WINTER 2007 E

Total Page:16

File Type:pdf, Size:1020Kb

WINTER 2007 E e g a n S WINTER 2007 e d y d l t i o e i H o c h o s c S n S s o e ' i h r n t t g e c i a u e r d d H h l i o s T e r ll h P i t g s C d t H e i h t r g g u r i n Q e b L i b h t l t n y e & u t A ie t L for all stages s H c a S f G 5 o o 7 S n rs e re o y e r t ti it y at a a s la e he i r P h T oc e re T e ss iv nt rs us A n e ye o e U C Pla ph tr ow re m ea re t R at Pu h nt n he es l T e Fro T nc ica C re eak ma us ff eat rs P for M an Th aye Per rard B Exit e Pl asus he he ire entr Peg y S l T ool F w C atre ciet oo Sch t Ro The newsrs So Sch n e High Fro manc Playe igh tholic ollegePerfor town st H ert Ca ain Cabbit Sheep lhur St Alb Mo Yuenltlow R uild l Coa School e aRdoercsk yO ne Players G estiva ve Lake Musical Theatre Assoc briodsgitee HSti gJahmes Phleaayt rRe on Theatre PLAY F ers Sla iatiSoghnoeSepcrpsh aorofd LCeothmp y Scorpio Tadow Theatre Visi rray inter Play ouse Theatreer s R oPslsa y rths e aRlt ra ep i Sd o c FWiierte tTashkeiawtirne Sh rs Fort McMu illow rriage H e Play olilneg eA T Theatre Society/Water Works Playe d W l Ca e Tre eerfro Crm Re hoo Pin Rede D Pe h Sc eatre nt o f th Hig Th tme y th oup epar dem be Gr s D ca liza ers Art A E lay ing ol en y P rm ho ue ne rfo Sc Q d Pe h ew ge ig D olle H C or eer ni D Ju ed ic R ol h inside at C in ev K t S What’s New at Theatre Alberta 3. Tales from the Stacks 3. Meet the Board 4. Kickstart in the Arts 5. The Show Must Go On? 7. Franco-Albertan Theatre 8. Leaving the Drama on Stage 11. Albertans Abroad 12. Widows & Orphans 14. The Buzz 15. STEVE JODOIN IN COW-BOY POETRÉ, PRESENTED BY L’UNITHÉÂTRE. STORY ON PAGE 8. PHOTOGRAPH BY ED ELLIS 10 Theatre Alberta is the Provincial Arts Service Organization (PASO) for theatre in Alberta, dedicated to the growth and development of the Alberta theatre community. Theatre Alberta News is a publication of Theatre Alberta issued four times a year. Contribution of notices, news, and articles about theatre are welcome, as well as high quality (300 dpi or higher) photographs. Theatre Alberta News also accepts signed letters to the editor but reserves the right to refuse any material it considers inappropriate. The opinions and views expressed are those of the writers and do not necessarily reflect those of Theatre Alberta. check-in Office and Library hours Monday to Saturday, 10:00 am – 3:00 pm Holidays Office and Library closed December 22–January 2 An important milestone (Christmas/New Year’s) and February 16–18 (Family Day). for Theatre Alberta took place at the end of September.Safe Stages, our resource binder Theatre Alberta News for health and safety in theatre and developed in collaboration with Alberta Employment, EDITOR Jill Connell [email protected] Immigration and Industry, was officially launched in both Edmonton and Calgary. DESIGNER Carey van Eden [email protected] And grand occasions they were! We were fortunate to have both the Northern and Southern Submission deadlines and publication dates January 25 for February 29, 2008 Jubilee Auditoriums offer to host the launches. As approximately 80 of us sat on the stage of April 25 for May 30, 2008 the Jube in Edmonton with the house providing a stunning backdrop, I really did have one July 11 for August 22, 2008 October 17 for November 21, 2008 of those moments when the stars aligned and all was right with the world. Advertising rates Safe Stages has been an immensely challenging project and it was wonderful to celebrate its Back Cover (11” high x 6.5” wide) $275 Full Page (9.5” high x 7” wide) $200 launch with so many supporters. Half Page (4.625” high x 7” wide) $120 Quarter Page (2.25” high x 7” wide) $80 We were so pleased to host special guests Janet Sellery, Health and Safety Manager of the Ads are booked on a first-come, first-serve basis and space is limited. Book ad space at least one month Stratford Shakespeare Festival of Canada and Monona Rossol, President and founder of prior to the submission deadline. Arts, Crafts & Theater Safety and Health and Safety Director for IATSE Local 829 in New Theatre Alberta Board of Directors York. I found them to be both inspiring and challenging. They provided an affirmation If you have questions or concerns regarding Theatre Alberta, you are welcome to contact Theatre Alberta Board members. that what we had accomplished was important and useful, while letting us know that there Officers PRESIDENT remains a great deal more work to do. Mary-Ellen Perley ~ Edmonton [email protected] VICE PRESIDENT They spoke eloquently and passionately about the importance of health and safety and Jane Heather ~ Edmonton [email protected] TREASURER provided us with real impetus to continue moving forward with the hard work of creating Russell Thomas ~ Fort McMurray [email protected] policy and providing ongoing training. SECRETARY David Owen ~ Edmonton [email protected] It is heartening to learn that Safe Stages is having an impact not only in Alberta, but Directors Gail Hanrahan ~ Lethbridge [email protected] also across Canada. We know that B.C.’s Safety and Health in Arts, Production and Karen Johnson-Diamond ~ Calgary [email protected] Entertainment (SHAPE), who were so generous about allowing us to draw from a number Andrea Martinuk ~ Edmonton [email protected] Steve McHugh ~ Wetaskiwin [email protected] of their excellent publications, are hoping to use some sections of Safe Stages for a new Kevin McKendrick ~ Calgary [email protected] Steve Penman ~ High River [email protected] publication. Janet Sellery recently told us that she was using Safe Stages for some of her Harold Truckle ~ Red Deer [email protected] teaching work at the National Theatre School, University of Waterloo, and York University. Staff EXEC U TIVE DIRECTOR Marie Gynane-Willis [email protected] Timing is everything and with the completion of this phase of Safe Stages, long-time Theatre OFFICE ADMINISTRATOR Alberta employee, Keri Ekberg, resigned from her position as Program Coordinator. In some Kate Mahoney (Janice Hoover on leave) [email protected] ways her departure made sense—Keri had played a crucial role in the development and writing PROGRAM COORDINATOR of Safe Stages and we had just finished the launch. Keri’s contribution to Theatre Alberta over Vanessa Sabourin [email protected] PROGRAMMER the past five years has been most significant. Although we are sad to see her go, we wish her Jill Connell [email protected] ADMINISTRATOR every success in her new job as Artistic Associate at the Citadel Theatre. Julie Sinclair [email protected] LIBRARIANS We warmly welcome Vanessa Sabourin as Theatre Alberta’s new Program Coordinator. Solveig Anderson and Brenda Sutherland [email protected] Vanessa brings a wealth of theatre training with her, a background as a professional actor, FINANCIAL ADMINISTRATOR and a recent 6-month stint as an Administrative Intern at the Centre for Performance Zenovia Adams Research in Aberystwyth, Wales. Change of address information and undeliverable copies to: Theatre Alberta Society 3rd Floor Percy Page Centre December and a myriad of festivities is almost upon us. As I think about 2008, I hope the year 11759 Groat Road, Edmonton AB T5M 3K6 brings excellent health for our provincial theatre community and a plethora of opportunities for Phone: (780) 422-8162 Fax: (780) 422-2663 Toll Free: 1-888-422-8160 [email protected] the making and consumption of great theatre. www.theatrealberta.com MARIE GYNANE-WILLIS. EXECUTIVE DIRECTOR 2. winter 2007 WHAT’S NEW AT THEATRE ALBERTA THE EVOLUTION OF PLAY MEET MADDY—CANADA DAY FIRECRACKER! We’re delighted to report that our fifth annual Madeline Josephine came rushing into the world on July 1, 2007 at 7 lb PlayWorks Ink theatre conference event, 8 oz. We suspect her two year old brother Thomas should be able to do co-presented with Alberta Playwrights’ Network, was a magnificent success! From the majority of the babysitting. Meanwhile, Theatre Alberta Administra- November 1-4, the Glenbow Museum in down- tor Janice Hoover has been on maternity leave since late June, claiming town Calgary was overrun with 70 participants, to be occupied with something. Congratulations to Janice & Al! Not all 16 instructors and special guests, four casts and of us look this cute in a pink rabbit jumper. crews, and many a supporter in the audience, as theatre practitioners from across Alberta took part in workshops, play readings, panel discussions, and socials. Featured guests Morwyn Brebner and Kevin Kerr were intelligent, inspiring, and generous, both performing outstanding readings at our opening reception and dishing out insights and advice in workshops and panel discussions throughout the weekend.
Recommended publications
  • Older Entertainers Making Music in the Community in Melbourne, Australia
    australiaa n societ s y for mumsic education e ‘The show must go on’: i ncorporated older entertainers making music in the community in Melbourne, Australia Dawn Joseph Deakin University Jane Southcott Monash University Abstract Globally countries are faced with an aging population and Australia is no different. This creates challenges for the maintenance of well-being which can be enhanced by active engagement in society. There is extensive research that confirms that engagement in music by older people is positively related to individual and community well- being. Music engagement encompasses a range of social participation and has the potential to recognise the contribution of older people to their local communities. Music participation can contribute to a better quality of life, particularly in relation to health and happiness. There are many possible forms of music engagement. This study is part of an on-going Deakin University and Monash University research project, Well-being and ageing: community, diversity and the arts in Victoria. This article focuses on three members of a mixed voluntary singing group formed by older residents of an outer suburban community in Melbourne, Australia. This group, The Skylarkers, were established in 1999 as a four-part choir. Over the years the nature of the choir has changed under subsequent music directors. Since 2009 the group has focused on music theatre repertoire and performance style. Membership of the group is fluid reflecting changing life circumstances of the members but the ensemble is resilient. This small amateur music theatre group is based in suburban Melbourne, rehearses weekly and performs regularly at retirement villages, nursing homes and facilities for senior citizens.
    [Show full text]
  • HPSA 101 for Rhcs
    NARHC Webinar Tuesday February 2, 2021 Moderator: Nathan Baugh Speakers: Dr. Janelle McCutchen DISCLAIMER: This is a computer-generated transcript. The below transcript may not accurately capture everything said on the webinar. This transcript is not official Department of Health and Human Services guidance. HPSA 101 for RHCs Nathan Baugh: 3:00 Hello, doctor Mccutchen? Dr. Janelle McCutchen: 3:02 Yes? can you hear me and even? Nathan Baugh: Yes, I can. Dr. Janelle McCutchen: Perfect, I'm so sorry, guys. It kept kicking me out of VPN, so I'm logged on my personal computer. 3:13 I'm hoping that this is working. Yes, this is fine, and you guys can hear me clear. I was able to send myself the PowerPoint. Nathan Baugh: 3:23 OK, great, all right, well, we are live right now, I had to start the broadcast, so everyone can hear us. So, thank you, that's totally fine. We appreciate you being here and we're gonna, we're gonna just rock with the show must go on. 3:39 So first thing is on screen sharing, I have your PowerPoint, I can share it on my screen if you want, if you want to put it on your screen, so you can control the slides I don't know. 3:54 Thank you presenters or yeah, let me make you presenter and that's what we have to do. 4:02 OK, so should give you the option dish, show screen, yep, we see it. We're good to go? 4:12 Do they flip it? showing you the wrong one? 4:19 See, mmm hmm, mmm hmm.
    [Show full text]
  • Karaoke Catalog Updated On: 15/10/2018 Sing Online on in English Karaoke Songs
    Karaoke catalog Updated on: 15/10/2018 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry Someday You'll Want Me To Want You Voices Carry When You're Smiling (The Whole World Smiles With That Old Black Magic (Woman Voice) (H?D) Planet Earth 1930s Standards That Old Black Magic (Man Voice) Blackout Heartaches I Know Why (And So Do You) DUET Other Side Cheek to Cheek Aren't You Glad You're You 10 Years My Romance (I've Got A Gal In) Kalamazoo Through The Iris It's Time To Say Aloha No Love No Nothin' 10,000 Maniacs We Gather Together Personality Because The Night Kumbaya Sunday, Monday Or Always 10CC The Last Time I Saw Paris This Heart Of Mine Dreadlock Holiday All The Things You Are Mister Meadowlark I'm Not In Love Smoke Gets In Your Eyes 1950s Standards The Things We Do For Love Begin The Beguine Get Me To The Church On Time Rubber Bullets I Love A Parade Fly Me To The Moon Life Is A Minestrone I Love A Parade (short version) It's Beginning To Look A Lot Like Christmas 112 I'm Gonna Sit Right Down And Write Myself A Letter Crawdad Song Cupid Body And Soul Christmas In Killarney Peaches And Cream Man On The Flying Trapeze That's Amore 12 Gauge Pennies From Heaven My Own True Love (Tara's Theme) Dunkie Butt When My Ship Comes In Organ Grinder's Swing 12 Stones Yes Sir, That's My Baby Lullaby Of Birdland Far Away About A Quarter To Nine Rags To Riches Crash Did You Ever See A Dream Walking? Something's Gotta Give 1800s Standards I Thought About You I Saw Mommy Kissing Santa Claus (Man
    [Show full text]
  • Our Journey During the Pandemic, a Stanford Law School Seminar
    2020 MAY–JUNE MAY–JUNE INSIDE ARTS PERFORMING Our journey during the pandemic, a Stanford Law School seminar MAGAZINE explores the arts through live performance, and more Indigenous singer-songwriter iskwē performs at Bing Concert Hall next season Stay Tuned: Stanford Live’s 2020–21 Season Will Be Announced On May 27 An unprecedented year of upheaval and disruption offers us a distinct opportunity for reflection and change. We invite you to join us on this journey filled with joy, challenge, inspiration—and most importantly—hope. See page 38 for a peek into our next season. STAY live.stanford.edu TUNED CONTENTS Stanford Live Staff p—5 & Sponsors Welcome p—6 Campus Partners p—7 Upcoming Events p—8–11 Scene & Heard p—12–13 Behind the Scenes p—31 Behind the Pandemic Curtain: Membership p—34–35 Stanford Live & Bing p—36–37 An Empty Hall Brims with Hope Concert Hall Donors By Chris Lorway, Executive Director Calendar p—38 A behind-the-scenes look as Stanford Live charts a way forward Plan Your Visit p—39 p —22 Featurette Infographic Infographic The New Negroes: The Comedy Central The Show Must Go Online Cole Porter vs. the Censors Duo at the Bing Highlights from Stanford Live’s newly Dive into some of the iconic singer- A look into the origins of the Comedy curated digital season songwriter’s witty lyrics that beat the Central show’s live version censors p—20 p—14 p—32 Featurette Featurette Law, Politics, and the Arts The Influence of Minimalism A reflection by Stanford Professor of Rob Kapilow on the greats of an arts Law Richard Ford on teaching Stanford movement that continues to reverberate Live performances in a law seminar p—27 p—17 3 Hats off to all of the healthcare professionals and essential workers around the world.
    [Show full text]
  • The War on Score: Ontarian Women's
    The War on Score: Ontarian Women’s Songs during The Great War Karina Stellato March 29, 2019 HMU499 Professor T. Neufeldt In response to Lord Kitchener’s famous 1915 recruitment poster, Muriel E. Bruce, a twenty-two-year-old Torontonian composed what would become the anthem of local recruitment leagues for the duration of the Great War: Kitchener’s Question.1 “Why aren’t you in Khaki? / This means you! / Any old excuse won’t do,”2 flooded the streets during recruitment marches with the intention of inspiring the enlistment of Britain’s sons.3 The success of Muriel Bruce’s collection of songs grants her the honour of common historiographical representation as the token women when discussing entertainment on the Canadian home front. Less commonly remembered are the multitude of amateur and professional female Canadian composers who contributed to creating the flourishing musical climate in Toronto and the neighbouring regions of Anglo-Ontario during the war period. “Doing one’s bit” in the war effort did not only pertain to enlisted men, rather it was the vital motive behind the composition of the vast library of popular music published by women throughout the war. Studying the overlooked genre of commercially popular music by women in Ontario between 1914-1918 provides insight into common contemporary attitudes; where content, audience and social meaning can be analyzed through lyrics and cover art.4 Songs composed and sung by women on the home front acted as propaganda in the pursuit of two objectives: increased recruitment and the cultivation of general approval for the war.
    [Show full text]
  • Songs by Artist
    Songs by Artist Karaoke Collection Title Title Title +44 18 Visions 3 Dog Night When Your Heart Stops Beating Victim 1 1 Block Radius 1910 Fruitgum Co An Old Fashioned Love Song You Got Me Simon Says Black & White 1 Fine Day 1927 Celebrate For The 1st Time Compulsory Hero Easy To Be Hard 1 Flew South If I Could Elis Comin My Kind Of Beautiful Thats When I Think Of You Joy To The World 1 Night Only 1st Class Liar Just For Tonight Beach Baby Mama Told Me Not To Come 1 Republic 2 Evisa Never Been To Spain Mercy Oh La La La Old Fashioned Love Song Say (All I Need) 2 Live Crew Out In The Country Stop & Stare Do Wah Diddy Diddy Pieces Of April 1 True Voice 2 Pac Shambala After Your Gone California Love Sure As Im Sitting Here Sacred Trust Changes The Family Of Man 1 Way Dear Mama The Show Must Go On Cutie Pie How Do You Want It 3 Doors Down 1 Way Ride So Many Tears Away From The Sun Painted Perfect Thugz Mansion Be Like That 10 000 Maniacs Until The End Of Time Behind Those Eyes Because The Night 2 Pac Ft Eminem Citizen Soldier Candy Everybody Wants 1 Day At A Time Duck & Run Like The Weather 2 Pac Ft Eric Will Here By Me More Than This Do For Love Here Without You These Are Days 2 Pac Ft Notorious Big Its Not My Time Trouble Me Runnin Kryptonite 10 Cc 2 Pistols Ft Ray J Let Me Be Myself Donna You Know Me Let Me Go Dreadlock Holiday 2 Pistols Ft T Pain & Tay Dizm Live For Today Good Morning Judge She Got It Loser Im Mandy 2 Play Ft Thomes Jules & Jucxi So I Need You Im Not In Love Careless Whisper The Better Life Rubber Bullets 2 Tons O Fun
    [Show full text]
  • Selected ACG Performing Arts Center Clients
    (888) 234.4236 ArtsConsulting.com [email protected] Firm Overview Celebrating its 20th anniversary, Arts Consulting Group (ACG) is the leading provider of hands-on interim management, executive search, revenue enhancement, facilities & program planning, and organizational development services for the arts and culture industry. ACG consultants are located in communities throughout North America to best serve the needs of its clients. With decades of senior leadership experience in every artistic and cultural discipline and area of functional management, ACG team members will match your passion and energy like no other organization. Delivering high-performance ideas from the most trusted and knowledgeable minds in the arts and culture world, the firm can quickly help you achieve results. ACG is the best choice to help transform your institution and enhance the communities you serve, providing your organization with the perfect blend of local perspective and international expertise. Mission Vision ACG’s mission is to support and strengthen a sustainable and ACG’s vision is to be known for the highest quality personalized vibrant arts and culture community by offering customized and services and ethical standards, recognized as a significant integrated professional management consulting services. intellectual resource to the industry, and respected for breadth of experience and depth of knowledge in all cultural disciplines and functional areas of expertise. Core Values ACG is guided by its core values that enable clients and consultants
    [Show full text]
  • Murder: the Final
    Murder: The Final Frontier Written by Scott Cherney Copyright © April 2020 Scott Cherney and Off The Wall Play Publishers https://offthewallplays.com This script is provided for reading purposes only. Professionals and amateurs are hereby advised that it is subject to royalty. It is fully protected under the laws of the United States of America, the British Empire, including the Dominion of Canada, and all other countries of the Copyright Union. All rights, including but not limited to professional, amateur, film, radio, and all other media (including use on the worldwide web) and the rights of translation into foreign languages are strictly reserved; and any unauthorized use of the material may subject the user to any and all applicable civil and criminal penalties. For any information about royalties or to apply for a performance license please click the following link: https://offthewallplays.com/royalties-and-licensing-of-plays-sold-by-off-the-wall-plays/ 1 LOCATION: IMAGINACON COMIC BOOK/SCIENCE FICTION CONVENTION CAST OF CHARACTERS DEWEY OSGOOD-Organizer and host of Imaginacon, geek extraordinaire and proud of it. Finds himself in the unenviable position of solving the murder, though he discovers his inner super-hero as a result. WILSON CHADWICK-The one and only Captain James T. Curt of the Star Freighter Innerthighs from the cult TV show STAR TRUCK. He is brash, over-bearingly charming with a voracious appetite for life and everything else for that matter. Considers himself the center of the universe with everyone else as satellites orbiting about him. JEAN RODDENREEL-Widow of STAR TRUCK creator/producer Dean Roddenreel.
    [Show full text]
  • UNIVERSAL MUSIC • Paul Anka – Songs of December • the Who
    • Paul Anka – Songs Of December • The Who – Quadrophenia The Directors Cut • Ozzy Osbourne – God Bless Ozzy Osbourne New Releases From Classics And Jazz Inside!! And more… UNI11-45 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Short Sell Cycle Short Sell Cycle Artist/Title: Hedley / Storms Artist/Title: Hedley / Storms (Limited Edition Versions) Standard Cat. #: 0252777603 Dlx Edition Cat. #: 0252786782 Limited Edition FanPack Limited Edition Picture Disc Cat. #: 0252787837 Vinyl Cat. #: 0252757349 Standard Cat Price Code: SP Deluxe Ed. Price Code: SPS Standard Cat Price Code: U Deluxe Ed. Price Code: PP Standard UPC: Deluxe Edition UPC: Standard UPC: Deluxe Edition UPC: 6 02527 77603 3 6 02527 86782 3 6 02527 87837 9 6 02527 57349 6 Order Due: October 20, 2011 Order Due: October 20, 2011 Order Due: October 20, 2011 Order Due: October 20, 2011 Release Date: Nov. 8, 2011 Release Date: Nov. 8, 2011 Release Date: Nov. 8, 2011 Release Date: Nov. 8, 2011 File: Pop Genre Code: 33 Box Lot: 25 File: Pop Genre Code: 33 Box Lot: 25 Vancouver Chart-Topping Rockers HEDLEY return with STORMS! Vancouver Chart-Topping Rockers HEDLEY return with STORMS! The follow up to their multi-platinum album The Show Must Go (2009), the band’s fourth studio The follow up to their multi-platinum album The album STORMS includes the brand new hit single Show Must Go (2009), the band’s fourth studio “Invincible” – their biggest debuting single to date! album STORMS includes the brand new hit single “Invincible” – their biggest debuting single to date! Major advertising campaign (television, on-line, print, radio, outdoor) all set to roll out in the coming weeks.
    [Show full text]
  • Northumbria Research Link
    Northumbria Research Link Citation: Stanton, Rebecca Rose (2019) Representations of animal harm and objectification in the works of Walt Disney Animation Studios’ films: 1937- 2016. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/44089/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/pol i cies.html Representations of animal harm and objectification in the works of Walt Disney Animation Studios’ films: 1937- 2016 R. R. Stanton PhD 2019 Representations of animal harm and objectification in the works of Walt Disney Animation Studios’ films: 1937- 2016 Ms Rebecca Rose Stanton, MA, BA A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in the Faculty of Arts, Design & Social Sciences October 2019 Representations of animal harm and objectification in the works of Walt Disney Animation Studios’ films: 1937-2016 This PhD thesis critically examines how Walt Disney Animation Studios (WDAS) has depicted – and sometimes failed to depict – different forms of harming and objectifying animals (1937–2016).
    [Show full text]
  • 2016 - 2017 Blue Circle Series Will Bring All of This to the Comox Valley, and More
    Red Green - I’m Not Old, I’m Ripe! - Sun September 18 Séan McCann Sings - Tues October 4 God Is A Scottish Drag Queen - Sat October 8 Matt Johnson - Nothing Up My Sleeves - Sat October 15 Matthew Barber & Jill Barber Present The Family Album - Mon October 24 The Piano Men Starring Jim Witter - Thurs October 27 Quartango’s Body & Soul - Thurs November 3 Baskerville: A Sherlock Holmes Mystery - Sun November 20 Banff Mountain Film Festival World Tour - Fri November 25 & Sat November 26 David Myles - It’s Christmas - Sat December 10 Canadian Guitar Quartet - Wed January 25 Leela Gilday - Fri January 27 Lion Bear Fox - Sat January 28 Joe Trio - Sun February 5 Bridget Ryan: Here’s To The Ladies Who Laugh - Fri February 10 Radical Reels Tour - Sun March 5 Goitse - Wed March 15 Story Theatre’s The Show Must Go On - Sat March 18 Brett Polegato & Robert Kortgaard - Wed March 29 Ballet Victoria: Midsummer Night’s Dream & New Canadian Works - Fri March 31 For nearly twenty-five years there has been a flagship series of touring professional performances presented at the Sid Williams Theatre. This series has been enhanced in many ways since the inception of the theatre society in 2000 to become the Sid Williams Theatre Society’s Blue Circle Series. Our programming team starts putting a Blue Circle Series season together as much as a year in advance. We attend showcase events to seek new talent. We network with other theatres to see what’s hot and what’s not. We si through literally hundreds of enquiries from talent agents to pick the perfect shows for our stage.
    [Show full text]
  • The Real DIRT a Monthly Newsletter to Keep You Informed
    July 2013 The Real DIRT A monthly newsletter to keep you informed. Calgary Hit by Historic Flood On Friday June 21, 2013 the province of Alberta was hit by a "one hundred year" flood severely impacting the cities of High River, Calgary, Canmore, Medicine Hat, Okotoks, Turner Valley, Black Diamond and many other rural areas. Some information from the flood: 3: the number of times greater the peak levels of the Bow and Elbow Rivers were compared to 2005 when floods caused $275 million in damage 4: the number of Albertans who lost their lives due to the floods 10: the number of rows of the Saddledome submerged by flood waters 12: the number of prisoners who required relocating as a result of rising water 1,700: the number of cubic meters per second flowing in the Bow River in Calgary - the city's highest recorded flow since 1897 100,000: the number of Calgarians who were under a mandatory evacuation order Alberta One-Call is located within a few kilometres of Calgary's downtown core - an area heavily affected by the flood. In an emergency situation like this, the safety of our staff members and their families was our top priority and since numerous roads and bridges were closed, the decision was made to close our office to allow them to get home safely. When we did so, we failed-over to our work-at-home staff and focused operations on emergency locate requests. On the following Monday, a few days after the flood, all Calgarians were urged to limit road and transit use.
    [Show full text]