UNIVERSITY of CALIFORNIA, IRVINE Ainu Fever: Indigenous Representation in a Transnational Visual Economy, 1868–1933 DISSERTATI
UNIVERSITY OF CALIFORNIA, IRVINE Ainu Fever: Indigenous Representation in a Transnational Visual Economy, 1868–1933 DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Visual Studies by Christina M. Spiker Dissertation Committee: Professor Bert Winther-Tamaki, Chair Associate Professor Fatimah Tobing Rony Associate Professor Roberta Wue 2015 © 2015 Christina M. Spiker TABLE OF CONTENTS Page LIST OF FIGURES iii ACKNOWLEDGMENTS vi CURRICULUM VITAE vii ABSTRACT OF THE DISSERTATION x INTRODUCTION 1 CHAPTER 1: ‘Civilized’ Men and ‘Superstitious’ Women: Isabella Bird, Edward 42 Greey, and Late Nineteenth-Century Visualizations of the Ainu CHAPTER 2: Narrating a Multi-Layered Visual Experience at the 1904 St. 103 Louis Exposition: W. J. McGee, Frederick Starr, and Pete Gorō CHAPTER 3: Art, Science, and the Artist-Explorer: Arnold Genthe and A. H. 144 Savage Landor, 1893–1908 CHAPTER 4: A Modern Tourist Experience in Shiraoi: Kondō Kōichiro’s 187 Illustrations in the Yomiuri Shinbun, 1917 CHAPTER 5: Asserting Identity in the Face of Disappearance: Katahira 223 Tomijirō, Takekuma Tokusaburō, and Reverend John Batchelor, 1918–1933 EPILOGUE: Ainu Visual Economy Enters the Digital Age: New Battlegrounds 271 of Representation BIBLIOGRAPHY 287 ii LIST OF FIGURES Figure Page 1 “Hairy Ainu to be Brought to America,” New York Tribune, 1904 2 2 Broughton, “A Man & Woman of Volcano Bay,” 1804 12 3 Bird, “Ainos of Yezo” frontispiece, 1880 64 4 Stillfried, “Ainos,” ca. 1875 65 5 Stillfried, “Stehender Ainu-Jäger,” ca. 1875 66 6 Bird, “Shinondi and Shinrichi,” 1880 67 7 Bird, “An Aino Patriarch,” 1880 70 8 Bird, “Aino Lodges (Based on a Japanese Sketch),” 1880 75 9 Reclus, “Aino Types and Costumes,” 1882 77 10 Stillfried, “Yesso, Ainos,” ca.
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