2016 - 2017 Blue Circle Series Will Bring All of This to the Comox Valley, and More
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The Show Must Go On
THE SHOW MUST GO ON by Sean Aita Inspired by Jules Verne’s Around the World in 80 Days www.schooltours.at @ All passengers on this epic journey This year, a small Theatre-in-Education company (consisting of four actors) is inviting you to join them on a trip around the world … sounds good, eh? However, there are a few (not so small) matters to sort out beforehand, such as: which play are they going to do? Who is going to play which part? And – who is going to pay for it all? As it happens, all four of them have to work second jobs and rehearse in the evenings, because it’s quite difficult to make a living without a fixed-term contract at a theatre. Money is only going to come in if and when they do a show. So they decide to put Jules Verne’s novel Around the World in 80 Days on stage. Perhaps you’ve read the story, or seen a film version? Mr Fogg, a rich English Gentleman, bets two friends that he is able to go around the world in 80 days – which is less than three months! The story is set in the 19th century when travelling to faraway countries wasn’t as easy as it is nowadays. No cars, no planes, no fast trains, and some railway lines (in different countries) hadn’t even been built … Next problem: the casting. In the story, there hardly are any female characters. And guess what – after some discussion, the two main roles in the story, Mr Phileas Fogg and his French servant Passepartout, are played by the two girls! And lastly, just as the play seems to come together, the promised grant from the Arts Council is cancelled. -
Older Entertainers Making Music in the Community in Melbourne, Australia
australiaa n societ s y for mumsic education e ‘The show must go on’: i ncorporated older entertainers making music in the community in Melbourne, Australia Dawn Joseph Deakin University Jane Southcott Monash University Abstract Globally countries are faced with an aging population and Australia is no different. This creates challenges for the maintenance of well-being which can be enhanced by active engagement in society. There is extensive research that confirms that engagement in music by older people is positively related to individual and community well- being. Music engagement encompasses a range of social participation and has the potential to recognise the contribution of older people to their local communities. Music participation can contribute to a better quality of life, particularly in relation to health and happiness. There are many possible forms of music engagement. This study is part of an on-going Deakin University and Monash University research project, Well-being and ageing: community, diversity and the arts in Victoria. This article focuses on three members of a mixed voluntary singing group formed by older residents of an outer suburban community in Melbourne, Australia. This group, The Skylarkers, were established in 1999 as a four-part choir. Over the years the nature of the choir has changed under subsequent music directors. Since 2009 the group has focused on music theatre repertoire and performance style. Membership of the group is fluid reflecting changing life circumstances of the members but the ensemble is resilient. This small amateur music theatre group is based in suburban Melbourne, rehearses weekly and performs regularly at retirement villages, nursing homes and facilities for senior citizens. -
HPSA 101 for Rhcs
NARHC Webinar Tuesday February 2, 2021 Moderator: Nathan Baugh Speakers: Dr. Janelle McCutchen DISCLAIMER: This is a computer-generated transcript. The below transcript may not accurately capture everything said on the webinar. This transcript is not official Department of Health and Human Services guidance. HPSA 101 for RHCs Nathan Baugh: 3:00 Hello, doctor Mccutchen? Dr. Janelle McCutchen: 3:02 Yes? can you hear me and even? Nathan Baugh: Yes, I can. Dr. Janelle McCutchen: Perfect, I'm so sorry, guys. It kept kicking me out of VPN, so I'm logged on my personal computer. 3:13 I'm hoping that this is working. Yes, this is fine, and you guys can hear me clear. I was able to send myself the PowerPoint. Nathan Baugh: 3:23 OK, great, all right, well, we are live right now, I had to start the broadcast, so everyone can hear us. So, thank you, that's totally fine. We appreciate you being here and we're gonna, we're gonna just rock with the show must go on. 3:39 So first thing is on screen sharing, I have your PowerPoint, I can share it on my screen if you want, if you want to put it on your screen, so you can control the slides I don't know. 3:54 Thank you presenters or yeah, let me make you presenter and that's what we have to do. 4:02 OK, so should give you the option dish, show screen, yep, we see it. We're good to go? 4:12 Do they flip it? showing you the wrong one? 4:19 See, mmm hmm, mmm hmm. -
The Leading Tone Leading the REGIONAL ORCHESTRA P
Regional Orchestra ROPA Players’ Association A conference of the American Federation of Musicians, AFL-CIO 2017 ROPA Conference Edition Fall Westin Phoenix Downtown / Phoenix, AZ 2017 July 31st—August 3rd, 2017 2017 ROPA Conference Report by Karen Sandene, ROPA Secretary Delegates representing orchestras from all corners of the nation convened in Phoenix, AZ during the first week of August for the 33rd Annual Regional Orches- tra Players’ Association (ROPA) Conference, hosted by Local 586 and the Arizona Opera Orchestra, with activities centered at the Westin Downtown Phoenix Hotel. ROPA’s annual conference is one of the most important benefits of ROPA membership, and much information is gleaned there to assist with negotiat- ing, organizing and understanding the current state and Wilcox reinforced the common knowledge that of the orchestral world. arts and culture radiate throughout the economy. The final session of this first morning was a well-received A central theme highlighted throughout this year’s presentation on hearing protection, with audiologist conference dealt with the topic of diversity and inclu- Heather Malyuk of Sensaphonics. siveness in the symphonic world, and several excel- lent guest speakers offered their perspectives Delegates spent much of the first day in valuable throughout the week. Lovie Smith-Wright (President, small group discussions with their Members-at-Large, Houston Local 699) gave the AFM Diversity Com- sharing information with orchestras of similar budget mittee report, and Alex Laing (Principal Clarinet, size. Wrapping up official business for the first day, Phoenix Symphony) offered a detailed description of new delegates received training from ROPA officers “Plans for Recognizing the Diversity in Our Locals/ and members of Symphonic Services Division. -
2008 / 2009 Annual Report
RADIO STARMAKER FUND ANNUAL REPORT 20#08 –2009 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate 04 . Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 07. -10. Radio Starmaker Funded Artists 12. Sales Certifications 14. Grant Allocation by Province | Grant Allocation by Genre 16. Grant Allocation by Music Industry Association 18. -19. Awards Won by Radio Starmaker Funded Artists 21. New Artists to Radio Starmaker Fund 23. Allocation of Funding by Category 25. -29. Condensed Financial Statements 372 Bay Street, Suite 302, Toronto, Ontario M5H 2W9 T. 416.597.6622 F. 416.597.2760 TF. 1.888.256.2211 www.radiostarmakerfund.com RADIO STARMAKER FUND ANNUAL REPORT 2008-2009 .01 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND It is my pleasure in my second year as Another important issue for Starmaker is to ensure that I am very excited to see these excellent results and I look Chair of the Radio Starmaker Fund the funding is distributed broadly over new and emerg - forward to working further with the new Board and the to present our outstanding results ing talent and that we are not funding the same artists very capable staff here at Starmaker to continue to set from the fiscal year 2008-2009. repeatedly. This year in addition to our dramatic and meet these very high standards for supporting artists increase in applications we saw almost one third of these in Canada. One of the primary goals of the applications from artists who were new to the Fund. -
Innovation Broadway Reaches for the Stars
I D E A S INNOVATION BROADWAY REACHES FOR THE STARS JULIÁN VILLANUEVA earing in mind that And what challenges does it cur- Professor of Marketing, the average price rently face? IESE Business School of a Broadway musical is $70 and NEW PRODUCTS FOR NEW that few have fared AUDIENCES JORGE GONZÁLEZ well on Wall St. l Innovation: The Show Professor of Marketing, over the last two Must Go On IESE Business School B years, many feel While the financial crisis has that the sector has done an excellent threatened almost all industrial job of making the period from May sectors, the inability to innovate 2008 to May 2009 its highest-earning has proven an even greater threat. Broadway has managed season in history. Broadway, however, has shown over the last decade that it can launch to hold its own despite the The area of Manhattan that falls around 35 new shows a year. There is chill winds that have been between 8th Avenue and Broadway always a fresh off ering. So the show blowing in these diffi cult and 41st and 53rd Streets is home to must go on. And it must go on with the densest concentration of the- receipts that are high enough to pay economic times. IESE Profs. aters on the planet. Every day of the the lease, wages and promotional Julián Villanueva and Jorge year, the theater district attracts an costs while hoping that something average of almost 34,000 people ea- better isn’t waiting around the cor- González unveil the secrets ger to pay a total of more than $2.5 ner. -
Uniter #17.Qxd
Jersey - See ‘Em, Read Do You Live in the Monster ‘Em, Win ‘Em Page Apartment From Hell? Ink 14 Page 10 Page 17 Volume 58, Issue 17 january 22, 2004 THE Uniter ART - Never on a Sunday? - page 16 page 2 january 22, 2004 the uniter uniter the news Volume 58, Issue 17 January 22, 2004 S T A F F Jonathan Tan Editor In Chief [email protected] Michelle Kuly Wesmen and Downtown Biz Managing Editor [email protected] Honour Local Heroes A. P. (Ben) Benton News Editor Service for 20 years, firefighter BY SHERI LAMB [email protected] Proulx is one of Canada’s pre- he men and women in the City of mier educators in Fire Cheryl Gudz Winnipeg who courageously risk Prevention. Features Editor Ttheir lives for the safety of others Former Wesmen women’s [email protected] were honoured during the volleyball action volleyball player, Maslowski at the Duckworth Centre on Saturday, has been a Winnipeg firefighter Jeff Robson January 10th. for the last five years, rising to A&E Editor Joining together with the Downtown prominence during the last three [email protected] Biz, the University of Winnipeg paid tribute as a Fire Inspector and for teach- to several members of the Winnipeg Police ing fire safety to the public. Leighton Klassen Services and the Winnipeg Fire-Paramedic Pauls, a member for 10 Sports Editor Services last Saturday night on Emergency years, and Johnson, in her sev- [email protected] Services night. enth year of service, were hon- “We are proud to be able to honour oured for their work in main- Stu Reid those that have put their lives at risk to help taining high standards of patient Production Manager others – and people who are involved with care and educating the public, [email protected] special programs to make our community a respectively. -
– the Show Must Go On
EXPLORING GSE, AIRFIELD EQUIPMENT AND INFRASTRUCTURE | WINTER 2016 | WWW.AIRSIDEINT.COM 25th - 27th APRIL 2017, MILAN Will global warming put an end to the need for snow clearance at major airports, except for a few places in the Polar 8 THROWING LIGHT regions? Absolutely not, says Airside’s Chris Lewis. World temperatures may be rising, and there could well be fewer ON AGL days with snow in many parts of the world, but snow still has the ability to take airport authorities, transport operators The latest on airfield and even weather forecasters by surprise ground lighting SNOW OR NO – THE SHOW MUST GO ON GLASGOW 14 PRESTWICK Big plans at the airport hen it does come, snow still has the ability to completely 25 AIR-CONDITIONING shut an airport down if it is not W properly equipped, or if ade- Breathing life into quate plans are not in place. Coupled with this airport PCA equipment is the intensity of today’s air traffi c. Whereas in the past global aviation might have been able to function with the odd runway here and there closed by snow, the system is much less tolerant today. Runways must be kept open if humanly possible. So the demands on snow clearance equip- ment will, if anything, arguably be greater than in the past. Weather is, of course, notoriously hard to Zurich Airport has a large fl eet of snow-removal vehicles INTER AIRPORT SOUTH EAST ASIA, 15TH - 17TH FEBRUARY 2017, SINGAPORE $WDQ\DLUSRUWHIĺFLHQF\DQGUHOLDELOLW\DUHZKDWFRXQW7KHVHWZRIDFWRUV UHFHLYHPD[LPXPDWWHQWLRQLQWKHGHVLJQDQGHQJLQHHULQJRIDOO*ROGKRIHU DQG6FKRSIDLUFUDIWWRZLQJWUDFWRUV$PLQLPXPPDLQWHQDQFHUHTXLUHPHQW LV WKH NH\ WR PD[LPXP DYDLODELOLW\ DQG UREXVW HQJLQHHULQJ WKH JXDUDQ WHHIRUORQJVHUYLFHOLIH&KRRVHDWRZWUDFWRUIURPWKH*ROGKRIHU*URXS IRUWKHPRVWHFRQRPLFDOVROXWLRQRQWKHPDUNHW $LUFUDIW7RZ7UDFWRUV_&DUJR7RZ7UDFWRUV_$LUFUDIW5HFRYHU\6\VWHPV WWW.GOLDHOFER.DE WWW.SCHOPF-GSE.COM FEATURE | SNOW CLEARANCE MIKE BRYANT YASMIN LYDON Editor Events Coordinator elcome to the Winter 2016 issue [email protected] [email protected] of Airside International. -
Lucy Mcgee Series
Grades 2–5 EDUCATOR’S GUIDE Book . .#1 . MESERVE by Mary Amato AMATO PRAISE FOR News from Me, Lucy McGee “Fun accompanied by useful life lessons.”—Kirkus Reviews news from Me, illustrated by Jessica Meserve “Lucy has an appealing earnestness and a Ramona-esque tendency to act first and think later.”—The Bulletin of the Center for Children’s Books Lucy McGee can’t believe that popular classmate Scarlett Tandy has asked her to join the exclusive Craft Club. There’s just one problem: Lucy’s dad already signed her up for the Songwriting Club. When Scarlett tells Lucy to skip the Songwriting Club, it’ll mean lying to her parents and disappointing her friend Phillip Lee—but if Lucy can be super-extra secretive about it, they’ll never find out . right? ABOUT THE SERIES This chapter-book series by favorite, award-winning author Mary US $7.99 $7.99 / CAN / CAN $10.99 $10.99 ISBN: 978-0-8234-4439-7 Amato stars a fun-loving heroine Holiday House Publishing, Inc. 5 0 7 9 9 EAN HolidayHouse.com who matches wits with a mean girl. 0710 9 7 8 0 8 2 3 4 4 4 3 9 7 NewsFromMeLucyMcgeePB_JKT_3p.indd 1 9/18/19 10:10 AM Spunky Lucy McGee is in the fourth Book BookBookBookBook #3 #2 #3 #3 Book #4 . #3. Lucy McGee’s ukulele is missing—and if she doesn’t find it M AM ESERV The big talent show is coming up and MARY AMATO is the author of soon, she’ll be kicked out of the Songwriting Club! grade at Slido Creek Elementary School A sing with me, Lucy McGee and Phillip Lee are sure the popular Riot Brothers series, The When Lucy learns that YouTube songwriting stars Ben & TO Lucky LuckyLucky me, me,me, Star on TV Word Eater, Our Teacher Is a Vampire that they have a hit on their hands Bree are playing a show on Saturday and they’re giving away E and Other (Not) True Stories, and a free ukulele, it seems like the perfect solution . -
Karaoke Catalog Updated On: 15/10/2018 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 15/10/2018 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry Someday You'll Want Me To Want You Voices Carry When You're Smiling (The Whole World Smiles With That Old Black Magic (Woman Voice) (H?D) Planet Earth 1930s Standards That Old Black Magic (Man Voice) Blackout Heartaches I Know Why (And So Do You) DUET Other Side Cheek to Cheek Aren't You Glad You're You 10 Years My Romance (I've Got A Gal In) Kalamazoo Through The Iris It's Time To Say Aloha No Love No Nothin' 10,000 Maniacs We Gather Together Personality Because The Night Kumbaya Sunday, Monday Or Always 10CC The Last Time I Saw Paris This Heart Of Mine Dreadlock Holiday All The Things You Are Mister Meadowlark I'm Not In Love Smoke Gets In Your Eyes 1950s Standards The Things We Do For Love Begin The Beguine Get Me To The Church On Time Rubber Bullets I Love A Parade Fly Me To The Moon Life Is A Minestrone I Love A Parade (short version) It's Beginning To Look A Lot Like Christmas 112 I'm Gonna Sit Right Down And Write Myself A Letter Crawdad Song Cupid Body And Soul Christmas In Killarney Peaches And Cream Man On The Flying Trapeze That's Amore 12 Gauge Pennies From Heaven My Own True Love (Tara's Theme) Dunkie Butt When My Ship Comes In Organ Grinder's Swing 12 Stones Yes Sir, That's My Baby Lullaby Of Birdland Far Away About A Quarter To Nine Rags To Riches Crash Did You Ever See A Dream Walking? Something's Gotta Give 1800s Standards I Thought About You I Saw Mommy Kissing Santa Claus (Man -
Our Journey During the Pandemic, a Stanford Law School Seminar
2020 MAY–JUNE MAY–JUNE INSIDE ARTS PERFORMING Our journey during the pandemic, a Stanford Law School seminar MAGAZINE explores the arts through live performance, and more Indigenous singer-songwriter iskwē performs at Bing Concert Hall next season Stay Tuned: Stanford Live’s 2020–21 Season Will Be Announced On May 27 An unprecedented year of upheaval and disruption offers us a distinct opportunity for reflection and change. We invite you to join us on this journey filled with joy, challenge, inspiration—and most importantly—hope. See page 38 for a peek into our next season. STAY live.stanford.edu TUNED CONTENTS Stanford Live Staff p—5 & Sponsors Welcome p—6 Campus Partners p—7 Upcoming Events p—8–11 Scene & Heard p—12–13 Behind the Scenes p—31 Behind the Pandemic Curtain: Membership p—34–35 Stanford Live & Bing p—36–37 An Empty Hall Brims with Hope Concert Hall Donors By Chris Lorway, Executive Director Calendar p—38 A behind-the-scenes look as Stanford Live charts a way forward Plan Your Visit p—39 p —22 Featurette Infographic Infographic The New Negroes: The Comedy Central The Show Must Go Online Cole Porter vs. the Censors Duo at the Bing Highlights from Stanford Live’s newly Dive into some of the iconic singer- A look into the origins of the Comedy curated digital season songwriter’s witty lyrics that beat the Central show’s live version censors p—20 p—14 p—32 Featurette Featurette Law, Politics, and the Arts The Influence of Minimalism A reflection by Stanford Professor of Rob Kapilow on the greats of an arts Law Richard Ford on teaching Stanford movement that continues to reverberate Live performances in a law seminar p—27 p—17 3 Hats off to all of the healthcare professionals and essential workers around the world. -
The War on Score: Ontarian Women's
The War on Score: Ontarian Women’s Songs during The Great War Karina Stellato March 29, 2019 HMU499 Professor T. Neufeldt In response to Lord Kitchener’s famous 1915 recruitment poster, Muriel E. Bruce, a twenty-two-year-old Torontonian composed what would become the anthem of local recruitment leagues for the duration of the Great War: Kitchener’s Question.1 “Why aren’t you in Khaki? / This means you! / Any old excuse won’t do,”2 flooded the streets during recruitment marches with the intention of inspiring the enlistment of Britain’s sons.3 The success of Muriel Bruce’s collection of songs grants her the honour of common historiographical representation as the token women when discussing entertainment on the Canadian home front. Less commonly remembered are the multitude of amateur and professional female Canadian composers who contributed to creating the flourishing musical climate in Toronto and the neighbouring regions of Anglo-Ontario during the war period. “Doing one’s bit” in the war effort did not only pertain to enlisted men, rather it was the vital motive behind the composition of the vast library of popular music published by women throughout the war. Studying the overlooked genre of commercially popular music by women in Ontario between 1914-1918 provides insight into common contemporary attitudes; where content, audience and social meaning can be analyzed through lyrics and cover art.4 Songs composed and sung by women on the home front acted as propaganda in the pursuit of two objectives: increased recruitment and the cultivation of general approval for the war.