Gibson Les Paul Setup Instructions
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1968 Super 400.Rtfd
1968 Gibson Super 400CN Serial #: 526295 Body size at lower bout:18" Scale length: 25-1/2" Nut width: 1 9/16" Materials: Handcarved bookmatched fine grained solid spruce top; highly figured tiger flame maple back and neck; ebony fingerboard with mother of pearl block fingerboard and peghead inlay; 5-ply body, neck, head and pickguard binding, triple bound f-holes, polished bone nut. Hardware: All original hardware, including engraved gold-plated tailpiece; compensated Brazilian rosewood bridge; truss rod cover with "Custom" imprint; factory correct quintuple-bound tortoise replacement pickguard installed. Notes: Of all the details of the life of Mr. R. E. Getz of Chicago, Illinois, we know only this. On September 16th, 1968, he walked into Monti's Music Center in Maywood and bought the most expensive guitar in the store. How do we know this? Firstly, because this information is recorded on the original pink sales receipt, still sitting in the accessory compartment of the case. And secondly, because on that day there was no more expensive guitar to be had anywhere in the world than a brand new, blonde, cutaway Gibson Super 400. The other thing we know is that Mr. Getz took good care of his toys. Very good care. Because this remarkable guitar remains in essentially the same condition as it did the day that receipt was carefully folded into it's case. Except, of course, the instrument is now 40 years old. And the amber blonde finish has aged to the color of a perfect piece of toast. This same finish which highlights one of the largest, and most highly figured slabs of bookmatched tiger flame maple ever wrested from the forests of northern Michigan. -
Większość Oferowanych Produktów to Urządzenia Nowe, Fabrycznie Zapakowane Lub Końcówki Serii
Większość oferowanych produktów to urządzenia nowe, fabrycznie zapakowane lub końcówki serii. Niemniej zastrzegamy, że niektóre produkty znajdujące się na wyprzedaży mogą pochodzić z ekspozycji lub nosić ślady użytkowania. Aby zamówić produkt z wyprzedaży należy skontaktować się z Działem Handlowym Lauda-Audio, telefonicznie lub mailowo +4858-555-06-60, [email protected] Zastrzegamy sobie prawo do potwierdzenia dostępności towaru przed zawarciem transakcji. Oferta ważna do 31.08.2017 lub do wyczerpania asortymentu. 4099,- 3999,- 3429,- 3599,- 3599,- 2899,- Gibson SG STANDARD 2015 BL Translucent Gibson SG STANDARD 2015 FI Fireburst Gibson LP 50 TRIBUTE 2016 T HD Satin Ebony gitara elektryczna gitara elektryczna Honeyburst Dark Back gitara elektryczna 5799,- 3899,- 4199,- 4999,- 2499,- 2599,- Gibson THUNDERBIRD BASS 2015 VS GJ2 Glendora Jet Black Maple/Basswood GJ2 Glendora Jet Black Maple/Basswood Vintage Sunburst gitara basowa HSS - gitara elektryczna SSS- gitara elektryczna 5999,- 6999,- 6999,- 5399,- 5999,- 5999,- Gibson LP TRADITIONAL 2015 OB Ocean Gibson LP TRADITIONAL Premium Finish Gibson LP TRADITIONAL Premium Finish 2016 T Blue gitara elektryczna 2016 T HB Honey Burst gitara elektryczna HS Heritage Cherry Sunburst gitara elektryczna WIELKA LETNIA WYPRZEDAż W LAUDa-AUDIO DO 70% 8999,- 9099,- 13499,- 7199,- 7199,- 9999,- Gibson ES Les Paul Studio GB 2016 gitara Gibson ES Les Paul Studio WR 2016 gitara Gibson ES LPS Premiere FB 2016 gitara elektryczna elektryczna elektryczna 16999,- 4499,- 4099,- 11999,- 3999,- 3499,- Gibson ES335 -
GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Gibson Rd Artist Bass Schematic
Gibson Rd Artist Bass Schematic Gibson Vintage 1978 rd Artist Natural Bass Guitar. The bass..its original hardshell case, Owners Manual, Schematic, and Gibson warranty paperwork. 1978 Gibson RD Artist electric guitar in GLOSS BLACK FINISH with the Artist The bass comes with its original hardshell case, Owners Manual, Schematic,. The RD series (guitar and bass) was the result of Gibson's desire to tap into a 9v battery powering a circuit board smaller than the artists, but still of significant. Farner used the “Tone Messer” circuit often on solos. Kris Deerig Les Paul Replica (1), Krist Novoselic - Gibson RD Artist Bass (1), Kurt Cobain - 1965 Jaguar. Bassist Chris Slorach of Toronto noise rockers METZ is extremely fond of one bass guitar in particular - the Gibson RD Artist. Slorach is so attached to the hard. But I took it to a tech at GC, and he said the wiring looks fine. Schecter Stiletto 4 Bass Gibson - RD 2014 Artist, 2010 Standard, 2007 Silverburst, Explorer. Gibson Rd Artist Bass Schematic Read/Download The bass comes with its original hardshell case, Owners Manual, Schematic, and Gibson warranty paperwork. 1977 Gibson RD Artist Bass. $2,300. VINTAGE 1975 USA GIBSON GRABBER BASS GUITAR WIRING HARNESS POTS JACK Gibson Vintage 1978 RD Artist Natural Bass Guitar. 1982 Fender® 57 RI Strat® Instruction Manual/ Fullerton. $85.00. Guitars-Etc. 1979 Gibson RD Artist Bass Guitar Schematic. $35.00. Unlike any other older phaser on the list, it contains a “Manual” knob, which sets the frequency range, and an Input Well, he did design the Gibson RD Artist onboard compressor…so, no. -
Lou Gramm Backline Requirements 2017 (3 Pages) Page A-1
Lou Gramm Backline Requirements 2017 (3 pages) page A-1 Keyboards 2 Yamaha XF-7 keyboards with sustain (2) and expression (2) pedals 2 tier ultimate keyboard stand Hammond B3 organ with Leslie speaker or equivalent. Drum Shield (MANDATORY) 1 ClearSonic Drum Shield #A5-5 5 Panel-5.5’ High Please provide (5) sand bags to stabilize shield Snare drum First Choice - Ludwig Supraphonic 6 ½ X 14 snare drum Second Choice -DW Aluminum 6 ½ X 14 Drum heads: NEW Remo Emporer X top head and Remo clear ambassador bottom head Tom Toms 12”, 14” mounted toms, 16” and 18” Floor toms First choice: Yamaha Recording Custom Second choice: DW Drum heads: NEW Remo Pin Stripe top heads and Remo clear ambassador bottom head 12” and 14” toms will need a free standing tom stand. They are NOT to be mounted on the bass drum. Bass drum 22” X 18” deep bass drum First choice: Yamaha Recording Custom Second choice: DW Drum Head: NEW Aquarian Superkick II 2 Remo “Falam Slam” stick on pads that I will stick on the head myself Lou Gramm (Continued) Backline Requirements 2017 (3 pages) page A-2 Drum Hardware ALL HARDWARE IS TO BE YAMAHA. NO MATTER WHAT BRAND OF DRUMS. THE ONLY EXCEPTIONS ARE: THE HI-HAT STAND (DW), KICK DRUM PEDAL (DW), AND IF THE SET IS DW – THE TOM TOM STAND MUST BE DW (OBVIOUSLY) 2 heavy duty snare drum stands 1 DW turbo 9000 series double bass drum pedal 1 heavy duty drum throne (NO DW SEATS!) 1 DW Turbo 9000 heavy duty hi hat stand that accommodates a double bass drum pedal 1 heavy duty double tom tom stand that accommodates the brand of drums 7 heavy -
Hannoart Presents Dave's Guitar Shop
HannoArt presents IN A WORLD FULL OF SO MUCH SAMENESS, HannoArt stands apart as one of the most distinctive coated sheets in the industry. Thanks to a proprietary triple-coating process, HannoArt offers an outstanding ink lay that holds crisp details and rich, dense solids—all on an incomparably smooth, uniform surface. Simply put, HannoArt represents a level of craftsmanship that is without peer—making it the ideal sheet for those with a passion for the exceptional. THE BENEFITS OF HANNOART Superior Surface Smoothness A unique triple-coated surface provides exceptional ink lay— enabling spectacular image fidelity and print depth. Outstanding Gloss Finish Provides an outstanding surface for excellent reproduction and visual impact. Exceptional Silk Finish Provides a superior and elegant tactile experience. Broad Basis Weight Range A broad range of sheet fed grades enables HannoArt to handle a variety of print projects. Custom sizes are also available through Sappi’s Special Making Order (SMO) services. Environmental Responsibility HannoArt boasts FSC Chain of Custody certification. This guarantees that trees used to produce HannoArt papers were procured from responsibly managed forests. YOU’D PROBABLY EXPECT a place called Dave’s Guitar Shop to be happily ensconced in some strip mall catering to America’s adolescents. But as the old adage goes, one cannot judge a book — or, in this case, a shrine — by its cover. You see, Dave’s Guitar Shop is a veritable mecca for guitar aficionados from around the world. Tucked away in La Crosse, Wisconsin, a city more famous for its barrels of brew than its Gibsons and Gretsches, Dave Rogers has created a haven for those seeking the finest in guitar design and craftsmanship. -
11C Software 1034-1187
Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185 -
Genetically Reengineering Today's Music with the V-Synth from Roland
® (800) 222-4700 • www.sweetwater.com Late Spring 2003 Issue Genetically reengineering today’s music with the V-Synth from Roland Every keyboard player acknowledges the instruments nology had essentially matured. With very few exceptions, bilities, its controls are very accessible; you can easily create that in their particular time, were the “next big thing.” His- the synths being produced by all the “big players” seem stunningly dramatic sounds full of life and motion without torically, it’s easy to point to certain instruments that made more to be refinements of existing architectures, rather than so much as a glance under the hood! There’s no long, pain- the big leap and introduced an entirely new sound or break- radical departures. ful learning curve required with through technology: The MiniMoog, the Roland Jupiter 8, the V-Synth! the DX7, the D-50, the I was lucky enough E-Mu Emulator, to get to spend a long the Kurzweil weekend with one of the 250 and Korg very first V-Synths off the M-1 — each in line, so you’re definitely its own way was a going to want to check milestone in music out Page 2 for an ex- technology and a clusive “hands on” “jumping off point” report. Meanwhile, for many instruments take a look below that followed. at just a few of the For several years features that Roland has packaged now, musicians have into this impressive new synth! — Jim Miller been asking the big ques- tion: “What’s next?” What’s Well, we do have an answer: Roland has set • 61-note synth with multiple oscillator beyond the sampling and sample out to challenge that notion with the breathtaking new technologies, sampling and COSM filtering. -
(12) United States Patent (10) Patent No.: US 8,686,269 B2 Schmidt Et Al
USOO8686269B2 (12) United States Patent (10) Patent No.: US 8,686,269 B2 Schmidt et al. (45) Date of Patent: * Apr. 1, 2014 (54) PROVIDING REALISTIC INTERACTION TO (56) References Cited A PLAYER OF A MUSIC-BASED VIDEO GAME U.S. PATENT DOCUMENTS (75) Inventors: Daniel A. Schmidt, Somery ille, MA 3.430,530D211,666 AS 3/19697/1968 GrindingerMacGillavry (US); Gregory B. LoPiccolo, Brookline, 3,897,711 A 8/1975 Elledge MA (US); Eran Egozy, Brookline, MA D245,038 S 7, 1977 Ebata et al. (US) D247,795 S 4, 1978 Darrell 4,128,037 A 12, 1978 Montemurro (73) Assignee: Harmonix Music Systems, Inc., E. 88: Sushida et al. Cambridge, MA (US) D262,017 S 11/1981 Frakes, Jr. D265,821 S 8, 1982 Okada et al. (*) Notice: Subject to any disclaimer, the term of this D266,664 S 10, 1982 Hoshino et al. patent is extended or adjusted under 35 (Continued) U.S.C. 154(b) by 823 days. This patent is Subject to a terminal dis- FOREIGN PATENT DOCUMENTS claimer. AT 468071 T 6, 2010 AU T41239 B2 4f1999 (21) Appl. No.: 12/263,434 (Continued) (22) Filed: Oct. 31, 2008 OTHER PUBLICATIONS (65) Prior Publication Data Guitar Hero (video game) Wikipedia, the free encyclopedia— US 2009/OO82O78A1 Mar. 26, 2009 (Publisher RedOctane) Release Date Nov. 2005.* Related U.S. Application Data (Continued) (63) Continuation of application No. 1 1/683,136, filed on Mar. 7, 2007, now Pat. No. 7,459,624. Primary Examiner — Marlon Fletcher (74) Attorney, Agent, or Firm — Wilmer Cutler Pickering (60) Provisional application No. -
Setting Guitar Intonation Using Your Peterson Tuner
Setting Guitar Intonation Using Your Peterson Tuner Before you attempt to tune any stringed instrument, the intonation should be checked and, if necessary, adjusted to the correct position. If you’ve never used a Peterson tuner before, then it is almost certain that your instrument is not yet correctly intonated and will not sound its best until you address it. Now that you have a Peterson, you can achieve professional quality results with the help of the tips below, and the intonation will be the best it can be on your instrument. You’ll need your Peterson tuner, a short guitar cord, a small screwdriver and a set of new strings. Before starting, find a surface upon which to lay your guitar that is free of any objects which could damage your instrument and cover it with a towel or similar soft material. Remember to tune the guitar in the position in which you would normally play it (i.e. around your neck, supported by a strap), but adjust the bridge of the guitar after laying it on a flat surface. If you tune the guitar while it’s laying flat, gravity will affect the tension of the neck and skew the results. If you adjust the bridge while the guitar is hanging from a strap on your shoulder, there is a risk that the guitar’s finish will be damaged by the screwdriver. If possible, take the opportunity to clean the fingerboard after the old strings have been removed. New strings will stay clean and sound good a lot longer if the fingerboard is free of grime and dirt. -
12-Priceguide2011pages.Pdf
132 Gibson Nighthawk Custom — Gibson SG II The Official Vintage Guitar Magazine Price Guide 2011 The Official Vintage Guitar Magazine Price Guide 2011 Gibson SG III — Gibson SG Exclusive 133 MODEL EXC. COND. MODEL EXC. COND. MODEL EXC. COND. MODEL EXC. COND. GUITARS BASSES AMPS EFFECTS STEELS & LAPS MANDOLINS UKULELES BANJOS YEAR FEATURES LOW HIGH YEAR FEATURES LOW HIGH YEAR FEATURES LOW HIGH YEAR FEATURES LOW HIGH Nighthawk Custom RD Artist/79 SG III SG Classic 1993-1998. Flame maple top, ebony ’board, gold 1978-1982. Double-cut solidbody, 2 humbuckers, 1972-1974. The sunburst version of the II, some 1999-2001, 2003-present. Late ’60s SG Special style, hardware, fireburst, single/double/mini pickups. TP-6 tailpiece, active electronics, ebony ’board, block shipped as late as ’79. Classic on truss rod cover, large ’guard, black soap-bar 1993-1998 $1,500 $1,800 inlays, gold-plated parts, various colors, called just RD 1972-1974 $900 $1,200 single-coil P-90s, dot markers, stop bar tailpiece, cherry Nighthawk Special (no Artist) in ’81 and ’82. SG-3 or ebony stain. Offered by Musician’s Friend since ’03. 1993-1998. Single-cut solidbody, figured maple 1978-1982 $1,200 $1,400 2007-2008. SG styling, SG Standard appointments, 1999-2001 $675 $800 top, double-coil and mini-pickup or with additional RD Custom 3 gold humbuckers or 3 single coils, 1 rotor switch, 2 SG Custom single-coil options, dot marker inlay, cherry, ebony 1977-1979. Double-cut solidbody, 2 humbuckers, knobs, stop tail. 1963-1980. Renamed from Les Paul Custom, 3 or sunburst. -
Led Zeppelin
For Linda, Evie, Mollie and Michael – always. Author’s Note While I have been fortunate over the years to have enjoyed the company of various ex-members and/or former employees of Led Zeppelin, it should be born in mind at all times that this is an unauthorised biography, written objectively and with no undue pressure from any outside influence to do anything other than tell the story as I honestly see it. It should also be clearly understood that the italicised ‘flashback’ passages of the text are not the actual words of Jimmy Page, Robert Plant, John Bonham, John Paul Jones and Peter Grant, nor are they actual quotes. Whilst they are all based on thorough biographical research, the facts of which can be found in the Notes & Sources section at the end of this book, the words themselves are the product of my imagination. Contents Prologue – Heaven Part One: Ascension! 1. The Dawn of Now 2. Daze of My Youth 3. Light and Shade 4. Going To California 5. High in the Sky 6. Cannons! 7. Cracking the Whip 8. A Bustle in Your Hedgerow Part Two: The Curse of King Midas 9. So Mote It Be 10. All That Glitters 11. We Are Your Overlords 12. The Golden Gods 13. The Devil in His Hole 14. Caesar’s Chariot 15. The Outhouse 16. To Be A Rock… Epilogue – Gone, Gone, Gone… Notes and Sources Index Acknowledgements Prologue Heaven It could happen anywhere but it always happened best in America. Land of milk and honey, world of infinite possibility.