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Equipo Crónica
Equipo Crónica Tomàs Llorens 1 This text is published under an international Attribution-NonCommercial-NoDerivs Creative Commons licence (BY-NC-ND), version 4.0. It may therefore be circulated, copied and reproduced (with no alteration to the contents), but for educational and research purposes only and always citing its author and provenance. It may not be used commercially. View the terms and conditions of this licence at http://creativecommons.org/licenses/by-ncnd/4.0/legalcode Using and copying images are prohibited unless expressly authorised by the owners of the photographs and/or copyright of the works. © of the texts: Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao © Equipo Crónica (Manuel Valdés), VEGAP, Bilbao, 2015 Photography credits © Archivo Fotográfico Museo de Arte Contemporáneo de Alicante, MACA: fig. 9 © Archivo Fotográfico Museo Nacional Centro de Arte Reina Sofía: figs. 11, 12 © Bilboko Arte Ederren Museoa-Museo de Bellas Artes de Bilbao: figs. 15, 20 © Colección Arango: fig. 18 © Colección Guillermo Caballero de Luján: figs. 4, 7, 10, 16 © Fundación “la Caixa”. Gasull fotografía: fig. 8 © Patrimonio histórico-artístico del Senado: fig. 19 © Stiftung Museum Kunstpalast - ARTOTHEK: fig. 14 Original text published in the catalogue Equipo Crónica held at the Bilbao Fine Arts Museum (10 February to 18 May 2015). Sponsored by: 2 1 Estampa Popular de Valencia and the beginnings of Equipo Crónica Founded in 1964, Equipo Crónica and Estampa Popular de Valencia presented themselves to the public as two branches of a single project. Essentially, however, they were two different, independent ones and either could have appeared and evolved without the other. -
Visit Oma's Forest, Santimamiñe's Cave, Bermeo, Mundaka and Gernika!
www.bilbaoakelarrehostel.com Visit Oma’s Forest, Santimamiñe’s cave, Bermeo, Mundaka and Gernika! All day trip Bilbao Akelarre Hostel c/ Morgan 4-6, 48014 Bilbao (Bizkaia) - Teléfono: (+34) 94 405 77 13 - [email protected] - www.bilbaoakelarrehostel.com www.bilbaoakelarrehostel.com - Leaving Bilbao Akelarre Hostel • Arriving to the “enchanted” forest of Oma Forest of Oma Located at 8 kilometers of Guernika and right in the middle of the Uradaibai biosphere reserve , The Oma forest offers to its visitors an image between art and mystery thanks to the piece of art of Agustín Ibarrola . 20 years ago, this Basque artist had the idea of giving life to the trees by painting them. That way, in a narrow and large valley, away from the civilisation and its noise, you can find a mixture of colours, figures and symbols that can make you feel all sorts of different sensations. Without any established rout, the visitor himself will have to find out their own vision of the forest. Bilbao Akelarre Hostel c/ Morgan 4-6, 48014 Bilbao (Bizkaia) - Teléfono: (+34) 94 405 77 13 - [email protected] - www.bilbaoakelarrehostel.com www.bilbaoakelarrehostel.com Bilbao Akelarre Hostel c/ Morgan 4-6, 48014 Bilbao (Bizkaia) - Teléfono: (+34) 94 405 77 13 - [email protected] - www.bilbaoakelarrehostel.com www.bilbaoakelarrehostel.com - Leaving Oma’s Forest • Arriving at Santimamiñe’s cave Santimamiñe’s Cave Located in the Biscay town of Kortezubi and figuring in the list of the Human Patrimony, Santimamiñe’s Cave represents one of the principle prehistorically site of Biscay. They have found in it remains and cave paintings who age back from the Palaeolithic Superior in the period of “Magdaleniense”. -
Pais Vasco 2018
The País Vasco Maribel’s Guide to the Spanish Basque Country © Maribel’s Guides for the Sophisticated Traveler ™ August 2018 [email protected] Maribel’s Guides © Page !1 INDEX Planning Your Trip - Page 3 Navarra-Navarre - Page 77 Must Sees in the País Vasco - Page 6 • Dining in Navarra • Wine Touring in Navarra Lodging in the País Vasco - Page 7 The Urdaibai Biosphere Reserve - Page 84 Festivals in the País Vasco - Page 9 • Staying in the Urdaibai Visiting a Txakoli Vineyard - Page 12 • Festivals in the Urdaibai Basque Cider Country - Page 15 Gernika-Lomo - Page 93 San Sebastián-Donostia - Page 17 • Dining in Gernika • Exploring Donostia on your own • Excursions from Gernika • City Tours • The Eastern Coastal Drive • San Sebastián’s Beaches • Inland from Lekeitio • Cooking Schools and Classes • Your Western Coastal Excursion • Donostia’s Markets Bilbao - Page 108 • Sociedad Gastronómica • Sightseeing • Performing Arts • Pintxos Hopping • Doing The “Txikiteo” or “Poteo” • Dining In Bilbao • Dining in San Sebastián • Dining Outside Of Bilbao • Dining on Mondays in Donostia • Shopping Lodging in San Sebastián - Page 51 • Staying in Bilbao • On La Concha Beach • Staying outside Bilbao • Near La Concha Beach Excursions from Bilbao - Page 132 • In the Parte Vieja • A pretty drive inland to Elorrio & Axpe-Atxondo • In the heart of Donostia • Dining in the countryside • Near Zurriola Beach • To the beach • Near Ondarreta Beach • The Switzerland of the País Vasco • Renting an apartment in San Sebastián Vitoria-Gasteiz - Page 135 Coastal -
The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
Barakaldo – España
EUROPAN 6 – BARAKALDO – ESPAÑA Location: Barakaldo, Desembocadura del río Galindo Population: 100,000 inhab. Study area: 29 ha CONURBATION SITE Barakaldo, second most populated town in Biscay, is situated between the On an area totalling 500 000 m2, previously occupied by an iron and steel left bank of the Nervion estuary, just downstream of Bilbao. Of Barakaldo’s works, BR2000 is developing an ambitious urban, social, and economic rege- 100 000 inhabitants, 70% live in the centre. Historically it is an important in- neration project. The site is at the centre of the area, in the confluence of the dustrial centre (chemicals, iron and steel). It is the disappearance of one the Nervion and Galindo rivers, and adjoins a former EUROPAN 5 site; a location biggest of these companies, Altos Hornos of Bilbao, that has opened up the with the potential to give Barakaldo and the estuary on which it stands, a new possibility for urban regeneration of large tracts of land. image. FUNCTIONAL ISSUES The main issue is, with the help of a complete urban project to be built in the Galindo river sector, the extension of the town centre on the riverfront formed by the Nervion and Galindo. The proposed site constitutes the cornerstone. EUROPAN 6 – BARAKALDO – ESPAÑA SOCIAL ISSUES PROGRAMME Although the project for the site chiefly concerns a residential scheme, it is The programme calls for management through to completion of a scheme nonetheless necessary to place it in a much wider context, envisaging busi- that provides 19 000 m2 of housing. There are no preliminary conditions in ness activity, transport and other networks, public spaces, pedestrian spaces, terms of construction typology, implantation, or outline. -
Primera Cita De Reproducción De Cigüeñuela Común Himantopus
Munibe (Ciencias Naturales-Natur Zientziak) • Nº 60 (2012) • pp. 253-256 • DONOSTIA-SAN SEBASTIÁN • ISSN 0214-7688 Primera cita de reproducción de cigüeñuela común Himantopus himantopus L., 1758 en Urdaibai (Bizkaia) First breeding record of common stilt Himantopus himantopus L., 1758 at Urdaibai (Bizkaia) JUAN ARIZAGA 1*, AINARA AZKONA 1, XARLES CEPEDA 1, JON MAGUREGI 1, EDORTA UNAMUNO 1, JOSÉ M. UNAMUNO 1 RESUMEN La colonización del Cantábrico por la cigüeñuela común Himantopus himan- topus L., 1758 es un fenómeno reciente (se cita por primera vez en 2009 en Asturias y Cantabria). En 2012, y por primera vez para Urdaibai y la costa vasca, se constata la reproducción de cigüeñuela en la laguna de Orueta, en el municipio de Gautegiz-Arteaga (Bizkaia). En particular, una pareja fue capaz de sacar adelante 3 pollos. • PALABRAS CLAVE: Cantábrico, Gautegiz-Arteaga, humedales, limícolas, marismas costeras. ABSTRACT The common stilt Himantopus himantopus L., 1758 has colonized the coast along northern Spain recently (it bred for the first time in 2009 in Asturias and Cantabria). In 2012, and for the first time at Urdaibai and the Basque coast, one pair bred successfully in the Orueta lagoon, within the municipality of Gautegiz-Arteaga (Bizkaia). This pair was able to rear 3 chicks. • KEY WORDS: Bay of Biscay, coastal marshes, Gautegiz-Arteaga, waders, wetlands. LABURPENA Zankaluzeak Himantopus himantopus L., 1758 Kantauriar kosta kolonizatzea gertakari berria da (lehen zita 2009. urtekoa da, Asturias eta Kantabrian). 2012 urtean lehen aldiz, Urdaibain, eta honenbestez Euskal kostaldean, zankaluze- aren ugalketa egiaztatu da. Zankaluzeak Gautegiz-Arteaga herrian (Bizkaia) 1 Urdaibai Bird Center/Sociedad de Ciencias Aranzadi. -
Bombing of Gernika
BIBLIOTECA DE The Bombing CULTURA VASCA of Gernika The episode of Guernica, with all that it The Bombing ... represents both in the military and the G) :c moral order, seems destined to pass 0 of Gernika into History as a symbol. A symbol of >< many things, but chiefly of that Xabier lruio capacity for falsehood possessed by the new Machiavellism which threatens destruction to all the ethical hypotheses of civilization. A clear example of the ..e use which can be made of untruth to ·-...c: degrade the minds of those whom one G) wishes to convince. c., '+- 0 (Foreign Wings over the Basque Country, 1937) C> C: ISBN 978-0-9967810-7-7 :c 90000 E 0 co G) .c 9 780996 781077 t- EDITORIALVASCA EKIN ARGITALETXEA Aberri Bilduma Collection, 11 Ekin Aberri Bilduma Collection, 11 Xabier Irujo The Bombing of Gernika Ekin Buenos Aires 2021 Aberri Bilduma Collection, 11 Editorial Vasca Ekin Argitaletxea Lizarrenea C./ México 1880 Buenos Aires, CP. 1200 Argentina Web: http://editorialvascaekin- ekinargitaletxea.blogspot.com Copyright © 2021 Ekin All rights reserved First edition. First print Printed in America Cover design © 2021 JSM ISBN first edition: 978-0-9967810-7-7 Table of Contents Bombardment. Description and types 9 Prehistory of terror bombing 13 Coup d'etat: Mussolini, Hitler, and Franco 17 Non-Intervention Committee 21 The Basque Country in 1936 27 The Basque front in the spring of 1937 31 Everyday routine: “Clear day means bombs” 33 Slow advance toward Bilbao 37 “Target Gernika” 41 Seven main reasons for choosing Gernika as a target 47 The alarm systems and the antiaircraft shelters 51 Typology and number of airplanes and bombs 55 Strategy of the attack 59 Excerpts from personal testimonies 71 Material destruction and death toll 85 The news 101 The lie 125 Denial and reductionism 131 Reconstruction 133 Bibliography 137 I can’t -it is impossible for me to give any picture of that indescribable tragedy. -
A Monthly E-Newsletter for the Latest in Cultural Management and Policy ISSUE N° 114
news A monthly e-newsletter for the latest in cultural management and policy ISSUE N° 114 DIGEST VERSION FOR OUR FOLLOWERS Issue N°104 / news from encatc / Page 1 CONTENTS NOTE FROM THE Issue N°114 NOTE FROM THE EDITOR EDITOR 2 Dear colleagues, Welcome to the new re-vamped online ENCATC resources to make it ENCATC NEWS 3 version of our monthly ENCATC easier to access direct sources and newsletter! material for your work! Finally, for those who liked the PDF just as it was, These last two months we took the UPCOMING you can still find all the information time to have a critical look at this very 10 you trust from ENCATC and can print EVENTS product we have been producing for this publication to take with you! you for over 20 years as well as to CALLS & ask the opinions of members, key The new format of the ENCATC stakeholders, and loyal readers in newsletter will also offer more space OPPORTUNITIES 13 order to find the new way to adapt this for contributions from our members information tool to reading practices and stakeholders. In this issue you will EUROPEAN YEAR and the digital environment. enjoy articles written by our members Lidia Varbanova, Claire Giraud-Labalte OF CULTURAL 14 So what is the next stage for ENCATC and Savina Tarsitano and from the HERITAGE 2018 News? Many said they were plagued network Future for Religious Heritage. by information overload and felt pressure to have updates quickly and Finally, to mark the European Year of ENCATC IN only a click away. -
Gernikako Arbola, Un Himno Huérfano Gernikako Arbola, an Orphaned
Historia Contemporánea 54: 207-241 ISSN: 1130-2402 — e-ISSN: 2340-0277 DOI: 10.1387/hc.17583 GERNIKAKO ARBOLA, UN HIMNO HUÉRFANO GERNIKAKO ARBOLA, AN ORPHANED ANTHEM Xabier Zabaltza Universidad del País Vasco/Euskal Herriko Unibertsitatea (España) ORCID: orcid.org/0000-0001-8743-3084 Recibido el 13-11-2015 y aceptado el 5-10-2016 Resumen: La primera interpretación documentada del Gernikako Arbola tuvo lugar en Madrid en 1853. Considerado ya en vida de su autor como himno nacional vasco, no es, en cambio, un himno nacionalista. Es un canto a la soli- daridad de Álava, Guipúzcoa, Navarra y Vizcaya, pero sin cuestionar la unidad de España. Ha contado con una difusión extraordinaria también en las provin- cias vasco-francesas de Baja Navarra, Labort y Sola, así como en las colectivi- dades vascas del exterior. Por razones opuestas, ha sido rechazado por sectores del navarrismo y del nacionalismo vasco. El universalismo y el pacifismo que rezuma el Gernikako Arbola lo diferencian de otros himnos patrióticos. Palabras clave: José María Iparraguirre (1820-1881). Gernika. Fuerismo. Nacionalismo vasco. Navarrismo. Abstract: The first documented performance of Gernikako Arbola took place in Madrid in 1853. Considered in the lifetime of its author a national an- them, it is not, however, a nationalist anthem. It is a hymn to the solidarity of Alava, Biscay, Guipuzcoa and Upper Navarre, but without questioning the unity of Spain. It has also been extraordinarily popular in the French Basque prov- inces of Labourd, Lower Navarre and Soule, as well as in the Basque communi- ties abroad. For opposite reasons, it has been rejected by sectors of Navarresism and Basque nationalism. -
Comparing the Basque Diaspora
COMPARING THE BASQUE DIASPORA: Ethnonationalism, transnationalism and identity maintenance in Argentina, Australia, Belgium, Peru, the United States of America, and Uruguay by Gloria Pilar Totoricagiiena Thesis submitted in partial requirement for Degree of Doctor of Philosophy The London School of Economics and Political Science University of London 2000 1 UMI Number: U145019 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U145019 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Theses, F 7877 7S/^S| Acknowledgments I would like to gratefully acknowledge the supervision of Professor Brendan O’Leary, whose expertise in ethnonationalism attracted me to the LSE and whose careful comments guided me through the writing of this thesis; advising by Dr. Erik Ringmar at the LSE, and my indebtedness to mentor, Professor Gregory A. Raymond, specialist in international relations and conflict resolution at Boise State University, and his nearly twenty years of inspiration and faith in my academic abilities. Fellowships from the American Association of University Women, Euskal Fundazioa, and Eusko Jaurlaritza contributed to the financial requirements of this international travel. -
1 Centro Vasco New York
12 THE BASQUES OF NEW YORK: A Cosmopolitan Experience Gloria Totoricagüena With the collaboration of Emilia Sarriugarte Doyaga and Anna M. Renteria Aguirre TOTORICAGÜENA, Gloria The Basques of New York : a cosmopolitan experience / Gloria Totoricagüena ; with the collaboration of Emilia Sarriugarte Doyaga and Anna M. Renteria Aguirre. – 1ª ed. – Vitoria-Gasteiz : Eusko Jaurlaritzaren Argitalpen Zerbitzu Nagusia = Servicio Central de Publicaciones del Gobierno Vasco, 2003 p. ; cm. – (Urazandi ; 12) ISBN 84-457-2012-0 1. Vascos-Nueva York. I. Sarriugarte Doyaga, Emilia. II. Renteria Aguirre, Anna M. III. Euskadi. Presidencia. IV. Título. V. Serie 9(1.460.15:747 Nueva York) Edición: 1.a junio 2003 Tirada: 750 ejemplares © Administración de la Comunidad Autónoma del País Vasco Presidencia del Gobierno Director de la colección: Josu Legarreta Bilbao Internet: www.euskadi.net Edita: Eusko Jaurlaritzaren Argitalpen Zerbitzu Nagusia - Servicio Central de Publicaciones del Gobierno Vasco Donostia-San Sebastián, 1 - 01010 Vitoria-Gasteiz Diseño: Canaldirecto Fotocomposición: Elkar, S.COOP. Larrondo Beheko Etorbidea, Edif. 4 – 48180 LOIU (Bizkaia) Impresión: Elkar, S.COOP. ISBN: 84-457-2012-0 84-457-1914-9 D.L.: BI-1626/03 Nota: El Departamento editor de esta publicación no se responsabiliza de las opiniones vertidas a lo largo de las páginas de esta colección Index Aurkezpena / Presentation............................................................................... 10 Hitzaurrea / Preface......................................................................................... -
(Mañaria, Bizkaia) History of the Investigation in Askondo Cave
HISTORIA DE LA INVESTIGACIÓN DE LA CUEVA DE ASKONDO (MAÑARIA, BIZKAIA) 7 KOBIE SERIE BIZKAIKO ARKEOLOGI INDUSKETAK - EXCAVACIONES ARQUEOLOGICAS EN BIZKAIA, Nº 2: 7-12 Bizkaiko Foru Aldundia-Diputación Foral de Bizkaia Bilbao - 2012 ISSN 0214-7971 Web http://www.bizkaia.eus/kobie HISTORIA DE LA INVESTIGACIÓN DE LA CUEVA DE ASKONDO (MAÑARIA, BIZKAIA) History of the investigation in Askondo cave (Mañaria, Bizkaia) Diego Garate Maidagan1 Joseba Rios Garaizar2 Ander Ugarte Cuétara3 Palabras-clave: Askondo. Arte parietal. Gravetiense. Bizkaia. Gako-hitzak: Askondo. Labar artea. Gravette aldia. Bizkaia. Key-words: Askondo. Rock art. Gravettian. Biscay. RESUMEN A continuación damos cuenta de las investigaciones y actuaciones desarrolladas en la cueva de Askondo hasta la actualidad, incluyendo el reciente hallazgo del conjunto de arte parietal paleolítico y la excavación arqueológi- ca de su vestíbulo. LABURPENA Jarraian gaur egun arte Askondoko kobazuloan egindako ikerketen eta ekintzen kontua emango da, orain dela gutxiko Paleolito garaiko labar-arte multzoaren aurkikuntza eta aretoan egindako indusketa arkeologikoa arte. ABSTRACT Next we give to account of the investigations and activities developed in the cave of Askondo until the present time, including the recent finding of the Palaeolithic rock art set and the archaeological excavation in the entran- ce. 1 Arkeologi Museoa, Museo Arqueológico de Bizkaia 2 Centro Nacional de Investigación sobre la Evolución Humana 3 UNED HISTORIA DE LA INVESTIGACIÓN DE LA CUEVA DE ASKONDO (MAÑARIA, BIZKAIA) 9 Aunque desde el punto de vista científico la cueva otro objeto” (Gálvez Cañero 1912: 179). La misma de Askondo se ha mantenido prácticamente inédita noticia será recogida por diversos autores sin aportar hasta 2011, se tiene constancia de la misma desde el mayor información relevante –un plano muy desacer- inicio de la investigación arqueológica en el territorio tado por parte del primero– (fig.