abstract The bulk of the collection consists of manuscript drafts for 100 of Waugh's works, including Brideshead Revisited (1945). Lesser amounts of Waugh's personal papers and correspondence are also present. Books, manuscripts, and art work collected by Waugh and others date from 1843 to 1994. Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1961-1991. The bulk of Waugh’s works, his diaries, art works, and some correspondence, along with his library, were acquired from his estate in 1967. Processed by Chelsea S. Jones, 1999; Ancelyn Krivak, 2018 Repository: Harry Ransom Center, University of Texas at Austin Waugh, Evelyn, 1903-1966 Biographical Sketch Arthur Evelyn St. John Waugh, born October 28, 1903, was the second son of Arthur, a managing director of Chapman & Hall, Publishers, and Catherine Raban Waugh. Reading and writing played a significant role in the home-life of young Evelyn, whose older brother Alec also became a well-known writer. Waugh began writing and illustrating short stories at the age of four, and at the age of nine he and a group of friends produced a creative magazine for their Pistol Troop club. In addition to his youthful interest in writing, Waugh developed a strong interest in religion. When his brother's escapades made it impossible for Waugh to follow the family tradition of attending Sherbourne prep school, his father found a place for him at Lancing, a school with a strong religious tradition.
    [Show full text]
  • Evelyn Waugh Newsletter and Stud
    EVELYN WAUGH NEWSLETTER AND STUD EVELYN WAUGH NEWSLETTER AND STUDIES Vol. 36, No. 2 Autumn 2005 Up to a Point, Mr. Foxwell: The Adaptation of Decline and Fall by Robert Murray Davis University of Oklahoma In October 1962, Evelyn Waugh wrote to his agent A. D. Peters that he was willing to listen to Ivan Foxwell’s proposal to film Decline and Fall, though he assumed that “modernization of the story means ‘proletarianization’” (Catalogue E1288). During the spring and early summer of 1963, as Waugh was gloomily preparing to sign the contract for the sale of film rights to The Loved One, in disappointment at the meager fee rather than in anticipation of the horrors which followed, the final touches to the contract with Foxwell were being negotiated. He was delighted, he told Peters, with the Daily Express report that Foxwell’s “social graces” helped him secure the rights. Knowing Waugh’s view of film people, one can assume that he was being sarcastic. Donat Gallagher tells me that Margaret Waugh said that her father liked what he had seen— probably of the treatment or script, since the film was not released until 1968, two years after Waugh’s death. If he saw anything at all, he may have been comparing that with Tony Richardson’s The Loved One (1965). At least Decline and Fall of a Birdwatcher is not entirely disgraceful. Up to a point—that being the end of the third word of the title—Foxwell and his collaborators were faithful to Waugh’s novel in many details if not in spirit.
    [Show full text]
  • Character Development in the Novels of Evelyn Waugh Jane Elizabeth Neff Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1972 Character development in the novels of Evelyn Waugh Jane Elizabeth Neff Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Literature in English, British Isles Commons Recommended Citation Neff, Jane Elizabeth, "Character development in the novels of Evelyn Waugh" (1972). Retrospective Theses and Dissertations. 45. https://lib.dr.iastate.edu/rtd/45 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Character development in the novels of Evelyn Waugh by Jane Elizabeth Neff A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major: English : Iowa State University Ames, Iowa --..... 1972 1 Introduction When asked if his works were satiric, Evelyn Waugh promptly replied, "No. Satire is a matter of period. It flourishes in a stable society and pre-supposes homogeneous moral standards--the early Roman Empire and 18th-Century Europe. It is aimed at inconsistency and hypocrisy. It exposes polite cruelty and folly by exaggerating them. All this has no place in the Century of the Common Man where vice no longer
    [Show full text]
  • EVELYN WAUGH STUDIES Vol
    EVELYN WAUGH STUDIES Vol. 45, No. 1 Spring 2014 CONTENTS The Letters of J. F. Powers to Evelyn Waugh: 1949-1963 2 Introduced by Katherine A. Powers The Plain Facts about Crete 17 Donat Gallagher Arthur Waugh’s Influence, Part III: One Man’s Road 25 John Howard Wilson Everywhere Something Lovely: Evelyn Waugh and Mells, Part 2 30 Jeffrey Manley Leonard Russell’s Evidence in Evelyn Waugh’s Libel Case, 1957 39 John Howard Wilson Waugh by Friends and Colleagues: Christopher Sykes 42 Evelyn Waugh and Rex Whistler 43 Jonathan Kooperstein REVIEWS English Francophile Meets French Anglophile 44 The Horror of Love: Nancy Mitford and Gaston Palewski in Paris and London by Lisa Hilton. Rev. by Jeffrey Manley Literary Impressionism 47 A Sense of Shock: The Impact of Impressionism on Modern British and Irish Writing by Adam Parkes. Rev. by Patrick Query Easily Digested 48 Brideshead Abbreviated: The Digested Read of the Twentieth Century by John Crace. Rev. by Jeffrey Manley Evelyn Waugh Studies 2 A Mixed Bag 50 The Cambridge Companion to Modern British Culture ed. Michael Higgins, et al. Rev. by Jeffrey Manley NEWS 52 Letters of J. F. Powers to Evelyn Waugh: 1949-1963 Introduced by Katherine A. Powers J. F. Powers (1917-1999) was an American novelist and short-story writer best known for stories about the lives of Catholic priests in the American Midwest. He published three collections of short stories: Prince of Darkness (1947), The Presence of Grace (1956), and Look How the Fish Live (1975); and two novels, Morte D'Urban (1962), which won on the National Book Award in 1963, and Wheat That Springeth Green (1988).
    [Show full text]