ACM SIGGRAPH Annual Report 2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Lumigraph
The Lumigraph The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Gortler, Steven J., Radek Grzeszczuk, Richard Szeliski, and Michael F. Cohen. 1996. The Lumigraph. Proceedings of the 23rd annual conference on computer graphics and interactive techniques (SIGGRAPH 1996), August 4-9, 1996, New Orleans, Louisiana, ed. SIGGRAPH, Holly Rushmeier, and Theresa Marie Rhyne, 43-54. Computer graphics annual conference series. New York, N.Y.: Association for Computing Machinery. Published Version http://dx.doi.org/10.1145/237170.237200 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:2634291 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA e umigra !"#$#% &' ()*"+#* ,-.#/ (*0#10203/ ,425-*. !0#+41/4 6425-#+ 7' 8)5#% 642*)1)9" ,#1#-*25 strat 1#*4#1 )9 2-;"3*#. #%$4*)%=#%" =-;1 -++)< - 31#* ") look around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optical !owY -1 )%# =)$#1 9*)= )%# 2-=#*- ;)14"4)% ") -%)"5#*' E% 2-;"3*# ;*)2#11 "*-.4"4)%-++A 31#. -
Subdivision Surfaces Years of Experience at Pixar
Subdivision Surfaces Years of Experience at Pixar - Recursively Generated B-Spline Surfaces on Arbitrary Topological Meshes Ed Catmull, Jim Clark 1978 Computer-Aided Design - Subdivision Surfaces in Character Animation Tony DeRose, Michael Kass, Tien Truong 1998 SIGGRAPH Proceedings - Feature Adaptive GPU Rendering of Catmull-Clark Subdivision Surfaces Matthias Niessner, Charles Loop, Mark Meyer, Tony DeRose 2012 ACM Transactions on Graphics Subdivision Advantages • Flexible Mesh Topology • Efficient Representation for Smooth Shapes • Semi-Sharp Creases for Fine Detail and Hard Surfaces • Open Source – Beta Available Now • It’s What We Use – Robust and Fast • Pixar Granting License to Necessary Subdivision Patents graphics.pixar.com Consistency • Exactly Matches RenderMan Internal Data Structures and Algorithms are the Same • Full Implementation Semi-Sharp Creases, Boundary Interpolation, Hierarchical Edits • Use OpenSubdiv for Your Projects! Custom and Third Party Animation, Modeling, and Painting Applications Performance • GPU Compute and GPU Tessellation • CUDA, OpenCL, GLSL, OpenMP • Linux, Windows, OS X • Insert Prman doc + hierarchical viewer GPU Performance • We use CUDA internally • Best Performance on CUDA and Kepler • NVIDIA Linux Profiling Tools OpenSubdiv On GPU Subdivision Mesh Topology Points CPU Subdivision VBO Tables GPU Patches Refine CUDA Kernels Tessellation Draw Improved Workflows • True Limit Surface Display • Interactive Manipulation • Animate While Displaying Full Surface Detail • New Sculpt and Paint Possibilities Sculpting & Ptex • Sculpt with Mudbox • Export to Ptex • Render with RenderMan • Insert toad demo Sculpt & Animate Too ! • OpenSubdiv Supports Ptex • OpenSubdiv Matches RenderMan • Enables Interactive Deformation • Insert rendered toad clip graphics.pixar.com Feature Adaptive GPU Rendering of Catmull-Clark Subdivision Surfaces Thursday – 2:00 pm Room 408a . -
Frederick Phillips Brooks, Jr
May 13, 2005 Frederick Phillips Brooks, Jr. Department of Computer Science 413 Granville Road University of North Carolina Chapel Hill, NC 27514-2723 Chapel Hill, NC 27599-3175 (919) 942-2529 (919) 962-1931 (919) 962-1799 Fax Born 19 April 1931; Durham, NC [email protected] Married, three children: http://www.cs.unc.edu/~brooks Kenneth P. Brooks, 8/14/58 Roger G. Brooks, 12/25/61 Barbara B. LaDine, 2/24/65 EDUCATION Ph.D., Harvard University, Applied Mathematics (Computer Science), 1956; Howard H. Aiken, advisor; dissertation: The Analytic Design of Automatic Data Processing Systems S.M., Harvard University, Applied Mathematics (Computer Science), 1955 A.B. summa cum laude, Duke University, Physics, 1953. First in class of 1953. TEACHING EXPERIENCE University of North Carolina at Chapel Hill, Department of Computer Science Kenan Professor of Computer Science, 1975- Professor of Computer Science, 1964-75 Chairman, 1964-1984; founder Twente Technical University, Enschede, The Netherlands: Visiting Professor, 1970 Columbia University: Adjunct Assistant Professor, 1960-61 Vassar College: Visiting Instructor, 1958 IBM Systems Research Institute, Voluntary Education Program, and Summer Student Program Teacher, 1957-59 DEVELOPMENT EXPERIENCE IBM Corporation Poughkeepsie, New York Corporate Processor Manager for Development of System/360 Computer Systems, 1961-1965 Manager of Operating System/360, 1964-65 Manager, System/360 Hardware Development, Data Systems Division, 1961-64 Systems Planning Manager, Data Systems Division (8000 series et al.), -
The Changing Shape of the Computing World
Outside the Box — The Changing Shape of the Computing World Steve Cunningham Computer Science California State University Stanislaus Turlock, CA 95382 [email protected] http://www.cs.csustan.edu/~rsc Something happened to computing while many of us were busy practicing or teaching our craft, and computing is not quite the same thing we learned. We can ignore this change and others will take our place and teach about it, but they will not have the context and the skill to understand the technology behind it and to carry it forward to the success it should have. And if others carry that torch, computer science will be stunted because we didn't recognize and respond to the opportunity. What happened? Simply this—that Xerox and Apple and, yes, Microsoft opened up the box labeled “CAUTION: Computer Inside” and let the user into the computing picture. Users responded hesitantly but increasingly eagerly and now expect the computer to work for them instead of their working for the computer. Every application now in wide use, and any system that supports a general market, has evolved to meet that expectation. Any computing education that does not pay attention to the user’s role in computing is missing the most vibrant and exciting part of computing today. As it says at the top of this page, you are reading an editorial, not an academic paper. As an editorial, this note represents my personal passion and commitment to the user communication part of computing that the “official” computing establishment has long discounted, and I appreciate John Impagliazzo’s offer of this forum to make my case that computer science is missing the boat in not understanding the need to reshape computer science education to fill this void. -
F I N a L P R O G R a M 1998
1998 FINAL PROGRAM October 18 • October 23, 1998 Sheraton Imperial Hotel Research Triangle Park, NC THE INSTITUTE OF ELECTRICAL IEEE IEEE VISUALIZATION 1998 & ELECTRONICS ENGINEERS, INC. COMPUTER IEEE SOCIETY Sponsored by IEEE Computer Society Technical Committee on Computer Graphics In Cooperation with ACM/SIGGRAPH Sessions include Real-time Volume Rendering, Terrain Visualization, Flow Visualization, Surfaces & Level-of-Detail Techniques, Feature Detection & Visualization, Medical Visualization, Multi-Dimensional Visualization, Flow & Streamlines, Isosurface Extraction, Information Visualization, 3D Modeling & Visualization, Multi-Source Data Analysis Challenges, Interactive Visualization/VR/Animation, Terrain & Large Data Visualization, Isosurface & Volume Rendering, Simplification, Marine Data Visualization, Tensor/Flow, Key Problems & Thorny Issues, Image-based Techniques and Volume Analysis, Engineering & Design, Texturing and Rendering, Art & Visualization Get complete, up-to-date listings of program information from URL: http://www.erc.msstate.edu/vis98 http://davinci.informatik.uni-kl.de/Vis98 Volvis URL: http://www.erc.msstate.edu/volvis98 InfoVis URL: http://www.erc.msstate.edu/infovis98 or contact: Theresa-Marie Rhyne, Lockheed Martin/U.S. EPA Sci Vis Center, 919-541-0207, [email protected] Robert Moorhead, Mississippi State University, 601-325-2850, [email protected] Direct Vehicle Loading Access S Dock Salon Salon Sheraton Imperial VII VI Imperial Convention Center HOTEL & CONVENTION CENTER Convention Center Phones -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. -
MONSTERS INC 3D Press Kit
©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor . -
The Metaverse and Digital Realities Transcript Introduction Plenary
[Scientific Innovation Series 9] The Metaverse and Digital Realities Transcript Date: 08/27/2021 (Released) Editors: Ji Soo KIM, Jooseop LEE, Youwon PARK Introduction Yongtaek HONG: Welcome to the Chey Institute’s Scientific Innovation Series. Today, in the 9th iteration of the series, we focus on the Metaverse and Digital Realities. I am Yongtaek Hong, a Professor of Electrical and Computer Engineering at Seoul National University. I am particularly excited to moderate today’s webinar with the leading experts and scholars on the metaverse, a buzzword that has especially gained momentum during the online-everything shift of the pandemic. Today, we have Dr. Michael Kass and Dr. Douglas Lanman joining us from the United States. And we have Professor Byoungho Lee and Professor Woontack Woo joining us from Korea. Now, I will introduce you to our opening Plenary Speaker. Dr. Michael Kass is a senior distinguished engineer at NVIDIA and the overall software architect of NVIDIA Omniverse, NVIDIA’s platform and pipeline for collaborative 3D content creation based on USD. He is also the recipient of distinguished awards, including the 2005 Scientific and Technical Academy Award and the 2009 SIGGRAPH Computer Graphics Achievement Award. Plenary Session Michael KASS: So, my name is Michael Kass. I'm a distinguished engineer from NVIDIA. And today we'll be talking about NVIDIA's view of the metaverse and how we need an open metaverse. And we believe that the core of that metaverse should be USD, Pixar's Universal Theme Description. Now, I don't think I have to really do much to introduce the metaverse to this group, but the original name goes back to Neal Stephenson's novel Snow Crash in 1992, and the original idea probably goes back further. -
COURSE NOTES 8 CASE STUDY: Scanning Michelangelo's Florentine Pieta`
SIGGRAPH 99 26th International Conference on Computer Graphics and Interactive Techniques COURSE NOTES 8 CASE STUDY: Scanning Michelangelo's Florentine Pieta` Sunday, August 9, 1999 Two Hour Tutorial ORGANIZER Holly Rushmeier IBM TJ Watson Research Center LECTURERS Fausto Bernardini Joshua Mittleman Holly Rushmeier IBM TJ Watson Research Center 1-1 ABSTRACT We describe a recent project to create a 3D digital model of Michelangelo's Florentine Pieta`. The emphasis is on the practical issues such as equipment selection and modi®cation, the planning of data acquisition, dealing with the constraints of the museum environment, overcoming problems encountered with "real" rather than idealized data, and presenting the model in a form that is suitable for the art historian who is the end user. Art historian Jack Wasserman, working with IBM, initiated a project to create a digital model of Michelangelo's Florentine Pieta` to assist in a scholarly study. In the course of the project, we encountered many practical problems related to the size and topology of the work, and with completing the project within constraints of time, budget and the access allowed by the museum. While we have and will continue to publish papers on the individual new methods we have developed in the in course of solving various problems, a typical technical paper or presentation does not allow for the discussion of many important practical issues. We expect this course to be of interest to practitioners interested in acquiring digital models for computer graphics applications, end users who are interested in understanding what quality can be expected from acquired models, and researchers interested in ®nding research opportunities in the "gaps" in current acquisition methods. -
IBM Research Report Reverse Engineering Methods for Digital
RC23991 (W0606-132) June 28, 2006 Computer Science IBM Research Report Reverse Engineering Methods for Digital Restoration Applications Ioana Boier-Martin IBM Research Division Thomas J. Watson Research Center P.O. Box 704 Yorktown Heights, NY 10598 Holly Rushmeier Yale University New Haven, CT Research Division Almaden - Austin - Beijing - Haifa - India - T. J. Watson - Tokyo - Zurich LIMITED DISTRIBUTION NOTICE: This report has been submitted for publication outside of IBM and will probably be copyrighted if accepted for publication. I thas been issued as a Research Report for early dissemination of its contents. In view of the transfer of copyright to the outside publisher, its distribution outside of IBM prior to publication should be limited to peer communications and specific requests. After outside publication, requests should be filled only by reprints or legally obtained copies of the article (e.g ,. payment of royalties). Copies may be requested from IBM T. J. Watson Research Center , P. O. Box 218, Yorktown Heights, NY 10598 USA (email: [email protected]). Some reports are available on the internet at http://domino.watson.ibm.com/library/CyberDig.nsf/home . Reverse Engineering Methods for Digital Restoration Applications Ioana Boier-Martin Holly Rushmeier IBM T. J. Watson Research Center Yale University Hawthorne, New York, USA New Haven, Connecticut, USA [email protected] [email protected] Abstract In this paper we focus on the demands of restoring dig- ital objects for cultural heritage applications. However, the In this paper we discuss the challenges of processing methods we present are relevant to many other areas. and converting 3D scanned data to representations suit- This is a revised and extended version of our previous pa- able for interactive manipulation in the context of virtual per [12]. -
VMV 2015 Vision, Modeling and Visualization
VMV 2015 Vision, Modeling and Visualization Aachen, Germany October 07 – 10, 2015 General Chairs Leif Kobbelt Program Chairs David Bommes Tobias Ritschel Thomas Schultz Proceedings Production Editor Dieter Fellner (TU Darmstadt & Fraunhofer IGD, Germany) In cooperation with the Eurographics Association DOI: 10.2312/vmv.20152020 This work is subject to copyright. All rights reserved, whether the whole or part of the material is concerned, specifically those of translation, reprinting, re-use of illustrations, broadcasting, reproduction by photocopying machines or similar means, and storage in data banks. Copyright c 2015 by the Eurographics Association Postfach 2926, 38629 Goslar, Germany Published by the Eurographics Association –Postfach 2926, 38629 Goslar, Germany– in cooperation with Institute of Computer Graphics & Knowledge Visualization at Graz University of Technology and Fraunhofer IGD (Fraunhofer Institute for Computer Graphics Research), Darmstadt ISBN 978-3-905674-95-8 The electronic version of the proceedings is available from the Eurographics Digital Library at http://diglib.eg.org Table of Contents TableofContents ...........................................................................iii International Program Committee . ............................................................v Sponsors . .................................................................................vi AuthorIndex...............................................................................vii InvitedTalks ..............................................................................viii -
Opinion Poll on ACM Affiliation for the Symposium on Computational Geometry
Opinion Poll on ACM affiliation for the Symposium on Computational Geometry Dear SoCG community, Since its start 27 years ago, SoCG has always been affiliated to ACM. This means that the proceedings are published by ACM, and that the symposium is organized “sponsored by ACM” (more precisely, sponsored by ACM SIGACT & ACM SIGGRAPH) or “in cooperation with ACM”. The latter happened only a couple of times, namely when SoCG was in Korea in 2007 and when it was in Denmark in 2009. Being affiliated to ACM has certain advantages, but also certain disadvantages, as detailed below. Hence, at the business meeting of this year’s SoCG in Paris, an alternative was discussed: organizing SoCG as an independent symposium, with the proceedings being published by Dagstuhl in their LIPIcs series (see below). A straw poll was taken, and the vast majority of the participants wanted the Steering Committee to investigate this issue further, which we do through this opinion poll. We hope you want to participate in this important poll. The opinion poll consists of three simple questions stated below: one about your preference for the future of SoCG, and two about your relation to SoCG and your current position. You can participate in this poll by sending your answers to [email protected] (do *not* vote by replying to this email). The poll closes November 21, 2011 . All votes will be treated confidentially. Before voting, please first read the background information given below. The SoCG Steering Committee: Mark de Berg (secretary), Joseph Mitchell, Günter Rote, Jack Snoeyink (chair), Monique Teillaud.