View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online 'Spectacles within doors': panoramas of London in the 1790s Ellis, M For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/3559 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact
[email protected] August 26, 2008 Time: 09:44am rom024.tex Markman Ellis ‘Spectacles within doors’: Panoramas of London in the 1790s ‘The interest of the panorama is in seeing the increasingly structured by this debate as a true city – the city indoors’. socially-stratified opposition. Wordsworth’s Walter Benjamin, Arcades Project response to the panorama in The Prelude, (1999), 532. although probably based on an experience of In his ramble around London in Book Seven of the exhibition, also reflects his engagement The Prelude (1805), Wordsworth’s poet with the written discourse of the panorama proposes to ‘let us view [...]theSpectacles/ media event. Within doors’. His key example is the Although the panorama dates from the panorama: late-eighteenth century, its modern historiography begins in the late 1960s, when a mimic sights that ape series of publications and research projects first The absolute presence of reality, subjected it to scholarly scrutiny. Pioneering Expressing, as in mirror, sea and land, work by Hubert Pragnell, Scott Wilcox, Richard 1 And what earth is, and what she has to show. Altick and Stephan Oettermann,2 culminated in The panorama is a large-scale landscape Ralph Hyde’s innovative Barbican Art Gallery painting depicting a circular 360 degree view exhibition and catalogue Panoramania! in exhibited under special conditions on the inside 1988.3 This archival work coincided with the surface of a dedicated cylindrical exhibition ‘rediscovery’, preservation and restoration of space.