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Constructing Contemporary Nationhood in the Museums and Heritage Centres of Catalonia Colin Breen*, Wes Forsythe**, John Raven***
170 Constructing Contemporary Nationhood in the Museums and Heritage Centres of Catalonia Colin Breen*, Wes Forsythe**, John Raven*** Abstract Geographically, Spain consists of a complex mosaic of cultural identities and regional aspirations for varying degrees of autonomy and independence. Following the end of violent conflict in the Basque country, Catalonia has emerged as the most vocal region pursuing independence from the central Spanish state. Within the Catalan separatist movement, cultural heritage sites and objects have been appropriated to play an intrinsic role in supporting political aims, with a variety of cultural institutions and state-sponsored monumentality playing an active part in the formation and dissemination of particular identity-based narratives. These are centred around the themes of a separate and culturally distinct Catalan nation which has been subject to extended periods of oppression by the varying manifestations of the Spanish state. This study addresses the increasing use of museums and heritage institutions to support the concept of a separate and distinctive Catalan nation over the past decade. At various levels, from the subtle to the blatant, heritage institutions are propagating a message of cultural difference and past injustice against the Catalan people, and perform a more consciously active, overt and supportive role in the independence movement. Key words: Catalonia, museums, heritage, identity, nationhood Across contemporary Europe a range of nationalist and separatist movements are again gaining momentum (Borgen 2010). From calls for independence in Scotland and the divisive politics of the Flemish and Walloon communities in Belgium, to the continually complicated political mosaic of the Balkan states, there are now a myriad of movements striving for either greater or full autonomy for their region or peoples. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
The Regions of Spain
© 2017 American University Model United Nations Conference All rights reserved. No part of this background guide may be reproduced or transmitted in any form or by any means whatsoever without express written permission from the American University Model United Nations Conference Secretariat. Please direct all questions to [email protected] A NOTE Julia Clark Chair Estimats Diputats del Parlament de Catalunya, Dear Diputats of the Parliament of Catalonia, My name is Julia Clark and I’ll be serving as your Chair for the Parliament of Catalonia. I cannot wait to meet all of you in February. Time is of the essence and the Catalan Republic needs creating! As for a little bit about myself: MUN is my life! Last year, I served on the AmeriMUNC Secretariat as the Charges D’Affaires and currently I am an Assistant Head Delegate of the AU Model United Nations competitive travel team. I have done MUN for seven years, competing at 24 conferences across the US and Canada, and I once chaired a conference in the Netherlands! I’m proud to say that AmeriMUNC will be my eighth time chairing. Outside of MUN, I am also the President of my sorority, Phi Mu. If you have any questions about greek life or collegiate MUN, I’d love to chat via email or at the conference. I’m personally very excited to be forming our own new nation, the Catalan Republic. I just studied abroad for four months in Madrid, Spain and was at the center of the real life action surrounding the Catalan independence movement. -
Spanish Identity: Nation, Myth, and History
Studies in 20th & 21st Century Literature Volume 33 Issue 2 Identities on the Verge of a Nervous Article 2 Breakdown: The Case of Spain 6-1-2009 Spanish Identity: Nation, Myth, and History Jesús Torrecilla University of California, Los Angeles Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Modern Literature Commons, and the Spanish Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Torrecilla, Jesús (2009) "Spanish Identity: Nation, Myth, and History," Studies in 20th & 21st Century Literature: Vol. 33: Iss. 2, Article 2. https://doi.org/10.4148/2334-4415.1699 This Introductory Material is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Spanish Identity: Nation, Myth, and History Abstract In the last two centuries, conservatives and liberals have offered two mutually exclusive visions of Spanish history, each with distinct myths, symbols, and heroes. The conservative image, formed in the Middle Ages, was based on the myth of the Reconquest and the need to restore (or keep) the homogeneity of a country characterized by its Christian religion and Latin culture. At the beginning of the nineteenth century, faced with Napoleon’s invasion, Spanish liberals understood the danger of associating their modern ideas with France and invented a progressive and democratic Spanish tradition. According to their interpretation, the most authentic Spain was not the one identified with the Reconquest and the Empire, but the Spain of all those who had been excluded from the nation-building process because of their religion or ideas: the tolerant al-Andalus Muslims, the freedom-fighter comuneros and the defenders of the democratic medieval fueros. -
New Perspectives on Nationalism in Spain • Carsten Jacob Humlebæk and Antonia María Ruiz Jiménez New Perspectives on Nationalism in Spain
New Perspectives on Nationalism in Spain in Nationalism on Perspectives New • Carsten Humlebæk Jacob and Antonia María Jiménez Ruiz New Perspectives on Nationalism in Spain Edited by Carsten Jacob Humlebæk and Antonia María Ruiz Jiménez Printed Edition of the Special Issue Published in Genealogy www.mdpi.com/journal/genealogy New Perspectives on Nationalism in Spain New Perspectives on Nationalism in Spain Editors Carsten Humlebæk Antonia Mar´ıaRuiz Jim´enez MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Editors Carsten Humlebæk Antonia Mar´ıa Ruiz Jimenez´ Copenhagen Business School Universidad Pablo de Olavide Denmark Spain Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Genealogy (ISSN 2313-5778) (available at: https://www.mdpi.com/journal/genealogy/special issues/perspective). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03943-082-6 (Hbk) ISBN 978-3-03943-083-3 (PDF) c 2020 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. -
Catalonia Is a Country: World Heritage
CATALONIA IS A COUNTRY: WORLD HERITAGE AND REGIONAL NATIONALISM by MATTHEW WORTH LANDERS A THESIS Presented to the Department ofGeography and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts March 2010 11 "Catalonia Is a Country: World Heritage and Regional Nationalism," a thesis prepared by Matthew Worth Landers in partial fulfillment ofthe requirements for the Master ofArts degree in the Department ofGeography. This thesis has been approved and accepted by: Dr. Alexander B. Murphy, Chair ofthe Examining Committee Date Committee in Charge: Dr. Alexander B. Murphy, Chair Dr. Xiaobo Su Accepted by: Dean ofthe Graduate School 111 © 2010 Matthew Worth Landers IV An Abstract ofthe Thesis of Matthew Worth Landers for the degree of Master ofArts in the Department ofGeography to be taken March 2010 Title: CATALONIA IS A COUNTRY: WORLD HERITAGE AND REGIONAL NATIONALISM Approved: Alexander B. Murphy Since 1975, the Spanish autonomous region ofCatalonia has been renegotiating its political and cultural place within Spain. The designation and promotion ofplaces within Catalonia as World Heritage Sites-a matter over which regional authorities have competency-provides insights into the national and territorial ideas that have emerged in recent decades. This study ofthe selection and portrayal ofWorld Heritage sites by Turisme de Cata1unya shows that the sites reflect a view ofthe region as 1) home to a distinct cultural group, 2) a place with an ancient past, and 3) a place with a history of territorial autonomy. These characteristics suggest that even though many Catalan regionalists seek a novel territorial status that is neither independent ofnor subservient to the Spanish state, the dominant territorial norms ofthe modem state system continue to be at the heart ofthe Catalan nation-building project. -
LA HISTORIA DE LA SEÑERA VALENCIANA EN LOS DOCUMENTOS HISTÓRICOS (En Cursiva, Copias De Escritos En Valenciano Y Castellano Antiguos)
LA HISTORIA DE LA SEÑERA VALENCIANA EN LOS DOCUMENTOS HISTÓRICOS (En cursiva, copias de escritos en valenciano y castellano antiguos) Aparición de las cuatros barras En el año 1150, en el sello del último conde autónomo de Barcelona Ramón Berenguer IV, aparecen las cuatro barras rojas. En 1137 este conde se había casado con la Reina Petronila de Aragón, que firmaba princeps Aragonensis , tras su sello de las cuatro barras. Este sello proviene de Jaca, (capital del condado de Aragón y, desde 1035, capital del reino del mismo nombre) según se ve en el relieve de uno de los capiteles románicos de su catedral del siglo X. La leyenda catalana, sin documentación que lo avale, atribuye a Wifredo el Velloso el invento de las barras. Nada más lejos de la verdad. Las barras ya figuraban en el escudo de Jaca cuando su primer conde aragonés, Aznar Galindo, reconquista la ciudad a los árabes (861) que unos años antes ya había conquistado su padre el noble Aznar (BETTONICA, “La bandera de las cuatro barras”, “Jano” pág. 92.) Tampoco eran las cuatro barras escudo o bandera del Reino de Aragón. Era el distintivo de la familia real exclusivamente. La bandera del Reino fue una azul con una cruz blanca con pie en punta de lanza, primero, y posteriormente bandera blanca con la cruz roja de San Jorge a la que se unió cuatro cabezas de cuatro reyes moros tras la batalla de Alcoráz, por la que se conquistó Huesca. Los historiadores catalanes Udina, Martorell, Ainaud y Coll i Alenton, certifican el uso de este sello en 1150, nunca antes, cuando Ramón Berenguer hizo extensivo para todo el Reino la bandera de las cuatro barras de su esposa Petronila de Aragón. -
Ethno S Cripts
EthnoS cripts ZEITSCHRIFT FÜR AKTUELLE ETHNOLOGISCHE STUDIEN Tradition, performance and identity politics in European festivals Jahrgang 20 Heft 1 I 2018 Venetia Johannes El calendari gastronòmic Culinary nationalism in Catalan festivals Ethnoscripts 2018 20 (1): 58-78 eISSN 2199-7942 Abstract Expressions of Catalan identity have become increasingly significant following increased friction with the Spanish central government. Catalonia-specific foods and festivals are two such expressions that have been mobilised as national symbols, and which I will consider in this paper. I will discuss the role that food plays in festive occasions in the Catalan calendar, including secularised traditional holidays and Catholic feast days, newly created festivals and fairs centred on foods, and finally the three national days (23rd April, 24 June and 11th September). In doing so, I will also tease out other, related themes in Catalan cultural identity today, including the feelings of connectedness with a historic past, land and landscape, the championing of seasonality through culinary events, and Catalonia’s gastronomic calendar. Creating, adapting and performing festivities that are celebrations of national and culinary symbols are a means of celebrating Catalan identity itself. They are events when Catalans meet to discuss and reformulate their identity, and sources of claims to distinctiveness. Herausgeber: Universität Hamburg Institut für Ethnologie Edmund-Siemers-Allee 1 (West) D-20146 Hamburg Tel.: 040 42838 4182 E-Mail: [email protected] http://www.ethnologie.uni-hamburg.de eISSN: 2199-7942 Dieses Werk ist lizenziert unter einer Creative Commons Licence 4.0 International: Namensnennung - Weitergabe unter gleichen Bedingungen. Johannes Culinary nationalism in Catalan festivals El calendari gastronòmic Culinary nationalism in Catalan festivals Venetia Johannes Introduction In my research, I study how food is used to express Catalan national identity in the context of the rise in support for secessionist politics in the Catalan Autonomous Community (Catalonia), Spain. -
Culinary Nationalism in Catalan Festivals Johannes, Venetia
www.ssoar.info El calendari gastronòmic: culinary nationalism in Catalan festivals Johannes, Venetia Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Johannes, V. (2018). El calendari gastronòmic: culinary nationalism in Catalan festivals. EthnoScripts: Zeitschrift für aktuelle ethnologische Studien, 20(1), 58-78. https://nbn-resolving.org/urn:nbn:de:gbv:18-8-12327 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-SA Lizenz (Namensnennung- This document is made available under a CC BY-SA Licence Weitergabe unter gleichen Bedingungen) zur Verfügung gestellt. (Attribution-ShareAlike). For more Information see: Nähere Auskünfte zu den CC-Lizenzen finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.de EthnoS cripts ZEITSCHRIFT FÜR AKTUELLE ETHNOLOGISCHE STUDIEN Tradition, performance and identity politics in European festivals Jahrgang 20 Heft 1 I 2018 Venetia Johannes El calendari gastronòmic Culinary nationalism in Catalan festivals Ethnoscripts 2018 20 (1): 58-78 eISSN 2199-7942 Abstract Expressions of Catalan identity have become increasingly significant following increased friction with the Spanish central government. Catalonia-specific foods and festivals are two such expressions that have been mobilised as national symbols, and which I will consider in this paper. I will discuss the role that food plays in festive occasions in the Catalan calendar, including secularised traditional holidays and Catholic feast days, newly created festivals and fairs centred on foods, and finally the three national days (23rd April, 24 June and 11th September). In doing so, I will also tease out other, related themes in Catalan cultural identity today, including the feelings of connectedness with a historic past, land and landscape, the championing of seasonality through culinary events, and Catalonia’s gastronomic calendar. -
Catalan Independence Through a Cultural Lens Maren Burling Bucknell University, [email protected]
Bucknell University Bucknell Digital Commons Honors Theses Student Theses Spring 2019 Els Catalans Són Diferents: Catalan Independence through a Cultural Lens Maren Burling Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the Linguistic Anthropology Commons, and the Social and Cultural Anthropology Commons Recommended Citation Burling, Maren, "Els Catalans Són Diferents: Catalan Independence through a Cultural Lens" (2019). Honors Theses. 506. https://digitalcommons.bucknell.edu/honors_theses/506 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Els Catalans Són Diferents: Catalan Independence through a Cultural Lens By Maren Burling A Departmental Honors Thesis Presented to the Faculty of Bucknell University For Honors in Anthropology April 1, 2019 Approved: ________________________ Dr. Michelle C. Johnson Associate Professor of Anthropology Thesis Advisor ________________________ Dr. Edmund Q. Searles Associate Professor of Anthropology Chair, Department of Sociology and Anthropology i Acknowledgements First, I would like to thank Professor Michelle C. Johnson from the Department of Sociology and Anthropology, my advisor, my champion, and my friend. As someone I admire for her intelligence, passion, and loyalty, it has been an absolutely pleasure to be her honors thesis student this past year. MJ, you have an enthusiasm that reminds me why I love anthropology. Thank you for your guidance and encouragement, without it this thesis would not have been possible. I would also like to acknowledge my Honors Council Committee, Clare Sammells, and Heidi Lorimor, for participating in this process and supporting undergraduate research and academia. -
Comparing Student Perspectives of the Politics of Language and Identity in Catalonia and the Valencian Community
Linguistic authority and authoritative texts: Comparing student perspectives of the politics of language and identity in Catalonia and the Valencian Community by Andrew Frank Bradley Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities School of Languages and Cultures October 2020 Table of Contents Abstract ................................................................................................................................... viii Declaration ................................................................................................................................. x Acknowledgements ................................................................................................................... xi Table of Figures ....................................................................................................................... xii List of abbreviations ............................................................................................................... xiii Note on terminology ............................................................................................................... xiv Chapter 1: Introduction .......................................................................................................... 1 1.1 Contemporary Spain: a case of (dis)unity and conflict .................................................... 2 1.1.1 Allegations of indoctrination in Catalonia and the politicisation -
The Global Legacy of Cuba's Estrella Solitaria
The Global Legacy of Cuba’s Estrella Solitaria (Lone Star Flag) Hipólito Rafael Chacón Figure 1. An artistic rendering of the Estrella Solitaria (Lone Star) flag. Source: Country Flags, “Cuba Flag Pictures,” flagcountries.blogspot.ca (accessed 9 October 2017). They say that a good idea goes far and in the world of politics that is cer- tainly true. They also say that imitation is the highest form of flattery. Both sayings can be applied easily to Cuba’s national standard, the so-called Estrella solitaria or “Lone Star” flag. Figure 2. Another view of the Estrella Solitaria (Lone Star) flag. Source: Madden (user name), commons.wikipedia.org (accessed 9 October 2017). Designed in 1849 and composed of three blue stripes on a white field with a white, five-pointed star on a red equilateral triangle at the hoist, the simple flag of Cuba has become much more than a visible symbol for the island nation. Modern states and would-be nations around the globe have imitated Raven, Vol. 24, 2017 pp. 1–26 ISSN 1071-0043 ©2017 NAVA doi: 10.5840/raven2017241 2 Hipólito Rafael Chacón the elegant design of this flag such that it has come to represent the ideals of democratic revolution and self-determination against the forces of monarchy, colonialism, and imperialism. Cuba is the largest island in the Caribbean and for over four hundred years it was one of the Spanish empire’s most precious and strategic colonies in the Americas. Somehow the island missed the wave of independence that swept across Latin America, starting in 1810.