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												  Stage by Stage South Bank: 1988 – 1996Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
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												  Carol RaskinCarol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia
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												  Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKSCast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult.
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												  9 VITE DA DONNA Regia : Rodrigo Garcia (2005)9 VITE DA DONNA Regia : Rodrigo Garcia (2005) 9 VITE DA DONNA (Nine lives) Genere: Drammatico Regia: Rodrigo Garcia Interpreti: Elpidia Carrillo (Sandra), Miguel Sandoval (Ron, guardia), Robin Wright Penn (Diana), Lisa Gay Hamilton (Holly), Holly Hunter (Sonia), Amanda Seyfried (Samantha), Amy Brenneman (Lorna), Sissy Spacek (Ruth), Kathy Baker (Camille), Glenn Close (Maggie), Dakota Fanning (Maria), Jason Isaacs (Damian), Aidan Quinn (Henry), Stephen Dillane (Martin), Molly Parker (Lisa), Joe Mantegna (Richard), Ian McShane (Larry), Mary Kay Place (Alma). Nazionalità: Stati Uniti Distribuzione: Mikado Film Anno di uscita: 2005 Orig.: Stati Uniti (2004) Sogg. e scenegg.: Rodrigo Garcia Fotogr.(Panoramica/a colori): Xavier Perez Grobet Mus.: Edward Shearmur Montagg.: Andrea Folpre cht Dur.: 112´ Produz.: Julie Lynn. Giudizio: Discutibile/ambiguità Tematiche: Aborto; Carcere; Donna; Famiglia - genitori figli; Malattia; Matrimonio - coppia; Soggetto: Nove episodi. SANDRA (Una ragazza madre in carcere). DIANA (Incinta, al supermercato incontra un antico spasimante). HOLLY (Lei e la sorella aspettano il padre violentatore). SONIA (con il marito in visita a casa di amici). SAMMY (Vive con i genitori, il padre paralitico). LORNA (Va al funerale della moglie dell´ex marito). RUTH (Al motel, vorrebbe provare a tradire il marito, ma non ci riesce). CAMILLE (In ospedale, aspetta l´operazione di mastectomia). MAGGIE (Va con la nipotina Maria al cimitero sulla tomba del marito). Valutazione Pastorale: I nove ritratti scritti e messi in immagini da Rodrigo Garcia (figlio di Gabriel Garcia Marquez) hanno l´obiettivo di focalizzare alcune situazioni di difficoltà che il mondo femminile si trova oggi ad affrontare e sopportare. Va detto che la qualità dei nove capitoletti é abbastanza diseguale: il più compatto é forse quello dedicato a Camille in ospedale; gli altri ondeggiano nella esposizione di problemi vari e certo tutti realistici (il carcere, la maternità, il matrimonio, l´equilibrio tra privato e pubblico...) ma non sempre ben centrati.
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												  3D423bbe0559a0c47624d24383BENDS straddles the Hong Kong- Shenzhen border and tells the story of ANNA, an affluent housewife and FAI, her chauffeur, and their unexpected friendship ABOUT as they each negotiate the pressures of Hong Kong life and the city’s increasingly complex relationship to mainland China. Fai is struggling to find a way to bring his THE pregnant wife and young daughter over the Hong Kong border from Shenzhen to give birth to their second child, even though he crosses the border easily every FILM day working as a chauffeur for Anna. Anna, in contrast, is struggling to keep up the facade of her ostentatious lifestyle into which she has married, after the sudden disappearance of her husband amid financial turmoil. Their two lives collide in a common space, the car. PRODUCTION NoteS SHOOT LOCATION: Hong Kong TIMELINE: Preproduction, July/August 2012 Principal Photography, September/October 2012 (23 days) Completion, Spring 2013 PREMIERE: Cannes Film Festival 2013, Un Certain Regard (Official Selection) LANGUAGE: Cantonese & Mandarin FORMAT: HD, Colour LENGTH: 92 minutes THE CaST ANNA - Lead Female Role Carina Lau 劉嘉玲 SelecTED FILMOGRAPHY: Detective Dee and the Mystery Phantom Flame Let the Bullets Fly 2046 Flowers of Shanghai Ashes of Time Days of Being Wild FAI - Lead Male Role Chen Kun 陳坤 SelecTED FILMOGRAPHY: Painted Skin I & II, Rest On Your Shoulder, Flying Swords of Dragon Gate 3D Let the Bullets Fly Balzac and the Little Chinese Seamstress Writer/Director Flora Lau 劉韻文 Cinematographer Christopher Doyle (H.K.S.C.) 杜可風 A Very Special Thanks To William Chang Suk Ping 張叔平 Flora was born and raised in Hong Kong.
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												  Madonna's Music Videos Defined the MTV Era AndStrike a Pose Madonna’s music videos defined the MTV era and changed pop culture forever. Here are the stories behind the 20 greatest SOUND AND VISION Madonna in the “Vogue” video, 1990 00 72 | MADONNA | COLLECTORS EDITION COLLECTORS EDITION | MADONNA | 00 Ray of Light 1998 A bold embrace of electronica that got Madonna her due at the VMAs “it’s probably, to this day, No. 1 the longest shoot ever for a 2 music video,” remembers direc- tor Jonas Åkerlund, who traveled to New York, Los Angeles and Las Vegas to get “Ray of Light” ’s fast-forward cut- and-paste look. The clip had a simi- Express lar feel to the 1982 art-house favorite Koyaanisqatsi (which Åkerlund had never seen) and a frantic energy that fit the song’s embrace of “electronica.” “We had this diagram that I had in Yourself my pocket for the whole production,” 1989 Åkerlund recalls. “Let’s say you shoot Taking total control of the one frame every 10 seconds or so. Then artistic process, Madonna you have to do that for 30 minutes to worked with director David get like five seconds. Every shot was Fincher to make a sci-fi classic just, like, such a big deal.” The hard work paid off: Although she made near- ly 70 music videos during her career, “Ray of Light” is the only one to win he first of an MTV Video Music Award for Video The VMA- Madonna’s col- of the Year. Says Åkerlund, “I didn’t winning “Ray laborations with of Light” video really think about winning the VMAs.
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												  KATHLEEN FELIX-HAGER Costume DesignerKATHLEEN FELIX-HAGER Costume Designer PROJECTS DIRECTORS STUDIOS/PRODUCERS HACKS Lucia Aniello HBO MAX / UNIVERSAL TV Season 1 Morgan Sackett, Lucia Aniello Nominated, Outstanding Contemporary Mike Schur, David Miner, Jen Statsky Costumes – Emmy Awards Paul W. Downs HAPPIEST SEASON Clea Duvall HULU / TEMPLE HILL / SONY Feature Jonathan McCoy, Nicolas Stern Isaac Klausner, Marty Bowen SPACE FORCE Various Directors NETFLIX Pilot & Series Caroline James, Greg Daniels DOWNHILL Feature Jim Rash FOX SEARCHLIGHT Official Selection – Sundance Film Festival Nat Faxon Jo Homewood, Anthony Bregman VEEP Armando Iannucci HBO / Morgan Sackett Seasons 3 - 7 Various Directors Stephanie Laing, Armando Iannucci FOR LOVE John Dahl ABC Pilot Trish Hoffman, Kim Moses UPLOAD Various Directors AMAZON STUDIOS / Jill Danton Pilot Greg Daniels, Howard Klein GETTING ON Howard Deutch ANIMA SOLA PRODUCTIONS / HBO Season 3 Various Directors Chrisann Verges HEARTBEAT Robbie McNeill UNIVERSAL / NBC / Amy Brenneman Pilot Kelly Meyer, Gordon Mark DEXTER John Dahl SHOWTIME Costume Designer Seasons 6 - 8 SJ Clarkson Robert Lewis, Gary Law, Arika Mittman Costume Supervisor Seasons 1 - 5 Various Directors INTERCEPT Kevin Hooks ABC FAMILY Pilot Lynn Raynor SALVATION BOULEVARD Feature George Ratliff LIONSGATE Costume Supervisor Cathy Schulman TEEN SPIRIT Gil Junger ABC FAMILY MOW Steven Gary Banks, James Middleton CHRISTMAS CUPID Gil Junger ABC FAMILY / Craig McNeil MOW JUDGING AMY Various Directors CBS Seasons 3 – 6 Dan Sackheim, Barbara Hall EASTWICK Series David Nutter ABC Costume Supervisor David Nutter THE WEST WING Season 2 Various Directors NBC Costume Supervisor Aaron Sorkin, John Wells INNOVATIVE-PRODUCTION.COM | 310.656.5151 .
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												  Sam Urdank, Resume JULYSAM URDANK Photographer 310- 877- 8319 www.samurdank.com BAD WORDS DIRECTOR: Jason Bateman CAST: Jason Bateman, Kathryn Hahn, Rohan Chand, Philip Baker Hall INDEPENDENT FILM Allison Janney, Ben Falcone, Steve Witting COFFEE TOWN DIRECTOR: Brad Campbell INDEPENDENT FILM CAST: Glenn Howerton, Steve Little, Ben Schwartz, Josh Groban Adrianne Palicki TAKEN 2 DIRECTOR: Olivier Megato TWENTIETH CENTURY FOX (L.A. 1st Unit) CAST: Liam Neeson, Maggie Grace,,Famke Janssen, THE APPARITION DIRECTOR: Todd Lincoln WARNER BRO. PICTURES (L.A. 1st Unit) CAST: Ashley Greene, Sebastian Stan, Tom Felton SYMPATHY FOR DELICIOUS DIRECTOR: Mark Ruffalo CORNER STORE ENTERTAINMENT CAST: Christopher Thornton, Mark Ruffalo, Juliette Lewis, Laura Linney, Orlando Bloom, Noah Emmerich, James Karen, John Caroll Lynch EXTRACT DIRECTOR: Mike Judge MIRAMAX FILMS CAST: Jason Bateman, Mila Kunis, Kristen Wiig, Ben Affleck, JK Simmons, Clifton Curtis THE INVENTION OF LYING DIRECTOR: Ricky Gervais & Matt Robinson WARNER BROS. PICTURES CAST: Ricky Gervais, Jennifer Garner, Rob Lowe, Lewis C.K., Tina Fey, Jeffrey Tambor Jonah Hill, Jason Batemann, Philip Seymore Hoffman, Edward Norton ROLE MODELS DIRECTOR: David Wain UNIVERSAL PICTURES CAST: Seann William Scott, Paul Rudd, Jane Lynch, Christopher Mintz-Plasse Bobb’e J. Thompson, Elizabeth Banks WITLESS PROTECTION DIRECTOR: Charles Robert Carner LIONSGATE CAST: Larry the Cable Guy, Ivana Milicevic, Yaphet Kotto, Peter Stomare, Jenny McCarthy, Joe Montegna, Eric Roberts DAYS OF WRATH DIRECTOR: Celia Fox FOXY FILMS/INDEPENDENT
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												  Reminder List of Productions Eligible for the 90Th Academy Awards AlienREMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
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												  Amazing GraceAMAZING GRACE UK, 2006, d. Michael Apted It is said that the hymn Amazing Grace is the best known in the English- speaking world. Most would not know that it was written by a ship’s captain, heavily involved in the 18th century slave trade, who experienced a conversion and devoted his later life to prayer and reparation. His name was John Newton – and he is played most movingly here by Albert Finney. However, the focus is on the anti-slavery campaigner, William Wilberforce. He is played with intensity and conviction by television’s Captain Horatio Hornblower, Ioann Gryffudd. And he is supported by a fine and extensive British cast including Michael Gambon as Lord Fox, Benedict Cumberbatch as the young Prime Minister, William Pitt, Rufus Sewell as the activist the Rev. Thomas Clarkson, Ciaran Hinds as the arrogant Lord Tarleton of Liverpool and Romola Garai as Barbara Spooner who eventually married Wilberforce. Most audiences will find Amazing Grace a significant cinema experience. Its style is very much the British heritage recreation of a period, a meticulous presentation of period, costumes, décor and the atmosphere of the times – which culminates in a moving brass band rendition of Amazing Grace. But, what will be important for audiences is the theme of the inhumanity and injustice of slavery and the fact that the plantations of the West Indies and the Americas depended for their prosperity on slave labour and the urban wealth of the 18th century metropolises, especially those in Britain and America, was based on slavery. 2007 sees the 200th anniversary of the Act for Abolition of the Slave Trade throughout the British Empire, although the final Slavery Abolition Act was not passed until 1833, the year of William Wilberforces’s death.
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												  W Talking PicturesWednesday 3 June at 20.30 (Part I) Wednesday 17 June at 20.30 Thursday 4 June at 20.30 (Part II) Francis Ford Coppola Ingmar Bergman Apocalypse Now (US) 1979 Fanny And Alexander (Sweden) 1982 “One of the great films of all time. It shames modern Hollywood’s “This exuberant, richly textured film, timidity. To watch it is to feel yourself lifted up to the heights where packed with life and incident, is the cinema can take you, but so rarely does.” (Roger Ebert, Chicago punctuated by a series of ritual family Sun-Times) “To look at APOCALYPSE NOW is to realize that most of us are gatherings for parties, funerals, weddings, fast forgetting what a movie looks like - a real movie, the last movie, and christenings. Ghosts are as corporeal an American masterpiece.” (Manohla Darghis, LA Weekly) “Remains a as living people. Seasons come and go; majestic explosion of pure cinema. It’s a hallucinatory poem of fear, tumultuous, traumatic events occur - projecting, in its scale and spirit, a messianic vision of human warfare Talking yet, as in a dream of childhood (the film’s stretched to the flashpoint of technological and moral breakdown.” perspective is that of Alexander), time is (Owen Gleiberman, Entertainment Weekly) “In spite of its limited oddly still.” (Philip French, The Observer) perspective on Vietnam, its churning, term-paperish exploration of “Emerges as a sumptuously produced Conrad and the near incoherence of its ending, it is a great movie. It Pictures period piece that is also a rich tapestry of grows richer and stranger with each viewing, and the restoration [in childhood memoirs and moods, fear and Redux] of scenes left in the cutting room two decades ago has only April - July 2009 fancy, employing all the manners and added to its sublimity.” (Dana Stevens, The New York Times) Audience means of the best of cinematic theatrical can choose the original version or the longer 2001 Redux version.