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Vocal Wisdom
CD 129015 -< /saom vcai nisaom Maxims of GIOVANNI BATTISTA LAMPERTI Master of MARCELLA SEMBRICH, STAGNO, HASTREITEK. and OTHER FAMOUS SINGERS Kfcorded and Explained by HIS PUPIL and ASSISTANT WILLIAM EARL BROWN Copyright, MCMXXXl by WILLIAM EARL BROWN New York Printed in the U. S. A. DEDICATION To the memory of my Master, Cavaliere Giovanni Battista Lamperti, the last great master of the old Italian manner of singing. WM. EARL BROWN. PREFACE our an- | strengthen own idea when we find other agreeing with us. Nevertheless, I consider it unwise, nay, even fatal, to be over-influenced by another's opinion, unless we are prepared to take it in understanding^ When it coincides with, or completes our own reason- ing, we have found a feather of truth. It is wise, however, to take note of things we do not agree with, without antagonism. To-morrow, or in two seconds, they may be just the ideas we have sought so long. Life is too brief to work out a problem of art alone. "We should profit through another's experience and research, avoiding his faults while emulating his virtues. All roads lead to Rome. A fact can be approached from all sides. Listen and learn, but trust yourself, for you must go your path and not another's. Select from the topics in the book any subject of interest to you personally. My deductions and explanations may help you to find your voice. W. E. B. INTRODUCTION HERE was a Golden of This | Age Song. period produced the greatest singers of all time, re- reflecting the art of the greatest masters of any period, These teachers made few rules, but in- sisted on obedience to natural laws, which were physi- cal, not anatomical. -
Progrmne the DURABILITY Of
PRoGRmnE The DURABILITY of PIANOS and the permanence of their tone quality surpass anything that has ever before been obtained, or is possible under any other conditions. This is due to the Mason & Hamlin system of manufacture, which not only carries substantial and enduring construction to its limit in every detail, but adds a new and vital principle of construc- tion— The Mason & Hamlin Tension Resonator Catalogue Mailed on Jtpplication Old Pianos Taken in Exchange MASON & HAMLIN COMPANY Establishea;i854 Opp. Institute of Technology 492 Boylston Street SYMPHONY HALL, BOSTON HUNTINGTON 6-MASSACHUSETTS AVENUES , ( Ticket Office, 1492 J Telephones_, , Back^ ^ Bay-d \ Administration Offices. 3200 \ TWENTY-NINTH SEASON, 1909-1910 MAX FIEDLER, Conductor prngramm^ of % Nineteenth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, MARCH 18 AT 2.30 O'CLOCK SATURDAY EVENING, MARCH 19 AT 8.00 O'CLOCK COPYRIGHT, 1909, BY C. A. ELLIS PUBLISHED BY C. A.ELLIS, MANAGER 1417 Mme. TERESA CARRENO On her tour this season will use exclusively j^IANO. THE JOHN CHURCH CO. NEW YORK CINCINNATI CHICAGO REPRESENTED BY 6. L SGHIRMER & CO., 338 Boylston Street, Boston, Mass. Boston Symphony Orchestra PERSONNEL |J.M.^w^^w^»l^^^R^^^^^^^wwJ^^w^J^ll^lu^^^^wR^^;^^;^^>^^^>u^^^g,| Perfection in Piano Makinrf THE -^Mamtin Qaartcr Grand Style V, in figured Makogany, price $650 It is tut FIVE FEET LONG and in Tonal Proportions a Masterpiece of piano building^. It IS Cnickering & Sons most recent triumpLi, tke exponent of EIGHTY-SEVEN YEARS experience in artistic piano tuilding, and tlie lieir to all tne qualities tkat tke name of its makers implies. -
Bruno Walter (Ca
[To view this image, refer to the print version of this title.] Erik Ryding and Rebecca Pechefsky Yale University Press New Haven and London Frontispiece: Bruno Walter (ca. ). Courtesy of Österreichisches Theatermuseum. Copyright © by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Sonia L. Shannon Set in Bulmer type by The Composing Room of Michigan, Grand Rapids, Mich. Printed in the United States of America by R. R. Donnelley,Harrisonburg, Va. Library of Congress Cataloging-in-Publication Data Ryding, Erik S., – Bruno Walter : a world elsewhere / by Erik Ryding and Rebecca Pechefsky. p. cm. Includes bibliographical references, filmography,and indexes. ISBN --- (cloth : alk. paper) . Walter, Bruno, ‒. Conductors (Music)— Biography. I. Pechefsky,Rebecca. II. Title. ML.W R .Ј—dc [B] - A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. For Emily, Mary, and William In memoriam Rachel Kemper and Howard Pechefsky Contents Illustrations follow pages and Preface xi Acknowledgments xv Bruno Schlesinger Berlin, Cologne, Hamburg,– Kapellmeister Walter Breslau, Pressburg, Riga, Berlin,‒ -
Enter Old Association-Meet Necessitates Game Being Coaches to Can Athletic Club
Cornell Umlg Sim Vol. XXVI. No. 89 ITHACA, N. V., TUESDAY, JANUARY 30, i906. Price Three Cents METCALF, '01 TOASTMASTER. TRACK MEET SATURDAY. FENCING LEAGUE REUNITED. TO PLAY YALE IN AUBURN. Chosen to Preside atJunior Smok- Relay Team and Men in Special Cornell,Columbia and Harvard Re- Changed Date of Ice Carnival er Nat Month-Captains and EventsinMeet ofIrish-Ameri- Speak. Enter Old Association-Meet Necessitates Game Being Coaches to can Athletic Club. Metcalf,. jr., 'oi, has been InIthaca This Year. Played Out of Town. Next Saturday, February & Cornell ' toastmaster for the The recent division in the Intercol- Owing to the change in the date of chosen as Junior sends a track team to New York to 1 Smoker, which will take place on Fri- legiate Fencers' Association has been the Ice Carnival the basketball manage- compete in the meet held by the Irish- '♥lay,February 9. Mr. Metcalf was ended, with there-entry of Cornell,Har- ment has decided that there will be no American Athletic club. The meet will in many activities while in vard and Columbia into the old associa- basketball game here with Yale on next "prominent be held at Madison Spuaire Garden. University. He entered the law tion. These three colleges recently Saturday evening as arranged. The the Cornell will enter the one mile inter- in 1808. In his year he withdrew from the association and Yale game was originally scheduled to school Junior collegiate relay race, as well as appointed chairman of the men formed anew organization known as the take place here Friday night of this £ was Junior in the 600 yard novice run andi in the Banquet committee, and the next University Fencers' League. -
Booklet-SYMP1286.Pdf
SYMPOSIUM RECORDS CD 1286 In Recollections of Caruso Emil Ledner, his European manager, recalls his surprise when the great tenor suggested that they visit a synagogue in Hamburg. Caruso explained, "I have found that the Jewish singers cultivate in their performances a unique skill and method of singing. The cracking of the voice, the attack of the note, the ways of getting round vocal difficulties which perhaps lie in the text rather than the music are not so easy for anyone to imitate." The source is weak on dates, but the event could not have taken place before the Autumn 1906, when Caruso first sang in Hamburg under Ledner’s management. At the peak of his career, widely recognized as the world’s number one tenor, Caruso added, "For this reason... I visit Jewish synagogues whenever I have time." Ledner adds that, "Over the years we sought out synagogues... in Vienna... Berlin... Frankfurt... Paris... and Budapest. Caruso would listen with excitement, straining his ears at every solo passage of the leading singer. We would drive home and there he would practice for half an hour, unrestrained, what seemed to him so valuable – attack, cracking and covering of the note." For collectors of historic opera records, the greatest exponent of this cantorial style of singing which so attracted Caruso, is Hermann Jadlowker. The two were more or less contemporary, Jadlowker slightly the younger. It is certainly possible that Caruso heard Jadlowker in performance; if so, we have no knowledge of what he thought. At a Metropolitan Opera matinée on February 11th 1910 Jadlowker sang Turiddu in Cavalleria Rusticana, followed, as is usual, by I Pagliacci in which Caruso himself sang Canio. -
Download Our
SILICON VALLEY’S VANESSA COLELLA (M.A. ’96) HOW POVERTY TC SHAPES YOUNG Today CHILDREN’S BRAINS JACK MEZIROW: HE THE MAGAZINE of TRANSFORMED LIVES TEACHERS COLLEGE, AND LEARNING COLUMBIA UNIVERSITY SPRING/SUMMER 2015 GREAT MINDS THAT DON’T THINK ALIKE TC seeks the right combination as it builds a faculty for the future { spring + summer 2015} Table of Contents 10FRESH PERSPECTIVE Meet a group of new faculty and staff who — like their colleagues — are redefining fields or shaping new ones. Here, neurosci- entist Kim Noble, who is probing the impact of poverty on brain development (p. 22), with her daughter, Lucy. Features Great Minds that Don’t A Longtime Advisor 10 Think Alike 24 Says Farewell TC seeks the right combination as Scott Fahey, Chief of Staff and it builds a faculty for the future Secretary of the College, is leaving after two decades at TC How Poverty Shapes 22 the Brain Learning About the Research by Kim Noble could 26 Next Big Thing suggest new policies for supporting Vanessa Colella (M.A. ’96) has moved from families with young children education to venture capital, but teaching remains at the heart of her work Photographs: Above, Don Hamerman departments TC 3 PRESIDENT’S LETTER As faces and fields change at TC, Today we’re still asking the right questions The magazine of Teachers College is produced by the Office of Development and External Affairs at Teachers 5 @TC College, Columbia University. Teacher tenure on trial, new partnerships Suzanne M. Murphy with New York City and more VICE PRESIDENT, DEVELOPMENT & EXTERNAL AFFAIRS (ED.M. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Boston Symphony Orchestra Concert Programs, Season 24,1904-1905, Trip
CARNEGIE HALL, NEW YORK. BostonSymplpijOrcliestra Mr. WILHELM GERICKE, Conductor. Nineteenth Season in New York PROGRAMMES OF THE SECOND CONCERT THURSDAY EVENING, DECEMBER 8, AT 8.15 PRECISELY, AND THE SECOND MATINEE SATURDAY AFTERNOON, DECEMBER 10, AT 2.30 PRECISELY. With Historical and Descriptive Notes by Philip Hale. Published by C A. ELLIS. Manager. Established Established 1823 1823 PIANOFORTE MAKERS RECIPIENTS OF Hundred and Twenty-Nine FIRST MEDALS AND AWARDS These Celebrated Instruments are To-day better than ever REPRESENTED BY JOHN WANAMAKER, New York, N.Y. : tSOStOll CARNEGIE HALL, Symphony newyork f Twenty-fourth Season, J904-J905. Orchestra Nineteenth Season in New York. Mr. WILHELM GERICKE, Conductor. SECOND CONCERT, THURSDAY EVENING, DECEMBER 8, AT 8.15 PRECISELY. PROGRAMME. Berlioz ....... Overture, " King Lear ,? Bach . Concerto for Violin, in E-flat major, No. 2, with accom- paniment for Orchestra and Organ I. Allegro. II. Adagio. HI. Allegro. " Liszt-Mottl . Legend. The Sermon of Saint Francis of Assisi " to the Birds Orchestrated by Felix Mottl. (First time at these concerts.) Bruch . Fantasia on Scottish Airs for Violin and Orchestra, Op. 46 I. Introduction : Grave. Adagio cantabile. II. Scherzo : Allegro. III. Andante sostenuto. IV. Finale : Allegro guerriero. Brahms ..... Symphony No. 3, in F major, Op. 90 I. Allegro con brio. II. Andante. III. Poco allegretto. 1 IV. Allegro. SOLOIST Mr. YSAYE. The Piano Is a Knabe. There will be at* intermission of ten minute* before the symphony. 3 jrf&^frj. THE f|p Musicians Library No contemporary venture in music publishing is fraught with more interest to lovers of the art than the Musicians Library, issued by the Oliver Ditson Company. -
Brooklyn Eagle Postcard Checklist
BROOKLYN EAGLE POSTCARD CHECKLIST Compiled by MARTY MICHAELS For the San Francisco Bay Area Post Card Club — www.postcard.org 1. LITCHFIELD MANSION, PROSPECT PARK 2. ERASMUS HALL HIGH SCHOOL (NEW BUILDING) 3. ENTRANCE OF THE MUSEUM OF THE BKLYN INST OF ARTS AND SCIENCES (UNDER CONSTRUCTION) 4. THE WILLIAMSBURGH BRIDGE, FROM B’WAY, BKLYN, TO DELANCY ST, MANHATTAN 5. EXCAVATING FOR THE NEW LONG ISLAND RAILROAD STATION 6. OLD ACADEMY OF MUSIC, MONTAGUE ST (BURNED NOV. 30, 1903) 7. MUSEUM OF THE BKLYN INST OF ARTS AND SCIENCES, E. P’KWAY (UNDER CONSTRUCTION 8. SOLDIERS’ AND SAILORS’ MEMORIAL ARCH, MAIN ENTRANCE, PROSPECT PARK 9. VIEW OF BROOKLYN WATER FRONT, 1840 10. PACKER COLLEGIATE INSTITUTE, JORELEMON ST., NEAR CLINTON 11. NEW GIANT TWIN SCREW S.S. AMERIKA OF THE HAMBURG-AMERICAN LINE 12. CROQUET CLUB HOUSE, PROSPECT PARK 13. ENTRANCE TO DREAMLAND, CONEY ISLAND 14. PUBLIC SCHOOL NO. 34, 4TH AVE AND 40TH ST 15. SITE OF FULTON FERRY, 1746 16. TEMPLE ISRAEL, COR BEDFORD AND LAFAYETTE AVES 17. A PLAY NEAR THE GOAL LINE IN THE BOYS HS-PRATT INST GAME AT WASHINGTON PK 18. BRONZE STATUE OF ABRAHAM LINCOLN, PROSPECT PARK 19. CHRIST PROTESTANT EPISCOPAL CHURCH, COR CLINTO AND HARRISON STEETS 20. UNIQUE JAPANESE HOUSE IN PROSPECT PARK SOUTH 21. SHEEP ON THE LONG MEADOW, PROSPECT PARK 22. BROOKLYN SAVINGS BANK, CLINTON AND PIERREPONT STREETS 23. BOYS’ HIGH SCHOOL, MARCY AND PUTNAM AVENUES 24. STATUE OF JOHN HOWARD PAYNE, IN THE FLOWER GARDEN, PROSPECT PARK 25. BEACH IN FRONT OF CONEY ISLAND PARK 26. SIMPSON M.E. CHURCH, WILLOUGHBY AND CLERMONT AVES, REV. -
Untitled, It Is Impossible to Know
VICTOR HERBERT ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE i ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE ii VICTOR HERBERT A Theatrical Life C:>A<DJA9 C:>A<DJA9 ;DG9=6BJC>K:GH>INEG:HH New York ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iii Copyright ᭧ 2008 Neil Gould All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Gould, Neil, 1943– Victor Herbert : a theatrical life / Neil Gould.—1st ed. p. cm. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8232-2871-3 (cloth) 1. Herbert, Victor, 1859–1924. 2. Composers—United States—Biography. I. Title. ML410.H52G68 2008 780.92—dc22 [B] 2008003059 Printed in the United States of America First edition Quotation from H. L. Mencken reprinted by permission of the Enoch Pratt Free Library, Baltimore, Maryland, in accordance with the terms of Mr. Mencken’s bequest. Quotations from ‘‘Yesterthoughts,’’ the reminiscences of Frederick Stahlberg, by kind permission of the Trustees of Yale University. Quotations from Victor Herbert—Lee and J.J. Shubert correspondence, courtesy of Shubert Archive, N.Y. ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iv ‘‘Crazy’’ John Baldwin, Teacher, Mentor, Friend Herbert P. Jacoby, Esq., Almus pater ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE v ................ -
Symposium Records Cd 1229
SYMPOSIUM RECORDS CD 1229 The Harold Wayne Collection – Volume 32 EDYTH WALKER & HELENE WILDBRUNN Both of the artists in this volume sang across the contralto-mezzo to soprano divide; both are examples of the best Wagnerian singing in the period following Wagner's death and both followed careers predominantly in the German-speaking part of Europe. From the point of view of collectors, of each there is also a paucity of records. Edyth Walker's records were made at the very beginning of the century, at a time when the lower female voice did not reproduce particularly well, and, in addition, the repertoire she selected was not of the most popular. Helene Wildbrunn's career in the studio commenced in the difficult times of the end of Great War, with the ensuing unrest and inflation, and may well have been closed by the rise of Frida Leider. EDYTH WALKER was born in Hopewell in the United States in 1867. Her voice showed great promise and she studied with the famous teacher Orgeni in Dresden. She also took lessons from Marianne Brandt. After a concert in Leipzig she made her début in Berlin in 1894 singing the role of Fidés in Meyerbeer's opera Le Prophète. Her 1894 success was sufficient for her to be engaged at the Imperial Opera in Vienna. She first sang there in 1895 and in 1896 sang Magdalena in the Viennese première of Kienzl's Der Evangelimann. Most of her roles in Vienna were small and in the contralto-mezzo range. Apparently she and Mahler - he came to Vienna two years after her - did not get on very well with each other. -
Herbert in Pittsburgh
From the "Idol's Eye" to "Tristan":Victor Herbert in Pittsburgh Robert F. Schmalz University of Southwestern Louisiana For nearly a century, the cities of Philadelphia and Pittsburgh have been represented by two of the nation's finest orchestral ensembles. Although colorful and sometimes controversial personalities spice the histories of both organiza- tions, Victor Herbert's mercurial career as conductor of the Pittsburgh orchestra is particularly noteworthy. Indeed, during his brief tenure in Pittsburgh the composer of "Babes in Toyland" and "Naughty Marietta" exerted an extraordi- nary influence on the musical life of his adopted city. Victor Herbert succeeded Frederick Archer to become the second conduc- tor of the Pittsburgh Symphony Orchestra in 1898, only the fourth season of the orchestra's existence. Inheriting an organization which was confused and divided over Archer's dismissal, the thirty-eight year old conductor launched a six-year association which proved to be a rewarding experience for the city, the orchestra, and the conductor alike. Those who anticipated a new beginning were not disappointed. Herbert brought with him to Pittsburgh a decidedly popular image. Born on February 1, 1859, he was the grandson of Samuel Lover, an Irish novelist, poet and songwriter. He had pursued a musical career in Germany, studying at the Stuttgart Conservatory. Herbert toured France, Germany and Italy as cello soloist with the Stuttgart Orchestra in the late 1870's and early 1880's. It was during this period that he produced his first compositions, completing both a suite and a concerto for cello and orchestra, as well as several songs.