POST AUCTION OFFERS Lot No

POST AUCTION OFFERS Lot No. Lot Title Post-Auction Offer 2 Gibson ES-300 $1,000 3 1919 Gibson L-4 $1,100 5 1929 Gibson L-5 $2,000 6 C. 1934 Washburn Style 5238 DeLuxe GranD Concert $4,000 7 1934 Euphonon $15,000 8 1907 Gibson Style O $2,000 9 1946 D’Angelico Excel $10,000 14 1936 Gibson Super 400 $6,000 16 C. Late 1940's StroMberg Ultra Deluxe $4,000 17 1950 Gibson Super 400CN $3,000 18 C. 1956 Epiphone FT-210 Deluxe Cutaway $3,000 21 C. 1935 B & D Senorita S-1 $6,500 24 C. 1950 StroMberg Master 400 $11,000 25 1939 Gibson J-35 $4,500 29 1906 Gibson F-2 Artist ManDolin $3,750 30 2000 Martin OM-45 Deluxe CustoM $12,300 31 1954 Gibson Super 400CN $9,400 33 C. 1939 Regal Prince 1170 $1,000 34 1962 ConDe HerManos Flamenco $2,000 38 C. 1890's Washburn Style 208 Concert $2,500 39 C. 1920's Raphael Ciani Flattop $4,000 40 1929 Francisco SiMplicio Classical $10,000 42 1919 Gibson Style O $1,750 43 1928 Gibson L-5 $12,500 46 1940 Gibson ES-300 $1,700 47 1935 Martin F-9 $3,500 49 C. 1890's Washburn Style 309 GranD Concert Presentation $1,400 52 1956-57* Gibson J-200N $6,500 54 1928 Gibson L-5 $12,500 55 1940 Gibson Super 400N $4,000 57 1909 Gibson F-4 ManDolin $3,000 58 1929 Gibson HG-24 $1,000 62 1939 Gibson Super 400 Premiere $9,000 63 1938 Martin F-9 $3,500 66 1940 Epiphone Emperor $4,000 69 C. 1950's Gretsch SynchroMatic 400 $1,000 72 C. 1939-40 Gibson L-00 3/4 CustoM $5,000 78 1941 Martin F-7 $2,500 82 1996 Martin D-45 Deluxe $8,000 84 1940 Gibson Super 400N $2,750 89 1936 Gibson ADvanceD JuMbo $32,500 91 1948 Epiphone Zephyr De Luxe $1,000 99 1938 National New Yorker Electric Spanish $1,500 102 1994 Martin D-45GA $8,500 107 1967 Gibson SJN Country Western $2,000 Lot No. Lot Title Post-Auction Offer 108 1953 Epiphone EMperor Regent $2,000 126 1927 Francisco SiMplicio Presentation Classical $20,000 127 1949 José Ramírez Flamenco $2,000 134 C. 1928-29 Epiphone RecorDing MoDel E $6,500 136 1964 Epiphone FT-120 Excellente $8,000 139 1928 Martin 00-40H $9,000 140 1934 Gibson L-5 $2,600 143 C. 1927 Supertone Artist $1,000 147 1954 Gibson L-5C $6,000 148 1955 D’Angelico New Yorker $12,000 149 C. 1899 Maurer Presentation $10,000 151 1918 Gibson Style O $5,500 153 1933 Epiphone De Luxe Masterbilt $3,500 154 1963 José Ramírez Classical $3,500 162 1951 Epiphone De Luxe Regent $1,750 164 1994 Martin D-45GA $2,300 169 1927 Gibson L-5 $13,500 172 1997 Martin CustoM Shop D-45 Deluxe $7,500 180 1862 Antonio De Torres Classical $30,000 181 1949 Gibson L-5CNE $6,000 183 1925 Gibson L-5 $14,000 184 C. 1930 Stahl ManDolin $1,000 185 1936 Epiphone Emperor $1,100 187 C. 1935 Oahu MoDel 69K De Luxe JuMbo $2,500 188 1942 D’Angelico New Yorker $5,700 189 1929 Gibson L-5 $3,000 190 1912 Gibson L-4 $6,500 192 1905 Gibson F-2 Artist ManDolin $4,000 193 C. 1890's Washburn Style 308 GranD Concert $2,200 194 1945 Epiphone Emperor $1,000 196 1942 Gibson Super 400 Premiere $7,500 197 1949 Epiphone Emperor $1,100 198 1931 Gibson L-5 $2,300 200 1950 Gibson Super 400N $3,000 201 1960 D’Angelico Excel $12,000 204 1941 Epiphone Emperor $3,275 206 1939 D’Angelico New Yorker $5,500 210 1952 Epiphone EMperor Regent $1,250 222 C. 1939 Prairie State $8,500 223 1951 Epiphone EMperor Regent $1,750 224 1947 Gibson L-5N $2,200 225 C. 1902-04 Washburn Style 388 GranD Concert $2,200 229 1909 H.F. Meyers Harp Guitar $2,000 4/25/14 | 10:49AM.

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1968 Super 400.Rtfd
1968 Gibson Super 400CN Serial #: 526295 Body size at lower bout:18" Scale length: 25-1/2" Nut width: 1 9/16" Materials: Handcarved bookmatched fine grained solid spruce top; highly figured tiger flame maple back and neck; ebony fingerboard with mother of pearl block fingerboard and peghead inlay; 5-ply body, neck, head and pickguard binding, triple bound f-holes, polished bone nut. Hardware: All original hardware, including engraved gold-plated tailpiece; compensated Brazilian rosewood bridge; truss rod cover with "Custom" imprint; factory correct quintuple-bound tortoise replacement pickguard installed. Notes: Of all the details of the life of Mr. R. E. Getz of Chicago, Illinois, we know only this. On September 16th, 1968, he walked into Monti's Music Center in Maywood and bought the most expensive guitar in the store. How do we know this? Firstly, because this information is recorded on the original pink sales receipt, still sitting in the accessory compartment of the case. And secondly, because on that day there was no more expensive guitar to be had anywhere in the world than a brand new, blonde, cutaway Gibson Super 400. The other thing we know is that Mr. Getz took good care of his toys. Very good care. Because this remarkable guitar remains in essentially the same condition as it did the day that receipt was carefully folded into it's case. Except, of course, the instrument is now 40 years old. And the amber blonde finish has aged to the color of a perfect piece of toast. This same finish which highlights one of the largest, and most highly figured slabs of bookmatched tiger flame maple ever wrested from the forests of northern Michigan.
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GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc.
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Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic
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01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models.
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2016 Washburn Catalog
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® (800) 222-4700 • www.sweetwater.com Late Spring 2003 Issue Genetically reengineering today’s music with the V-Synth from Roland Every keyboard player acknowledges the instruments nology had essentially matured. With very few exceptions, bilities, its controls are very accessible; you can easily create that in their particular time, were the “next big thing.” His- the synths being produced by all the “big players” seem stunningly dramatic sounds full of life and motion without torically, it’s easy to point to certain instruments that made more to be refinements of existing architectures, rather than so much as a glance under the hood! There’s no long, pain- the big leap and introduced an entirely new sound or break- radical departures. ful learning curve required with through technology: The MiniMoog, the Roland Jupiter 8, the V-Synth! the DX7, the D-50, the I was lucky enough E-Mu Emulator, to get to spend a long the Kurzweil weekend with one of the 250 and Korg very first V-Synths off the M-1 — each in line, so you’re definitely its own way was a going to want to check milestone in music out Page 2 for an ex- technology and a clusive “hands on” “jumping off point” report. Meanwhile, for many instruments take a look below that followed. at just a few of the For several years features that Roland has packaged now, musicians have into this impressive new synth! — Jim Miller been asking the big ques- tion: “What’s next?” What’s Well, we do have an answer: Roland has set • 61-note synth with multiple oscillator beyond the sampling and sample out to challenge that notion with the breathtaking new technologies, sampling and COSM filtering.
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