Fifth Sunday in Lent
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December-4-2016-Bulletin-1
They will not hurt or destroy on all my holy mountain; for the earth will be full of the knowledge of the LORD as the waters cover the sea. Isaiah 11:9 St. John Evangelical Lutheran Church Second Sunday of Advent – December 4, 2016 420 Beaver Street PO Box 411 Mars, PA 16046-0411 www.stjohnchurchmars.org Phone: 724-625-1830 email: [email protected] Pastor‟s cell: 412-585-1628 Pastor‟s email: [email protected] Rev. Robert Zimmerman, Pastor Jacob Gordon, Director of Music Ministries We welcome you to St. John Lutheran Church. We are delighted to have you worship with us this morning. Should you have no permanent church-home in this community, why not consider making this one your own? Please sign the guest book as you leave worship today. You are most welcome here at St. John! Most elements of our service can be found in the bulletin, everything else is in the hymnal. Page refers to the numbered pages towards the front of the hymnal, hymns are bold and towards the back. Please rise when there is an *, congregational responses are in bold, and underlined elements of the service are found in the hymnal. LESSONS & CAROLS WITH HOLY COMMUNION Second Sunday of Advent – December 4, 2016 This morning, Lessons and Carols take the place of our usual three Scripture readings and sermon. The pattern of the traditional lessons and carols service, which traces its roots to Christmas Eve 1918 at King‟s College, Cambridge, England (though that service had its roots in older, monastic services). -
Great Cloud of Witnesses.Indd
A Great Cloud of Witnesses i ii A Great Cloud of Witnesses A Calendar of Commemorations iii Copyright © 2016 by The Domestic and Foreign Missionary Society of The Protestant Episcopal Church in the United States of America Portions of this book may be reproduced by a congregation for its own use. Commercial or large-scale reproduction for sale of any portion of this book or of the book as a whole, without the written permission of Church Publishing Incorporated, is prohibited. Cover design and typesetting by Linda Brooks ISBN-13: 978-0-89869-962-3 (binder) ISBN-13: 978-0-89869-966-1 (pbk.) ISBN-13: 978-0-89869-963-0 (ebook) Church Publishing, Incorporated. 19 East 34th Street New York, New York 10016 www.churchpublishing.org iv Contents Introduction vii On Commemorations and the Book of Common Prayer viii On the Making of Saints x How to Use These Materials xiii Commemorations Calendar of Commemorations Commemorations Appendix a1 Commons of Saints and Propers for Various Occasions a5 Commons of Saints a7 Various Occasions from the Book of Common Prayer a37 New Propers for Various Occasions a63 Guidelines for Continuing Alteration of the Calendar a71 Criteria for Additions to A Great Cloud of Witnesses a73 Procedures for Local Calendars and Memorials a75 Procedures for Churchwide Recognition a76 Procedures to Remove Commemorations a77 v vi Introduction This volume, A Great Cloud of Witnesses, is a further step in the development of liturgical commemorations within the life of The Episcopal Church. These developments fall under three categories. First, this volume presents a wide array of possible commemorations for individuals and congregations to observe. -
Lutherans for Lent a Devotional Plan for the Season of Lent Designed to Acquaint Us with Our Lutheran Heritage, the Small Catechism, and the Four Gospels
Lutherans for Lent A devotional plan for the season of Lent designed to acquaint us with our Lutheran heritage, the Small Catechism, and the four Gospels. Rev. Joshua V. Scheer 52 Other Notables (not exhaustive) The list of Lutherans included in this devotion are by no means the end of Lutherans for Lent Lutheranism’s contribution to history. There are many other Lutherans © 2010 by Rev. Joshua V. Scheer who could have been included in this devotion who may have actually been greater or had more influence than some that were included. Here is a list of other names (in no particular order): Nikolaus Decius J. T. Mueller August H. Francke Justus Jonas Kenneth Korby Reinhold Niebuhr This copy has been made available through a congregational license. Johann Walter Gustaf Wingren Helmut Thielecke Matthias Flacius J. A. O. Preus (II) Dietrich Bonheoffer Andres Quenstadt A.L. Barry J. Muhlhauser Timotheus Kirchner Gerhard Forde S. J. Stenerson Johann Olearius John H. C. Fritz F. A. Cramer If purchased under a congregational license, the purchasing congregation Nikolai Grundtvig Theodore Tappert F. Lochner may print copies as necessary for use in that congregation only. Paul Caspari August Crull J. A. Grabau Gisele Johnson Alfred Rehwinkel August Kavel H. A. Preus William Beck Adolf von Harnack J. A. O. Otteson J. P. Koehler Claus Harms U. V. Koren Theodore Graebner Johann Keil Adolf Hoenecke Edmund Schlink Hans Tausen Andreas Osiander Theodore Kliefoth Franz Delitzsch Albrecht Durer William Arndt Gottfried Thomasius August Pieper William Dallman Karl Ulmann Ludwig von Beethoven August Suelflow Ernst Cloeter W. -
Luther's Hymn Melodies
Luther’s Hymn Melodies Style and form for a Royal Priesthood James L. Brauer Concordia Seminary Press Copyright © 2016 James L. Brauer Permission granted for individual and congregational use. Any other distribution, recirculation, or republication requires written permission. CONTENTS Preface 1 Luther and Hymnody 3 Luther’s Compositions 5 Musical Training 10 A Motet 15 Hymn Tunes 17 Models of Hymnody 35 Conclusion 42 Bibliography 47 Tables Table 1 Luther’s Hymns: A List 8 Table 2 Tunes by Luther 11 Table 3 Tune Samples from Luther 16 Table 4 Variety in Luther’s Tunes 37 Luther’s Hymn Melodies Preface This study began in 1983 as an illustrated lecture for the 500th anniversary of Luther’s birth and was presented four times (in Bronxville and Yonkers, New York and in Northhampton and Springfield, Massachusetts). In1987 further research was done on the question of tune authorship and musical style; the material was revised several times in the years that followed. As the 500th anniversary of the Reformation approached, it was brought into its present form. An unexpected insight came from examining the tunes associated with the Luther’s hymn texts: Luther employed several types (styles) of melody. Viewed from later centuries it is easy to lump all his hymn tunes in one category and label them “medieval” hymns. Over the centuries scholars have studied many questions about each melody, especially its origin: did it derive from an existing Gregorian melody or from a preexisting hymn tune or folk song? In studying Luther’s tunes it became clear that he chose melody structures and styles associated with different music-making occasions and groups in society. -
Lutheran Teacher Edition for the ™
LUTHERAN TEACHER EDITION FOR THE ™ SUPPLEMENT PART II ELECTRONIC STUDENT PLANNER NOTES FOR THE 2013-2014 DAILY CALENDAR Ideas for most days of the school year—background information about significant persons and events in history and the Church Year—which you may add to your curricular studies day by day. In these additional electronic notes to your teacher supplement you will find: • ADDITIONAL CHURCH YEAR details about the seasons or special days in the liturgical calendar, with suggestions to prepare for classroom observance of these seasons and days, linking school, church and home life. • SUGGESTED IDEAS and classroom activities! • DATES THIS WEEK includes notable events (secular or church-related) that may relate to various subjects in your curricular work. This section also includes notable persons in history, especially Christians and the contributions they made to the Church and/or society. Those names in bold appear in the planner. We will encounter many remarkable people of faith who have a place in the Church’s calendar. Their stories make fascinating storytelling. Uncovering more about them may be a special project for some students. PLUS FREE IMAGE DOWNLOADS for 2013-2014 from: goodnewsplanners.com/luth-resources • Historic IMAGES (shown in this Supplement) In the printed supplement of your teacher planner you find: • SCRIPTURE readings each week from the Gospel for the NEXT Sunday.* • WEEKLY EXPLANATIONS of this Gospel story, with Bible background and interpretation. • Thoughts for teaching the WORD OF THE WEEK (W.O.W.) and the events of the Church Year. Good News™ Student Planner 2013-14 (Teacher Edition) prepared by Carol Geisler. -
Program Notesby Victor Gebauer
Program Notes by Victor Gebauer Der 136. Psalm Heinrich Schütz (1585 – 1672) Heinrich Schütz’s world of music expanded during his first trip to Venice (1609-1613) to study with the renowned Giovanni Gabrieli. There he probably frequented the Fondaco dei Tedeschi, a center for German merchants and musicians. The famed Saint Mark’s Cathedral boasted huge spaces that had generated a polychoral style, reflected here in a double chorus and double capella of ensembles plus continuous bass. The first capella declaims the psalm’s refrain (“For God’s mercy endures forever”) while a chorus announces each psalm verse. Schütz later expands the refrain’s sonority in response to the verses, sung in varied registers and textures by a chorus. The final, extensive verse (“Give thanks to the God of heaven . .”) summarizes the entire psalm, splendidly tossing phrases among all ensembles of voices and instruments. Such music both fills the echoing spaces of a great cathedral and envelopes the worshiper with the praises of God. Gelobet seist du, Jesu Christ Johann Hermann Schein (1586 – 1630) Already in 1690, W. K. Printz’s Historische Beschreibung (Historic Portrayal) identified three great S’s in German music (Samuel Scheidt, Heinrich Schütz, and Johann Hermann Schein). All three were noted for combining styles of the 16th century with expressive new conventions of 17th century Baroque music. Schein’s hymn setting is a clear example. The first stanza dates back to the 14th century, additional stanzas were added by Martin Luther, and the melody also emerged during the Reformation. The “Kyrieleis” marks this as a religious hymn of popular origin. -
500Th Anniversary of the Reformation 1517 - 2017
500th Anniversary of the Reformation 1517 - 2017 As We Gather: The Lutheran Reformation is still all about Jesus; that is, faithfully preaching and teaching the good news of Jesus Christ and standing for the teachings of God’s Word as they have been confessed in all times and all places wherever the Gospel is purely taught according to a pure understanding of it and where the Sacraments are administered according to Christ’s institution. With Martin Luther, we still say, “Here we stand, we cannot do otherwise. God help us. Amen.” It was all about Jesus as the apostle Paul penned, “We hold that one is justified by faith apart from works of the law” (Romans 3:28). It was all about Jesus when Martin Luther posted his Ninety- Five Theses on October 31, 1517. It’s still all about Jesus today as we receive the Means of Grace— Word and Sacrament. It will be all about Jesus when He returns in glory on the Last Day. As we observe the 500th anniversary of the Reformation, we celebrate that it always has been, and always will be, all about Jesus! Solus Christus PROCESSION "Allegretto" Organ and Brass (by Corelli arr. By Wolff) "Trumpet Finale" (by Manfredini arr. By Wolff) OPENING HYMN "We Are God's People" (music by Johannes Brahms, arr. By Duane Funderburk words by Jeffery Leech) (Organ, brass, school children's choir, church choir, congregation) We are God's people the chosen of the Lord! Let us live transparently, and walk heart to heart, and hand in hand! (choir) Verse 1 (All) We are God's people, the chosen of the Lord, born of His Spirit, established by His Word; Our cornerstone is Christ alone, and strong in Him we stand; O let us live transparently, and walk heart to heart and hand in hand. -
Music and Spirituality
Music and Spirituality Edited by Edward Foley Printed Edition of the Special Issue Published in Religions www.mdpi.com/journal/religions Edward Foley (Ed.) Music and Spirituality This book is a reprint of the special issue that appeared in the online open access journal Religions (ISSN 2077-1444) in 2014 (available at: http://www.mdpi.com/journal/religions/special_issues/music_spirituality). Guest Editor Edward Foley Catholic Theological Union 5416 S. Cornell Ave. Chicago, IL 60615, USA Editorial Office MDPI AG Klybeckstrasse 64 Basel, Switzerland Publisher Shu-Kun Lin Production Editor Jeremiah R. Zhang 1. Edition 2015 MDPI • Basel • Beijing • Wuhan ISBN 978-3-03842-099-6 © 2015 by the authors; licensee MDPI, Basel, Switzerland. All articles in this volume are Open Access distributed under the Creative Commons Attribution 3.0 license (http://creativecommons.org/licenses/by/3.0/), which allows users to download, copy and build upon published articles even for commercial purposes, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. However, the dissemination and distribution of copies of this book as a whole is restricted to MDPI, Basel, Switzerland. III Table of Contents List of Contributors ............................................................................................................... V Edward Foley Music and Spirituality—Introduction Reprinted from: Religions 2015, 6(2), 638-641 http://www.mdpi.com/2077-1444/6/2/638 ............................................................................IX -
Bach's Chorals Part I
BACH'S CHORALS PART I THE HYMNS AND HYMN MELODIES OF THE "PASSIONS" AND MOTETTS gfl. xvi + 74. Price 6s, 6d. net. "An invaluable work of reference.'_--Guardian. "This useful work of reference. '_--,gu_cal Times. "The result of an extensive amount of research and erudition."--Slandard. "A careful piece of archaeological enquiry."--Scolsman. "A scholarly piece of work."--Oxford MaKazin¢. "An invaluable volume of reference...wdl quickly become a standard work."--3/Zu_c StudenL "A perfect storehouse of information."--Musical ATe_s. PART II THE HYMNS AND HYMN MELODIES OF TIIE CANTATAS AND MOTETTS Pp. xiv+ 615. Price 24s. net. "A monumental and exhaustive study..,a notable contri- bution to musical literature...of permanent value, and hardly likely to be superseded.'--Musical Times. "A perfect encyclopaedia of information on its subject." Yorkshire Post. "Its information is extraordinarily full and comprehen- sive."--Musical News. "This valuable work of reference."--Mthenaeum. "An honour to British scholarship and research." Musical Opinion. "The book is in detail one of which both author and pub- hsher may m every way be proud."-- The Times. "The book must be placed in our bookcases next to Grove."--Music Student. "A work which no student of music on the historical side should be without."--New Statesman. "A real triumph of laboriousness, quite indispensable to the serious student of the subject."--Oxford Magazine. "An admirable and scholarly addition to musical litera- ture. --Cambridge Review. BACH'S CHORALS CAMBRIDGE UNIVERSITY PRESS C. F. CLAY, MANAGZR LONDON : FETTER LANE, E.C.4 NEW YORK THE MACMILLAN CO. CALCUTTA MACMILLAN AND CO.,L'rD. -
Hymn Stories
A Man of Ancient Time and Place #30 Words: Brian Wren (b. 1936) – England, U.S.A. Music: Austin C. Lovelace (1919-2010) – U.S.A. Info sources: Hymnary.org, HopePublishing.Com, PraisePartnersWorship.com Hymnal sources: New Beginnings and Piece Together Praise (Brian Wren collections published by Hope) Text: • inspired by lecture series of scholar Kenneth Bailey (Tantur Institute, Jerusalem) in Spokane, WA • story of Jesus’ life and ministry, “often risking ridicule, hostility and rejection by showing God’s gracious love in the ‘wrong place,’ to the ‘wrong people,’ and at the wrong time.” • written in 1990 – Brian Wren then a foreigner here in the U.S. author: Brian Wren • grew up in and near London, England; ordained in Britain’s United Reformed Church (a union of Congregational, Presbyterian, and Disciples’ traditions) • B.A. and Ph.D. from Oxford University in Modern Languages and Theology • served in England as a pastor, then campaigner and educator on world poverty issues o “... my serious hymnwriting began ... as a service to my congregation. New windows were opening on faith, human life, and life together on this planet, and old words fell short of new experience.” • “By 1983 I was looking for new direction. My hymns were becoming known, and their North American publisher, Hope Publishing Company, invited me Stateside for a summer tour. The positive response persuaded me to risk freelance ministry, relying on workshop engagements and writing work instead of a salary.” • from 1991, Rev. Susan Heafield, a United Methodist pastor and composer, has been “his partner in marriage and ministry” • named Worship Professor at Columbia Theological Seminary in Decatur, Georgia in 2001 – now retired • internationally published author and hymnwriter; Fellow of the Hymn Society in the U.S. -
Flymn Writers Tell Their Story: Fiow Their Lives Were Songsto God
Flymn Writers Tell Their Story: FIow Their Lives Were Songsto God Af{ymnfwtiaof Developedby Hal H. Hopson hymn f'estivalis an excellent way to begin May the songs on our lips spring from our hearts, may they the choir year and to pnrmote participaticlnin the music rernind us that you are a God of love, and that no sin or failure program of your church. Using the anniversarytheme, Make is beyond your lbrgiveness. Your Lif-ea Song to God, this hymn festival will help your singersand your congregation understandand appreciatehow May our songs remind us that you are a God of beauty and hyrnn writers throughout the ageshave offbred their lives to holiness.Thank you for poets,composers, singers and God. In this article you will find complete information instrumentalistswho join your creativity to bring to lif-eyour regarding the hymn f-estival.the complete text, and a listing of goodnessthrough word and music. "perfor- the hymns. Comments on each hymn are given as to mance practice" and information fbr ordering the music. May our songs remind us that you are the God of all the This is a unique hymn f'estivalthat f-eaturesthe primary attlicted. Therefclre, we remernber the faithful, who having hymn writers through the ages.telling their own story in first rnademusic on this earth, now sing yclur praisesin heaven. person.An appropriatehymn is sung following each hymn writer's comments.It was originally conceivedand written to May our songs remind us that you are the God of all the saints. enhancethe understandingof hymns by all generations, Therefbre. -
N.F.S. Grundtvig, S.T. Coleridge - the Hymnwriter and the Poet
N.F.S. Grundtvig, S.T. Coleridge - The Hymnwriter and the Poet By David Jasper Both Grundtvig and Coleridge lived into an old age which grant ed them the status of the sage. In 1872, Edmund Gosse graphi cally described the ninety-year old Grundtvig: »For a man of ninety, he could not be called infirm: his gestures were rapid and his step steady. But the attention was riveted on his appearance of excessive age. He looked like a troll from some cave in Norway; he might have been centuries old. From the vast orb of his bald head, very long strings of silky hair fell over his shoulders and mingled with a long and loose white beard. His eyes flamed under very beetling brows, and they were the only part of his face that seemed alive, for he spoke without moving his lips. His features were still shapely, but colourless and dry, and as the draught from an open door caught them, the silken hairs were blown across his face like a thin curtain. While he perambulated the church with these stiff gestures and ventriloquist murmurings, his disciples fell on their knees behind him, stroking the skirts of his robe, touching the heels of his shoes. Finally, he ascended the pulpit and began to preach; in his dead voice he warned us to beware of false spirits, and to try every spirit whether it be of God. He laboured extremely with his speech, becoming slower and huskier, with longer pauses between the words like a clock that is running down.